Category: TV Channels

  • Zing introduces short-format video property ‘Snaackz’

    Zing introduces short-format video property ‘Snaackz’

    Mumbai: Zing, one of the most popular youth entertainment channels, gets the pulse of its Gen-Z audience and strives to cater to their discerning taste. Whether it’s their distinctive fashion sense or love for Korean culture, Gen-Z does not shy away from expressing and embracing their life choices. They also take immense pride in being vocal about their stance on prioritizing mental health, navigating the complexities of modern-day love, and dealing with the ups and downs of their dating life. In a strategic move that proves Zing’s unwavering commitment to staying abreast with Gen-Z trends, Zing is set to launch ‘Snaackz’, a short-format video property tailored exclusively to the ever-evolving content preferences of the generation.

    At the heart of Snaackz are the topics that are a crucial aspect of Gen-Z’s life such as love, fashion, and culture. These videos will feature up-and-coming content creators who are experts in their respective domains. ‘With Love’ with Kuvelu Tetseo, who hails from Nagaland, will cover all things Korean which includes their culture and lifestyle. Kuvelu’s love and inclination for Korean culture makes her an ideal fit. ‘You & I’ with Ekta Khurana will delve into challenges faced by Gen-Z and help them navigate through the modern-day dating scene by providing tips, tricks, and love hacks. Ekta has been creating content in the space of love and mental well-being owing to her extensive work in the mental health domain. ‘Closet’ with Jumni Kamki will create fun and engaging content in the fashion space and dissecting the latest fashion trends for our audiences. Jumni, a popular fashionista from Arunachal Pradesh, has also been crowned as the first runner-up in the Miss Arunachal Pradesh pageant.  Zing has long been at the forefront of curating content that hits the right chord with the youth. Continuing that legacy, these content creators will only help the channel strengthen its connection with Gen-Z through Snaackz.  But that’s not all for Snaackz, stay tuned for more exciting updates to find out what Zing has in store for the audience with its latest offering.

    Reflecting on the launch of Snaackz, &TV and music channels business cluster head Vishnu Shankar shared, “Zing has consistently led the way in crafting content that deeply resonates with the Gen-Z audience. As an extension of our consumer-centricity, we have created Snaackz – a short format video property spanning relevant topics like Love, Fashion, and Korean Culture. As the go-to platform of Gen-Z, we are delighted to bring on-board extraordinary content creators to showcase their talent and continue to cater to the evolving content consumption needs of our audience.”

    So, don’t miss out on these fun ‘Snaackz’ between your favourite shows only on Zing!

  • ‘RGV rejected me for a gangster’s role – Actor Pankaj Tripathi tells Rajat Sharma in ‘Aap Ki Adalat’

    ‘RGV rejected me for a gangster’s role – Actor Pankaj Tripathi tells Rajat Sharma in ‘Aap Ki Adalat’

    Mumbai: Bollywood and OTT star actor Pankaj Tripathi has revealed how director Ram Gopal Varma once rejected him for a gangster’s role after carrying out a test. “It was good otherwise both he and I would have suffered losses”, Tripathi said.

    Appearing in Rajat Sharma’s iconic show ‘Aap Ki Adalat’, telecasted on Saturday 6 January 2024, Pankaj Tripathi was asked why a noted director like Ram Gopal Varma rejected him for a gangster’s role.

    Pankaj Tripathi replied: “Yes, I once went to him and found several ferocious looking ‘gunday’ (gangsters) already waiting there. Some had deep scars on their faces. I asked one of them, are you really an actor? He replied, Ram Gopal Varma casts dangerous looking characters. Those days, aspiring actors used to deliberately cut their faces with blades, so that Ram Gopal Varma may spot and cast them.

    Rajat Sharma: Did Ramu call you?

    Pankaj Tripathi: Yes, he called me. It was an interesting incident. Ramu asked me to sit on a bench meant for four persons. I sat on the bench in a corner. He told me, ‘No No, come more close this side’. On a bench meant for four, I was sitting alone and he stared at me intently for 10 to 15 minutes. I felt very sheepish, when he continued to stare me for long. Then he told me, ‘Jao, Go’. He didn’t call me later….Of course, he is a good director. He met me once later and praised my acting, and said, “You are doing good, Pankaj”.

    Rajat Sharma: He must have realized, if he had cast you then it could have been his gain?

