Category: TV Channels

  • Travelxp joins Polsat Plus Group; expands its global network

    Travelxp joins Polsat Plus Group; expands its global network

    Mumbai: Travelxp has expanded into Poland. Thanks to its cooperation with Polsat Plus Group, viewers in Poland will get to enjoy its premium travel and lifestyle content on Polsat Box (satellite, IPTV, and OTT TV with set-top boxes), Netia (IPTV), and the Polsat Box Go streaming service.

    The broadcaster said that it is known for freshness and originality and that it has come up with many interesting shows even during the covid lockdown. Through shows like The Gypsies and The Savvy Nomad, which are in keeping with the changing nature of travel, the channel has stayed relevant. This has led to partnerships with broadcast platforms in the North and South American, African, South Pacific, and European regions. A partnership with the European pay TV giant, Polsat Plus Group, has expanded the channel’s reach in Europe.

    Travelxp MD Europe Sumant Bahl said, “The year 2022, the very first after the lockdown, has been an excellent year for Travelxp, and it is ending on a high note with a crucial partnership. Launching the premium HDR content of Travelxp 4K in HLG HDR, 10-bit REC 2100 colour space, and 50 frames on the largest digital platform in Poland is just the feather in our cap that we needed, after establishing a strong foothold in over 20 countries across Europe.”

    With 1000+ hours of premium travel and lifestyle content, Travelxp is distributed in over 100+ countries. It also claims to be the single-largest producer of travel content and a global innovation leader in 4K HDR technology. With a diverse programming mix, all Travelxp shows are original in-house productions filmed across 60+ countries with multi-cultural hosts from across the world. The channel launched its own OTT app in 2021, currently available in India, that hosts the largest HD library for travel content. Along with travel content, it also hosts booking services on its platform.

  • Colors launches new show ‘Durga Aur Charu’

    Colors launches new show ‘Durga Aur Charu’

    Mumbai: Through their daughters in Colors’ new show Durga Aur Charu, the late Bondita and Anirudh Roy Chowdhary’s legacy from one of the most adored television sitcoms, Barrister Babu, continues.

    Durga is her mother’s shadow, whereas Charu is her soul. The show follows the lives of two sisters who are related by blood but who had quite different upbringings as a result of being split up when they were young. The program, which is made by Shashi Sumeet Productions, will debut on 12 December and air every day at 8:30 p.m.

    For the starring roles as two sisters, Durga and Charu, the channel has cast well-known performers Aurra Bhatnagar and Vaishnavi Prajapati.

    Viacom18 Hindi Mass Entertainment chief content officer Manisha Sharma said, “Delivering stories that strike a chord with our viewers has always been our focus at Colors. Such was the story of Barrister Babu, a show that enjoyed incredible success and love from the audience. Continuing its legacy, our new fiction show Durga Aur Charu traces the heartfelt journey of Bondita and Anirudh’s daughters, who are raised in two different environments, resulting in having contrasting personalities. As we present a fresh chapter and the continuation of the popular show, we hope to receive the same love and appreciation with Durga and Charu.”

    Durga (Aurra Bhatnagar), a modest and pessimistic child, and her street-smart older sister Charu are the subjects of the film Durga Aur Charu, which is set in the period before and after independence (Vaishnavi Prajapati). The two sisters are living separately and are unaware of one another. Due to their varied upbringings, they are as different as chalk and cheese. While Charu, Durga’s sister, is fierce, loud, and excels in academics, Durga is reserved, quiet, and depends on doing acrobatics to support herself. The former is raised by con artists, whereas the latter is adopted by wealthy parents.

    Producer Shashi Mittal said, “Durga aur Charu is a period drama set during the British colonial era that traces the journey of two siblings who not only lose their parents but also get separated at a young age. But eventually destiny brings them together, and their relationship is tested through several emotional adversaries. With our shows, we always aim to deal with various themes that impact our societal thinking in some way or another. Our association with Colors has been a fruitful one, we have had the opportunity to work with the best team with creative freedom, and we hope that with Durga Aur Charu, we deliver yet another compelling story to the viewers.”

    Excited to be playing the role of Durga, Aurra Bhatnagar said, “As young Bondita, I have received immense love and support from the viewers, and now I am super excited to step into the new role of Durga. She is the exact replica of her mother, who excels in academics but is socially awkward due to her upbringing. After making my debut with Barrister Babu and Colors, I’m thrilled to be associated with the channel again to start a new chapter.”

