Category: TV Channels

  • Global Broadcast News announces Rs 1 billion IPO

    Global Broadcast News announces Rs 1 billion IPO

    MUMBAI: Global Broadcast News Ltd (GBN), which manages English news channel CNN-IBN and Hindi channel IBN7, has announced plans to raise Rs 1.05 billion through the capital market. The GBN, a TV18 Group company has filed its s draft red herring prospectus (DRHP) with the Securities & Exchange Board of India, according to an official statement.

    The company proposes to raise up to Rs 1.05 billion through the issue of equity shares of Rs 10 each for cash at a premium to be decided through the 100 per cent book-build process. The equity shares are proposed to be listed on the Bombay Stock Exchange and the National Stock Exchange.

    The net issue to public comprises the issue of equity shares aggregating up to Rs 1 billion, and the issue of equity shares aggregating up to Rs 50 million is reserved for the employees. Of the net offer to public, 60 per cent is reserved for allotment to qualified institutional buyers on a proportionate basis, 5 per cent of which will be available for allotment to mutual funds. Further, up to 10 per cent of the net offer to public is reserved for allotment to non-institutional investors and the balance of up to 30 per cent for allotment to retail investors.

    GBN joint managing director Sameer Manchanda says, “The IPO is an important milestone in realizing our larger corporate vision. It would help strengthen GBN’s position in the television news business and tap future growth opportunities”

    The book running lead managers to the issue are ICICI Securities Ltd and Kotak Mahindra Capital Company Limited. JM Morgan Stanley Limited and IL&FS Investsmart Limited are the co- book running lead managers.

  • Pio TV, IPTV channel dedicated to Indian diaspora goes onstream

    Pio TV, IPTV channel dedicated to Indian diaspora goes onstream

    MUMBAI: US-based India Broadcast Live, a global entertainment and media company, has unveiled Pio TV, a television channel meant for the Indian diaspora. The channel will be available through the Internet Protocol Television (IPTV) platform.

    Minister for Overseas Indian Affairs Vayalar Ravi formally inaugurated the new channel yesterday at a function held in New Delhi.

    IBL has begun streaming a variety of content from India, including news, sports and entertainment in several Indian languages to 40 million Indians living outside of India and 1.2 billion Indian subscribers in India via www.IndiaTVLive.com, states an official release.

    “We look after the interest of the 20 million people of Indian origin (PIOs) and non-resident Indians (NRIs) who reside overseas. Hence I am delighted to launch this new platform that will connect the expatriates with instantaneous news and information from India,” Ravi has been quoted in media reports as saying.

    PIO TV will offer specialized programming to the Global Organization of People of Indian Origin (GOPIO) around the world. The channel distributed via the Internet on www.IndiaTVLive.com will offer daily news bulletins, business news & features, talk shows, sports coverage, segments on lifestyle, fashion, cuisines, culture, tradition, religion and an exhaustive coverage of Bollywood and Indian entertainment, the release adds.

  • Star One announces prime time soap ‘Betiyaan apni yaa…Paraaya Dhan’

    Star One announces prime time soap ‘Betiyaan apni yaa…Paraaya Dhan’

    MUMBAI: Star One is all set to launch one more soap to complete its prime time revamp. The soap Betiyaan apni yaa…Paraaya Dhan, slotted for Monday-Thursday 9 pm, will launch in October.

    Announcing the new programming block, Star India senior creative director Shailja Kejriwal said, “We are delighted to bring a whole new entertainment experience to our viewers. With the new season of Nach Baliye 2 coming soon, we are all set to revamp primetime viewing with the two new shows that boast of a combination of intense family and social drama. Paraaya Dhan and Saathi Re will also see fresh content and some exciting new faces on Star One. ”

    Betiyaan apni yaa…Paraaya Dhan is the story of six daughters & one son born into a zamindar family of Neelkanth Chanda Rana. It is the story of a father who rebukes his daughters because for him they are a burden. They have come into his life only want of a son. Krishna, the eldest daughter and the protagonist, is based on Lord Krishna’s character and personifies his depth of wisdom and understanding. A simple, honest and principled girl, she is the balancing factor amongst her sisters. Paraaya Dhan may be considered the story of many a home in India where it is believed that a son will take the family name further and a daughter is Paraya Dhan, says an official release.

