Category: News Broadcasting

  • Dopfner elected to join Time Warner Board of Directors

    Dopfner elected to join Time Warner Board of Directors

    MUMBAI: Time Warner Inc. has announced that Mathias Dopfner has been elected to join its Board of directors. Dopfner is chairman, CEO and head of the Newspapers Division of German publishing giant Axel Springer AG.

    Dopfner becomes the 12th member of Time Warner’s Board. His election is part of the company’s previously announced plan to add two new independent directors to its Board. Under the leadership of the Nominating and Governance Committee, the company is continuing the process of recruiting an additional independent director, informs an official release.

    Robert C. Clark, who chairs the Time Warner Board’s Nominating and Governance Committee, said, “We’re delighted that Dopfner has joined Time Warner’s Board. He’s an energetic and widely respected executive, with a solid record of leadership in the media industry. Dopfner not only brings the personal qualities that we seek in directors, but also enhances our Board’s independence and geographic diversity.”

    Time Warner Chairman and CEO Dick Parsons said, “Mathias Dopfner has done a terrific job of running one of the leading media companies in Europe, which is a key region of growth and opportunity for our company. In doing so, he has emerged at the top of a new generation of media industry leaders. He has a deep understanding of the challenges and opportunities facing media businesses around the world as well as the intelligence and character to enable him to serve the interests of our shareholders effectively.”

    Dopfner added, “I’m honoured to join Time Warner’s Board of Directors. I look forward to the opportunity to work with my fellow Board members and management in helping this great company achieve its strategic objectives and provide superior returns for its shareholders.”

    Since 2002, Dopfner has been CEO of Axel Springer which publishes more than 150 newspapers and magazines in 32 countries. He joined Axel Springer in 1998, as editor-in-chief of Die Welt. From 2000 to 2002, he served as the member of Axel Springer’s Management Board responsible for the company’s Multimedia and Newspapers Divisions. Before joining Axel Springer, Dopfner waseEditor-in-chief of Hamburger Morgenpost (1996-1998) and Wochenpost (1994-1996), adds the release.

    The other members of Time Warner’s Board are Richard D. Parsons, James L. Barksdale, Stephen F. Bollenbach, Frank J. Caufield, Robert C. Clark, Jessica P. Einhorn, Reuben Mark, Michael A. Miles, Kenneth J. Novack, Francis T. Vincent, Jr. and Deborah C. Wright.

  • Regional, News: Zee’s growth road

    Laxmi Goel is taking time to settle down in his new role as Zee News Ltd. (ZNL) director. Now in his baggage will fall a clutch of regional channels which he has to manage along with the news business he has been in charge of.

    Sitting on a revenue of Rs 2.01 billion, the task cut out for Goel is to grow the size of the egg. As the startup channels have to be nurtured and funded, he will also have to worry about the profitability of the company Though ZNL posted a net profit of Rs 161 million for the 2005-06 fiscal, this did not include the loss of Rs 460 million from Zee Telugu.

    The southern language channels will continue to perplex Subhash Chandra‘s younger brother for a longer time. While Kalanithi Maran‘s Sun Group channels hold fort in the region, Asianet is powerful in Kerala. Zee Telugu and Zee Kannada, the only two channels from the Zee stable so far, have yet to stamp their mark in a market they have newly entered.

    So, what is Goel‘s plan of attack? Launch local language news channels in the southern region and create a bundle along with the general entertainment channels. He has already executed that in the Bengali market (Zee‘s cable TV arm enjoys over 60 per share in Kolkata) by entering into a 50:50 joint venture with Akash Bangla (said to be funded by supporters of the Left party) to launch Chobbees Ghanta. “We have planned for the south Indian regional news channels which will take shape at a time we consider to be right,” he says.

     

    Zee News Ltd director Laxmi Goel

    Also in the pipeline is the launch of Tamil and Malayalam language channels, the two lucrative and most difficult markets to penetrate. But without it, Goel knows, the regional bouquet will not be complete. He has to take the dive into these markets, no matter what odds the company has to face. “The capex investment of each channel could be in the range of Rs 250-400 million. The launch of these channels will happen at the appropriate time,” he says.

    Zee‘s task gets tougher with Maran controlling the movie library and spinning out popular soaps from TV producers who work exclusively for the Sun Group. This forced Zee Telugu to experiment with alternate programming, aimed at younger audiences. “We launched prime time game shows and events in an attempt to get audiences veer away from soaps shown on the top three channels. The task is to break the old viewing habits of audiences. We are succeeding, albeit slowly,” says Zee South Channels business head Ajay Kumar.

    Zee Kannada has adopted a different programming plan and, with the market size being small, is tailoring programming for the mass audiences. The focus right now for this almost two-month old infant channel is to secure broad distribution as, without reach, it will not be able to build the audiences for tapping ad sales.

    Outside the southern region, all the Zee regional channels are profitable except Gujarati. Zee Bangla will see major investments on programming, marketing and film buying. So will Zee Gujarati which has already been launched in UK and US. Says Zee (Marathi, Bangla & Gujarati) business head Nitin Vaidya, “We are on a major investment drive to spruce up the Bengali and Gujarati channels. We want to turn around and establish Zee Bangla, which is in second spot, as a clear leader in that market. With Zee Gujarati available in the UK and US, we are investing to take care of those audiences.”

