Category: News Broadcasting

  • Viacom’s 2Q revenue up 24 per cent

    Viacom’s 2Q revenue up 24 per cent

    MUMBAI: US media conglomerate Viacom has reported financial results for the second quarter and six months ended 30 June 2006. For the quarter, revenues and operating income increased to $2.85 billion and $663.2 million, respectively.

    Viacom executive chairman Sumner M. Redstone says, “Viacom’s solid second quarter results prove that the enduring strengths of our content and our segment leading brands continue to resonate with consumers and advertisers. We have a great foundation from which to take full advantage of the growth opportunities we see ahead by not only expanding on our traditional businesses, but also by profitably integrating new platforms with significant future growth potential.

    “Equally important, Tom Freston and the Viacom management team have an unmatched track record of repeatedly and successfully leveraging emerging technologies, which gives us great confidence that we can continue to outperform the competition in this rapidly changing environment.”

    The acquisition of DreamWorks and the commencement of distribution activities for DreamWorks Animation and DreamWorks live-action library filmscontributed $345.1 million or 63% of the reported growth versus last year. The cable networks segment revenues increased 8% to $1.75 billion, with domestic ad revenues was up 10 per cent to $969.1 million, and affiliate fees up 11% to $501.8 million. Entertainment revenues were up a reported $418.4 million in the quarter principally attributable to DreamWorks.

    The company reaffirms its full year guidance to deliver double digit revenue and operating income growth compared to 2005 revenues of $9.61 billion

    In the cable network segment, affiliate revenue growth was driven by rate and subscriber increases as well as new channel launches in international markets. Ancillary revenues were relatively flat as increases attributable to syndication were substantially offset by decreases of Comedy Central home video sales, which benefited in 2005 from the release of The Chappelle Show.

    Domestic revenues increased by nine per cent in the quarter with advertising revenues up 10 per cent (compared to a six per cent increase in the first quarter of 2006). International revenues were up four per cent in the quarter including $5.8 million in incremental revenues related to a UK acquisition. International advertising revenues declined 2% (compared to a 13% decline in the first quarter of 2006) or $2.1 million, driven principally by continued softness in Germany and the UK.

    Affiliate revenues were up 13% internationally driven by the UK acquisition and new channel launches. International ancillary revenues increased. The increase in operating expenses in the cable networks segment reflects an aggregate eight per cent increase in programming and production costs on shows such as The Colbert Report, The Daily Show at Comedy Central, and VH1 Rock Honours. This was partially offset by the non-renewal of the WWE package at Spike TV, The Chappelle Show, and the one time special VH1’s Save the Music.

    Television license fees increased $207.3 million including increases in DreamWorks related distribution revenues of $108.9 million. In addition total international revenues were higher due to the number and mix of available titles which included SpongeBob SquarePants, Without a Paddle and The Manchurian Candidate.

    Movie revenues increased $168.7 million in the second quarter principally as a result of revenues related to the distribution of DreamWorks Animation’s Over the Hedge. In addition, international theatrical revenues benefitted from the release of Mission: Impossible III and Failure to Launch in comparison to War of the Worlds and Sahara in theaters during 2005.

    The increase in ancillary revenues of $32.9 million was principally driven by studio rental income as well as increased music royalties earned by Famous Music. On a geographic basis, domestic revenues increased $190.5 million or 39 per cent substantially all of which is attributable to DreamWorks, offset by lower theatrical and home entertainment revenue for Paramount titles.

    International revenues increased $227.9 million, or 106 per cent driven principally by theatrical and television revenues. Higher international theatrical revenues, principally driven by Mission: Impossible III and Failure to Launch contributed an incremental $110.2 million of revenue as compared to titles in release in 2005 which included War of the Worlds and Sahara.

    International television revenues, which increased $121.5 million, benefited from additional mix of such titles as Manchurian Candidate and SpongeBob SquarePants as well as titles distributed for DreamWorks such as Shark Tale and Meet the Fockers. Home entertainment revenues declined by sevent per cent, or $8.4 million internationally due to weaker international performance of recently released titles as compared against SpongeBob SquarePants and Team America in the prior year.

  • Jack Black to host 2006 MTV Video Music Awards

    Jack Black to host 2006 MTV Video Music Awards

    MUMBAI: MTV US president Christina Norman has announced that actor Jack Black (School Of Rock) will host the 2006 MTV Video Music Awards. The event takes place on 31 August.