  • Zee Sports back on Hathway; Incable blackout stays

    Zee Sports back on Hathway; Incable blackout stays

    MUMBAI: Zee Sports is back on Hathway Cable & Datacom in Mumbai, but has reached no agreement yet with Incablenet.

    The case with Incablenet comes up for hearing in the Telecom Disputes Settlement and Appellate Tribunal (TDSAT) tomorrow. Incablenet had moved the TDSAT, seeking restoration of signals as “Zee Sports had not served a 21-day notice before blacking out the signals.”

    Sources say signals, however, were restored to Hathway today as the multi-system operator (MSO) had agreed to enter into a commercial agreement.

    Zee Sports was put back on cable networks in Pune after the Pune District Consumer Disputes Redressal Forum directed Zee Sports to restore the signals till further hearings on 21 September. Zee had restored the signals in Pune following the order, but moved the Commission.

    Zee Sports has the exclusive telecast rights for the DLF Cup between India, Australia and West Indies. The tri-series will last till 24 September.

  • Spielberg, Burnett film based reality show to air on Star World, Star Movies from May

    Spielberg, Burnett film based reality show to air on Star World, Star Movies from May

    MUMBAI: Star World and Star Movies will air the upcoming film based reality show On The Lot in May 2007.

    The show is being done by reality TV guru Mark Burnett and film director Steven Spielberg.

    In the US the show kicks off on Fox from 16 May 2007. The aim of the show is to give aspiring filmmakers from around the world the chance to earn a $1-million development deal at DreamWorks.

    16 undiscovered filmmakers will compete to win the support of the show’s viewers, as their fate will be decided by a weekly audience vote.

    The show will have a one-hour Film Premiere episode, followed by a half-hour Box Office results show.
    After a global search, applicants will be winnowed to a group of 16 talented filmmakers. These finalists will be brought to Hollywood, where they will be divided into teams and begin the journey toward their ‘big break’.

    Every week, the hopeful filmmakers will produce short films from a chosen genre, running the gamut from comedies to thrillers, personal dramas to romance, sci-fi to horror. They’ll have access to the best resources the industry has to offer — professional writers, cast and crew, and maybe even Hollywood celebrities.

    After the teams have battled time frames, budgets and all the usual chaos that goes along with filmmaking, their films will debut and be critiqued in front of a live audience during the Film Premiere episode. Judges will include a high-ranking motion picture executive, a prominent film critic and a succession of well-respected guests, such as directors who are experts in the week’s featured genre. But the filmmakers ultimately will be judged by the harshest critics of all … the public.

    Fox viewers votes will determine which film should be left on the cutting-room floor. On the next night’s Box Office results show, the director whose feature garners the fewest votes will be sent home. Reports indicate that Fox will use American Idol as a vehicle to create awareness for this show.

  • Eros acquires distribution rights for Aishwarya Rai’s ‘Provoked’

    Eros acquires distribution rights for Aishwarya Rai’s ‘Provoked’

    MUMBAI: Eros International plc has acquired the distribution rights of Provoked starring Aishwarya Rai for the UK and US, besides the Indian terriority.

    Provoked is based on the true story of a Punjabi woman named Kiranjit Ahluwalia who moves to England and marries a man who subjects her to violent physical abuse. In a fit of desperation, she resorts to killing him and is subsequently charged with first-degree murder and sentenced to life imprisonment. The movie follows her pursuit for justice, according to an official statement.

    Kiranjit Ahluwalia’s story has succeeded in transforming the British judicial system and the meaning of ‘provocation’ has since been redefined in the case of physically abused women. The story has been so influential that a book was published on her life called ‘Circle of Light’, by Rahila Gupta.

    Directed by Jag Mundhra Provoked also stars Miranda Richardson (The Hours, Phantom of the Opera, Get Carter), Robbie Coltrane (Harry Potter, Ocean’s 12, Golden Eye, The World is Not Enough), Nandita Das (Sandstorm, Fire, Earth), Rebecca Pidgeon (Heist), Deborah Moore (Die Another Day) and Naveen Andrews (Lost, The English Patient, Bride & Prejudice)

    The movie was screened at this year’s Cannes Film Festival and more recently to Patricia Hewitt, British Culture Minister, informs the statement. Eros will be announcing the release date of the film shortly.