    In a meeting with analysts, Chandra admits Zee Gujarati is suffering small losses. “But all the regional channels in the bouquet are making marginal profits. The profits this year should grow. And we expect all the new businesses to break even by the fourth quarter of this fiscal,” he says.

    ZNL is expected to grow over 25 per cent this fiscal. Says Essel Group CEO of corporate strategy and finance Rajiv Garg, “We are projecting a revenue of Rs 2.5 billion in FY07 and Rs 2.9 billion in FY08.”

    For speedier growth, the challenge will be to up the revenues even in those regional markets where Zee is one of the leading players. This means Zee Marathi, Zee Punjabi, Zee Gujarati and Zee Bangla will have to take the tough stance of hiking advertising rates which have grown only at a snail‘s pace. Analysts put Zee‘s ad revenues from regional channels at around Rs 800 million, and only growing slowly.

    “Regional channels have a growth potential in the long term. The regional ad market is growing faster in the southern region, but there the Zee channels have a feeble presence. We see better prospects for these channels in an addressable environment. With ETV, which has a strong Marathi channel going pay, subscription revenues for Zee will also improve,” says an analyst.

    Size, though, will have to come from the news channels. As Goel says, “The news genre has seen appreciable growth in the last few years.”

    No wonder NDTV‘s total income has jumped to Rs 1.94 billion for FY06, up from Rs 1.57 billion a year ago. TV Today Network‘s turnover rose to Rs 1.68 billion while Television Eighteen, which owns and operates CNBC TV18 channel, posted a revenue of Rs 1.27 billion last year. Though Hindi channel Zee News stood firm ground in this fragmented environment, it barely managed to reap from the windfall that spread across the news networks as the ad market for this genre exploded over the last few years.

    Zee News is investing in news automation systems as it plans to gain audiences with, as Goel says, investigative journalism and focus on hard news in prime time. “We have changed the look and feel of the channel. We are also putting money in field resource augmentation. We expect our new automation systems to be working by July-August. The channel is gearing up to face the next level of competition,” says Goel.

    Muscling its way to stay head of the pack of Hindi news channels is a mission impossible at this stage, analysts say. “The Hindi news space is seeing very aggressive play from all the players including market leader Aaj Tak. But to the credit of Zee News, it must be said that it has managed to stay stable,” they add.

    In the financial TV news, Zee Business stands almost eclipsed. CNBC TV18 dominates the space and has supplemented its English channel with Awaaz to lap up Hindi viewers. NDTV has launched Profit which has much better distribution than Zee Business.

    Will Zee launch a general English news channel? Goel skirts the question. “It has been the declared mission of Chandra that you must be present in every genre and segment that has potential for growth. We will decide on this later,” he says.

    The reality is that this genre is too crowded and thin a market to accommodate many players. The operating cost, at the least, would be upwards of Rs 700 million a year and with distribution and ad revenues an issue, it is hardly likely that Zee will take the plunge now. “In the Hindi and English news space, the process of consolidation has already started because the market can‘t sustain so many players in a healthy manner. The next battle will be fought in the regional language space in the news genre,” he says.

    So, take the warning. Zee News will probably come up with more regional news channels, gobbling up some if and when they are available.

  • AXN gets over 200,000 votes for its Action Awards initiative

    AXN gets over 200,000 votes for its Action Awards initiative

    MUMBAI: Looks like AXN’s decision to do an initiative around Bollywood is paying dividends. The channel has announced that it received with over 200,000 votes for different action categories in the first ever Indian Action Awards.

    From biker stunts and enthralling on-ground activities to responses on SMS and on the AXN website fans have voted for their stars who they want to see get an award.

    As had been reported by indiantelevision.com earlier AXN had introduced the first ever Action Awards in India last month. These awards will felicitate the tough guys of Bollywood. Dino Morea will present these awards to the much deserving action stars of Bollywood who have come a long way from the ‘dishoom dishoom’ to international quality special effects, high speed action sequences and the finest editing.

    Voting was via SMS, ballot paper and logging on to www.axnactionawards.com. AXN and and main sponsor Thums Up also co-ordinated on ground activities in eight cities in India. At each of the events, on-ground paper ballot voting was conducted where a form was filled by the audience to cast their vote for their favourite action hero.

    The AXN Action Awards is presented by Thums Up with Associate Sponsorship by Mahindra Scorpio and Sony Ericsson K750i. The promotion partner for the event is Inox.

  • FIPB clears Adhikari Brothers’ Broadcast Initiatives plans to induct foreign equity partner

    FIPB clears Adhikari Brothers’ Broadcast Initiatives plans to induct foreign equity partner

    MUMBAI: The Foreign Investment Promotion Board (FIPB) has formally cleared the application filed by Sri Adhikari Brothers News and Television Network Limited (the name has changed to Broadcast Initiatives Ltd).

    The approval is part of the procedure for news channels planning to raise funds through an initial public offer (IPO) to induct investments from non-resident Indians (NRIs) or foreign institutional investors (FIIs). The company has filed a Draft Red Herring Prospectus for an IPO.

    Broadcast Initiatives Ltd, the Sri Adhikari Brothers promoted company through which Janmat news and views channel was launched, proposes to issue 8,550,000 equity shares of Rs 10 each for cash at a premium to be decided through the book building process. The issue would constitute 44.27 per cent of the fully diluted post issue equity capital of the company. Post-issue, the promoter holding would be 55.73 per cent.

