Category: TV Channels

  • Discovery gets all fashionable with high heels

    Discovery gets all fashionable with high heels

    MUMBAI: Infotainment channel Discovery has caught the fashion bug. It has acquired the one hour special High Heel Confidential from Canadian firm CBC.

    It has also licensed Rainbow’s Full Frontal Fashion London, Full Frontal Fashion New York, Full Frontal Fashion Milan and Full Frontal Fashion Paris for its viewers. Its sister platform, Discovery Asia, licensed six one-hour episodes of Ultra Eye for its fashion conscious audience.

    CBC produces high-end documentary specials and series for broadcast on CBC Television/Newsworld and international broadcasters.

    High Heel Confidential CBC says takes a bold step into the the world of high heels and the passion surrounding them. Shoes are hot: in 2004, sales generated close to $40 billion in the US alone and this year, that number is expected to rise another 20 per cent. This lucrative market is now shadowed by a growing underworld of fakes and knock-offs that are consumed almost as eagerly as the originals. Some women are so mad for shoes they’ll reshape their feet and destroy their bank accounts to satisfy their obsession.

    High Heel Confidential travels the globe to bring viewers interviews with the world’s top designers, including shoe superstar Manolo Blahnik, whose rare public appearances draw groupies more typical of a rock band than a shoe designer. Viewers will also women who line up for hours, eager for a chance to meet the shoemaker of their dreams and, of course, buy his exquisite shoes, which can cost as much as $7500 a pair.

    Viewers will also meet Patrick Cox, who thinks he has what it takes to play in the big leagues. Stepping out with his own brand of high heels, Cox takes High Heel Confidential behind-the-scenes for a revealing look at the trials and tribulations of an ambitious designer on the cusp of stardom- from courting international buyers in Paris to wooing celebrity clientele in Hollywood.

    The show also takes a walk in Dublin, Ireland – a gateway for smuggled goods into the European Union. Custom officials give the lowdown on a shipment of fake Guccis on their way to consumers’ feet. The show also looks at women who are obsessed about high heels. There’s no telling the heights they’ll climb for them, including cosmetic surgery to shape the ideal foot. And then there are the women just need their heels to make a living, from the fetish heels of Toronto dominatrices to Las Vegas shoe models.

    What is it about footwear that drives such madness, secrecy and obsession? To many, no price is too high, no sacrifice is too great for the greatest love of all: Shoes.

    Meanwhile in Rainbow Media’s show Full Frontal Fashion, viewers will get to see the hottest looks straight from the spring and fall 2006 runway collections of today’s most talked about designers. Viewers will gain access to a fashion event that will unveil New York bridal fashion featuring every big name in the business – Oscar de la Renta, Carolina Herrera and Vera Wang.

    Full Frontal Fashion then jets of to Miami to give viewers a front-row seat at the newest and hottest American Fashion Week, the Sunglass Hut Swim Show. The work of designers like Rosa Cha, Carmen Marc Valvo and Shay Todd will be showcased.

    Ultra Eye meanwhile is a lifestyle and travel show. Heer viewers will get to visit stylish cities and meet the people who are keeping those cities at the cutting edge of design and style. From Steffen Duemlet, designer of Berlin’s famed Sony House, to David Tang, Hong Kong’s most famed style-maker, Ultra Eye introduces viewers to the people and places that are shaping these internationally famous cities.

    Some of these cities include, Marrakech, a style that is uniquely Moroccan. Tour North Africa’s original marketplace, The Souk, and be a personal dinner guest of Mohammed Zkhiri at the restaurant Yacout.

    Rainbow Media adds that China’s CCTV HD has licensed 10 hours, including 15 half-hour episodes of Reservations Required and five half-hour episodes of Ultra Space. Reservations Required takes viewers behind the scenes of the hottest and most talked about restaurants in three of the food capitals of the world. New York City, Hollywood, and Napa Valley, California. Discover the secrets to creating  dramatic dining experiences that keep everyone, the ‘so-hip’ celebrity crowd, the stargazers, and the ‘foodies’ ? buzzing. Some of these hot spots we enter are ’66’, owned by superstar Jean-Georges Bongerichten and ‘Nick & Toni’s’ where the stars flock during Summer breaks in the Hamptons. The show will look at the design of the restaurant to the menu and kitchen trade secrets.