    Norman says, “”Jack Black is the perfect mix of comedy, rock, irreverence, and star-power that will set the tone for an amazing show. His love of music and impeccable comic timing will rock the VMAs, NYC, and the entire world on 31 August.”

    Black says, “My plan is to bring the thunder. I’ve got my top men working on it as we speak in my thunder laboratory. Radio City Music Hall will never be the same.”

    Black and Kyle Gass together form Tenacious D, the self-proclaimed Greatest Band on Earth. They are getting ready to release their first film, Tenacious D in The Pick of Destiny on 17 November.

  • Zee, TV18, Balaji in top 500 Indian companies’ list

    Zee, TV18, Balaji in top 500 Indian companies’ list

    NEW DELHI: Only a handful of media companies like Zee Telefilms, Deccan Chronicle and Television Eighteen Ltd find a place in a survey of top 500 Indian companies conducted by Economic Times newspaper.

    With a market cap of Rs. 9.3 billion in June 2006, Zee Telefilms has been ranked 142nd in ET500 in August 2006, up from an earlier survey in February when it had been placed at 281st position.

    Incidentally, Zee tops the media heap amongst the best in India where the top two slots are occupied by infotech companies, Tata Consultancy Services and Infosys Technologies.

    Regional media powerhouse, Deccan Chronicle Holdings, finds a place at No. 167 with a market capitalization of Rs. 1.4 billion.

    Television Eighteen, owners of TV channels like CNBC TV18 and CNN IBN, has slipped to No. 330 in ranking in August from an earlier position of 318.

    According to ET500, TV18’s market cap in June stood at slightly over Rs. 1 billion.
    The other two media organizations finding place in the top 500 Indian companies are Adlabs (rank: 342) and TV and movie production house Balaji Telefilms (rank: 355).

    Balaji too slipped in ranking from No. 336 in an earlier ET500 list.

    Economic Times used several parameters, including market capitalization of a company, to compile the ET500 list.

    The eight parameters considered included absolute change in market cap over the past one year, sales, absolute change in sales over the past year, net profit, absolute change in net profit over the past year, price to earnings (P/E) multiple and return on net worth.

    The market cap of companies during the period June 16-30, 2006 has been considered, while sales and profit numbers are for 12 months ended March 2006.
    (Rs. 47=1US$)

  • Fox to stream content across many sites

    Fox to stream content across many sites

    MUMBAI: US broadcaster Fox will stream free episodes of select series on dozens of Internet portals and websites from 22 August.

    In this marketing initiative, episodes of Prison Break and Vanished will be available at no charge and commercial-free to viewers across multiple portals and websites, including the network’s own Fox.com as well as AOL.com, Google Video, Yahoo!, TVGuide.com and IGN.com, among others.

    Fox executive VP, marketing Chris Carlisle says, To launch our two big thrillers – Prison Break and Vanished – both of which have continuing storylines, it is critical to get viewers invested out of the gate. Our strategy supplies as many opportunities as possible for viewers to sample the first few episodes across the Internet. Since the Internet is so communal, we also hope they will immediately buzz about them to their friends on-line.”

    More than 50 portals and websites will stream the first three episodes of Prison Break and the first three episodes of Vanished, which will be available online as early as the morning following their initial broadcasts on Fox. The episodes will be available for approximately one week.

  • Microsoft invites the world to create its own Xbox 360 console games

    Microsoft invites the world to create its own Xbox 360 console games

    MUMBAI: In the 30 years of video game development, the art of making console games has been reserved for those with big projects, big budgets and the backing of big game labels.
    Now software major Microsoft is bringing this art to the masses with a new set of tools, called XNA Game Studio Express, based on the XNA platform.

    XNA Game Studio Express will democratise game development by delivering the necessary tools to hobbyists, students, indie developers and studios alike to help them bring their creative game ideas
    to life while nurturing game development talent, collaboration and sharing that will benefit the entire industry.

    During his keynote presentation a few days ago at Gamefest 2006, a Microsoft game developer event hosted by Microsoft in Seattle, Microsoft GM game developer group Chris Satchell announced details of the new technology, which will be broadly available this holiday season.

    XNA Game Studio Express will be available for free to anyone with a Windows XP-based PC and will provide them with Microsoft’s next-generation platform for game development. By joining a ‘creators club’ for an annual subscription fee of $99 users will be able to build, test and share their games on Xbox 360 and access a wealth of materials to help speed the game development progress. This represents the first significant opportunity for novice developers to make a console game without a significant investment in resources.