    As per the prescribed government norms, the FIIs can invest in news and current affairs channel and companies managing them, but the total foreign investment component is capped at 26 per cent, whereby the FII investment has to be part of the total foreign investment allowed, including foreign direct investment.

    For any such induction, the news broadcaster has to obtain a no objection certificate from information and broadcasting ministry as well as the FIPB approval for the shares issued to the NRIs/FIIs.

    In its application last month, the Adhikari Brothers had said that it “proposes to induct foreign equity partner up to 26 per cent through the IPO/Public issues.”

    On the same day, the FIPB had also approved a proposal of Reuters Group Plc to invest in the Times Global Broadcasting Co. Ltd’s, which manages the six month old English news and current affairs channel Times Now. The ministry has approved an investment of Rs 221 million by the Reuters in the Times Global Broadcasting for uplinking and broadcasting news and current affairs television channels from India.

    The clearances are part of a package okayed by finance minister P Chidambaram based on the recommendations of the FIPB in its meeting held on 29 June 2006. The total package approved by the FM amounts to Rs 7.62 billion.

  • Discovery to focus on dragons, mega builders, science fiction

    Discovery to focus on dragons, mega builders, science fiction

    MUMBAI: Dragons, mega builders and science fiction are just a few of the themes that Discovery will tackle over the coming months.
    Dragons: A Fantasy Made Real airs on 6 August at 8 pm. This was a three year project. Scientific fact, CGI and special effects bring these creatures to life. This is basically a ‘what if?’ special.

    Ruling a make-believe world of fantasy and fairy tales, these terrifying, winged predators never existed in real life – but what if they had? Computer-generated imagery from the same graphics company that created effects for Walking With Dinosaurs, Walking With Prehistoric Beasts and the latest Harry Potter movie provides a look at these creatures from the inside out.

    Viewers will learn how dragons would have evolved into a number of different species through the ages – Prehistoric, Marine, Forest and Mountain Dragons – and how each dragon species was endowed with physical adaptations and behaviors specialized for its environment.

    Viewers can also check out in vivo shots of each dragon’s internal workings and learn the theoretical biology behind claims that these creatures were able to fly and breathe fire. Combining live action footage, natural history and state-of-the-art computer animation, the show will tack viewers on a journey through the annals of the fantastic past and an in-depth, scientific look at one of humankind’s most storied foes.

    Those keen on architecture can check out the six part show Mega Builders. Capturing the biggest, most complex, most stressful and most dangerous engineering projects around the world, Mega Builders chronicles awe-inspiring construction projects in the world and the engineering teams behind them. Viewers can watch as they attempt projects so enormous and challenging that one will be compelled to ask: how will they ever pull this off?

    Dubai takes centrestage on 4 July with the episode Fantasy Islands Dubai. Off the coast of Dubai in the Gulf of Arabia, two mega-builders are pulling off one of the most ambitious feats of marine engineering the world has ever seen. In this episode, witness the creation of the world’s largest man-made islands – three artificial islands built in the shape of a palm tree – which will be the home to a luxurious future city of 100,000 people. When building an island, where do you even begin?

    Canadian immigrant, Ali Mansour and New Zealander, David Smith have teamed up under the direction of Dubai’s property development company, Nakheel, to create this exclusive play land for the world’s wealthy elite. This episode follows the marine engineers as they manage a fleet of monster dredger ships and a convoy of mega-trucks moving 14 million tons of rocks to create the world’s longest breakwater. These enterprising engineers are designing the 50-km² islands to withstand earthquakes and they’ve built the breakwater to help protect the emerging islands against rough seas and erosion. If successful, their work will be instrumental as the tiny emirate re-invents itself as a tourist mecca for the super-rich.
    The episode on 11 July is called Quake Proofing an Icon San Francisco. The challenges of building the new San Francisco Bay Bridge are immense as nothing like it has ever been built in a seismic zone; engineering a bridge that will bend but not break and creating a solid foundation out of a sea of mud.

    World’s Fastest Wheels airs on 25 July 2006. Every weekend for the last seven years Ed Shadle, a fanatical speed racer; and Keith Zanghi, a retired IBM executive who races dragsters for fun, have pursued a very big dream: to build the most advanced racing car in the world. Their goal is simple: take their car, the North American Eagle, supersonic and annihilate the world land speed record – a mind-numbing 1,228 kilometres per hour: the speed of sound.

    The pair of speedsters recruit experts in everything from parachutes to jet plane engines to build this extraordinary car – if you can really call it a car. Shadel and Zanghi ran with the improbable idea of transforming a jet plane into a jet car. After a four month search, the men found a surplus F-104 Starfighter fuselage and began the remarkable conversion. And as they worked, they discovered something amazing – under 15 layers of paint they uncovered the plane’s serial number: 763. This number, and the plane, had belonged to America’s most famous test pilot, Chuck Yager.

    From 18-24 September 2006 Discovery will air a slew of shows under the name Sci Fi Zone. The shows look at H.G. Wells’ explosive ideas and how The Matrix trilogy or Terminator 2 could become a reality in the future.

  • Vh1 lines-up special shows for July

    Vh1 lines-up special shows for July

    MUMBAI: Vh1, the international music and lifestyle channel has line-up with the celebreality show Hogan Knows Best and Cribs as well as two Vh1 specials Live8: What A Difference A Day Made and Rock Honors for July.