  • ‘We believe that it is not in numbers but in the quality and nature of programming that is getting us noticed’ : Aditya Tripathi – Discovery Lifestyle Networks vice president

    ‘We believe that it is not in numbers but in the quality and nature of programming that is getting us noticed’ : Aditya Tripathi – Discovery Lifestyle Networks vice president

    Discovery Lifestyle Networks VP Aditya Tripathi began his professional career with Living Media India Ltd., and has worked in senior positions with some of the biggest media houses in the country. He made the move to Discovery in 2000 and his expertise in creating brand empathy, marketing and promotion has gone a long way to reinvigorate the various Discovery brands in India, especially Travel & Living.

    India is attaining prominence because of the socio-economic developments taking place in the country. Ahead of Discovery Travel & Living’s (DT&L) first local production The Great Indian Wedding to be aired on 20 August, Tripathi spoke to Indiantelevision.com’s Usha Thomas about how the lifestyle channel was gaining eyeballs with incessant demand from both Indian and foreign viewers for India-centric content.

    Excerpts:

    How did the concept of a lifestyle channel come about?
    With its growing and dynamic TV market and emerging middle-class, India was the right place to begin Discovery Networks’ new lifestyle endeavour. Some years ago, we took stock of the international TV landscape and we identified the presence of established global leaders in different genres: news, sports, movies, factual. And, among all this we identified a niche in the lifestyle space. There was no global brand and given that we had some experience in lifestyle and travel genres, we felt that this was an area we could occupy and dominate in the years to come.

    The senior management from the parent group came to India and wanted to be convinced that India was the right place to launch a lifestyle channel. After a day of the usual presentations, we took them to Gurgaon and showed them the homes, buildings under construction, call centres and malls. They looked around and said if this is the future of India, then lifestyle is the future of India and right there in the middle of a shopping mall, we were given the go ahead to launch DT&L. And, hence India was the first country to launch lifestyle networks.

    What is the positioning of the channel?
    Since its launch in November 2004, DT&L has striven to make its positioning distinct from that of factual channels. From day one, the strategy of our channel was to offer varied, non-fictional content as it is our strength. But, we don’t need to stick to factual alone. We can be factual as well as be in the lifestyle group and our positioning in the lifestyle group is aspirational, yet attainable. It’s just not about enjoying life, it is about celebrating life. It is good looking entertainment. So our channel is aspirational yet attainable, hedonistic, pacy, edgy …always stylish and trendy. We believe in good looking, entertaining television.

    Who is your target audience?
    Our primary target audience is upscale SEC AB audience – males, females and couples, between the age group 18 – 45 years. But, for us SEC, age, gender are limiting definitions. Our focus markets are Top 10 cities in India. Apart from these, the aspirational character of the channel will attract a secondary audience as well. It’s a state of mind that we are looking to capture so we are targeting a person with an international outlook, a person who has travelled abroad, may have even lived abroad, whose kids may be studying abroad and one who has seen international television and international lifestyle. This is common in Travel & Living in the UK, US, Singapore, all over the world. Nationality is not important for people with this mindset.

    Outline your performance in viewership, reach and among advertisers?
    Today, we reach 3 out of 4 cable homes in the country and in the top six metros, we reach 4 out of 5 homes. As far as viewership and relative channel share compared to other English entertainment channels Star World and Zee Café is concerned, we are growing considerably with time. We don’t share content with these channels but almost eight months after our launch, we had overtaken Star World in terms of numbers.

    Word of mouth and strong advertiser response is an indicator of our success. We are looking at the mindset which goes beyond demographics.

    Though TAM is a very democratic form of measurement designed to measure television groups across the country, groups, cities & towns, it is not designed to measure our target audience. For us, it is the people in malls, in fine dining restaurants, our ad agencies who are watching the channel. We believe that it is not in numbers but in the quality of programming and nature of programming that is getting us noticed.

    DT&L is about innovative, up market and interesting programming and we seek to experiment with properties that transverse different genres. We also pride ourselves on understanding our audience. Audience feedback has greatly attributed to our success and word of mouth is what makes us tick.