    Set to be seen in the role of Charu, Vaishnavi Prajapati said, “Essaying the titular role of Charu is a big opportunity for me, and I am thankful to the entire Durga Aur Charu team and Colors for giving me this chance. What I love about Charu is that she is feisty and fearless like her mother Bondita. I’m positive that Charu will win the hearts of the viewers as a confident girl, who knows how to take control of her life.”

  • Watcho original announces a new crime thriller ‘Aarop’

    Watcho original announces a new crime thriller ‘Aarop’

    Mumbai: OTT platforms Watcho has announced the premiere of Aarop, a heartbreaking crime thriller series. Written and directed by Subhash Jangid and Vinay Bhola, the 10-episode web series is available in Hindi language. 

    The series is packed with mystery, suspense, drama, and thrill, which results in a recipe that makes it absolutely gripping for the viewers.

    The show also features an ensemble of the cast, including Ram Mehar, Akansha Juneja, Raj Singh Verma, Muskkan Sayed, Vikas Mehta, Mukesh Musafir, Chandrani Baidya, Hiten Tank, Supriya Priyadarshani, and Alka Chatwal.

    Aarop is a powerful, character-driven crime thriller set in contemporary India. It revolves around two cops, Anuraag and Shantanu, who successfully apprehend a local goon, Jethiya, but the mounting political pressures force them to fight against each other. The turn of events will take viewers through strange and intriguing scenarios with every episode. 

    Commenting on the launch, Dish TV India Ltd. corp. head of marketing for DishTV & Watcho Sukhpreet Singh said, “Watcho endeavours to keep our viewers engaged with interesting content across varied genres. Aarop is one such story, with a gripping plot and outstanding performances by actors that make the story even more realistic. With the premiere of Aarop, we try to further strengthen our programming slate and viewing experience for our Watcho family.”

  • Bharat24 closes 100th advertiser within 100 days of its launch

    Bharat24 closes 100th advertiser within 100 days of its launch

    Mumbai: Bharat24, a Hindi news channel, has reached an unprecedented milestone by bringing 100 advertisers on board within 100 days of its launch.

    The channel, which created much anticipation and hype before its foray into the national news space, has managed to grow at a steady pace and live up to its promise of being a disruptor news brand.

    Revenue has never seemed like a challenge for the channel’s visionary Bharat24 CEO and editor-in-chief Dr Jagdeesh Chandra and chief business officer and strategic advisor Manoj Jagyasi, who joined the board in the leadership role, as the channel has taken successful first steps in the already crowded and highly competitive Hindi news space with finite ad revenue.

    Bharat24 currently boasts 100+ clients from across the national spectrum, which have shown keen interest in the channel’s pitch to them and have responded positively by placing their campaigns on the channel.

    Speaking on the development, Jagyasi said, “We are delighted to gain the trust of over 100 clients in such a short span of time. I must credit my team of dedicated professionals who are relentlessly in pursuit of growth. We are committed to adding value to the clients who are trusting us to deliver on their campaigns by constantly innovating and implementing seamless integrations.”

    “We have announced quite a few big-ticket IPs, namely, Super Indians, for which for the first time on any news event, we have huge film star Govinda as the celebrity host. With our motto of ‘States make the Nation’ we have instituted Shikhar Samman in various states to give a platform to those contributing towards a vision of New India. We have also recently announced ‘Swastha Bharat Health Conclave’ putting the spotlight on excellence in healthcare,” he elaborated further.

  • Addressable TV and Beyond summit: Scalability is the biggest issue facing CTV

    Addressable TV and Beyond summit: Scalability is the biggest issue facing CTV

    Mumbai: While CTV has potential for advertisers, it is still at a nascent stage in the country. Scale is the biggest issue it faces. Transparency is an issue in measurement, as is the fact that the industry is facing fragmentation. There are lots of players. But if the stakeholders work together, magic can happen.