    Starting 2 July, Vh1 will premiere Live8: What A Difference A Day Made at 10 pm. It will highlight the performances including U2, Coldplay, Black Eyed Peas, Green Day, Madonna, Youssou N’Dour and Dido, Robbie Williams, Pink Floyd, R.E.M. and Paul McCartney who rallied the crowds and viewers to fight against poverty in Africa and to lobby the G8 leaders to makes promises on debt relief, AIDS drugs, trade tariffs and education. The show will repeat on 15 July at 10 pm, the day the G8 summit begins in Russia. 

    Hogan Knows Best, the celebreality show on Hulk Hogan and his family premieres on 18 July at 9 pm. The show exposes the inside story on Hulk Hogan who is not only the world’s most famous wrestler but also a very traditional suburban dad with a teenage daughter who wants to be a pop star and a teenage son Nick who wants to be a race car driver.

    Cribs will premier on 26 July. The show will showcase an exclusive and in-depth access into the comfy dwellings of the favourite celebrities. 

    The lifestyle channel will also showcase Vh1 Rock Honors, hosted by Jamie Pressly, celebrating the great music and influence of KISS, Queen, Def Leppard and Judas Priest in Las Vegas with performances Foo Fighters, Godsmack, All American Rejects and the awesome KISS Tribute All Star Band (including Rob Zombie, Tommy Lee and Slash) on 21 July at 10 pm.

  • Adelphia closes asset sale to Time Warner Cable & Comcast

    Adelphia closes asset sale to Time Warner Cable & Comcast

    MUMBAI: US cable television company Adelphia Communications Corporation has completed the sale of all of its assets to Time Warner Cable and Comcast Corporation for the aggregate consideration of approximately $12.5 billion in cash and approximately 16 percent of the equity of Time Warner’s cable subsidiary.

    As a result of the sale, Adelphia will no longer operate as a U.S. cable company. Its approximately 4.8 million customers will be distributed between Time Warner Cable and Comcast.

    Teams from the buyers and Adelphia have worked together for months to ensure an orderly transition for customers, communities and the almost 13,000 Adelphia employees who will transfer to Time Warner Cable and Comcast, states an official release.

    Concurrent with the closing of the sale, Adelphia also consummated a plan of reorganization for the former joint ventures with Comcast (Century-TCI and Parnassos), resulting in the repayment in full of approximately $1.7 billion of indebtedness. Adelphia will hold the remaining sale proceeds for distribution to its creditors through a Plan of Reorganization as it seeks to resolve its Chapter 11 bankruptcy case in the US Bankruptcy Court for the Southern District of New York.

    On 24 July 2006 Adelphia announced an agreement on a framework for a Plan of Reorganization intended to result in a fourth quarter 2006 emergence from Chapter 11. The agreement enjoys widespread support among Adelphia’s major unsecured creditors, including the Official Committee of Unsecured Creditors, though several constituencies do not support it. Adelphia’s obligations under the agreement and the reorganization plan envisioned by it are subject to approval by the Bankruptcy Court.

    UBS Investment Bank and Allen & Company LLC served as Adelphia’s financial advisors for the sale transaction. Sullivan & Cromwell LLP served as Adelphia’s legal advisor for the sale. Willkie Farr & Gallagher LLP continues to serve as Adelphia’s legal counsel for the Chapter 11 bankruptcy process.

  • Madison Media Group CEO Punitha Arumugam.

    Madison Media Group CEO Punitha Arumugam.

    Life is not measured by the number of breaths you take, but by the moments that take your breath away.

    It is a brave and determined person who decides to move out of his or her comfort zone into a job having a profile alien to him or her. And in the competitive world of media and advertising it requires steely courage. But there are many who do so and the net benefit for them: a more rounded view of the industry.

    Take, for example, Punitha Arumugam, the CEO of the Sam Balsara- founded Madison Group, arguably one of the three most powerful media agencies in the country. Punitha – as everyone calls her – has switched from being a media planner to managing the business of media and advertising, and so far, she has enjoyed the journey, smooth or bumpy, to the hilt.

    In 1990, she joined O&M (Chennai) as a trainee, moved to Lintas’ Initiative Media soon after as media manager and moved out as media director. Then she joined Madison as Media Services director (West) in 2000, and in a six year span, has risen from COO (West) to CEO (West) and is currently Group CEO for all India.

    Early Years in Media
    Born, raised and educated in Chennai, Punitha’s father was in business and her mother is a housewife. She completed her graduation in BSC (Physics) and went on to study management from Madras University. Punitha started work in media right from the start and adapted to it like a fish to water. While doing her MBA, she was assigned a summer project with Chennai- based ad agency RK Swamy and it was there that her tryst with advertising began. She hopped on to O&M on completing her education and stayed on there for a full five years soaking up all she could in her media planning job, even though her heart was in servicing.

    “I realized that I liked advertising – primarily its servicing aspect. But, back then, the opportunities were rare for servicing and I joined the agency hoping to get a backdoor entry into servicing,” says Punitha.

    The protective environment at O&M gave her ample scope to learn the fundamentals of media. Says she, “O&M groomed me”.

    She recalls working on some small accounts. The head of O&M Chennai R. Lakshminarayan taught her one important lesson. “I learnt from him how simplicity works and arrogance does not, however brilliant you may be at your job.”

    But, after four-five years, the sense of security at O&M was a little stifling. “One just felt protected from harsh realities.”