    Tripathi: It’s all a game of time (Samay Ka Khel Hota Hai). If he had cast me then, then it would have been his loss and my loss too. (Tripathi told the audience) So, if nothing big happens in your life, don’t be disappointed, it is an omen for something good that is going to happen.

    ‘I Never Check Monitor After Shoot’

    Pankaj Tripathi revealed he never watched the camera monitor after completing his shoot.  He said, “This is a rare thing which few people in the media know about. You (Rajat Sharma) have good spies in Mumbai. I never check the camera monitor after finishing my shoot. I think the director is the captain and it is his job to check the monitor. If he okays the scene, then it means he got what he wanted.”

    ‘Fukrey’ and Other Sequels

    Asked whether he changed his dialogues and sometimes, even the climax in his films, Pankaj Tripathi admitted in the affirmative. He said, at this moment, five of his films have sequels because they were hits.

    Rajat Sharma: Where did you get this idea of mixing Hindi with English in your dialogues?

    Tripathi: In the first part of the movie Fukrey, it was my idea. I told the director (M S Lamba) I wanted to change my lines. He first refused. While I was rehearsing, lighting work was going on inside the security cabin of Delhi’s Miranda College. The director told me don’t mix English in your dialogue, I told him I am only rehearsing. The lighting men began to laugh when I mixed English in my dialogues. By that time, the director had seen my rehearsed dialogue, and he agreed. In ‘Fukrey Returns’, I got the written dialogues. Also in ‘Fukrey 3’ too.

    Rajat Sharma: In Fukrey Part 1 and Part 2, your picture was not there in the posters, but in Part 3, your picture was there in the poster. Pankaj Tripathi has become a saleable star now?

    Tripathi: Yahi Toh Jeevan Hai (This is Life)

    Rajat Sharma: That’s why you are doing several sequels of your films?

    Tripathi: Sequels are made when film becomes a hit. Unsuccessful films don’t have sequels. At this moment, five of my films have sequels – Stree, Mirzapur, Criminal Justice, Fukrey and also Gangs of Wasseypur.

    Rajat Sharma: There was this ‘Super 30’ movie in which you were doing the role of a neta. You deliberately changed the dialogues?

    Tripathi: Vikas Bahl was the director. There was the scene where a student’s gets admission to Oxford University and asks the neta for money. The neta started blubbering something else. The neta was saying: ‘Ja Rahe Ho? Kahan Ja Rahe Ho? Jao, Jao, London Jao, Paris Jao, Japan Jao, Vietnam Jao, China Jao, Beijing Jao, Dubai Jao, Bahrain Jao.’ It looked like a poetry. The lines were not written. The dialogue was delivered spontaneously. I was doing the role of a neta in Bihar (Minister Shriram Singh in the movie). I had seen a leader in my village who used to blubber meaninglessly. I told the director Vikas Bahl, I will speak in the same manner. So, the scene developed in that way. It looked different.

    Rajat Sharma: Can you repeat the same dialogue here?

    Tripathi: It was, “Dubai Jao, Bahrain Jao … Kya Baat Hai. The boy said, Sir, you had called me. I replied: Hum har us cheez ko bulate hain, jo desh ke liye baat karega. The boy said, I need money. I replied: Jao Jao Jahan Jaana, par paisa aur prem ke chakkar me mat padna. Humne achche achhe ko barbaad hote dekha hai. Bhagat Singh padhe they? Dekho, nahin pade they. Jao Jao.” So you see, the neta starts giving a sermon instead of giving money.

  • COLORS ends the year with a bang, thanks to exponential growth in viewership

    COLORS ends the year with a bang, thanks to exponential growth in viewership

    Mumbai: COLORS crossed the vaunted 200 GRP mark as it clocked 207 GRPs in the latest BARC ratings. This feat comes as a culmination of an upsurge that the channel has been seeing all through the second half of 2023, growing from 117 GRPs in wk22 to 207 at the close of the year. At the heart of COLORS’ success lies its differentiated strategy in programming a varied content offering, an approach that has been pivotal in driving the viewership to the channel, firmly establishing its position as a beloved entertainment destination for the entire family.

