Category: News Broadcasting

  • Tom Online and Titan Sports join forces on FIFA World Cup coverage

    Tom Online and Titan Sports join forces on FIFA World Cup coverage

    MUMBAI: China’s wireless internet company Tom Online Inc. has entered into an exclusive cooperation with sports newspaper Titan Sports Weekly, to provide joint coverage on this year’s FIFA World Cup. It also includes a range of other long-term initiatives, including the launch of a new sports channel, http://titan.tom.com , on its portal http://www.tom.com.

    In line with Tom Online’s strategy to form unique alliances with key media organisations to broaden its reach to Chinese consumers and share revenue with partners, the strategic cooperation with Titan Sports includes the integration of sports content, wireless Internet technologies and marketing resources to deliver a more compelling sports experience to Chinese consumers.

    Tom Online CEO and executive director Wang Lei Lei said, “I believe that this cooperation between Titan Sports and Tom Online’s forms an integral part of our long-term strategy to provide unparalleled sports content and applications to Chinese consumers, which can be delivered through both mobile devices and the PC, helping to differentiate our services from our competitors and fulfill the growing needs of sports fans in China.”

    Titan Sports president Qu Youyuan said, “I’m very excited about this closer relationship between the two companies. Titan Sports and Tom Online have a successful history of working together on major events such as the Athens Olympic Games and UEFA soccer matches. As an official media organisation in China for this year’s soccer World Cup, Titan Sports is committed to providing soccer fans with the most in-depth, extensive and up-to-date reports on the field, particularly through its online coverage with Tom Online on titan.tom.com.”

    Titan Sports is China’s largest sports newspaper with a weekly circulation of over four million. As a part of the exclusive cooperation arrangement, Titan Sports will provide first hand stories, pictures and audio-visual material to Tom Online for online and wireless Internet users.

    In addition to the alliance with Titan Sports, Tom Online is also an exclusive wireless Internet services partner with CCTV5, which holds exclusive rights to broadcast World Cup matches in China.

  • UK’s ICE 365 partners Airtel to launch ‘Spot the ball’ contest

    UK’s ICE 365 partners Airtel to launch ‘Spot the ball’ contest

    MUMBAI: ICE 365, the UK-based mobile interactive community service provider, today in association with Airtel announced the launch of an exciting new cricket contest ‘Spot the Ball’. The contest will provide Airtel cricket enthusiastic subscribers, a perfect opportunity to test their skill and mettle as they try to ‘Spot the Cricket Ball’ located in the grid displayed on the mobile screen.

    Spot the Ball, is a multi-platform (spot the ball) game, accessible through the Web, Mobile, SMS and IVR systems, in which a picture of cricket maestro Sachin Tendulkar playing on a cricket pitch is displayed on the mobile screen of the user. The cricket ball is removed from the picture and subscribers through their skill and judgment need to spot the correct position of the ball, states an official release.

    A contest, accessible to Airtel subscribers across 23 circles, Spot the Ball is a first of its kind cricket game, wherein the mega prize winner will take home a brand new Mercedes worth Rs 30,00,000, the release adds.

    Commenting on the launch of Spot the Ball, ICE 365 Ltd. group president Paul Shoker said, “Mobile gaming is a rising star in India’s fast-growing wireless business. In fact, Indian telecom analysts have pegged mobile gaming as the next big revenue earner after short messaging. The Indian mobile-game business currently makes up about 5 per cent of the global wireless market. Market researchers expect the Indian mobile gaming market will generate annual revenue of about $336 million by 2009.”

    Shoker further said, “ICE 365 on its first advent to the booming India telecom market has partnered with leading service provider, AirTel, to bring to the cricket enthusiasts of the country, a first-of-its-kind cricket contest – ‘Spot the Ball’. Through such partnerships we hope to bring to the table much more exciting, interactive value added services, which cater to the communication and entertainment needs of Indian mobile subscribers.”

    How to play ‘Spot the Ball’

    One of the ways in which the game can be played is through WAP i.e. Mobile Internet Service on Airtel Live. The user to go to Airtel Live WAP portal from their phone, or SMS FUN to 646 from their GPRS enabled phone. Sending the SMS results in a URL pushed to them, which they must open with their GPRS enabled phone.