    During his keynote, Satchell talked about academic institutions that are lining up to include XNA Game Studio Express in their course offerings.

    Also showcased was the work of key XNA supporters Autodesk and GarageGames. Through the Microsoft XNA relationship with Autodesk, the leading provider of 3-D authoring software, game developers and enthusiasts can now more easily incorporate content into XNA Game Studio Express via Autodesk’s FBX file exchange format.

    Joining Satchell on stage was GarageGames president Mark Frohnmayer who showcased ports of its next-generation Torque tools and technology over to the XNA Game Studio Express platform.

    By providing a development environment based on Visual Studio Express and .NET that simplifies the integration and use of game content, XNA Game Studio Express makes game development easier to accomplish for smaller projects, strongly increasing the chance for great game ideas to make it out of the concept stage and into the hands of gamers everywhere.

    The XNA Game Studio Express beta will be available from 30 August 2006, as a free download on Windows XP, for development on the Windows XP platform. XNA Game Studio Express will give anyone with a Windows XP-based PC access to a unified development tool that liberates the creation of great Xbox 360 and Windows XP-compatible games, providing a new alternative to the
    existing multithousand-dollar development kits that many console games require. The final version of XNA Game Studio Express will be available this holiday season.

    Satchell said, “XNA Game Studio Express will ignite innovation and accelerate prototyping, forever changing the way games are developed. By unlocking retail Xbox 360 consoles for community-created games, we are ushering in a new era of cross-platform games based on the XNA platform. We are looking forward to the day when all the resulting talent-sharing and creativity transforms into a thriving community of user-created games on Xbox 360.”

    Not only will XNA Game Studio Express turn the community into creators, but a second XNA toolset geared toward game development professionals is scheduled to be available next year, fundamentally changing the way commercial games are developed.

    From students at colleges, universities and high schools of the future to the proverbial “guys in the garage,” Microsoft XNA Game Studio Express will liberate anyone with a great game idea to create titles for Xbox 360 and Windows XP simultaneously. More than 10 universities and their game development schools — including University of Southern California, Georgia Tech College of Computing and Southern Methodist University Guildhall — have already pledged to integrate console game development and XNA Game Studio Express into their curricula for the first time, and Xbox 360 will be the only console at the center of all coursework.

  • VCL adds visual effects for Karan Johar’s latest flick

    VCL adds visual effects for Karan Johar’s latest flick

    MUMBAI: Visual Computing Labs (VCL), a division of Tata Elxsi, provided the Visual Effects (VFX) for Karan Johar’s third directorial venture -Kabhi Alvida Na Kehna (KANK)-.starring Amitabh Bachchan, Shahrukh Khan, Rani Mukerji, Preity Zinta, Abhishek Bachchan and Kiron Kher in pivotal roles.

    The movie was shot over a 90-day stint in the USA and a few on four large sets in Mumbai’s studios.

    “This is VCL’s second project for Dharma Productions, having worked with them earlier on Kal Ho Na Ho. In KANK,VCL has executed more than 45 minutes of effects work” said VCL head K.Chandrashekhar.

    Says Visual Computing Labs, Tata Elxsi Creative Director Pankaj Khandpur, “The most outstanding work in the multi starrer movie was the creation of a Computer Graphic Image (CGI) football stadium and the neighboring city in the aerial views. It is for the first time in India that the creation of thousands of stadium crowds in all the long-shots was all done in computer graphics!”

    “The creation of CGI crowds in the stadium was particularly challenging as we were combining CGI characters in the distance with existing live-action actors in the foreground. Each of the CGI ‘agents’ had to reflect the same level of movement and excitement as the live-action actors, so that both types of ‘actors’ could blend seamlessly in the same shot’s. Even the relative clothing, hair etc. had to be similar! Apart from the blending, the biggest challenge was rendering a crowd of 75,000 people in CG, each in complete 3D, with clothes, caps, shoes, and even tubs of popcorn!” he further added.

    All the environment effects like snow and rain for many of the scenes,
    including depicting the ‘changing’ of seasons in real time were created in CG by VCL An important requirement was to ensure the seamless integration from one scene to the other; this required the creation of ‘matched’ trees, as well as matching the ‘grounds’ of various shots, and the creation of freshly fallen digital ‘snow’ in the Shahrukh shot. This was challenging considering the individual shots had been shot at different locations, and at different times, weeks apart from each other.