    “The past 6 months have seen our viewership share surge by ~80%, helping us open the new year by crossing a significant milestone with 207 GRPs. At the heart of this exponential surge lies our strategic content approach, meticulously designed to cater to the entire family through a harmonious blend of fiction and non-fiction programming. Today, we are the only complete family entertainment GEC in the HSM market. From mythos to social dramas to non-fiction content, COLORS is a microcosm of the diversity of our viewers.  Our content strategy reflects this belief and our rapid climb through the ratings charts reflects India’s faith in our content.”

    Viacom18 president – general entertainment Alok Jain observed, adding, “I’d also like to take a moment to acknowledge the team effort that goes into this – from understanding viewer preferences, to creating content that resonates, to amplifying, analysing and iterating it – our institutional adoption of the viewer-first approach is a truly differentiating factor.”

    COLORS has consistently taken the lead in creating societal and behavioural impact while offering a diverse range of content, staying true to its philosophy. The shows on the channel cater a myriad of emotions and stories, from mythological narratives such as Shiv Shakti– Tap Tyag Tandav to inspiring tales like Doree and Neerja to blockbuster shows including BIGG BOSS and Khatron Ke Khiladi. The channel’s fiction and non-fiction flagship properties have successfully transcended age and gender boundaries, appealing to a broad spectrum of viewers. Notable shows such as Shiv Shakti – Tap Tyag Tandav and Parineeti have consistently dominated the rating charts, showcasing their widespread popularity. The longest-running show on COLORS, Udaariyaan, has emerged as a fan favourite, further affirming the channel’s ability to create content with enduring appeal. Suhaagan, airing in the early prime-time slot, has also significantly contributed to the channel’s success. Social dramas that are rooted in COLORS’ ethos such as Doree and Neerja Ek Nayi Pehchaan continue to maintain a firm grip on the audience, highlighting COLORS’ dedication to providing compelling and thought-provoking storytelling. Marquee shows such as Khatron Ke Khiladi and BIGG BOSS have also been the highest rated non-fiction shows in the category during their run. A testament to the success of the content variety that COLORS offers, it ended the year with 6 of the Top15 most viewed shows.

    Following the trailblazing success of 2023, COLORS now has plans to scale up its content play – both in variety and scale. With a strong line-up featuring eagerly awaited fiction and non-fiction shows including Mera Balam Thaanedar, Dance Deewane, the magnum opus Prachanda Ashoka, and many more exciting shows COLORS is poised to further strengthen its position as the leading powerhouse of entertainment with engaging and compelling narratives that resonate across demographics.a

  • Guest article: Purpose is key

    Guest article: Purpose is key

    Mumbai: One word that certainly fascinates me is purpose. Oxford English Dictionary defines it as “the reason for which something is done or for which something exists”. If we go by the literal definition, we can clearly decipher that what purpose means for individuals is ‘why’. It is what makes us get out of bed, what makes us tick. And for organisations purpose has become more important than it ever was before. The factors driving this are the rapid shifts in technology, culture, society and behaviour that influence individual decisions on which organisations and brands people want to work for and buy from.

    Nowadays, it is vital for companies to have a purpose that exists beyond just profit and places value and importance on building relationships that mean they are a brand that people can connect with. If the brand gets this right, it is easier for them to improve business performance, reduce churn, and  importantly, build value and trust with consumers.

    This has been proven by data. A study published by the Harvard Business Review found that companies with a clearly articulated purpose outperformed those organisations that didn’t develop their purpose. Specifically, 52 per cent of purpose-driven companies experienced more than 10 per cent growth compared to 42 per cent of non-purpose-driven companies. They also enjoyed greater global expansion, more product launches, and more successful transformational efforts.

    The reason for this is that the world is now moving towards relational and purpose-driven businesses while “transactional businesses” have been left behind in the past. Purpose-driven businesses ensure that employees are more empowered and motivated, and the resulting innovation and performance fuels further customer engagement and loyalty.

    As a news powerhouse used as a global point of reference, CNN also has a clear purpose. As I continue to admire the work that my editorial colleagues continue to do day in day out, a recent study by Toluna also revealed that 73 per cent of global news consumers think that role of international news today is more important than it was ever before. In addition, international news is seen as being reliable, trustworthy, providing high-quality journalism and in-depth analysis.

