Category: News Broadcasting

  • Reality show ‘Big Brother’ draws the ire of Australian authorities

    Reality show ‘Big Brother’ draws the ire of Australian authorities

    MUMBAI: The reality show Big Brother has run into hot water in Australia. The show is about a group of individuals living in a house and then getting voted out each week.

    In a controversial incident a few days ago, two contestants were thrown out of the show and the police were called in. Media reports indicate that one man held down a woman while another rubbed his crotch in her face.

    Not surprisingly, influential figures have criticised the show. Some have asked Channel 10 to take the show off the air. Australian Prime Minister John Howard got on the front foot saying that in the interest of good taste, the show should no longer be aired.

    Besides concern that the show sets a bad example, the Casey Pastors Network says that the drunk and sexual behaviour of contestants is having an adverse effect on the City of Casey’s youth. Instead, the broadcaster should have shows that motivate Australia’s youth to excel in life.

  • CASBAA adds ten new convergence members

    CASBAA adds ten new convergence members

    The Cable & Satellite Broadcasting Association of Asia (CASBAA) is expanding its membership list to include New Economy corporations and telcos as well as traditional pay-TV players.

    In early July, Hong Kong-listed Pacific Century CyberWorks (PCCW) joined CASBAA as a Patron Member, the highest level of membership. Patron Membership grants a company an automatic seat on the CASBAA Board of Directors. On July 1, PCCW (www.pcg-group.com) launched a regional Broadband service, Network of the World, distributed via cable and satellite to TVs as well as PCs.

    Also new to the Association is Hong Kong-listed cellular phone system operator Sunday Communications, which is examining opportunities for a 3G Broadband license in Hong Kong and elsewhere.

    Meanwhile, financial and business information service Bloomberg LP (www.bloomberg.com/asia) has upgraded its membership from Associate status to Patron level and will also take a seat on the CASBAA Board of Directors.

    Other new CASBAA members include:

    Sony Pictures Entertainment’s regional pay-TV channel AXN Action TV which has joined CASBAA as a corporate member (www.axn-asia.com)

    UK-based satellite communications consultancy Communications Systems Ltd. (Comsys) (www.comsys.co.uk)

    Bombay-based media investor UTV’s Vijay TV, which recently launched its Sharkstream broadband service (www.utvnet.com)

    Hong Kong-based Internet content provider WebArts TV.com (www.asianartnews.com)

    Hong Kong-based Asia Pacific Vision, a group that provides satellite up linking services as well as video production services (www.apvweb.com)

    Asia Capacity Exchange, a consortium that provides online bandwidth exchange services (www.ace-asia.com).

    CSM Sofres, a leading market research group specialising broadcast media with a special interest in China among other Asian markets (www.csm.com.cn)

    X [Ventures], led by Bangkok-based entrepreneur Jeff Blatt, provides consulting and representation services for clients in the satellite, broadcasting, Internet, multimedia, high technology and venture capital industries (www.xventures.com)

  • Elías Rodríguez-Viña Cancio is Endemol CEO

    Elías Rodríguez-Viña Cancio is Endemol CEO

    MUMBAI: Television format owner and creator Endemol has announced that Elías Rodríguez-Viña Cancio is its CEO.

    Rodriguez-Viña comes from Telefónica, where he has been responsible for the Group’s non-core subsidiaries. Before that, he was Terra Lycos CFO and has worked for companies such as Arthur Andersen, General Electric and UBS.

    As reported last month by Indiantelevision.com, the former CEO Joaquim Agut had quit citing personal reasons.

  • Eros International listed on London’s Alternate Investment Market

    Eros International listed on London’s Alternate Investment Market

    MUMBAI: Eros International plc, the international media and entertainment group that owns and distributes Bollywood content globally in a variety of formats, began trading on the AIM market of the London Stock Exchange, under the ticker ‘EROS’. The company was listed on 4 July.

    The flotation follows a placing of the company’s shares which raised over £22.5 million ($41 million). The company will be capitalised at approximately £176.0 million ($321 million), at the placing price of at £1.76 per ordinary share, states an official release.

    The company also said it would use the funds raised to expand its business and exploit content over new media such as online cable, wireless and mobile.

    Eros International chairman and CEO Kishore Lulla says, “This is an exciting day for everyone at Eros and a new chapter in the growth of our business. We are proud to bring Eros to the market as a publicly traded company.”

    Eros International also promotes the B4U television channel network. Founded in India in 1977, the company has a film library containing more than 1,300 titles and more than 110 employees in India, Britain, the United States, United Arab Emirates, Australia and Fiji, as per the release.