    Apart from animation for the movie and the film logo, VCL has designed the opening credits of the film, as well as many minutes of ‘hidden’ effects: cosmetic fixes, embellishment, transitions, and day-for-night effects.

    Visual Computing Labs, a division of Tata Elxsi Ltd, is a creative facility offering animation, gaming and special effects for the global entertainment and broadcast industry. Headquartered in Bangalore, Visual Computing Labs is a unique mix of engineering and creative skills, which provides solutions from scripting, pre/post production, character modelling & Animation, VFX and Development services among others.

  • Total Sports Asia sets up shop in Dubai

    Total Sports Asia sets up shop in Dubai

    MUMBAI: Sports marketing firm Total Sports Asia (TSA) is expanding its presence. It has set up an office in Dubai. The company is looking to organise two to three major events each year the scale of which will be bigger than the events it holds in India.

    Speaking to Indiantelevision.com on the same TSA MD India and Middle East Navneet Sharma says, “I have shifted base to the Middle East. Our office is at Dubai Media City. We will focus on large scale events, sports events and entertainment stuff. We will scale up operation as we go by.”

    Stating that Dubai is a market where if you get one or two projects, the scale could be big, Sharma says, “There will be more million dollar events there compared to India as small things do not work there. In India, we do eight to 10 properties. In Dubai, we will do two to three events each year which will be worth at least a couple of million dollars each.

    “TSA will look at family oriented properties in terms of ticketed items. It is also looking at holding large entertainment exhibitions. Music and mechanics will be part of events. We are looking at events which could be held as part of the Dubai Shopping Festival and also looking to have a World Wrestling Entertainment (WWE) tour in the Middle East.

    “On the sports side, TSA is looking at triathlons and other running sports. It is also examining the possibility of taking Indian club football to the Middle East. After all 40 per cent of the population in Dubai is Indian. One possibility is taking Bhaichung Bhutia to Dubai and other Middle East countries for clinics.”

    As far as working with broadcasters is concerned, Sharma notes that TSA already has a strong relationship with Ten Sports which too has its head office in Dubai Media City. “We are looking to cement that relationship. Hopefully we can spread our expertise among the regional broadcaster as well. We are looking to push the International Badminton Federation in the Middle East.”

    Closer home in India, TSA is looking to work with news channels. For instance, during the soccer World Cup, it brokered a deal for Bhutia with CNN IBN. “We are suggesting to news channels on the utility of sports channels and how we can help them create programming that fits in well with the current environment. We had done a Bhutia deal with WorldSpace. They use him in short spurts and ask him soccer related questions. We also did a deal with DNA where his articles appeared.

    “When the Champions trophy happens, every news chanel will do content around it. So we are coming up with ideas that can boost their profile. We are working on tailor made ideas for news channels. We are also in touch with NDTV. It could be archived programming or something that supports live chats.”

    As far as events are concerned, Sharma is confident about the adventure sports arena growing. “Earlier this year, it had organised the Mountain Dew Himalayan Challenge which saw people take part in adventure sports. Next year, the channel is looking to add skiing to the line up and the event will happen in January-February 2007.

    “There were 90 entries. Three people were in each team during the Mountain Dew Challenge. Ten Sports aired the event in five episodes. Over the next two to three years, we are looking to get top level anchors who are knowlegeable about the adventure sports arena. We have also got a lot of corporate interest from companies.

    “A four million dollar event, the channel is planning another adventure reality show for next year. This will have elements of strength and power in it and will be held in three cities. It is also looking to bring in squash in sometime in the future.”

    He adds that Total Sports Asia had helped Adidas with the organisation of the Adidas+ Challenge. “The logistics involved were humongous. We did the event in seven cities back to back.”

    This year, the Hungamathon will done again in association with Hungama TV. TSA is also looking to organise expositions on the retail side of sports and events like Futsal will return again.

    A new area that TSA is looking at is organising concerts where it will organise concerts with major pop stars like Beyonce.

    “As we have an Asian network, we can schedule the artistes tour across Asia. Pop music is a strong area to start with as we are confident of a healthy return and we are in talks with the agents of some major pop stars. The time slot being looked at is between December to February 2007. I don’t think that getting down equipment for rock bands like U2 is a challenge. The challenge is that stars have fees and the profitability can be a risky proposition at times.”