    CNN has played a key role in global journalism for 43 years — this not only gives employees a purpose, but also provides a platform and environment to help brands articulate their purpose to global audiences. The key is to align the purpose with audience expectations and sentiments. When we conducted a study into attitudes amongst the CNN audience, we found that, after inflation, climate change is the second topic that audiences are most concerned about in 2023. This concern affects their behaviour, both in their personal and professional lives. 84 per cent of CNN business elites in India agree that ESG remains a focus for their company, and 92 per cent expect ESG to be even more important to business in the next 12 months than it is now. The Gen Z audience makes it more important for brands to be purpose-driven as their behaviour and expectations from brands is very different from past generations. This generation places increased value on brand authenticity and strives to be socially and environmentally responsible. They are more selective of what they buy, who they buy from and the effect their actions have on the environment.  Our research shows that CNN’s Gen Z audience firmly believes that brands need to take a stance on causes of our time.  

    As a result, we are aware that if businesses are acting in a meaningful way to promote sustainability and are able to communicate this message in an authentic manner, they will be in a significantly better position to connect with our audience.            

    A good example of this is Kirloskar, who have been ahead of the curve on thinking about and acting on green issues. Kirloskar have partnered with CNNIC for 15 years, with our shared purpose of sustainability and environmental awareness forming the basis of this relationship. With Kirloskar’s sponsorship of CNN’s Going Green initiative, a series that showcases cutting-edge green technologies and explores innovative solutions for a sustainable tomorrow, over the past 15 years Kirloskar has reached global audiences including more than 700 million environmentally conscious viewers and over 270 million business decision-makers to foster a deeper understanding of sustainable innovations.

    Green and sustainability issues have been put at the heart of the news agenda in 2023 as further evidence of the climate emergency and its far-reaching effects has been in force all across the globe. The year will close with climate high on the news agenda as COP28 takes place in the UAE. From the very announcement, this has been billed as the most important COP since Paris in 2015. As even many sceptics are sitting up and taking notice as temperatures soar, wildfires spread, sea levels rise and glaciers melt, exacerbating issues from food security to migration.

    This is the most appropriate time for companies to look to the future and decisively define their purpose, particularly around the issue of sustainability and the future of our planet. The stage is set at COP28, which will provide brands a unique moment to show they have the agency to be part of a more optimistic, purpose-driven future. But here the world will take into consideration actions, and words without action would certainly go in vain.

    This article has been authored by CNN International Commercial vice president, audiences & data Tini Sevak.

  • One Take Media brings Appu & Friends to India

    One Take Media brings Appu & Friends to India

    Mumbai: In an announcement that’s sure to excite the millions of kids animation fans around India, One Take Media has announced the acquisition of the popular kids animation series, ‘Appu & Friends’.

    Appu & Friends has been a popular show amongst kids across the globe, also known as ‘Lil Wild’ and now it makes its debut in India, in Hindi.

    ‘Appu & Friends’ is an exciting journey in the middle of a beautiful forest, where various stunning as well as funny animals live together as one big happy family. We get to witness the cute elephant Appu, genius alligator Magu, timid white tiger Meep, sassy otter Coki and fearless pigeon Dil in their adventures around the zoo as they discover the joys and pains of growing up while getting a little wild.

    “‘Appu & Friends’ will be a coveted addition to our vast library of kids animation shows in Hindi,” said One Take Media founder & CEO Anil Khera. “Our aim with curating kids animation is keeping the young minds entertained while adding value to their developing years. With this show, we are positive the kids will discover the joys of growing up in a fun engaging way.”

    The audience for kids animation shows in India is steadily growing and One Take Media continues to bring premium shows for the Indian viewers. Besides kids series, One Take Media boasts a huge library in kids animation of 2000 plus hours and world-popular Korean dramas.

  • ‘Here We Play’ anthem ignites excitement for Meghalaya Games 2024

    ‘Here We Play’ anthem ignites excitement for Meghalaya Games 2024

    Mumbai: Meghalaya Games 2024 is set to make a resounding start as it unveils its official anthem, “Here We Play,” a harmonious collaboration between Shillong-based folk fusion outfit Summersalt and Tura’s NOKPANTE. The anthem, a cultural blend of English, Khasi, Garo, and Pnar languages, encapsulates the vision of the Government of Meghalaya, promoting unity through sportsmanship and diversity.

    In an exclusive event at Tura, the launch of the anthem added a symphony of excitement to the upcoming Meghalaya Games scheduled from January 15 to January 20. Crafted under the West Garo Hills DC Initiative for the Department of Sports & Youth Affairs, Government of Meghalaya, the anthem carries the essence of Meghalaya’s rich cultural tapestry, making it a unifying force for communities across the state.