    Ultra Space takes the viewer on a major style journey. Go inside innovative residential spaces designed to speak to the tastes of a modern world. From New York to California, experience the ultimate in home design and style.

    Hosted by fashion and decor journalist Melissa Barrett Rhodes, the series thrills the eye with three home tours in each half hour episode. Some of these include the sleek Manhattan home of Lisa Ling, go inside architect Lee Mindel?s penthouse apartment and visit the urban oasis designed by Hariri & Hariri.

    Hong Kong’s ATV has picked up 13 episodes of Gallery Tours and 12 episodes of Magnificent Obsessions. Gallery Tours explores great collections of art from the world’s foremost galleries and museums. Each hour show selects highlights from an individual museum or gallery and explores the work’s aesthetic, composition, visual effect, meaning, relevance, and relationship with the world at large.

    These programmes Rainbow says give the viewer the sense that he or she has literally taken a guided tour of the best museums and galleries in the world, and seen the most notable art pieces each has to offer. The galleries featured include The Saatchi Gallery in London, The Hong Kong Museum of Art and the Sammlung Hoffman Gallery in Germany.

    Korea’s OnMedia has picked up the Reservations Required series. CJ Media licensed the series Full Frontal Fashion Miami and a one-hour special Swim Suits Secrets Revealed for its Korean audience.

    UBC Thailand took a mix of art and lifestyle series, including Reservations Required, Ultra Space, Gallery Tours, Art In Unexpected Places and Magnificent Obsessions. In the last mentioned show viewers will meet collectors who have amassed collections. Each half hour episode features two obsessive collectors with world-class collections. Viewers will hear the stories behind their obsessions and learn what makes these rabid hunters tick. The show will also go behind closed doors to see some of the most treasured collections in private hands.

    The show also focusses on the man behind the largest collection of Statue of Liberty memorabilia and artifacts. Also take a trip back in time and the collector who covets all things Harry Houdini. Viewers will also see how Scooby Doo sparked David Scheve’s obsession with animation art. Then they can check out Paul Kowlschuk’s highly regarded yet odd collection of pottery and ceramic art.

  • Vivendi files a corrupt organisations complaint against T-Mobile

    Vivendi files a corrupt organisations complaint against T-Mobile

    MUMBAI: Global European media conglomerate Vivendi has announced that it filed a Racketeer Influenced and Corrupt Organisations Act (Rico) complaint in federal court in the State of Washington in the US.

    The charge is that T-Mobile illegally appropriated Vivendi’s $2.5 billion investment in Polish mobile telecom operator Polska Telefonia Cyfrowa (PTC), through a pattern of fraud and racketeering.

    Named in the complaint are T-Mobile USA, T-Mobile Deutschland, Deutsche Telekom AG and . Zygmunt Solorz-Zak, who controls another Polish company Elektrim, which is Vivendi’s joint-venture partner for its investment in PTC.

    According to the suit, this case involves two companies, Vivendi and T- Mobile, that have substantial business activities in the US, one of whom (T-Mobile) colluded with Mr. Solorz-Zak in a pattern of racketeering activity over US wires as part of an unlawful scheme to take over an enterprise, PTC, and corrupt another enterprise, Elektrim.

    Vivendi says that it considers that T-Mobile and Mr. Solorz’ Elektrim illegally appropriated its $2.5 billion investment in PTC and, at every turn, have defied court orders. By filing this Racketeer Influenced and Corrupt Organisations Act complaint, it is asking the court for a simple remedy – give back its money or its PTC shares.

  • ‘UK’s Ofcom model difficult to export to Asia’

    ‘UK’s Ofcom model difficult to export to Asia’

    HONG KONG: Do any industry players love their regulators? The answer, probably, is a big NO.

    And, in return, a regulator should not expect love, but should have a relationship with a regulatee that is based on transparency and integrity, amongst other things. Ditto for a vice versa relationship.