    A call from the head of Lintas Chennai, came through, dangling an opportunity to get rid of the ennui that was creeping in. She grabbed it with both hands. In those days Lintas was the agency of choice for many; the experience of working in a larger role with a larger agency was something very few could say no to. With the proliferation of media outlets and increasing spread of satellite television, the media planner/buyer was coming even more centrestage in advertising as compared to earlier. And Lintas’ was at the cutting edge of media. Agencies had started setting up specialist media units to service growing client budgets effectively. The disintermediation of media was just about beginning.

    “I was raring to test new waters, so moved to Lintas as media manager,” she recollects.

    The water proved testing indeed as the culture in Lintas was very different from the one she had been used to. There was a lot of new learning, and some unlearning too. “I was thrown into the waters and had to learn to swim. I learnt how to service a client at Lintas,” she says.

    By nature, Punitha is unafraid to push the boundaries. She has all the qualities needed to be a successful media planner: strategic understanding, ability to grasp industry knowledge and expertise across all media. Additionally, over the years she has developed a comprehensive understanding of marketing communications which can be effectively translated into developing media goals, objectives and strategies.

    Punitha moved to Bangalore from Chennai solely because the latter had limited clients, whereas Bangalore offered much more in terms of learning experience and growth. She started in Lintas’ Initiative Media handling the Britannia account; five years later when she moved out she was heading the Bangalore office.

    It was the first time that she was handling sizable accounts. And she climbed steeply up the learning curve. She explains: “Britannia was a favourite client. I learnt a lot from Sunil Alagh, Vikram Kaushik, Atul Sinha and many others there.”

    She recalls an incident. “The team had prepared a huge presentation to convince Alagh not to associate with a program titled “Britannia All The Best” as it was not working. But, even before he saw the presentation, he asked us, ‘Give me an option if we aren’t using this.’ And, I had no answer. We had been so busy trying to convince him to disassociate, that, we realised that there is no point in highlighting a problem without having a solution in hand.”

    She adds: “I came into my own handling the Britannia account. I got great work done in terms of strategy and media innovations. And, after that it was sheer word of mouth from people who worked with me, my clients and the media sellers who made me known in the industry.”

    She decided to quit when Lynn DeSouza moved out of Initiative Media. She explains: “I look upon her as my godmother. I idolize and worship her and I felt unsettled when she left.”

    Plus, Punitha felt she had nothing more to offer or do in Bangalore, so the move to Mumbai was inevitable.

    “In Mumbai, I joined Carat for a month and then had a call from Sam Balsara and moved to Madison.” Her enthusiasm for the medium made her the “perfect” choice when Balsara needed someone as Media Services director (West) and Arumugam joined Madison in 2000.

    She elaborates: “Generally, the skills needed are quite different. Media agencies demand individuals who are strategic thinkers, diplomatic and prepared to work long hours. And those employed by media owners tend to enjoy a sales-based environment, like to see quick results for their efforts, and will usually earn more money.”

    Madison

    Punitha talks at breakneck pace, barely pausing for breath, whether she’s discussing the controversial subject of commissions or winning at Cannes.

    “My growth in Madison has been phenomenal and the learning has not stopped,” she points out. At Madison, all the pitches that she led and won have made people take notice of her. “When I joined, the Mumbai office was just handling Godrej and Proctor & Gamble. Today, we have most of the blue chip accounts like Asian Paints, Cadbury’s, Essel Group, TVS, Tata Tea, General Motors, Mother Diary, Mcdonalds, Marico, Airtel, Tata AIG, Radio Mirchi, Kotak among many others.”

    Punitha has helped Madison Media grow more than treble in growth from a mere Rs 3 billion in billings to Rs 10 billion in the space of just five years.

    “When I first joined, we were concentrating on consolidating our current businesses like Procter & Gamble, Coke and Godrej, then over a period of time realized that we need to grow. So, we focused on new businesses and started participating in pitches. We had to grow for our own learning experience and as a confidence building measure for our existing clients.”

    This passion for looking after advertisers’ interests has an air of poacher turned gamekeeper about it, given her time on the agency side of life. There’s no doubt however, that it has given her a keen understanding of the industry, and she still tries to bring that “service” aspect to Madison.

    She agrees that the best thing about agencies is that one is surrounded by very bright people and one gets to see the thinking that goes on behind different clients. On her achievements in Madison, she says, “Retaining our existing clients and keeping them happy is my first achievement. When we grow, we tend to lose perspective of all who help us in our initial stages, and it’s all because of the client one expects to gain in the future. For me, it is important to hold on to our current businesses as we grow.”

    Considering her current job as her ideal job, she says, “Work is the only thing that matters to Sam. Managing this organization is great as it’s a place of great integrity. There is no conning, inside and outside the system, neither with clients. When one works in such an healthy environment where there is no politics and no pressures to make money at the cost of someone else, and, all we need to know is how to do a good job, there is very little scope of going wrong.”

    Says she, “The toughest part about becoming senior is having to let go of the fun that one gets when you handle the nitty-gritties of media planning and buying on a client… I would rather be a media planner than a CEO at heart… but, guess one needs to move up to let others who work with you grow. Even today, the toughest thing for me is to let someone work on a presentation or plan or analysis instead of pulling it and doing it myself.”