    Honourable chief minister of Meghalaya Conrad K Sangma said, “The anthem ‘Here We Go’ embodies the values of unity, perseverance, and the indomitable Meghalayan spirit. May it echo through stadiums, inspire our athletes to push their limits, and create lasting memories for all who participate and witness the Meghalaya Games.”

    Hon’ble Minister of Sports & Youth Affairs, Government of Meghalaya Shakliar Warjri while unveiling the anthem song stated, “The anthem encapsulates the essence of unity, passion, and the unwavering determination that defines our Meghalaya Games. It is a testament to the Vision of Hon’ble Chief Minister to harness the power of sports in bringing people together, transcending boundaries, and fostering a sense of pride in our rich cultural heritage. I extend my gratitude to the talented individuals, Summersalt and NOKPANTE, who have contributed to the creation of this anthem that will resonate in the hearts of our youth, encouraging them to strive for excellence and embody the true spirit of sportsmanship.”

    The lyrics, composed by Kit Shangpliang of Summersalt, along with Mikhael Marak from NOKPANTE, weave a motivational narrative echoing the values of hard work, discipline, and resilience. The orchestration, led by Augustine Kurbah, incorporates indigenous musical elements, creating a rhythm that mirrors the heartbeat of Meghalaya.

    Summersalt’s Kit Shangpliang expresses gratitude for the collaboration, stating, “As a band, we have taken many similar projects in recent past, but this one has been a labour of love. The melody is hummable, the rhythm foot-tapping, and the lyrics motivational. Our partnership with NOKPANTE has been seamless, and we thank the District Administration for their trust.”

    NOKPANTE’s Mikhail Marak added, “We’ve made it a point to incorporate the Garo and Khasi chants to inject indigeneity into what we’d like to believe is a big song, also, being intentional to have equitable representation of the musical identities of both Khasi and Garo hills. We hope the crowd, especially, the sports community like it.”

    ‘Here We Play’ will be played throughout the Meghalaya Games 2024 and beyond, becoming the anthem for the event and accompanying medal ceremonies. The convergence of victory chants, symbolized by ‘Hoikiw’ and ‘Ahowee,’ reflects Meghalaya’s dedication to sports excellence.

    Meghalaya Games has evolved into a premier sporting event, providing a platform for over 3,000 athletes across 19 disciplines. The success of the fourth edition in Shillong showcased the state’s commitment to nurturing sporting talent, with 700-plus medals awarded to outstanding individuals and teams. As Meghalaya Games 2024 approaches, the unveiling of ‘Here We Play’ heralds a celebration of unity, diversity, and sporting prowess of the state. 

  • Mumbai Festival unveils spectacular anthem: “Mumbai Ek Tyohar Hai”

    Mumbai Festival unveils spectacular anthem: “Mumbai Ek Tyohar Hai”

    Mumbai: The excitement surrounding the Mumbai Festival 2024 now reaches new heights with the launch of the influencer marketing activity to raise awareness of the festival, the thrilling “Mumbai Ek Tyohar Hai Hookstep Challenge” choreographed by Remo D’Souza, and invited social media users and influencers to create their versions on social media to spread festive cheer and win passes for various activities at the Mumbai Festival.

    With a fantastic lineup of renowned vocalists, “Mumbai Ek Tyohar Hai” features the mesmerising vocals of Sukhwinder Singh, the power-packed voice of Shankar Mahadevan, the soulful melodies of Harshdeep Kaur, the contagious energy of Falguni Pathak, the powerful tones of Avadhoot Gupte, and the rhythmic beats of The Dharavi Dream Project. This collaboration captures the spirit of Mumbai’s cultural diversity by bringing together a wide spectrum of musical talents. The anthem is more than a melody; it celebrates Mumbai’s soul.

    The anthem will become the city’s heartbeat with its throbbing beats and upbeat lyrics. It will echo throughout the streets during the upcoming Mumbai Festival from January 20 to January 28, 2024.

    With the resounding message of “Everyone’s Invited,” the Mumbai Festival seeks to unite individuals from all walks of life to celebrate the festive atmosphere of this cultural event.

