Category: News Broadcasting

  • Star News launches new health show ‘Apna Khayal Rakhiyega’

    Star News launches new health show ‘Apna Khayal Rakhiyega’

    MUMBAI: An apple a day keeps the doctor away. Perhaps! But STAR News will now certainly help you keep the doctor at bay. The Channel announced the launch of a new health-based weekend news programme – Apna Khayal Rakhiyega – in keeping with its accent on addressing issues that relate to the here-and-now for the people in India. The programme, starting on 30 September, will air every Saturday at 3.30 pm.

    Given that health and fitness is increasingly becoming an overwhelming concern and might even be an obsession with a growing section of the Indian populace, Star News addresses a holistic view on health with a unique programming mix updating viewers with the latest in the world of medicine and health-breakthroughs, controversies, tips, food and fitness trends, so that the viewer can take better care of oneself.

    With a flexible magazine format and refreshing outdoor anchoring from scenic locations, the programme will have different segments that will feature breakthroughs in the world of medicine, guidelines to leading a healthy life, tips and trends in fitness, advice on food and diet programmes and much more. The programme will also have a segment, featuring interviews of renowned medical/health experts and celebrities from various walks of life who will provide their opinions and share their secrets on fitness. Dr. R K Bharadwaj, a renowned ENT specialist, will be the channel’s in-house expert for this programme.

    Apna Khayal Rakhiyega marks the channel’s attempt to expand the scope of its lateral programming to ‘touch’ every member of the household and in the true sense reach out as the ‘People’s Channel’. It will not just purport to be another health and fitness show, but will view health from a holistic viewpoint and also provide thought provoking content to make people sit up and question pre-existing notions on health. This will charge viewers to better look after themselves.

  • BBC World again voted the leading TV Channel for travellers

    BBC World again voted the leading TV Channel for travellers

    MUMBAI: BBC World has been named as the Leading TV Channel for Travellers at the 13th Annual World Travel Awards for the second year in a row.

    A total of 110,000 travel agents around the world were invited to nominate their favourite TV channel, as part of an awards ceremony that was established “to acknowledge, reward and celebrate the enormous achievements to be found in all sectors of the global travel industry.”

    BBC World, the BBC’s international news and information channel, received the most votes and was presented the award at a gala ceremony in Turks and Caicos on Wednesday night. The channel also won the same award last year at the Annual World Travel Awards 2005 in London.

    BBC World’s Director of Airtime Sales, Jonathan Howlett said: “This award acknowledges BBC World’s unique appeal to the international traveller and it is a great honour to have received it two years in a row. Through our comprehensive news and business bulletins, and our weekly, award-winning travel news programme, Fasttrack, we keep global travellers fully briefed on the issues that affect them. Travel and tourism is such an integral part of the global economy and this award reinforces BBC World’s commitment to the industry.”

    BBC World’s commitment to travel and tourism has also been recognised in other awards and surveys.

    Fasttrack was voted best television feature of the year in 2005 by the British Guild of Travel Writers. In May 2005, an International Air Travellers Survey [IATS] found that BBC World was the favourite news channel and most trusted international news channel among travellers, who considered it to have greater in-depth analysis than its competitors.

    BBC World reaches nearly half a million frequent flyers per day around the world and has more than 30 tourism board clients across the globe from the Pacific to the Middle East. The channel is also seen in 1.3 million hotel rooms, 36 airlines and 46 cruise liners around the world.

  • Airtel offers roaming on 3G handsets in Japan, Korea

    Airtel offers roaming on 3G handsets in Japan, Korea

    MUMBAI: Mobile service provider Airtel today announced ‘seamless roaming services’ on 3G networks across the world, including Japan and Korea. This latest initiative is set to benefit more than 25.65 million Airtel mobile customers while roaming to any of the 3G networks worldwide.

    This is particularly a boon for customers visiting Japan and Korea who so far had to change their handsets upon landing in these two countries in order to stay connected. Now with a 3G handset they can use International GSM roaming services.

    Korea and Japan have 3G networks based on WCDMA technology which allows GSM subscribers to connect to their networks on roaming.

    Airtel has been the first to seize this opportunity and has carried out extensive network testing in Korea and Japan to ensure seamless connectivity. As a result, Airtel customers traveling to these countries will be the first to benefit from this initiative. Any Airtel customer on 3G compatible handset will be able to experience seamless connectivity whether on voice or data, while on roaming on WCDMA network and this includes Korea and Japan. Presently Airtel offers roaming facilities on more than 365 mobile networks across 154 countries.

    Announcing the availability of international roaming services also on WCDMA networks, Sanjay Kapoor, joint president – Bharti Airtel Limited, said, “An increasing number of our customers travel overseas and our roaming facility on international networks therefore becomes very important. This latest initiative will undoubtedly add a lot of convenience especially to those Airtel customers who travel to Korea and Japan. We are happy that our innovative services & products provide our customers with supreme convenience and ease wherever in the world they travel.”

  • TV’s popularity continues growing in the US despite new media threat

    TV’s popularity continues growing in the US despite new media threat

    MUMBAI: In its latest analysis Nielsen Media Research reports that average American television viewing continues to increase in spite of growing competition from new media platforms and devices, such as video iPods, cell phones and streaming video.

    During the 2005- 2006 television year, which ended on 17 September, 2006, traditional in-home television viewing continued to hold its own with audiences, and even gained among technology-savvy teenagers.
    These results come at a time when Nielsen is able to provide more granular information on diverse television viewing through its larger national television sample and other investments in research and technology.