    Punitha has been ranked amongst the top ten influential persons in media for the last two years in The Brand Equity Agency reckoner. Her motto for success is straightforward. She says: “Apart from working hard, we don’t play games. As a corporate philosophy, we don’t pitch with rates. We work within a set framework and at times, and we often refuse clients whose philosophy and expectations are so different from ours. She gives importance to honesty and fairness and strongly believes in “letting others around you succeed and grow so that you automatically grow.” And to keep herself on her toes, she surrounds herself with people who challenge her.

    “I am very clear that if I am in the agency business in India, then there is no place to be in other than Madison,” says Punitha emphatically.

    Among her best moments so far, she says, “Not losing a business that I have directly worked on and winning the Media Lions at the Advertising Festival in Cannes this year. But, I think, managing people, clients, media owners and egos everyday and being able to deliver to keep them happy is a constant high by itself.”

    She admits that days of being a complete workaholic and leaving office at 2-3 am are a rarity as she makes it a point to leave office at 7 pm to make time for family and friends. Says she: “Lynn used to always say that as great it is to have a career, its that important to have other interests, too.”

    On decisions at a career level, she says, “Sam did offer me the opportunity to head Madison (all India) a few years back when CVL Srinivas had left. But, I took the decision of not going for it, as I felt I was not ready for it and thought it was not in the larger interest of the organisation. So, we gave others in our system the opportunity to grow up to that level. As tough a decision it was for my personal career, but, I think looking back it was the right decision, as today, I am a better professional and Madison a stronger organisation because of it. Sam and I have always been able to discuss anything.”

    And, speaking of lessons learnt dealing with clients, Punitha says, “At times when a client was being unreasonable I took a stance so that it become confrontational. Over the years, I have realised that one must never reduce any situation to a confrontation but always make it a dialogue.”

    Any career decision is a combination of personal, business and timing issues. She believes there are benefits in working both sides of the fence. Punitha sums up her experiences in all three agencies as having “learnt media basics” in O&M, “learnt to manage media and clients” at Lintas and “learnt to manage a business” at Madison.

    Punitha considers herself lucky to have worked with the best media minds in India like Roda Mehta, Lynn Dsouza, Ambika Srivastava, and now Sam Balsara. She holds them in high respect and speaks of what she has learnt from them.

    Roda Mehta: “Everybody looked up to her. I never really worked with her except when I was sent to Mumbai for a training session and I was exposed to her style of working. “

    Lynn DeSouza: “The credit of my becoming the media professional I have solely goes to her. She gave me tremendous freedom. She was always there when if a problem arose. “

    Ambika Srivastava: “I admire Ambika’s analytical skills.”

    Sam Balsara: “He has taught me to be a great manager. One can’t ask for a better boss. There are no secrets between us. He would never take a step concerning me without taking me into confidence and likewise, I trust him with everything. Madison matters to both of us and we both work to see it grow.”

    She lists a few current issues that are on top of her agenda:

    • Paucity of people: To overcome this, we go to institutes and recruit freshers as trainees.
    • Data vs Instinct: Too much dependence on data that we are losing our instincts.
    • Break boundaries: There is a sense of doing the same thing better and better over the years instead of attempting to do them differently. We need to create a competitive difference that works in the market as media plans across agencies have all started looking similar.
    • Breaking the 3.5 per cent barrier in terms of commission: The traditional split of the 15 per cent commission between the creative agency and the media agency is 11.5 per cent and 3.5 per cent. However, over the decades, media has become a lot more expensive in terms of people, databases, systems, infrastructural requirements etc and this industry benchmark of 3.5 per cent commission makes operating the media business profitably a little difficult. A creative agency needs minds whereas a media agency needs minds and infrastructure.

      Punitha says it is a pleasure to be a woman in this industry as “it sometimes makes it difficult for the others to say a ‘NO’. Adding that, today, the males have it tougher in media as they fight the increasing female dominance in the industry.”

    In these times of increased viewer choices and audience fragmentation, she says that it is the best time to be in media as it has never been more challenging or confusing. She says, “The chaos will increase, disruptive thinking is the way of the future. More than numbers it will be consumer media insights that will drive the media decisions in future.”

    Punitha likes to be extremely low profile and hates to be quoted in any Madison press releases. She is known to give the right angle to any story and guiding journalists when asked for stories or quotes, rather than seeing her name in print. She explains: “I would rather Sam and the others in the team take the limelight rather than me. As long as I know that I have contributed to the success am happy, I don’t feel the need to prove myself to others outside the system.”

    She also credits Sam Balsara with getting her to socialize and attend corporate dos. “Before coming to Madison, I would always duck all the media sellers’ bashes. Sam has been instrumental in making me change as he believes that when a person takes the effort to invite you, it is courtesy to accept and attend the do.”

    She agrees that it has helped make her a more extroverted person and, more importantly, has helped her in building strong relationships.

    Though good at managing the agency’s finances, she admits to have very little sense managing what she earns. She whispers: “Sam is aghast and has threatened to keep away a part of my earnings. All I had were a few LIC policies. Even today, I am broke at the end of the month. As I was when I was a fresher… just don’t know where the money goes.”

    She used to hate traveling (“I need my bed at the end of a long day and there is no concept of home when one is on the move”) but, she has learnt to enjoy the frequent and long journeys as “they give her time to reflect, relax and meet new people.”