    This was the message that Kip Meek, senior partner for competition and content at Ofcom in the UK and chairman of the European Regulators’ Group said here today at the ongoing annual convention of Cable and Satellite Broadcasting Association of Asia (Casbaa).

    Speaking at session, aptly titled `How to love your regulator’, Meek also said that the Ofcom model of regulation is difficult to transport to other places; especially Asia. Reason? Ground realities may differ from market to market.

    “Is the Ofcom model exportable (to Asia)?” Meek posed a question and answered in the negative.

    Detailed regulation should follow on-ground realities, he explained, adding that content regulation in all countries cannot be the same.

    For instance, he said, Ofcom is quite liberal in comparison to some other regulators in developed countries as far as content goes.

    On cue, a majority of over 70 per cent in the audience voted against common regulatory standards in Asian countries, when asked to after Meek had finished speaking.

    According to Meek, the phrase ‘light touch of regulation’ may also sound an absurdity though Ofcom in the UK regulates on three principles, which include unbiased and least intrusive regulation.

    Meek also opined that a converged regulator is better placed to regulate in the present environment, provided it’s “truly independent and truly unbiased.”

    “A fully converged regulatory model does work… but don’t go for harsh measures,” he said.

    However, Meek felt there is a possibility of a converged regulator being considered too powerful.

    Moral of Meekspeak: a regulator-regulate is not the usual run of the mill tale.

  • Granada International to unevil programmes at Casbaa convention

    Granada International to unevil programmes at Casbaa convention

    HONG KONG: Granada International, one of the largest commercial distributors in the world, will debut a wide range of programming at the ongoing Casbaa convention.

    Part of the UK’s ITV, Granada has opened an office in Hong Kong to better serve its clients in Asia.

    Headline programming available from Granada at Casbaa includes Agatha Christie’s Marple. The company also is offering a new TV dramatization of Bram Stoker’s Dracula (90 mins).

    Apart from such programming, Granada will also debut a number of Hollywood TV movies, including Wildfires, a 90 minute film. There are some wildlife shows too on offer, it was announced today.

  • Sony Pictures Television International promotes Kim Hatamiya to executive VP Marketin

    Sony Pictures Television International promotes Kim Hatamiya to executive VP Marketin

    MUMBAI: Sony Pictures Television International (SPTI) has promoted Kim Hatamiya to executive vice president marketing. 

    Based at SPTI’s headquarters in Culver City, California, Hatamiya heads marketing for the division of Sony Pictures Entertainment (SPE) that oversees all television and on-demand businesses outside the United States. 

    The announcement was made today by SPTI president Michael Grindon, to whom she reports, according to an official release.

    “Since joining SPTI, Kim has overseen the marketing team brilliantly and become an integral part of my senior group of direct reports, whose counsel and management expertise have helped lead SPTI to continued record revenues, profitability and new business ventures,” said Grindon.

    As head of marketing for SPTI Hatamiya will oversee all marketing activities outside of the US for all SPTI business lines, including the distribution of feature film and television product to broadcasters, digital content providers and mobile carriers; international networks; and local language production.

    Hatamiya’s oversight includes all strategic marketing, advertising, publicity, talent relations, promotions, on-air and off-air creative services, interactive and Internet marketing, and research. Hatamiya joined SPTI in April 2003 as senior vice president, marketing.

    Prior to joining SPTI, she served as senior VP and general manager of television and film for Los Angeles-based Mindrocket Media/JP Kids, Inc., an independent multi-platform children’s and family media company, informs an official release. 

    Previously, Hatamiya was working at Passport New Media, Inc. in Los Angeles, Fox Kids Worldwide, where she was responsible for launching Fox Kids U.K. and Fox Kids Latin America.

  • Dreamworks, Nick announce tie-up to bring big screen properties to TV

    Dreamworks, Nick announce tie-up to bring big screen properties to TV

    MUMBAI: US kids brand Nickelodeon, is working with DeamWorks Animation to make television shows based on the films Madagascar and Kung Fu Panda.

    Media reports state that the Madagascar show will chronicle the adventures of its penguin characters — Skipper, Kowalski, Rico and Private.