    These points were made on a panel discussion during GroupM’s division Finecast India and Kantar’s “Addressable TV and Beyond” summit. The discussion looked at the issue of measurement in CTV. While the moderator was GroupM chief strategy officer South Asia Parthasarathy M A, the speakers were Sensara Technologies India CEO Bharath Kumar Mohan, Airtel Ads head of business Vignesh Narayanan, Mondelez director of consumer experience Anjali (Krishnan) Madan, and Pubmatic country manager India Amit Kumar Yadav.

    Madan noted that Mondelez obviously looks for new ways to connect with its consumers. If that is where the consumer is going, there is opportunity. But the company is sitting on very low numbers when it comes to connected TV. “We are using it experimentally across our brands, which are premium and cater to a much younger audience. While we are doing test and learn, it is pretty much at a nascent stage, which is where digital used to be when it first started out. It is ‘wait and watch.’ We are learning from what is working and not working.”

    Narayanan said that the problem on the consumer’s side is serving the right ads with the right content. On the publisher’s side, it’s about getting a better ROI. Right now, the industry is on the cusp of something big. On one side are advertisers who are looking at OTT. But the challenge is that the CTV industry is very fragmented. On the other side, linear TV is huge, but the right tools are not available to make it addressable. His company is looking at how to capture a large part of the media and make it addressable. That way, there is a high ROI for everybody. “That is the challenge that we are looking to solve. On the publisher’s side, broadcasters need to be aware of how CTV is working, how it can be scaled up, and how they can make their offerings more addressable. On the consumer side, people wonder if CTV will be as good as digital. It could be. How do we make that happen? If everybody from broadcasters to distribution partners to technology companies and brands comes together, I think we can make magic happen.”

    The space is interesting, as many partners need to come together to make the movement come alive. Yadav agreed with Madan that CTV is still at a very nascent stage. Scale is an issue. Transparency is an issue, and the media buyer may want the same transparency that one gets on linear TV. RTechnologies is coming up to help in this area. Flexibility in running ads is also coming up, but it is not as prevalent as a media planner and buyer would like it to be. Having said that, he also noted that his company has been part of CTV across various markets. Addressability in other markets is not yet solved but is more advanced compared to what is going on in India. He gave the example of Australia. There are multiple things being tried, like Finecast ID. Then KSR is done by OEMs. More and more adoption will happen across the industry. Another point made was that TV is getting distributed across many mediums like YouTube and Firestick, and the issue is that there is no one medium for measurement. This is a fundamental challenge. TV is available in many places, and if each partner brings their own measurement system, it will be a challenge. The question is, “How do you have one measurement system to measure TV wherever it is being consumed?” Currently, we are not set up for it. The measurement is in place for traditional TV, but it does not take into account the other ways in which TV is consumed.

    Mohan said that there is no better measurement if it can be done on the glass itself. That is the final frontier before it meets a viewer’s eye. The next best way is the set-top box. His company looked at measurement from the point of view of it being perfect. That means that everything the consumer does with the TV should be measured. Also, every moment should be measured, including when a viewer switches away from an ad. Working with OEMs is a great way to do this, and his company works with Airtel, whom he called a thought leader. There has been a lot of learning. Linear and OTT apps can both be measured.

    “Technically, we know how to measure what is being watched inside OTT. We know if certain ads are being played because they can be measured at different levels of technical difficulty. Various forms of measurement can be done, like fingerprinting or something on the cloud. It is all getting there. There are 20 million homes coming up. A good number of them will be with Airtel, Jio, and Tata Sky. All of them are bullish on the hybrid box. It means that you can get viewership patterns for both linear and OTT as well. This has been a minefield. The patterns we have unveiled in terms of how people switch from linear to OTT and back are just mind-boggling.”

    He noted that Barc’s unit of measurement is one minute, but a lot can happen in a minute. An ad can be skipped, for instance. “A lot happens inside a minute. We know how the dropoff happens every second the ad moves on. We also know where the dropoff happens. People do so many things and then come back. Nobody knew what was happening because measurement was not happening at that granular scale. There are fantastic patterns that we have seen in terms of how traffic goes in and out and comes back. We are also coming up with new strategies. Should I start doing new content placements? What is the ROI for that? Is there a link between an in-content placement and switching to something else if the first ad shown is for the same brand? We have fascinating data. It is a playground.”