    In the first year, we had 236 brands on the channel and each time we go to an ad agency, the decision makers and their families are watching the channel so we have got very positive response from the advertisers to this channel. Also, despite the rapid growth of the television industry in India, advertising spends on lifestyle brands have traditionally been restricted to the print medium. The lifestyle channel provides advertisers with a dynamic media vehicle to reach a well targeted and defined viewership profile. It attracts 120 advertisers from across product categories, further cementing the channel’s unique value proposition.

    DT&L is providing a variety of shows, apart from just travel based shows. The programming strategy on DT&L since 2004?
    DT&L is essentially a lifestyle channel and along with travel, the programming will give viewers the inside track on all the latest trends in luxury and includes travel, health, relationships, wine, cuisine, home, car, bikes, the good life with a little bit of celeb and glam life.

    We have evolved keeping our original concept in mind and have grown far more than expected since our launch two years ago. Content is the key driver. We have made it our policy to incorporate as many different genres as possible and to acquire international programs or create localised programming in order to form a strong bond with our viewers.

    The Theme Week and Sunday Brunch strategy introduced in end December 2005 targeted at both viewers and advertisers. These programming blocks were created to appeal to the various target groups at times that they prefer while at the same time giving advertisers a focussed platform to reach key audiences.

    We have introduced a number of genre-defining programmes that have never been seen before in India, for example,American Chopper, Faking It, Million Dollar Agents, Miami Ink. We have all along explored different different genres of programming and experimented with reality factual programming with a difference.

    We don’t do celeb focusssed programming and are not overawed by celebs. Shows that we have incorporated have ranked extremely high in terms of quality and appeal and capitalize on wit and local humor, apart from being real.

    What are your views on DTH in India?
    The encouraging DTH scenario was also one of the reasons why the Indian management had been advocating the case for a lifestyle network in India. The channel has been established as a lifestyle channel, roping in the upwardly mobile. Currently available in 22 million homes across the country, DTL is also now available on the DTH platform.

    Today, we have the choice to choose the bouquet you want and the channel you want, so we welcome it. Internationally, the Discovery family of channels has thrived in all DTH markets. All three of our channels – Discovery, Animal Planet and Travel & Living are available on Dish TV and Tata Sky. We get to see the channel we want rather than with cable ops where they run all the channels and one can’t choose. For DTH, exclusivity is important and that suits us.

    10-15 per cent of the programming will be Indian. At any given point, we will have one local show on air and every quarter, we will premiere a new series

    Can you tell us about Discovery producing programs in India?
    India’s relevance on the world map is increasing. There are more people around the world interested in India, coming to India to work and travel so therefore DT&L is producing programming on Indian audiences but this will go to our channels across the world. The programming will show India in a positive light and in turn we get eyeballs from other regions who see these programs and maybe plan to visit India on seeing it.

    The way the Discovery format is used, we make a program on one part of the world and we show it in other parts of the world. That is the nature of our programming and all the shows on the three channels Discovery, DT&L and Animal Planet are of global interest. Similarly, we know our channel here is an international channel that provides high quality entertainment for a global audience.

    Give us the complete lowdown on the first local production The Great Indian Wedding?
    With our decision to commission local productions in India, we had been identifying various ideas that fit our programming strategy. Amongst many other concepts, we zeroed down to The Great Indian Wedding show. Also, in our discussions with many production houses, Delhi based Blue Mango came up with the very same idea. They were given the go ahead to make a pilot, mainly to serve two purposes: Get the formula right and then make the rest of the series.

    At the time that we decided on the wedding series, the media was all agog about the Chatwal wedding. Many other channels were trying to get the coverage and when we spoke to the Chatwals, they readily agreed to give us exclusive access to all the happenings on the wedding which was to be held in three cities in India – Mumbai, Udaipur and Delhi.

    The Great Indian Wedding is a one of a kind series, allowing the viewer to experience the wedding as an insider. The focus is on weddings with a difference and have a twist to them: opulence, glam quotient, location and theme. The pilot episode premieres on 20 August at 8 pm.

    During the ad break of this pilot episode, a banner will be streamed asking viewers if they have a great Indian wedding coming up. Based on the responses and our research, the 13 part series will be made. The remaining episodes will go into production in the 2006-2007 wedding season. We are looking at ethnic, different weddings and need not be of the same scale as the Chatwal wedding. Apart from the many applications received for the upcoming wedding season, we expect many more once the pilot episode is aired.