    Nick will handle the day-to-day development of the series, but plans to outsource the actual CG production. DreamWorks’s Jeffrey Katzenberg was quoted in Variety saying that these two projects are likely just the first of what will be future partnerships between Nickelodeon and Dreamworks, which have been in the works since DreamWorks was acquired by Paramount last December

  • Nick, CBBC competing for channel of the year at the Bafta Awards

    Nick, CBBC competing for channel of the year at the Bafta Awards

    MUMBAI: The British Academy of Film and Television Arts (Bafta) has announced the nominees for the British Academy Children’s Film and Television Awards. The show takes place on 26 November, 2006.

    CBBC, CBeebies, Nickelodeon UK and Nick JR UK are competing for the channel of the year trophy. For film of the year the nominees are The Choronicles Of Narnia: The Lion, The Witch And The Wardrobe, Harry Potter And The Goblet Of Fire, Pirates Of The Carribean: Dead Man’s Chest and Wallace And Gromit: The Curse Of The Were-Rabbit.

    For best entertainment show the nominees are The Basil Brush Show, Raven, Top Of The Pops Reloaded and Tricky TV – Vanessa

    In addition children below the age of 16 can vote for their favourite film. The nominees include Cars,
    Chicken Little and The Chronicles Of Narnia.

  • Videocon mulls entry into DTH market

    Videocon mulls entry into DTH market

    HONG KONG: After aborted attempts to start a television channel, Indian consumer electronics major Videocon Industries Ltd now is trying to cobble together a DTH dream.

    And, what’s more, the Dhoot-promoted company thinks the DTH project can be commissioned in a year’s time, which would make it some time in 2007.

    “We have undertaken a project report (on DTH) and feel that the venture can be started as it has a lot of synergy with some our existing businesses,” an executive of Videocon Industries told Indiantelevision.com here on the sidelines of the three-day annual convention of Cable and Satellite Broadcasting Association of Asia (Casbaa).

    According to the company executive, if undertaken prudently, a DTH project can be put together at a cheaper cost than what has been touted till now by Tata Sky and the Subhash Chandra-controlled Dish TV, the two private sector DTH service providers in the country at present.

    “The cost should not be over $ 100 million,” the executive said, pointing out that it could even be done at almost three-fourth of that cost ($ 75 million).

    The synergies that Videocon Industries, manufacturers of TV sets and other consumer durables, sees in starting a DTH operation is that it already makes analog set-top boxes and has a widespread distribution network in India, which can be exploited for sale of DTH hardware.

    However, industry observers are sceptical about Videocon’s claims as in the media sector the company’s track record hasn’t been much to right home about. “That is exactly the perception we would like to change,” the Videocon executive asserted.

    Videocon has twice announced plans — the first being in the late 1990s — to start a television channel, which have never seen the light of the day and later were taken as abandoned.

  • Viacom launches video sharing site Flux in Japan

    Viacom launches video sharing site Flux in Japan

    MUMBAI: Viacom International Japan has launched the Flux video sharing site for broadband Internet users in Japan.

    Flux is a free, advertiser-supported next-generation entertainment service that combines popular video from Viacom brands such as MTV, Nickelodeon and Bet – Black Entertainment Television, with music videos, Japanese animations, movie previews and content created by users themselves.

    Japan’s 75 million Internet users can now watch pre-programmed channels on Flux and access video-on-demand from a vast library of diverse content. As Flux members, users can also create their own personal channels from the video library and watch channels created by other users.

    MTV chairman and CEO Judy McGrath says, “Flux revolutionises the way audiences view and use video content – putting them in complete control. This innovative service significantly expands MTVN’s digital media presence in Japan, enabling us to deliver our leading MTV, Nickelodeon and BET content to audiences in new ways. Through our global network we are uniquely positioned to share Flux innovations from Japan with more than 150 MTV digital media properties worldwide.”

    Viacom International Japan senior VP and GM digital media Tony Elison commented, “Flux presents an entirely new way of interacting with entertainment – it’s 21st century television on the Web. Placing the consumer at the center of the programming universe, Flux offers endless opportunities for Japanese users to access the content they love, discover new entertainment and share their experiences with others.”