    The user is shown a short introduction to the competition & presented with a choice of four menu options: How to play, Start Game, Terms and Exit. After clicking “Start Game” the user is shown an image, with the ball removed from the picture, and he/she is required to guess where the ball is on the picture.

    The user enters the grid no. (e.g. C3) where he/she thinks the ball would be, and clicks on “Submit”. At this point the user can select “Submit” to submit entry or “Replay” to reposition the ball. The user selects “Submit” and the grid reference of the position they choose is submitted.

    If they are correct they are informed of their successful entry. If their entry was incorrect the user is informed how far away from the correct position their entry is. The user is charged a nominal fee of Rs.30/- for each entry they make by clicking “Submit”.Once a user has successfully made a successful entry from an image they do not have the opportunity to play that image again.

    Airtel director marketing & communications Hemant Sachdev said, “We are delighted to bring this service to our subscribers. Today, gaming downloads form a significant part of our subscribers’ mobile experience. In a nation of cricket lovers, nothing connects with the populace like cricket. The game, ‘Spot the Ball’, is involving and highly engaging and will further endorse our effort to bring the best in gaming content to our subscribers”.

  • TV anytime, anywhere with Sony’s LF-PK1

    TV anytime, anywhere with Sony’s LF-PK1

    MUMBAI: It’s all about taking the TV out of the living room. Sony of Canada Ltd., unveiled the next generation of its technology-leading portable broadband LocationFree TV system — an innovative, “place-shifting” software product that brings home audio/video (A/V) content to a consumer’s personal computer or PlayStation, portable gaming device “virtually” anytime, anywhere around the world.

    Sony is attempting to gain market share from industry leader Slingbox with the LF-PK1. LocationFree works with any video source, including PVRs and TiVOs. Also, the software allows a consumer’s notebook to function as a remote control – changing channels, fast-forwarding DVDs and recording on a PVR from anywhere in the world.

    Sony Canada marketing manager, Consumer Display Products, Consumer Audio Visual/Information Technology Group, Patrick Lapointe said, “This is clearly an example of a revolutionary wireless entertainment solution. You can watch A/V content anywhere in the world where there is an Internet broadband connection.”

    The LF-PK1, which includes the base station (essentially, a router lookalike) and the CD-ROM-based software, will retail for $500 (its predecessor cost about $1,800).

    What might also drive this place-shifting version is application for PSPs. At the Toronto launch, Lapointe demonstrates how a PSP in Canada can display TV stations broadcast from Japan, since the base station is located in Tokyo. As long as the PSP user is sitting in a hotspot, the streaming video or TV broadcast should be seamless. That kind of flexibility is ideal for travellers, on-the-road gamers and TV junkies, Lapointe says.

    The proprietary LocationFree software works in conjunction with a LocationFree TV base station, which will accompany it in a package. When the software is installed on any notebook PC running Microsoft’s Windows 2000 (with Service Pack 4) or XP operating system, A/V content can be accessed from a LocationFree TV home base station via a high-speed broadband Internet connection of 300 kbps (kilobits per second) or higher upload/download speed.

    The LocationFree TV base station allows for up to four registered LocationFree TV monitors or PCs for enjoying the so-called NetAV function. This gives consumers the option to connect a notebook or desktop PC, PSP device and an additional computer, if desired. Although only one device can stream video at a time, this capability provides the convenience of picking any device at any given moment to watch A/V content without the hassle of unplugging or reconfiguring systems.

    Also, the LocationFree software allows a consumer’s notebook PC to function as a remote control so they can change television channels, fast forward DVDs and set up recordings on a DVR via the broadband Internet.

    For example, when on the road, if a consumer forgets to set-up a recording of their favourite TV program, the LocationFree Player for PC software will allow them to do so remotely. The LocationFree software includes an intuitive graphical user interface (GUI) and an on-screen universal remote (compatible with most major hardware brands), making it extremely versatile. The GUI makes it easy to navigate various menus and channels while reading program information.

    Sony’s latest LocationFree version is poised to reshape how entertainment is enjoyed by people who want to think outside the box.