    In terms of new properties for television distribution, he notes that rights for football properties like English Premier League will come up. “We are also looking at licensing opportunities for different platforms like mobile. Our sister concern, Max Entertainment handles all entertainment properties for licensing, mobile and television.”

  • Asianet in deal with Reliance Communications to offer programmes on mobile

    Asianet in deal with Reliance Communications to offer programmes on mobile

    MUMBAI: Reliance Communications has tied up with Malayalam television network Asianet to offer Asianet news live (streaming & clips) and other key programs on Reliance Mobile World, the data service suite of Reliance Mobile.

    With this, Malayalees across the country will not only able to watch the live video streaming of the Asianet news on Reliance Mobile but also download video clips of popular Asianet programmes, states an official release.

    Munshi, one of the popular programmes of the channel is also available as video clip for Reliance mobile customers. While the live video streaming of Asianet News is currently available on Nokia 6235,Nokia 6255 and Nokia 6265 handsets, the video clips of headline news with intervals and other programs are available on all Java enabled phones, the release adds.

    “We are delighted to offer this service that is powered by the technological advantage of our network” says Reliance Communications circle head Ashok Ghose. “This initiative is in line with our commitment to fulfilling customer aspirations that is changing constantly. We hope that all viewers of Asianet and Reliance mobile customers will enjoy this new mobile TV concept, which provides access to the Asianet News live whenever, and wherever they are within the purview of the Reliance network.” he adds.

  • For ‘networked generation’, internet central in media consumption

    For ‘networked generation’, internet central in media consumption

    MUMBAI: British media regulator Ofcom has just released its annual Communications Market Report revealing new trends in the television, radio, telecommunications and wireless communications industries.

    The key finding of the report is that there is a radical shift in media consumption happening, particularly among what it describes as a new ‘networked generation’.

    This generation, comprising mainly 16-24 year olds, is turning away from television, radio and newspapers in favour of online services, including downloadable content – used on multiple devices such as iPods and mobile phones – and actively participating in online communities.

    According to the report, television is of declining interest to many of this age group; on average they watch television for one hour less per day than the average television viewer. Of the television they do watch, an even smaller proportion of their time is spent viewing public service broadcasting channels, down from 74 per cent of total viewing among this age group in 2001 to 58 per cent today. Instead, the internet plays a central role in daily life; more than 70 per cent of 16-24 year old internet users use social networking websites (compared to 41 per cent of all UK internet users) and 37 per cent of 18-24 year olds have contributed to a blog or website message board (compared to 14 per cent of all UK internet users).

    The same group also uses mobile phones extensively, on average making seven more calls and sending 42 more texts per week than the wider UK population.

    Extensive use of the internet has also influenced 15-24 year olds’ consumption of other media. Their radio listening is lower, by an average of 15 minutes a day compared to the wider population; additionally, 27 per cent of those surveyed said they read newspapers less as a consequence of their online usage.

    TELEVISION
    In an important change in habits, viewers in Freeview households now spend more time watching digital-only channels than any one of the five main public service broadcasting channels BBC1, BBC2, ITV1, Channel 4 and five. However, the public service broadcasters’ own digital-only channels (such as BBC3, ITV2 and More4) continue to grow their audience share, gaining nearly 6 percentage points of total viewing between 2001 and 2005.

    Subscription revenue remains the largest source of funding for commercial television, with 2005 revenues up by 8.5% to £3.9 billion for all pay TV services, £343 million more than total net television advertising revenues for the same period. Overall, television industry revenues increased by 4% year on year to more than £10.6 billion.

    ONLINE
    Online advertising continues to grow in importance as a mass marketing medium, attracting significant revenues away from other media.

    Total online advertising revenues have increased almost eight-fold in real terms between 2001 and 2005 (from £0.17 billion to £1.3 billion per year). Online advertising revenue is now almost three times greater than radio advertising revenue (at around £0.5 billion, unchanged since 2001 in real terms) and over one-third that of television advertising revenue (£3.8 billion in 2005, up from £3.5 billion in 2001).

    Broadband continues to demonstrate significant growth. Of the 11.1 million UK homes and small businesses with broadband connections, more than three million were cable and eight million were DSL – the latter up from five million in 2004. Industry revenues from broadband access were up 70% year on year to £1.9 billion.