    She is a Hindi movie buff and makes it a point to regularly go to a multiplex – and forget about the intricacies of media and running a business – and get involved with what’s happening on the big screen – a catharsis of sorts. Says she: “Every Saturday night is spent watching a Hindi film with a friend, however trashy it may be.”

    Punitha is a hopeless romantic. Though she avoids reading business magazines, she is an avid reader of fiction and non-fiction books, especially of the romantic genre. That explains her desire to one day set up a bookshop with a café where couples can sit, listen to music and read romantic bestsellers.

    When asked why she has not tested any other medium, she says, “The reason I stick to media despite all the pressures and daily crisis, is because it makes my adrenaline pump all the time. I would not know how to handle a non-pressure job. I probably will wilt away due to boredom I think.”

    With 16 years in this field, she has both the experience and the confidence to have her own fully developed take on a wide range of issues. Balsara’s instincts about her taking on a managerial role proved right as she has shown that she has the skills to work on both sides. Getting to where she is by doing the right thing, the right way is what matters most professionally to her. “I would prefer to compromise on success and fail knowing that I have tried hard…knowing that I have not had to resort to any hanky-panky to reach where we are,” she points out.

    She shares close ties with her entrepreneur sister and her 12 year old niece Priyanka (in pic above), who she says, ‘is the most pampered brat in the whole world.’

    “Chatting with my mother, sister and niece, music and reading trash romances, meeting with my friends, gyming and swimming are what I enjoy doing.”

    Punitha is currently working on overcoming all her fears. “I have a fear of water so am learning swimming. I also have a fear of pets so am currently getting a Yorkshire Terrier and am planning to learn flying and driving on Mumbai roads.

    Another stress buster for her is shopping. “I can shop forever for trinkets, clothes and yes diamonds.”

    She is not one to hold grudges, She forgets and forgives easily. “I am the first to say a sorry when I am in the wrong, irrespective of how young or old, the other person is.”

    On her single status: I moved very fast in my career and marriage just did not happen. Today, I love my space too much.

    Pet peeve: Getting no time to relax and can never hold onto my maid and driver for long.

    Dream gizmo: The treadmill.

    Favourite holiday spot: Currently Egypt and home in Chennai.

    Worst nightmare: Boredom with nothing to do.

    How you view India today: The best place to live in and work.

    One drawback: We are so much better than what we project ourselves to be.

    What makes you laugh: Anything and everything when I am in a great mood, Sometimes nothing can.

    Two guests you would love to dine with?
    On my recent visit to Egypt, I met this amazing Egyptologist called Shref. Meeting him made a difference to my life as he made me reset priorities in my life. He has inspired me to live life to the fullest. My niece because in her company, she makes me feel young and behave like a twelve year old too.

  • Draft Broadcast Bill: Big brother wants to do more than just watch

    Draft Broadcast Bill: Big brother wants to do more than just watch

    The draft broadcast regulations that the government is trying to put in place has its merits and demerits, but what is shocking is the way the lawmakers are going about the whole thing, most of which is shrouded in secrecy.

    That the draft Broadcasting Services Regulation Bill 2006, doing the rounds of ministries for feedback, is restrictive — to put it mildly — and draconian in parts is a story itself. But what is a bigger story is an attempt by the Congress-led coalition government to steamroll legislation through without taking industry stakeholders and others into confidence, thus making a mockery of democratic norms.

    It is a calculated effort to muzzle the media in general and incapacitate the electronic medium, which has its own powers because of the impact of visuals, in particular.
    _____****_____

    The attempt of the information and broadcasting ministry to quietly draft regulations for the Cabinet’s consideration, while denying at the same time that anything of that sort even exists, amplifies that the blustering of I&B minister Priya Ranjan Dasmunsi is not all gas. It is a calculated effort to muzzle the media in general and incapacitate the electronic medium, which has its own powers because of the impact of visuals, in particular.

    Cross media restrictions, powers bestowed on authorities to take action against the media and TV channels on the flimsiest of grounds, content censorship (which is being drafted separately, but could be made part of this Bill or legislation at a later stage) are all aimed at strangling the media.

    What make things scary is that the proposed autonomous Broadcast Regulatory Authority of India (Brai) has been given powers that permit it to run amok if interpreted incorrectly by it. Especially when Brai’s chief executive would be a serving government official of additional secretary’s rank, drawing a salary from the government and, naturally, having allegiance to the government.

    The flip side is that not all the clauses in the draft Broadcast Bill 2006 are new. Some of them do exist in some form or other in the Cable TV Network (Regulation) Act and other pieces of media legislation. References to cross media restrictions were made in the Broadcast Bill of 1997 too. And remember that never got past a joint parliamentary committee set up to examine it after being tabled in Parliament.

    The 1997 Bill stated that a person or a company will be allowed to hold licences in only one of the following category of services: Terrestrial Radio Broadcasting, Terrestrial Television Broadcasting, Satellite Television or Radio Broadcasting, DTH Broadcasting, Local Delivery Services and any other category of services, which may be notified by the Central government.

    In 1997, restriction of monopolies was more targeted towards newspaper houses. The Bill then had said that no proprietor of a newspaper will either be a participant with “more than 20 per cent interest in or control a body corporate, which is the holder of a licence to provide a licensed service under this Act.”

    Without criticizing a government’s right to make a law, what needs to be seen in a broader context is the way that right is used in a democratic setup.
    _____****_____

    This time round, the government has allowed interest in various segments of the media business, but capped them so low that effective concentration of power is totally neutralised to the extent of threatening to destroy various business models.