    Mumbai EK Tyohar Hai

    Minister of Tourism, Government of Maharashtra Girish Mahajan said, “The Mumbai Festival will reflect the vibrant spirit Mumbai embodies. It will showcase everything Mumbai offers for people from every walk of life. This festival will turn the entirety of Mumbai into a festival that one will never forget. A celebration of this magnitude will only highlight Mumbai’s unique character globally, attracting tourists from all over the world who come to witness the depth of our city’s legacy.”

    Mumbai Festival Advisory Committee chairperson Anand Mahindra said, “As a Mumbai Festival Advisory Committee member, I am delighted to see this seminal cultural event take shape. A product of the collective efforts of Mumbai’s public and private sector stakeholders, the festival will be an unforgettable experience for tourists and Mumbaikars alike. A tribute to the city’s diversity and artistic enthusiasm, the festival showcases Mumbai’s true essence: “Sapno ka Gateway”, a melting pot of countless hopes, ambitions, cultures, and dreams.”

    Commenting on the anthem, composer of ‘Mumbai Ek Tyohar hai’ Music Anthem for the Mumbai Festival – Shamir Tandon expressed, “Mumbai, my birthplace, where dreams find their rhythm and aspirations thrive in the city’s pulse. It’s a vibrant tapestry where relentless dedication fuels ambitions into realities. Amidst a sea of talented musicians, engineers, and artists converging from diverse origins, I found my place within this bustling ecosystem.

    Crafting the “Mumbai Ek Tyohar Hai” anthem for the Mumbai festival was a cherished opportunity, a celebration that resonates with the essence of this cosmopolitan hub. Embracing voices from every corner of the nation in this lively metropolis, we stitched together ‘Mumbai Ek Tyohar Hai,’ an anthem harmonising myriad influences and genres.

    Through a symphony of varied instruments and melodies, we painted a musical canvas honouring the city’s unity in diversity. The resonating beats of the Nasik Dhol, the spirited rhythms of Garba, and the triumphant echoes of Balle Balle mirror the essence of Marathi, Gujarati, and Punjabi cultures interwoven seamlessly within Mumbai’s fabric.

    We welcomed iconic voices like Sukhwinder, Falguni Pathak, Avadhoot Gupte, Harshdeep Kaur, and others, and we captured the soul of their regions in every note. This amalgamation of talent and sonic heritage epitomises Mumbai—a perpetual festival that pulsates with life day and night, earning its title as the city that never sleeps. We have also captured the underbelly of Mumbai with Dharavi Boys rapping what they feel!

    In this anthem, we encapsulated Mumbai’s spirit—a melodic saga that unites myriad cultures into one symphony, echoing the unity in our city of dreams.”

    Award-winning singer and composer Padmashri Shankar Mahadevan said, “Thrilled to lend my voice to Mumbai Festival’s anthem, a rhythmic piece embodying diverse emotions, spirit, and unity. As a proud Mumbaikar, contributing to this project has been a joyous experience. Special thanks to the collective of singers, Sukhwinder Singh, Harshdeep Kaur, Falguni Pathak, Avdhoot Gupte, the Dharavi Boys and Shamir Tandon for infusing true brilliance into the anthem. Music, with its unique power to connect, will resonate through this anthem. I eagerly look forward to the Mumbai Festival, where our collective voices will echo the festive spirit of Mumbai.”

    Excited about the collaboration, Dolly from The Dharavi Dream Project said, “Dharavi, often recognised as the second-largest slum in Asia, conceals a treasure—the continent’s second-largest recycling hub. At The Dharavi Dream Project, our musical compositions draw inspiration from the beating heart of these streets. Our journey has been shaped by the genuine rhythms of Mumbai’s gullies, fostering a deep connection with the community. Through music, we empower the talented youth, transforming these streets into stages of opportunity, paving the way for a brighter tomorrow.”

    As the Mumbai Festival draws nearer, the anthem previews the cultural extravaganza that awaits, ensuring a nine-day celebration that will win over the hearts of tourists and Mumbai residents.

  • Jio Cinema’s Nirmal Karthikeyan joins Way2News as regional sales head – South

    Jio Cinema’s Nirmal Karthikeyan joins Way2News as regional sales head – South

    Mumbai: Way2News, a hyperlocal digital news platform, has announced the appointment of Nirmal Karthikeyan as their Regional Sales Head for the Southern India region. This appointment is part of Way2News’s commitment towards expanding its user base and delivering hyperlocal, relevant and reliable news to a billion Indians. In his new role, Karthikeyan will be responsible for strengthening Way2News’ footprint and growth in key south markets.