    These trends are likely to continue as new technology and new products expand choice and availability. Unbundled local loop services – where competing providers take responsibility for the customer’s line to provide telephone, broadband, voice and television over the internet and video on demand services – are now available to 44% of the population, up from to 34% in 2005. The number of Wi-Fi hotspots across the UK also almost doubled over the year to June 2006, up from 8,500 to 14,600.

    TELECOMS
    Mobile phones play an increasingly important role in consumers’ daily lives. As many UK households now have a mobile phone as have a landline phone; and for the first time, the proportion of households relying on mobile phones exclusively (10%) is the same as the proportion who only use landline phones.

    Mobiles are becoming the preferred means of making calls in many households, including those with both mobile and landline phones. Some 31% of consumers surveyed now consider their mobile to be their main telephone, up from 21% in 2004. For the first time, none of those surveyed said they relied on public payphones for their main means of making and receiving calls, compared to 2% of consumers surveyed in 2004.

    Mobile industry revenues grew by 9.7% year on year to £13.1 billion, while traditional landline revenue fell by 7.5% to £10.1 billion.

    Consumers are increasingly willing to switch phone companies; nearly 34% of consumers now use a phone company other than BT for some or all of their landline services. As of March 2006 6.1 million lines used a carrier pre-selection provider for their calls (up from 4.9 million in March 2005). Of these, 2.9 million were Wholesale Line Rental customers (up from 1 million in March 2005) who no longer have a billing relationship with BT but instead pay an alternative provider for both line rental and calls. Additionally 4.5 million consumers use cable networks for their phone services.

    Ofcom Chief Operating Officer Ed Richards said: “Our research reveals dramatic and accelerating changes across all communications industries.”

    “The sector is being transformed by greater competition, falling prices and the erosion of traditional revenues and audiences. A new generation of consumers is emerging for whom online is the lead medium and convergence is instinctive.”

  • Hindi movie channels to salute the spirit of freedom

    Hindi movie channels to salute the spirit of freedom

    MUMBAI: As television channels across the country brace the patriotic spirit by weaving special programming for the day, Zee Cinema and Star Gold will also air special shows on this occasion.

    With a special line up of movies all through the day, Zee Cinema will kick off an all day festival ‘Maze Ki Azaadi’ with 16th December at 9 am, Ab Tumhare Havale Watan Saathiyon at 12:30 am, Tiranga at 4:30 pm and Indian at 8:30 pm.

    ‘Maze Ki Azaadi’ promises to keep its viewers glued to their television screens with not just a line up of films, but an equally entertaining song capturing the free human spirit. The song, ‘Aazad Hoon’ has been specially scripted, composed and executed in house and will air on the channel intermittently. It has been written by Viond Pandole, composed by Adil and sung by Deepak.

    Also in line with the Independence Day spirit, Star Gold will bring three patriotic films back to back on 15 August, including Main Hoon Na (uncut version), Jo Bole So Nihal and Ab Tak Chappan as part of the ‘Watan Ke Rakshak Film Festival.’

    The central theme of each movie attempts to capture issues pertaining to the law and order system, crime, injustice and terrorism, which of late has gripped the nation.

    With its youthful fiery patriotism, Main Hoon Na (Uncut) will air at 1 pm, followed by the Sunny Deol starrer Jo Bole So Nihal at 5:25 pm while Nana Patekar’s Ab Tak Chappan, which tracks the story of a Mumbai police encounter specialist’s commitment to rid the system of its injustice will air at 9 pm.

    To make the day even memorable, SaharaOne Television brings the world TV premiere of Bose, The Forgotten Hero. Directed by Shyam Benegal and produced by SaharaOne Motion Pictures, the movie stars Actor Sachin Khedekar in the lead role of Netaji. The lyrics have been penned by Javed Akhtar and the music score have been by A R Rehman.

    The film is structured in three parts, named Itmad, Ittefaq and Qurbani after the motto of the Indian National Army. In the first, Bose escapes house arrest and tries to enter Russia through Afghanistan, the second shows his days in Germany (including a meeting with Hitler, and marriage to Emilie Schenkl), the formation of the Azad Hind Fauj made up of Indian prisoners of war in Germany and his journey to Japan in a submarine; the last shows his leadership of the Indian National Army, the battles and that fateful plane trip out of Saigon.

    Bose…The Forgotten Hero will air on 15 August at 11 am.