  • BBC World’s new show looks at famous Asian personalities

    BBC World’s new show looks at famous Asian personalities

    MUMBAI: News channel BBC World’s senior foreign correspondent Michael Peschardt is launching a new 13-part series on BBC World next month. Peschardt’s People will give viewers a chance to take a look at the lives of some of the most famous and infamous people in the Asia-Pacific region.

    He spends an average of three days with each of his guests, interviewing them about the people, places, and issues that really matter to them, in a relaxed and informal style, encouraging them to open up and talk sincerely and passionately about their lives. On 1 April, his guest is actor Sam Neill (The Piano). He travels to New Zealand to visit Neill’s private country estate, who talks about his relationship with Steven Spielberg and the frustrations of dealing with Hollywood. Neill is married to a Japanese and talks openly about his multi-racial family living in a country, which he says, has sometimes been slow to embrace multiculturalism.

    Attempting to explain the success of the New Zealand film industry which has recently produced the Lord of the Rings trilogy and King Kong, he says: “It is the isolation. We have had to do things for ourselves. There’s never been a mentality in New Zealand that just because we are small, we can’t do it. In fact, it’s quite the reverse. We just get on and do things. It’s in our nature.”

    On 15 April he visits classical violinist Vanessa Mae. She has brought glamour and youth appeal to classical music. She talks about the pressures of being a child prodigy on the violin. Michael spends the day with her on tour in London. She talks about the decision to wear provocative costumes on stage and of her loneliness, as well as about growing up as the child of a Thai father and Chinese mother. Born in Singapore and raised in London, she tells Peschardt about the racism she’s encountered, and what it is like to fall between several different cultures.

    She reveals the price she has also had to pay for her fame, telling Michael about the fears for her safety from one fan in particular who became a stalker. “There was one guy who was stalking me continually. Very recently he had had been hanging around a lot more, coming to the front door. And it really became too much. I thought he needed help and I needed help. We called in the police and he was put away for six months and banned from coming anywhere near me ever again.”

    Giving a desi touch to things, on 22 April is Bollywood actress Preity Zinta. She shot to fame as the model in the Liril advertisement. He takes a behind the scenes look at Preity’s life as she takes him on a personal tour around India’s most celebrated Bollywood film studio. She talks about the pressures of her fame, and says she really doesn’t want to become more famous than she is now, ruling out any attempt to break into Hollywood. “Why would I want to go there, when everyone knows me already?” she says.

    Zinta shows Peschardt some of the colour and action that she believes has made Bollywood such a success, and tells him how she thinks India can change the world. “There are half a billion young people in this country and that makes it possible for change to happen and very fast. Most older people in India believe that everything about Western influences is bad but young people see things differently, though they still want to hold on to their Indian culture and sense of family values.”

    On 6 May, Peschardt catches up with author Shobhaa De. She has succeeded in breaking down many of the sexual taboos in today’s India. She takes Peschardt around Mumbai in her chauffer-driven vintage Mercedes explaining why she believes it is so important to bring sensuality and sexuality back into Indian literature.

    “I wanted to show that women should have the same rights over their lives, bodies and sexuality. Remember, India first produced the Karma Sutra. So there has been a long tradition.” However, as De shows Peschardt around her city centre apartment, it becomes clear she feels that many young Indians are going too far in embracing liberal sexual practices.

    She has recently finished another best-selling book about the importance of marriage. “I have never advocated promiscuity. Marriage is important to me, and people must either show commitment to it, or not do it at all. Some people watch birds, I watch marriages,” she says.

    Another guest of Peschardt will be Dr Vijay Mallya. Peschardt meets Dr Mallya, the flamboyant entrepreneur and the tycoon behind Kingfisher Beer and Kingfisher Airlines. His firm, The UB Group, focusses on alcoholic drinks, life sciences, engineering, agriculture and chemicals, information technology and civil aviation.

    A recognised orator and sportsman, he has won trophies on the professional car racing circuits, is a keen yachtsman and aviator and leads an extraordinarily frenetic life.