    In his new role, Nirmal will spearhead the strategic promotion and monetization efforts of Way2News’ premium language inventory. His focus is set to elevate Way2News as the preferred publisher among clients and agencies in South India, solidifying its position as the go-to destination for premium content engagement and advertising opportunities.

    Welcoming Nirmal on board, Way2News founder & CEO Raju Vanapala said, “We are delighted to extend a warm welcome to Nirmal as he joins our team. At Way2News, our goal is to make every Indian an informed citizen by delivering relevant and pertinent news in a timely manner. With profound knowledge of the media landscape and a remarkable track record of driving growth, Nirmal’s expertise will play a pivotal role in identifying untapped regions and audiences in the south and consequently expanding our user base. We firmly believe that Nirmal’s strategic vision and hands-on approach will propel us to new heights of success in the dynamic and diverse South India market.”

    Commenting on his appointment, Way2News regional sales head – South Nirmal Karthikeyan said, “Over the past few years, Way2News has been revolutionizing news consumption behaviour in the digital vernacular space. I am absolutely thrilled to be a part of this journey, and I eagerly look forward to harnessing my expertise in sales and business development and contributing significantly to Way2News’ ongoing success and expansion in the Southern market.”

    Before joining Way2News, Nirmal held the role of senior manager at Jio Cinema, where he played a pivotal role in managing sales efforts across diverse categories such as lifestyle and apparel, gaming, and fintech. With a career spanning more than 12 years, marked by leadership roles in renowned media giants including Jio Cinema, Zapr Media Labs, Sun TV Network, and Eenadu Publication, his extensive experience in advertising strategy, account management, and team leadership has consistently contributed to the success of the organizations he has been a part of.

     

  • The state of the game: LoL Esports in 2024

    The state of the game: LoL Esports in 2024

    Mumbai: Welcome to League of Legends Season 2024! We can’t wait to kick off the 14 seasons of LoL Esports, and we’re here to share the latest updates.

    Global Competitive Changes

    Enhancing the stakes around competition is one of the goals that we have been focused on for our international events. In 2023, we made format changes to both MSI and Worlds that eliminated matches that did not contribute to the outcome of the tournament. For 2024, we want to continue increasing the stakes around MSI and want to create a stronger connection between MSI and Worlds.

    This season, we will set a base of 3 Worlds slots for the LEC, LCS, LCK, and LPL. The PCS and VCS will each retain two Worlds slots, and the LLA and CBLOL will each retain one Worlds slot. With these changes, we will be introducing new ways for teams and regions to show their strength and earn additional Worlds slots through their performance at MSI.

    For the first time, the winning team at MSI will be awarded a guaranteed spot at Worlds, which also counts as an additional slot for their region. The next best-performing region at MSI will secure an additional seed for their region. To ensure that the team that qualifies early for Worlds remains committed to success in their home league, they must qualify for their region’s Summer Playoffs except for the LEC, where the team would qualify for the LEC Regional Finals.

    To use the MSI 2023 results as an example, JDG would auto-qualify to Worlds, allowing a total of 4 LPL teams to qualify for Worlds. And the next best-performing region – the LCK in the case of MSI ‘23 – would secure an extra Worlds 23 seed, for a total of 4.

    We’re hopeful that these adjustments will up the stakes and establish a meaningful throughline between the two tentpole moments across the LoL Esports season: MSI and Worlds.

    MSI & Worlds 2024 Locations

    MSI 2024 will be held from 1-19 May in Chengdu, China. This is the first time we’ve brought a global LoL Esports event to this vibrant city. Check back soon for updates on tickets, schedules, and more!

    Last year in Korea, we announced that Worlds 2024 will return to Europe, with the Finals taking place in London, England, at the iconic O2 Arena. Today, we are ready to share where the other stages of the tournament will take place!

    We’ll be kicking off Worlds in Berlin at the newly remodelled Riot Games Arena for the Play-Ins and Swiss Stages. Then, we’ll head to the Adidas Arena in Paris, France, for both Quarterfinals and Semifinals.

    Worlds 2024 will take place from 25 September to 2 November, and we’ll be back throughout the year with updates on how you can get in on all the action.  