    Without criticizing a government’s right to make a law, what needs to be seen in a broader context is the way that right is used in a democratic setup.

    If we examine the draft of the content regulation, prepared by a sub-panel of a 30-member committee overseen by I&B secretary SK Arora, it hints at stringent content regulation, particularly for news channels. If okayed by lawmakers in its present state, it could well be the end of sting operations and coverage of issues where high profile politicians and personalities are involved.

    Sample this part: “TV channels must not use material relating to a person’s personal or private affairs or which invades an individual’s privacy unless there is an identifiable public interest reason for the material to be broadcast.”

    Who decides what constitutes an individual’s privacy? The government or the regulator? What this means of course is that it’s all up for interpretation.

    It is this scope for interpretation that is the most fearful aspect of this bill. More so since the onus of proving identifiable public interest lies with the TV channel and not the other way round.

    Additionally, the flat-footedness of the media industry and lack of consensus on important issues amongst the various stakeholders is incomprehensible, to say the least. The surprise that the draft Broadcast Bill 2006 — even if it’s an early draft for argument’s sake — has sprung on the TV industry, shows that people have been caught napping. Or, the industry thought the government was just talking gas.

    Either way, Delhi seems to be having the last laugh. Hang on, maybe not yet. There may still be some time left for saner voices in the government to stand up.

    But for that to happen, the media industry needs to project a united stand. Something like what was demonstrated when the Rajiv Gandhi government in 1988 had attempted to bring in a piece of legislation to muzzle the media. It took weeks of concerted opposition from Indian journalists to scupper an initiative to revise the law on defamation. It may be recalled that the government had rushed the Defamation Bill through the lower house of Parliament in August of that year.

    When we last commented on the ramifications of the Broadcast Bill, we expressed the view that there is a feeling of déj? vu that it may be another exercise in futility.

    It could well be in the industry’s collective interest to ensure that the draconian aspects of the Broadcast Bill suffer the same fate as the Defamation Bill of 1988.

    There are several ways of voicing their grievances and making sure that the industry voice reaches the powers-that-be. Indiantelevision.com believes it can function as a forum for debate, and would love to have comments from various constituents of the industry on the Broadcast Bill 2006.

    Send in your mails to editor@indiantelevision.com. And let’s work towards building a more robust television sector – keeping in mind the government, the industry and foremost of all, the consumer.

  • HTMT divests stake in Hutchison Essar for $450 million

    HTMT divests stake in Hutchison Essar for $450 million

    MUMBAI: Hinduja TMT Ltd. (HTMT) will be divesting its entire 5.11 per cent stake in Hutchison Essar Ltd (HEL) to Hutchison Telecommunications (India) Ltd. for $450 million.

    The company, with its two wholly owned subsidiaries InNetwork Entertainment Limited (INEL) and Pacific Horizon Limited (PH) and Hinduja Group’s Mauritius based company Kumbat, have entered into a definitive agreement for the stake sale. IndusInd Telecom Network Limited, an SPV (special purpose vehicle), held the shares. Hutchison Telecommunications is an indirect wholly owned subsidiary of the Hutchison Telecommunications International Ltd.

    IndusInd Investment Bank acted as the sole financial advisor to the deal.

    Prior to this sale, HTMT completed the acquisition of the entire shareholding of Sumitomo Corporation in Pacific Horizon. HTMT’s effective shareholding in HEL, thus, increased from 3.45 per cent to 4.68 per cent.

    “The Board decided to monetize its investment in HEL to unlock the value for its shareholders and accepted the offer made by HTIL. The proceeds from the divestment of this stake sale will not only help the company to aggressively pursue its growth path in its businesses but will also enable it to explore opportunities in new lines of businesses,” HTMT executive chairman Ashok P Hinduja said.

    HTMT’s board, which met today, also announced the consolidated results of its media and telecom subsidiaries and IT / ITES-BPO operations. A dividend of Rs 7.50 per share (75 per cent on the par value of Rs 10 per share) for FY06 was recommended, amounting to an outgo of Rs 306.8 million.

    HTMT’s consolidated operating income for the year increased by 37 per cent from Rs 3.18 billion in FY05 to Rs 4.37 billion in FY06. The global IT/BPO revenues increased from Rs 2.02 billion to Rs 3.01 billion during this period.The consolidated total income for the year was Rs 4.69 billion as compared to Rs 6.13 billion during the year-ago period. The previous year income included an extra-ordinary income by way of capital gains of Rs 2.79 billion arising out of swap of shares in Fascel with shares in HEL in the books of its subsidiary IndusInd Telecom Network Ltd. HTMT’s share of profit from the said swap booked during the year was Rs 1.73 billion.

    “The consolidated net profit for the year after considering minority interest was Rs 259 million, which is not comparable with previous year for these reasons,” the company said in a release.

    HTMT’s standalone total income during the year rose 50 per cent to Rs 2.51 billion as against Rs 1.67 billion a year ago. Net profit for the year, however, was lower at Rs 402 million as against Rs 700.5 million. “The performance was impacted mainly due to loss of a US based telecom client during the previous financial year, for which HTMT was operating an inbound call centre at Bangalore at minimum guaranteed volumes. This was coupled with large set up costs on account of furious ramp-ups in the company’s newly started domestic BPO operations,” the release said.