    Narayanan said that more granularity in the data is available. So if somebody is watching in a household, traditionally you would target them based on who owns the box, and that is not enough. There are five individuals in a home. So viewing goes from a kids channel in the afternoon to a news or sports channel in the evening. “There are five different user personas in the household. That itself is something we can segment and target. Being a telco, we understand our users in terms of affluence, age, and gender, and their interactions within our ecosystem help us deliver a much, much richer cohort of data that we can cross-tabulate between different mediums. This is something that we have never done before, but it is definitely possible now. The phone number is the unique identity number for all of us.”

    Madan noted that scale is a very important thing because this is not just in terms of getting to the sizeable number that her company wants to target. It is also a fact that there aren’t enough audience insights for Mondelez to target to the extent that it can drive personalisation. “For brands, driving personalisation is very, very important.” When CTV reaches scale, the company can look at addressable audiences that can be divided into cohorts that make sense for its brands and businesses. That is the trade-off. She concluded by saying that, as more clients begin to collect their own data, they will consider how connected TV can supplement that in terms of audience insights.

  • Barc Wk 48’22: News 18 India continues to dominate HSM

    Barc Wk 48’22: News 18 India continues to dominate HSM

    Mumbai: News18 India has once again dominated the country’s Hindi news segment, outperforming its competitors in terms of market share. With a market share of 15.3 per cent, News18 India outperformed top news channels such as TV9 Bharatvarsh, India TV, Aaj Tak, and Republic Bharat.

    According to the Barc data, (market share per cent 24 hrs, TG:15+, HSM, Wk 48’22 All days), TV9 Bharatvarsh has a market share of 13.5 per cent, followed by India TV with 13.3 per cent, Aaj Tak with 13.1 per cent, and Republic Bharat with 11.4 per cent.

    In terms of overall reach, News18 India has outperformed the top general entertainment channels.

    “To ensure that News18’s content and presentation remain distinct and far ahead of the competition, the network has made significant investments in both technology and editorial staff. News18 brands have gained significant traction on YouTube and social media platforms, with views steadily increasing,” the channel said.

  • India Today-Axis-My-India survey get Gujarat & HP exit poll prediction right

    India Today-Axis-My-India survey get Gujarat & HP exit poll prediction right

    Mumbai: The India Today-Axis My-India exit poll predictions have once again delivered a perfect forecast for the 2022 assembly elections in Gujarat and Himachal Pradesh.

    Exit polls conducted by India Today-Axis-My-India predicted that the BJP would sweep prime minister Narendra Modi’s home state, Gujarat, for the seventh time in a row, but that it would lose Himachal Pradesh in a close race with the Congress.

    “The results from the two states again demonstrated how accurate India Today-Axis-My-India exit polls are. The most recent forecasts are consistent with its track record of 95 per cent accuracy in election forecasting,” the channel claimed.

    According to exit polls conducted, the BJP was expected to win between 129 and 151 seats in the 182-member Gujarat assembly. The opposition Congress party was expected to win 16 to 30 seats, while Arvind Kejriwal’s AAP would win 9 to 21.

    The actual state results, which gave the BJP a landslide and significantly reduced the Congress’s strength in the new house, validated India Today’s predictions as the most accurate in the industry, the channel said. As predicted, the Aam Aadmi Party finished third.

    In Himachal Pradesh, the Congress was expected to win 30 to 40 seats in the 68-member state assembly, which it did.

    As predicted by the India Today-Axis-My-India post-poll survey, the BJP fell short of its 2017 performance, when it won 44 seats. Exit polls also predicted that the saffron party would win 24 to 34 seats in 2022.

  • Barc Wk48’22: Star Plus tops in all India market

    Barc Wk48’22: Star Plus tops in all India market

    Mumbai: Broadcast Audience Research Council (Barc) India has released currency data for week 48, i.e., 26 November to 2 December. As per data for the all-India 2+ target group, Star Plus is the most watched channel in India with an average minute audience (AMA) of 2506.37 (000). It was followed by Sun TV at 2505.95 (000) AMA, Star Maa at 2352.1 (000) AMA, Dangal at 1984.33 (000) AMA, and Goldmines at 1938.29 (000) AMA.

    The average minute audience (AMA) is defined as the number of individuals within a target audience who viewed a televised “event,” averaged across minutes.