    The programme captures the glamorous theme parties extending from exotic locations like Jag Mandir in Udaipur to premium hotels in Delhi, the striking performances by Indian and international artists and the romantic and religious wedding ceremony. The host, Natasha Mago presents an insiders view, chatting up the bride, groom, guests, the challenges and frustrations of the wedding planner and the actual wedding ceremony.

    All guests invited at the wedding who appear on the show have given their signed consent in this regard, mainly to avoid legal hassles later, what with the high celeb turnout for this wedding.

    Our aim is to showcase India and showing a wedding held at the opulent and historical venues at Udaipur & Delhi, we hope to do our bit in promoting tourism in India. Keeping in tune with the high standards that Discovery is associated with, budgets were high especially as it was all shot on digibeta cameras. It was not studio based and there will be no compromise on the quality of the film, light, sound and effects used. We are clear that each programme should include a unique and entertaining story, credible facts and high-quality production values.

    We plan to get into merchandising by early next year by releasing DVD versions of our popular series and those currently on air

    What are the marketing initiatives being undertaken for the new local shows?
    We have already started airing promos and teaser campaigns for the pilot episode from 15 July and these have evinced a lot of interest among the viewers and the advertising fraternity. On the day (20 August) that the pilot episode will be premiered, we will be placing advertisements in all the major national dailies.

    Have you set targets regarding the amount of India centric content?
    It is essentially an international channel and India productions will be a small but significant part of the repertoire of programmes. The Indian programming will never dominate the channel as we clearly make it with the intention of airing it in other parts of the world. So, maybe 10-15 per cent of the programming will be Indian. At any given point, we will have one local show on air and every quarter, we will premiere a new series.

    What outdoor activities are being planned in India in order to extend the brand beyond television?
    We plan to get into merchandising by early next year by releasing DVD versions of our popular series and those currently on air. We have tie ups for the same with firms based out of Singapore and hope to soon associate with local firms.

    Name few acquisitions made recently?
    Among the recent acquisitions are a home interiors show called Trading Spaces and one on the training methods for airline cabin crew called Flight Attendants School. In January, we will be airing another BBC title Hairy Bikers Cookbook which captures the journey of two motorbike freaks as they travel to different places and learn about the local food.

    Are Indian viewers different from their counterpart in other countries?
    Honestly, there is no difference as our target audience matches up to any other in a similar genre in the world. They travel a lot, may have been educated abroad or visit countries on business and their lifestyles, eating habits and aspirations are similar to those abroad.

    Any plans of incorporating broadband and mobile into your business?
    We are looking at what technology may allow and what audiences are looking for and yet marrying that to the core DNA attributes of what Discovery has represented and people have loved through the years. We do not consider them a threat and with time, will integrate them in our business. Flipping channels is a reality and we are evaluating on working with mobiles, VoIP and other different platforms. We have been at the forefront of incorporating technology in the way we program and market the channel.

    For the series aired last quarter Five Takes, we had selected young people in their early to mid-twenties, and have given them $50 a day, a camera to film and software to edit so they document their daily lives. We gave the audience the opportunity to vote on the net and via SMS to decide where these young people should go and what they should do.

    In the niche channel environment where perception counts for a lot customization, do mention any customised solutions that have been done for clients?
    We recently had our first initiative in this regard with HSBC Bank for the HSBC Premiere card. They target the same high net worth individuals like us and they invited their customers and potential customers to a dinner and whisky tasting event at elite hotels in Delhi, Mumbai and Bangalore. We spoke about different whiskeys, their history and they also got to taste the best available in the world. We got tremendous feedback from those invited and HSBC and will hold many more customized events with like minded firms in the future.

  • Vijay TV youth show ‘Entertainment Quotient’ launches on 18 August

    Vijay TV youth show ‘Entertainment Quotient’ launches on 18 August

    MUMBAI: After the culmination of the talent hunt show Airtel Super Singer, Star India’s Tamil channel Vijay TV has announced the arrival of a new talent hunt property, Orbit EQ (Entertainment Quotient).