    Michael meets him at his office at six o’clock in the evening, and watches as meetings continue through to half past two the following morning. Dr. Mallya reveals to Michael his plans to expand even further internationally. “We are looking at new acquisitions,” he says, and is happy with comparisons between himself and British owner of the Virgin Empire Richard Branson. “I definitely want Kingfisher to fly internationally in the near future,” he adds.

    Dr. Mallya is a man who doesn’t like to take no for an answer and expresses his frustrations with Indian bureaucracy and red tape, but he believes India’s economic boom will certainly continue. He keeps a 24-hour check on his sprawling business empire from his bulletproof Mercedes which he uses as a mobile office, and takes Michael on a tour around the city of Mumbai. “I don’t read books, and I don’t watch movies,” he says. “For me, work is fun. It’s what I do. I’ve installed a ‘can-do’ attitude throughout my companies.”

  • Govt proposing to set up separate disputes tribunal for broadcast content

    Govt proposing to set up separate disputes tribunal for broadcast content

    NEW DELHI: The government is proposing to set up a separate disputes tribunal for broadcast content on the lines of Telecom Disputes Settlement And Appellate Tribunal (TDSAT) as part of a comprehensive content regulation framework.

    The proposed organisation, likely to be called Content Disputes Settlement Appellate Tribunal, would have the powers as vested under the Code of Civil Procedures, 1908, but not totally bound by it.

    The content disputes tribunal would take up issues brought to it by aggrieved parties, including those who feel unfair treatment has been meted out by the proposed Content Regulatory Authority of India.

    The structure of these two organizations are based on the functioning of Telecom Regulatory Authority of India (Trai) and TDSAT, which oversee telecom services, including broadcast and cable services at the moment.

    The idea of creating a separate content disputes tribunal is based on feedback that the government has had from industry stakeholders and industry bodies like the Federation of Indian Chambers of Commerce and Industry.

    As in the case of TDSAT, any appeal against content disputes tribunal’s orders can be made only in the Supreme Court. The government is also proposing to put a penalty on flouting the appellate tribunal’s order’s, which can go up to Rs 50 million.

    Programming scheduling TV channel’s responsibility

    Meanwhile, as per a draft of content code being considered in the I&B ministry, the onus of proper scheduling of programming would rest with a licensee.

    “(The) licensee should take care that the time when minors are expected to be viewing the programmes, i.e. between 4 pm to 7 pm, the Broadcasting Code should be strictly followed,” a draft of the code states, stressing clearly on greater degree of self-regulation on the part of TV channels.

    However, as pr another suggestion to the ministry, the restrictions on the provision of material unsuitable on television programmes for children should be relaxed on a gradual and progressive basis after 7 pm.

    The assumption is that after 7 pm parents may reasonably be expected to share responsibility for what their children are permitted to watch on television.

    The proposed content regulator is also unlikely to preview or pre-censor any TV programme, including films on television. It should be a licensee’s responsibility to ensure that the viewers are aware of the classification of the films broadcast on the television.

  • Murdoch dips into fibre-optic network: Alliances on the card

    Murdoch dips into fibre-optic network: Alliances on the card

    Murdoch mania still is hot in town as speculation about what he really intends to do in the Indian market rising to a fever pitch. He had a rash of meetings on 14 March with top brass industrialists and other prominent political personalities.

    Maharashtra Chief Minister Vilasrao Deshmukh and he discussed the possibilities of investment in the Infotech and telecom area. Ministerial sources disclosed his intentions to set up a state-of-the-art fibre optic telecom carrier network in Mumbai. A possible partner for this project is InCable which has been laying a fibre optic network in the city. Star TV does not have any investments in cable TV distribution, having sold out its holdings in Siticable to Zee TV. The fibre optic project will l cater to Murdoch’s Infotech dreams in India and facilitate e-commerce and e-education and create tremendous job opportunities, ministerial sources said.

    Murdoch also met up with MTNL and VSNL executives at the Ministerial meeting. MTNL, the state telecom provider MTNL which has a strong optic-fibre backbone and Hughes Ispat which also is rolling out its network over the city.