    In the Hindi-speaking market (HSM), Star Plus emerged as the most watched channel at 2405.99 (000) AMA, followed by Dangal at 1975.09 (000) AMA, Goldmines at 1909.06 (000) AMA, Colors at 1748.55 (000) AMA, and Star Pravah at 1651.62 (000) AMA.

    In the south market, Sun TV was the most watched channel at 2491.37 (000) AMA, followed by Star Maa at 2293.51 (000) AMA, Zee Kannada at 1509.92 (000) AMA, Star Vijay at 1499.18 (000) AMA, and Zee Telugu at 1267.98 (000) AMA.

    In the Maharashtra/Goa market, Star Pravah was the most watched channel at 1636.78 (000) AMA, followed by Zee Marathi at 454.8 (000) AMA, Colors Marathi 444.26 (000) AMA, Star Plus at 366.8 (000) and Sony SAB 352.59 (000) AMA.

    In the West Bengal market, Star Jalsha was the most watched channel with 1104.98 (000) AMA followed by Zee Bangla at 887.38 (000) AMA, Jalsha Movies at 156.41, Sports18 1 at 155.09 (000) AMA and Colors Bangla at 129.05 (000) AMA

    In the megacities market, including Mumbai, New Delhi, Kolkata, Bengaluru, and Chennai, Colors was the most watched channel at 486.68 (000) AMA followed by Star Plus at 419.99 (000) AMA, Sun TV at 410.87 (000) AMA, Star Vijay at 329.28 (000) AMA and Star Pravah at 286.02 (000) AMA.

  • ET NOW concludes 10th season of ‘Leaders of Tomorrow Awards’

    ET NOW concludes 10th season of ‘Leaders of Tomorrow Awards’

    Mumbai: ET NOW hosted the 10th season of the Leaders of Tomorrow Awards in Mumbai. In order to help entrepreneurs adopt modern business models and future-proof their companies in this dynamic ecosystem, the Leaders of Tomorrow Awards Season 10 with the theme “Empowering India’s Next Decade of Entrepreneurship” was held to celebrate ten years of empowering the transformation of the Indian entrepreneurial ecosystem.

    The Leaders of Tomorrow Awards, an annual national event aimed at identifying and honouring the most promising businesspeople, this year featured emerging and enterprising small businesses across 23 categories, having been shortlisted following a thorough pan-India screening process and duly assessed by a prestigious jury. A variety of quantitative and qualitative criteria, including the business model, risk management strategy, impact and reach, promoter background, and technology impact and disruption, were benchmarked during the selection process.

    The event featured a distinguished line-up of speakers, including Maharashtra Skill Development & Entrepreneurship minister Mangal Prabhat Lodha, IDFC First Bank MD & CEO V. Vaidyanathan, Raymond chairman & managing director Gautam Singhania, OYO Rooms CEO Ritesh Agarwal, and cricketer & start-up entrepreneur Yuvraj Singh, among others.

    Lodha appreciated ET NOW for organising such a stellar award show. He said, “I am glad to be a part of such a beautiful event that boasts of such great minds, who have been big contributors to the betterment of Mumbai and the country. I have also been a businessman, so I understand the need for skill in the sector. The percentage of skilled workers in India is very low when compared to other developed countries. When Shri Narendra Modiji became the Prime Minister in 2014 for the first time, he started the skill department, anticipating the future. He believes that we have honest entrepreneurs who work hard, but if not skilled properly, they stand to fail.”

    He further requested that top industrialists and businessmen present at the event join hands with the government and help upskill people at its incubation centers. “Corps. need skilled people, and we have skilling centres in Maharashtra. We invite large corps. to participate and patronise them. You can play a role in upskilling people at our centres too. These can be huge incubators of talent. We have the space, and we can open ITIs with you if you desire. The government will keep working, but we cannot be 100 percent effective unless we work together. This will birth the leaders of tomorrow.”

    IDFC First Bank MD & CEO V. Vaidyanathan spoke about the challenges small and medium entrepreneurs face in doing business, especially when it comes to the lending sector. “The finance sector is huge in our country, especially the lending market, which is worth Rs 140 lakh crore. Of this, medium and small enterprises account for only Rs 8.7 lakh crore. They operate out of equity, which is an inefficient way of doing business. To help these small enterprises, we must come up with an improved tax structure with rebates, just like our tax slabs. This will help them save more, attract talent, and fight the disadvantage of being in smaller cities.