    Hall of Legends

    As we embark on the 2024 season, we’re proud to commemorate 14 remarkable years of LoL Esports. Throughout this decade-plus, we’ve witnessed pro players from around the world leave their mark, displaying incredible resilience, mastery of League of Legends gameplay, and inspiring millions of fans across the globe. To celebrate those who have made a lasting impact on the game, the sport, and the community while concurrently honouring their legacies, we are proud to introduce the LoL Esports Hall of Legends.

    There are several pro players worthy of being inducted into our unique version of a Hall of Fame. We gathered an independent voting panel of esports industry veterans and experts from every region to vote and select our very first inductee.

    Each year, those inducted into the Hall of Legends will have their historic careers celebrated both IRL and in-game! We are currently collecting votes and will have more to share in the coming months, so stay tuned.  

    Regional Start Dates

    And finally, our regional leagues are gearing up for the start of the 2024 competitive season:

    1.   LEC: Jan 13

    2.   LLA: Jan 16

    3.   LCK: Jan 17

    4.   PCS: Jan 19

    5.   LCS: Jan 20

    6.   VCS: Jan 20

    7.   CBLOL: Jan 20

    8.   LPL: Jan 22

    Lots of great LoL Esports moments in store this season! GLHF on your season start climbing! Be sure to tune in to watch all your favourite regions compete at lolesports.com.

  • IDCA announces maiden T-10 Women’s Deaf Premier League in Mumbai

    IDCA announces maiden T-10 Women’s Deaf Premier League in Mumbai

    Mumbai: The Indian Deaf Cricket Association (IDCA) is organising the first T-10 Women’s Deaf Premier League in Mumbai from 8 to 11 January 2024.In its inaugural edition, six specially-abled women’s teams from different parts of the country will compete on the field to clinch the coveted Premier League trophy.

    IDCA president Sumit Jain commented, “We are grateful to Serum Institute of India, Cyrus Poonawalla Group, Nykaa & Indo Count for their wholehearted support to our movement of supporting hearing impaired Women players in our forthcoming tournaments in 2024. IDCA is proud of our women players, these are athletes despite their commitment to their home & families have brought immense pride to society & have excelled in the field of Cricket.”

    The four-day tournament will kick off with a special opening ceremony organised on Monday, January 8 at 9 AM at Police Gymkhana Cricket Ground, Marine Lines, Mumbai, Maharashtra. In this four-day tournament, six Deaf women’s cricket teams – Punjab Lions, UP. Warriorz, Mumbai Stars, Delhi Bulls, Hyderabad Eagles and Bangalore Badshahs – will play a total of 11 matches before making it to the finals.

    The two best teams will face each other in the final match scheduled for 11 January 2024.

    Serum Institute of India founder chairman, and IDCA T-10 Women’s Deaf Premier League Support partner Dr Cyrus S Poonawalla said, “We are delighted & committed to extend our support for the first T-10 Women’s Deaf Premier League 2024. It will help to motivate the specially-abled youth of the country to dream big and strive hard to achieve their dreams as nothing is impossible. We are looking forward to a long partnership with the brand.” 

    The winning team and the players will be felicitated for their exceptional performance at the closing ceremony to be held on 11 January at 4 PM. The IDCA T-10 champions will receive a prize of Rs 1, 00,000, while the runner-up will get Rs 50,000. The best individual sportsmen in categories such as batting, bowling, fielding, super sixes will receive cash awards.

    Supporting the tournament, Nykaa Foundation said, “IDCA T-10 Women’s Deaf Premier League is an exceptional platform for specially-abled women players to showcase their incredible talent. This initiative will help raise awareness among specially-abled players across the country to pursue their passion and aim for the stars in the world of sports. Additionally, it will foster a sense of empowerment and inclusivity within the sports community. We are excited to support IDCA once again in this initiative and look forward to the upcoming tournament.”

    IDCA CEO Roma Balwani added, “The excitement of playing in Mumbai & competing in the home ground of stalwarts of cricket is truly special. IDCA believes in celebrating diversity & inclusion through disability sports, especially cricket. We thank all our support partners, state associations, for their belief in our endeavor to promote deaf cricket both in India & Internationally. We salute each woman player for their grit & resilience to prove their sportsmanship on the cricket field besides being homemakers. Best wishes to all these amazing women participating in specially-abled sports.”

    Corporate partners, KFC India, Hero MotoCorp, Indo Count, CoLearn and Kaizzen are supporting IDCA for the upcoming tournament.

    Watch the tournament live on YouTube channel, IDCA.TV.