  • BBC looks to take hit comedies to big screen

    BBC looks to take hit comedies to big screen

    MUMBAI: UK pubcaster the BBC is looking to turn its comedy shows into feature films. Kenton Allen, an Oscar-winning producer who produced this year’s Academy award winning short film Six Shooter will lead the development initiative for the comedy department that produces shows like Little Britain, Extras, Ideal and Funland.

    Alongside exploring the potential to develop existing brands into feature films, Kenton Allen and the Comedy team will also work with a wide variety of writers and writer/performers to develop feature films. Allen said, “Many of the comedy talent we work with ultimately want to paint on a bigger canvas, and this relationship with BBC Films means that we can now offer them that opportunity.

    “From initial development in Radio and the Internet, through Television and on to Film, BBC Comedy can offer the best comedy talent the best possible development path for their work.

    “BBC Comedy has a fine tradition of developing iconic comic voices from Ronnie Barker to Ricky Gervais and I’m confident that this opportunity will lead to some truly original film making.”

    BBC Films head David Thompson said: “I am very excited about working with Kenton and The BBC Comedy team. Comedy is very much a target area for us at the moment, with several interesting projects in development, the recent successful releases of Debbie Isitt’s Confetti and Michael Winterbottom’s A Cock & Bull Story.”

  • ION Media Networks & Sony Pictures Television ink TV programming deal

    ION Media Networks & Sony Pictures Television ink TV programming deal

    MUMBAI: US-based ION Media Networks, Inc. and Sony Pictures Television have announced a programming agreement that provides ION with the rights to broadcast dozens of classic television series and a large selection of award-winning feature films from the Sony library on the i television network, reaching over 90 million homes. 

    “This agreement reflects our strategy of strengthening our i network’s programming schedule with popular series and theatrical hits with proven audience appeal,” says ION Media Networks CEO Brandon Burgess. “We look forward to working with Sony on developing a compelling entertainment line-up that continues to appeal to our current audience, while attracting new viewers to the network.”

    “The i network and its stations will benefit from a wide variety of titles from our extensive library of television series and feature films, which have proven to deliver audiences,” adds Sony Pictures Television president distribution John Weiser. “We are pleased to be in partnership with ION, helping them grow and making them a destination for great programming.”Under the terms of the agreement, ION will have access to many of SPT’s most popular TV series from the last three decades, including Charlie’s Angels, Starsky & Hutch, The Partridge Family, The Monkees and Silver Spoons, among others.

    In addition, titles from Sony’s extensive library of theatrical films will be available to ION, including A River Runs Through It, Oliver!, Bram Stoker’s Dracula, Short Circuit and many more.

    “We are pleased to have access to Sony’s diverse collection of movies and classic TV shows,” says ION SVP of programming and strategic planning Stacey Nagel Galper. “We will begin scheduling the Sony movies on the i network this month, with plans to launch the television series in August.”

  • Jennifer Harrington is Granada International head of formats

    Jennifer Harrington is Granada International head of formats

    MUMBAI: Jennifer Harrington has been appointed the formats head for Granada International. Based in London, Harrington, who sued to be the sales director at Twentieth Century Fox International Television, will head up all international format activity worldwide for Granada International. She will be responsible for the sale of Granada International formats and unscripted material, from both ITV Productions and independent producers.

    In addition, she will lead the push to acquire formats from external sources to complement the range of hit formats Granada International distributes from its in-house production companies, particularly focusing on the US market.

    She will report to Granada International sales director Tim Mutimer and will also work alongside the director of acquisitions and co-productions Emmanuelle Namiech on securing new formats from the worldwide independent production sector.

    Granada International’s formats cover a wide range of shows, from I’m A Celebrity Get Me Out of Here and Saturday Night Takeaway to Hell’s Kitchen, Nanny 911, Dancing on Ice, Soapstar Superstar and ITV1’s fly-on-the-wall docusoap format, Airline. Granada International also has a portfolio of classic game shows such as Chance of A Lifetime, Alphabet Game and All New Catchphrase.

  • P2P service provider Peer Impact offers TV shows from Fox, Warner

    P2P service provider Peer Impact offers TV shows from Fox, Warner

    MUMBAI: Wurld Media, creator of peer-to-peer (p2p) service Peer Impact, has announced that select movies and television titles from Fox and Warner Bros. are now available via digital download on their entertainment network in the US market.