    He added that entrepreneurs can only become leaders of tomorrow if they adapt to the digital wave and listed the government initiatives that have played a huge role in ushering in digitisation for SMEs. “Our government has done a lot in helping digitise the economy. With Jandhan and Aadhaar, it opened 4 million bank accounts for people below the pyramid in India in a year. Smartphones are enabling quick commerce. Then there’s AI and machine learning, which are making significant progress. Let’s not forget credit bureaus, UPI, and ONDC. These ecosystem changes must be adopted by small entrepreneurs if they want to be part of the success story. It has been forecasted that the extent of consumer credit will increase to a cumulative 4.5 trillion dollars by 2030. In the coming years, SMEs will play a significant role in developing such a power. This momentum will take the country and economy ahead.”

    OYO Rooms CEO Ritesh Agarwal was candid about how he started his journey with nothing but an ability to think big. “When I started a few years back, travel had become big, and people were looking at building hotels as a viable mode of business. However, I thought it would be a better option to invest in existing hotels and convert them into a brand. Naivete is critical when you build a business. Then comes the ability to think big, which I learned from my contemporaries early in my career. The SMEs of today may be the unicorns of tomorrow. So, thinking big is important.”

    He also stressed some factors that budding entrepreneurs must keep in mind. “Entrepreneurs need to first figure out the sector they want to be in. You must pursue a sector that has less competition. Building the right team is necessary, and you need partners for yourself. People who believe in you as a partner and not just as an employer. Then, education is critical. It can also be gained on the field, but what is important is how you access it. Be in a sector that allows you to take some time and then shine. What you need is perseverance. Take OYO as an example. Today, travel is growing in an unprecedented way and is affordable. But when covid hit, our business suffered a 70 per cent drop overnight. Had we given up, we would not have boasted of a positive Ebidta today. In the end, companies must make money, and anyone telling you otherwise is wrong. An entrepreneur’s job is not just to deliver earnings but also to add value for shareholders. As entrepreneurs, you must be optimistic that next year we will see profitable unicorns.”

  • Zindagi unveils fresh line-up of shows for December

    Zindagi unveils fresh line-up of shows for December

    Mumbai: Zindagi is set to premiere an intriguing suspense/mystery drama film, Saari Raat on 11 December at 8:00 p.m. Directed by award winning filmmaker Aparna Sen, the film stars versatile actors Konkona Sen Sharma, Rittwik Chakraborty and Anjan Dutt in titular roles. 

    Talking about the film, actor Konkona Sen Sharma said, “Saari Raat is a beautifully curated film with nuances of its own. The realism and authenticity of the story have the power to keep the audience gripped until the end. I enjoyed portraying a thoroughly layered yet simplistic character, and I hope audiences enjoy watching me in this role too. Moreover, it was an incredible experience to collaborate with my mother, director Aparna Sen, and bring her vision to reality. I hope audiences enjoy watching the film on Zindagi’s services this December.”

    Additionally, with the festive month of December kicking in, Zindagi accounts for an interesting line-up with shows like Sadqay Tumhare, Ranjha Ranjha Kardi, and Numm, amongst others. This month, Zindagi brings to audiences path-breaking shows and a range of versatile performances across its DTH platforms: Tata Play, Dish TV, D2H and Airtel.

    The line-up for December includes Sadqay Tumhare, starting 8 December at 7 p.m, starring Mahira Khan. Based on the writer’s (Khalil-Ur-Rehman Qamar) own real life love story, the series revolves around the romantic relationship between Shano (Mahira Khan) and Khalil (Adnan Malik) and their family dynamics. Following Sadqay Tumhare, audiences are in for a treat as Fawad Khan’s Numm is all set to air starting 13 December at 8:30 p.m. The series tells us the story of the strict customs and rituals of feudal times and their impact on society. The plot revolves around the lives of Wali Bakht Khan (Fawad Khan), Mahjabeen (Sania Saeed), and Neelum (Kanza Wayne) and the conflicts that transpire between them.

    To entertain the viewer further, Zindagi brings to audiences the popular series Ranjha Ranjha Kardi, starting 27 December at 7 p.m, starring the gorgeous Iqra Aziz in the lead role of Noori. The series sheds light on the story of a slum girl, Noori, and the harsh reality of the society she lives in.