    The Chief Minister, wanting investments in the state, also assured Murdoch that News Corp’s proposal to set up an entertainment programming studio will be cleared within a month’s time. News Corp plans to invest around $100 million in this area alone. The commercial capital of India seems to have impressed Murdoch as he identified the tremendous potential in this city.

    It is now the time of Delhi for big announcements where Murdoch will hold high-profile meetings.

  • Endemol rolls out comedy format in Germany

    Endemol rolls out comedy format in Germany

    MUMBAI: Endemol International has signed deals on its 8 Out of 10 Cats comedy format in Germany, Denmark and Sweden.

    The show is also being piloted in other markets and further deals are expected to be announced soon.

    In Germany, the series will launch later this year on Sat 1. It launched last month on TV4 in Sweden and TV2 in Denmark. The Swedish version is called 100% and is presented by Adam Alsing, who previously hosted Big Brother.

    Created by Endemol U.K.’s Zeppotron,,the series first aired in the U.K., where it recently completed a second season run on Channel 4 in a prime time Friday-night slot.

  • Blooming Kids Software releases 29 new educational programs for kids with special needs

    Blooming Kids Software releases 29 new educational programs for kids with special needs

    MUMBAI: Blooming Kids Software (BloomingKids), which creates computer programs designed to teach children who have special needs, has created 29 new educational programs. Educational experts and parents of children with special needs have combined their knowledge to develop Blooming Kids Software.

    BloomingKids has also released the home edition of its interactive computer software to therapists, parents and caregivers for online purchase. The company hopes to release its multi-user program in September 2006.

    “BloomingKids may specialise in creating software for children with special needs, but any child can benefit from learning the skills our new programs teach. The programs demonstrate many different skills, including memory enhancement and generalization of objects. Many of them also offer testing and reporting capabilities so parents can monitor the children’s success,” said Blooming Kids Software spokesperson Pat Pathmakumar.

    The programs target developmentally challenged children with Autism, PDD (Pervasive Developmental Delay) and others who require early intervention. The programs include instructions for children who need help with listening, identifying, matching and auditory processing skills. Additionally, the software provides innovative techniques in the instruction of skills, such as memory enhancement, computer usage (mouse and keyboard training), fine motor development and increasing attention span.

    BloomingKids’ programmers can incorporate any personal pictures, voices or music into all 29 programs. BloomingKids will use them to construct a learning tool customized to meet any child or student’s needs.

    Many of the programs offer internal testing and reporting capabilities. All of the programs use colorful animations, pictures and music to help children to learn with enthusiasm and attention. Each exercise in the program rewards and encourages and every correct answer earns positive reinforcement.

    “Compared to similar products, the software at BloomingKids is more effective and costs less. Parents and teachers who purchase our software can expect that these children will develop many different types of lifelong skills,” added Pathmakumar.

  • No final solution on CAS rollout; call for channel MRP

    No final solution on CAS rollout; call for channel MRP

    NEW DELHI: CAS or conditional access system is near and still so far.

    While multi system operators (MSOs) and a section of independent cable operators today demanded that broadcasters come out with subscription rates for individual channels, instead of for a bouquet of channels, for smooth implementation of CAS in Delhi, Mumbai and Kolkata, pay broadcasters said they would consider the option.

    At a time when a demand was also made that the government try put a maximum retail price (MRP) on pay channels, the information and broadcasting ministry said that it would wait for detailed feedback before making such a move.

    A day-long interaction to sort out various issues involved with implementation of CAS (as mandated by a Delhi court) saw stakeholders, including MSOs, cable operators, broadcasters, sector regulator Trai and consumer organisations present their stand to the government.

    According to a representative of a stakeholder present during the meeting, which lasted over eight hours, the discussions were “positive”, but marred by “contradictory opinions from the cable industry”.

    Even as a demand from a section of the cable industry that pay broadcasters come out with a la carte prices for smooth rollout of CAS was made, certain last mile cable operators from Mumbai sounded skeptical on addressability.

    Some of the broadcasters raised objections to the demand on a la carte pricing saying TV channels, if priced on individually, would be expensive compared to the bouquet cost.

    And, while most participants in the meeting, called by the government, felt that CAS is inevitability and should be rolled out, some consumer organizations felt that addressability could be introduced as long as it didn’t put additional burden on the consumers.