    This announcement follows Peer Impact’s agreement with NBC Universal to include their catalogues of movie and television event titles for on-demand rental, also now available on the service, making Peer Impact the first p2p model to offer content from three major motion picture studios.

    The company says that as major content providers continue to address the growing demand for online distribution methods, Peer Impact presents a solution by enabling users to legally download and share licensed content while protecting both the license holders and the consumer.

  • Spike TV’s Blade premieres with 2.5 million viewers

    Spike TV’s Blade premieres with 2.5 million viewers

    MUMBAI: US media conglomerate Viacom’s cable channel for men Spike TV has announced that its first original action show Blade: The Series, which premiered a few nights ago, saw 2.5 million viewers tuning in. This is the highest premiere in its history for an original series. The show takes off from the vampire films Blade, which star Wesley Snipes.

    Additionally Blade: The Series was the number one entertainment show for the night with men 18-34 and 18-49. It tallied triple-digit gains in all key male demos versus last year including up 517 per cent in M18-34 (2.6 rating, 680,000 viewers), up 472 per cent in M18-49 (2.2, 1.17 million), up 277 per cent in viewers (2.5 million), and up +247 oer cent in household rating (2.0, 1.8 million).

  • Global soccer fans are united and divided in their passion for the sport: Octagon study

    Global soccer fans are united and divided in their passion for the sport: Octagon study

    MUMBAI: Throughout the Fifa World Cup, a global audience has witnessed the exuberance that football fans have for the sport. Aside from national pride, what drives the passion fans from different countries have for football?

    Studies conducted in the past year by sports marketing agency Octagon quantify for the first time the key factors that ignite the passion fans have for football. Analysis from Octagon’s Passion Drivers study of football fans from World Cup participants Germany, France, the U.K., Australia and the US, the 2010 World Cup host nation South Africa, and China reveal similarities and differences.

    Octagon’s VP of research and creator of the study Simon Wardle says, “Fans from countries like the U.K., France and Germany, where a longstanding football tradition exists and the sport holds a dominant position, share similar motivating passions for the sport but with some differences.

    “Why fans from Europe follow the sport differs significantly from the factors that motivate fans in countries where football is less dominant.”

    The fan profiles developed by Octagon are based on 12 Passion Drivers factors. In varying degrees of intensity and in different combinations, these factors contribute to the passion fans have for football.

    Wardle adds, “Understanding ‘why fans are fans’ is critical for companies who sponsor sports to engage consumers with their brands. The relationship that Europeans have to football is first and foremost driven by Team Devotion.”

    “This factor truly differentiates ‘the beautiful game’ and its supporters from other sports. German and English football fans are very similar in the relationship they have with the sport. UK fans seem to be more team focussed and avid than their German counterparts. The chance to gloat over fans of rival clubs is much stronger among German fans.”

    TCompared to German and UK fans, the study revealed the French are more overall fans of the sport itself. For the French fan, the pure enjoyment that comes from watching football is oftentimes more important than which teams are playing and the outcome of the match.

    Wardle goes on to explain that in European markets, Team Devotion starts almost at birth. This contrasts to Chinese fans who do not have deep rooted team affinities. They are primarily motivated by an overall love of the game. The skill exhibited by world-class players and strategy employed by the top clubs, regardless of where these teams come from or a players’ nationality, are far more important than the outcome of the match.

    In South Africa, the opportunity football provides to socialise is the dominant motivator. Football also conjures a sense of nostalgia for many South Africans who grew up with the sport and appreciate the role football played in their personal and country’s history. However, the Team Devotion factor is growing more important in this developing football market as it prepares to compete as host nation in the 2010 Fifa World Cup.

    As a market influence, football remains in its formative stages in Australia and the US. The US and Australia are unique in their passion being primarily fuelled by a current or past involvement playing or coaching the sport, a Passion Drivers factor called Active Appreciation.

    Wardle notes that Australia’s success in the 2006 Fifa World Cup (they narrowly lost in a last minute penalty to finalists Italy) could accelerate its transition to a developing football market. The US holds the distinction as the world’s least homogeneous football market in terms of the factors that drive its fans’ passion for the sport. Along with active appreciation, US football fans are strongly driven by the opportunities the sport presents to talk and socialise. Nostalgia is also important for the many fans who emigrated from Europe and Latin America.

    Octagon conducted Passion Drivers studies in eight countries among more than 20,000 fans of their nation’s most popular sports. “With a deeper understanding of what drives their consumers’ passion for sport, sponsors can truly harness the power of sports to differentiate their brands and engage consumers in meaningful, lasting ways,” said Wardle.