    In addition to video created by users, Flux features content including – Nickelodeon’s SpongeBob SquarePants; MTV’s Europe Music Awards and Jackass and local MTV Japan productions including Trainsurfer and Tempura, among others. Clips range from 3-10 minutes in length.

    Flux will continuously launch new programming to enrich the Japanese online entertainment landscape. Next month, Flux will bring content from Viacom-owned BET Networks to Japanese audiences, including excerpts from the 2006 BET Hip-Hop Awards.

    Bet chairman and CEO Debra L. Lee says, “Our mission is to provide high-quality entertainment to consumers of Black culture on a global basis. The launch of Bet content on FLUX provides access to an enormous audience who has long displayed an appetite for hip hop culture. This partnership allows Bet a chance to reassert our global brand presence while super-serving this passionate audience like never before.”

    Also next month, the first co-production from Flux and MTV Japan called Nigoldeneye will debut simultaneously on both platforms. The docudrama series will follow Nigo, the creator behind the ‘A Bathing Ape’ fashion empire. Content produced exclusively for both Flux and MTV Japan will complement the online and on-air viewing experiences, encouraging audiences to migrate between platforms.

    Flux also features more than 2,000 music videos – one of the largest selections online in Japan – licensed from local and international music companies such as Warner Music Group, Universal Music Group and Toshiba EMI. Artists featured on FLUX include international acts Madonna, Janet Jackson and Red Hot Chili Peppers, along with local acts. Additional licensing agreements with music companies will be announced soon.

    Flux says that it provides this diverse and innovative video programming in a unique environment. The Flux video player displays contextually related clips during video playback, so that the user can easily watch more programming from sources he enjoys, without the need for a specific search. Flux also allows users to programme their own channels and share these channels with friends within a social network. Individual channels created can include anything ranging from self-made content, clips created by others, music videos, animations and more – building bridges between professional, independent, and amateur content providers. In this way, Flux says that it harnesses the power of technology and social networking to facilitate users’ discovery of new entertainment.

  • Online music sales in Europe to help reverse decline in music sales in 2010

    Online music sales in Europe to help reverse decline in music sales in 2010

    MUMBAI: A new report by media researchers Screen Digest, Online Music in Europe: Market Assessment and Forecast predicts that rapidly growing online music sales in Europe will start to halt the decline in overall sales of recorded music, but not until 2010.

    The total European market for online music will have more than doubled from Euro 121 million in 2005 to a forecast Euro 280 million by the end of this year. By 2010 consumer spending on online music in Europe will generate more than Euro 1.1 billion.

    This explosive growth is being driven by rapidly growing broadband penetration and the massive increase in portable music player usage. Over seven per cent of Europeans now use one, up from two per cent in 2004. By the end of 2005 there were 29 million portable music players in Europe and this figure will rise to more than 80 million by 2010.

    However, the big picture is not so rosy for the overall European music market, which has been in decline – losing 22 per cent of its total value since 2001. Screen Digest predicts the market will continue to fall until 2010, at which point online music sales of more than Euro 1 billion a year will begin to offset the decline in physical sales.

    Screen Digest analyst and author of the report Dan Cryan comments, “Online music has been booming. However, online sales alone are not going to be enough to halt the decline in music sales. The music industry needs to make the most of new delivery platforms. We believe with the right strategy – including mobile and online – that the worst might be over by 2010. The industry must adopt a broader approach to selling music, looking beyond the traditional single and album.”

    The report analyses the causes of declining revenues for the music industry and shows that a wider view must be taken to understand and address the change in consumer behavior. It is easy to point the finger at piracy but data from music industry body IFPI suggests that piracy is declining. The number of tracks available on illegal file sharing networks declined from 1.1 billion euros in 2003 to 885 million euros in 2005.

    Instead factors like the gradual erosion of music dedicated shelf space in big retailers, like HMV and Virgin and its replacement with DVDs, books and mobile phones cannot be ignored. Seen in this light the fact that the decline in physical music sales corresponds to the boom in DVD sales begins to look less like a coincidence and more like a cause.