    Rather, the consumer organisations went to the extent of saying that introduction of CAS should not result in increase of price of cable services from the present, which range anywhere between Rs 100 to Rs 500, depending on the type of deals that have been struck with the local cable operators.

    According to some people who attended the meeting, at one point of time the government representative — I&B secretary SK Arora — chastised the cable industry for indulging in double-speak on introduction of CAS vis-à-vis carriage fee.

    However, the government has convened a meeting on Friday again to take stock of the feedback from the industry stakeholders when the sequence of the rollout of CAS is likely to be given a final shape. Provided the government doesn’t go in for an appeal against the Delhi High Court order that is.

    Those who attended the meeting included Trai’s broadcast in-charge Rakesh Kacker, Zee’s Jawahar Goel, Roop Sharma from Cable Operators Federation of India, independent cable ops from Delhi and Mumbai like Vikki Chowdhry and MSO Alliance’s Ashok Mansukhani, apart from representatives from the IBF, Star, Sony and consumer organisations.

    “We also informed the government that CAS was being implemented in the notified areas and we were giving attractive schemes to the consumers for possession of set-top boxes (STBs),” Press Trust of India quoted Roop Sharma as saying. Chowdhry went to the extent of saying that the pay broadcasters were “clearly on the back foot” in the meeting.

  • Sahara One Television changes logo, on-air identity

    Sahara One Television changes logo, on-air identity

    MUMBAI: They’ve done it yet again! Sahara One Television has once again changed its on-air channel identity and logo.

    In order to reflect the dreams and aspirations of the new age Indian woman, the channel will don a new logo from 28 March. Inspired from the blooms of a lotus, the colours and form speak for themselves.

    Sahara One Television’s prime time programming revolves around contemporary Indian women minus the saas-bahu sagas in shows like Woh Rehne Waali Mehlon Ki, Haare Kaanch Ki Choodiyan and Kituu Sabb Jantii Hai.

    The channel had last changed its logo in October 2004.

    Sahara One Television’s various phases of transition
    Sahara One Television’s new logo retains the company’s distinctive saffron and green stripes next to the company name Sahara.

    The Singapore based Bruce Dunlop Associates has designed the new on-air look for the channel, with Bollywood music director Shantanu Moitra designing the sound for the new packaging.

    “The new logo is designed by Yellow Frog a design outfit of Percept H, part of Percept Holdings Company and gives Sahara One Television the crucial singular visual identity along with colour palettes that give continuity and a never-ending promise. Though the new logo is soft in appeal, it has an inner strength that is exuded via the bloom and the colours. It is interesting to notice that the form that is created for O is inspired from a lotus petal,” said Sahara One Television COO Purnendu Bose.

    Speaking on the reason behind changing the logo, Bose said, “The old logo with the diamonds around it was too restrictive and was not flexible. It wasn’t a reflection of the true Indian woman and we wanted a logo that reflected our target audience.”
    The channel has also launched an advertising campaing with the protagonists of its prime time shows. The taglines of these campanigs are — ‘Pati Parmeshwar ka time khatam’ and ‘Kit-pit saas ka time khatam.’

    “The campaing hits the current stereotype saas-bahu sagas head-on, which have been running on Indian television for the last two years. It reflects our programming strategy that focuses on women of today,” added Bose.

    What’s more… since the channel’s key focus audience are women, it has launched a contest exclusively targeted at women viewers called ‘Naya Rang-Cricketers Ke Sang.’

    The contest began on 27 March and will run till 8 April. Under the contest one question will be asked between 8 – 10 pm everyday. The viewers have to send their replies by SMS to 9090 or call 1904-424-9090 by 12 noon next day to leave their answers.

    The winners stand a chance to win a fully paid trip for the for the last five matches One-Day Internationals to be held from 3 – 15 April with Indian cricketers on a chartered plane.

    The winners of Naya Rang-Cricketers Ke Sang contest will be announced on the channel six days prior each match. The winners not only gets to travel, dine and wine with these cricketers but shall also have the privilege to watch the match in exclusive seats.