    Launching on 18 August, the show has been slotted for Friday, Saturday at 8 pm.

    According to an official release, EQ is an inter-collegiate state level cultural competition for TV. The main objective of this programme is to bring to centre-stage the budding talent in college students. Essentially EQ is a show where colleges in Tamil Nadu compete against each other in a set of entertainment events comprising of: choreo teams, classical music, classical dance, light music solo, light music group, fusion music, dramatics, mono acting, folk arts and variety entertainment.

    The college that emerges victorious in the finals will win loads of prizes and the prestigious Rolling Trophy. But that’s not all; this show could pave the way to exciting career options for all those talented college students who aspire to enter the entertainment industry, as EQ will emerge as the favourite hunting ground for fresh talent by an industry that is continuously on the look out for fresh and emerging talent, the release adds.

    The EQ of colleges will be judged by Malgudi Subha and dance master Sridhar. Prominent film personalities like Shobana will also be part of the jury panel. The show will be hosted by Shiva of Radio Mirchi fame. The co-host is Tejashri.

  • Zone Reality acquires a spy show

    Zone Reality acquires a spy show

    MUMBAI: Global media firm Zonemedia has signed their first deal with UK independent producer, Wall to Wall Media.

    Zonemedia has bought the reality game show Spy acquired for broadcast on its Zone Reality channel in India.

    Commissioned by the BBC, the 10 episode one hour series sees a group of ordinary people set the ultimate life-changing challenge – to leave their lives behind, lie to family and friends, relocate to a new city and assume a whole new identity – as they step into the shadows and become spies.

    Replicating the real training processes of MI5, MI6 and the CIA, recruits will find themselves under the most intense psychological pressure – but only one recruit will make it; the rest will have to return to their ordinary lives.

    Zonemedia senior VP channels Steve Cole says, “This groundbreaking show takes reality television to a whole new level as people are challenged to leave everything behind – Zone Reality is the perfect platform for such an innovative idea and I am confident audiences will find Spy riveting viewing”.

    Wall to Wall Media sales executive Nick Pawsey says, “We’re pleased to be in business with Zonemedia on intelligent reality series Spy. This deal now means the show is available in over 100 territories worldwide – a real testament to the universal appeal of the secrets of spying.”

  • Balaji to foray into other genres; start Sharjah operations

    Balaji to foray into other genres; start Sharjah operations

    MUMBAI: The country’s most successful soap factory is looking to spread its sphere of activity into new content terrain. In its latest annual report, Balaji Telefilms has announced its intent to expand into animation and mythological programming, among other new initiatives. Further it announced at its annual general meeting (AGM) today that it would be starting a wholly owned subsidiary at Sharjah for production of serials for the Middle East market.

    Balaji has a confirmed order for one and negotiations are on for more serials with different channels, the Bombay Stock Exchange (BSE) was informed today. The Sharjah unit is expected to be operational by the first week of November, the posting with the BSE states.

    Managing director and CEO Shobha Kapoor, while reviewing the company’s performance, says, “For years, the Balaji brand has been associated with soap content. We expect to evolve this into new business lines like animation, non-fiction content, ad films and mythological programmes. We are optimistic that with India emerging as an attractive outsourcing hub for animation, our established infrastructure and industry position will serve as a relevant foundation for growth in this new area.”

    Balaji Telefilms, which had entered the reality show genre with Kosmiic Chat and Kandy Floss, plans to reinforce this with non fiction content programmes like Karmiic Connection and Karbon Copy in 2006-07.

    The company produced 2113 hours of live action programming in 2005-2006 generating revenues of Rs 2.69 billion and net profit of Rs 594.2 million. This was buoyed greatly by the company’s realisation per hour of commissioned shows to Rs 2.2 million up from Rs 1.7 million last year. It is reportedly sitting with oodles of cash and looking for new investment avenues.

    The company invested Rs 131.7 million in captive equipment, three studios, and editing infrastructure in 2005-2006. The company is also reportedly drawing up plans to start a media educational academy in Pune.

    Today’s AGM also aproved the re-appointment of Akshay Chudasama and Pradeep Sarda as directors of the company. The re-appointment of Deloitte Haskins & Sells and Snehal & Associates as joint auditors was also passed during the meeting.