    The total average time a household watched television during the 2005-2006 television year was 8 hours and 14 minutes per day, a three minute increase from the 2004-2005 season and a record high. The average amount of television watched by an individual viewer increased 3 minutes per day to 4 hours and 35 minutes, also a record.

    Meanwhile, during primetime, households tuned to an average of 1 hour and 54 minutes of primetime television per night, up 1 minute, and the average viewer watched 1 hour and 11 minutes, which was the same as last year.

    Although teenagers typically drive the consumption and development of new media platforms, teens aged 12-17 viewed three per cent more traditional television during the full day than in the 2004-2005 television year. This increase was driven primarily by teenage girls, who increased their total day viewing by six per cent. Increases among teenage girls were particularly high during early morning (6 am to 9 am) and late night (11:30 pm to 2 am) viewing, which were up 12 per cent and six per cent, respectively.

    Younger children age 2-11 also watched more television during 2005-2006, increasing their total day viewing levels by four per cent. Viewing by children increased three per cent during primetime, five per cent during early morning and six per cent during late night.

    Nielsen Media Research senior VP planning policy and analysis Patricia McDonough says, “These results demonstrate that television still holds its position as the most popular entertainment platform. At this point, consumption of emerging forms of entertainment, including internet television and video on personal devices seem not to be making an impact on traditional television viewing. This is especially true among teenage girls, who have shown significant increases in viewing during the past year.”

    During the 2005-2006 television year, which ended on September 17, 2006, Nielsen Media Research says that it achieved a number of milestones that enabled it to provide even more precise information about television viewing. These milestones, which reflect Nielsen’s commitment to continuous improvement in television measurement, include:

    The 2005-2006 television year was the first one in which Nielsen was able to provide ratings based on a 10,000 household sample. During the season, Nielsen completed the expansion of its National People Meter sample from 5,000 to 10,000 households. As a result, Nielsen’s sample now includes approximately 25,000 people.

    This was the first season in which measurement of digital video recording was included in Nielsen’s estimates. As of September 17, 2006, 8.7% of Nielsen’s sample homes had digital video recorders.

    Nielsen completed the roll-out of Local People Meters (LPMs) in the top ten local markets during the 2005-2006 television season. Nielsen also began to provide ratings based on its National People Meter sample for four Spanish-language national broadcast networks: Azteca America, TeleFutura, Telemundo, and Univision. Prior to this agreement, these networks had been reported solely within the Nielsen Hispanic Television Index (NHTI) service. Now they are being reported in the national ratings along with national general market broadcast networks.
    Based on agreements concluded during the year, Nielsen will now provide ratings for 80 national cable networks, up from 78 a year ago.

    During the 2005-2006 television year, Nielsen released a vastly improved version of NPOWER, Nielsen’s custom research service. It allows clients to analyze ratings on a minute-by-minute level; to determine the reach and frequency of all broadcast network, cable network and syndicated television programs; and to identify the ratings of all commercial minutes. With this new version of NPOWER, the average processing speed on most customized reports is now under a minute, and more complex reports take no longer than 10 minutes.

    Also during the 2005-2006 television season, Nielsen launched its Anytime Anywhere Media Measurement (A2/M2) initiative, which will provide integrated, all-electronic ratings for television regardless of the platform on which it is viewed. Through this initiative, Nielsen will provide electronic measurement for video viewed on the Internet and personal media devices, as well as television viewed outside the home.

    Nielsen will also begin reporting the ratings for the average of all commercial minutes in each nationally televised program rated by Nielsen. This step was requested by clients who want more detail on viewing levels of television commercials.

  • TV content code to be in place soon

    TV content code to be in place soon

    NEW DELHI: The Indian government is close to finalising the content code for television and films, which is likely to re-write the business of broadcasting vis-à-vis prime time viewing.

    According to a government official in the information and broadcasting minister, the content code is likely to be notified by month-end or early November.

    “We are in the process of finalizing the content code and would like to get it in place as soon as possible,” an official in the I&B ministry said.

    The content code is aimed at having a uniform yardstick for films and television content.

    If the code gets in place, then quite a few popular TV soaps are likely to get re-classified and would have to be aired at timings set by the government.

    The official said that the government is worried about complaints relating to content on TV and would like to regulate the same.

    The content code is likely to classify TV content into categories, including whether it’s fit for unrestricted viewing or not.

    This would be the first time that the Indian government would bring under censor regulations (mainly meant for films) TV content, which has been left out of regulation.

    The Indian film censor board chief and veteran actress Sharmila Tagore had exhorted the government to remove overlaps in the functioning of censor board and a proposed broadcast regulator.

    She also called for “transparency” while forming the proposed Broadcast Regulatory Authority of India (Brai), which is supposed to deal with content regulations.

    Regulating content or complaints relating to TV shows is part of the government’s overall aim to address issues on content.

  • Casbaa urges pay TV regulation rethink for India

    Casbaa urges pay TV regulation rethink for India

    MUMBAI: The Cable and Satellite Broadcasting Association of Asia (Casbaa) has called on the Government of India to make a shift in its regulatory approach to the pay-TV industry.
    Casbaa CEO Simon Twiston Davies says, “The Indian authorities’ current positioning is holding back the industry and introducing significant new constraints of the kind that slowed India’s economic development for decades”.

    According to Casbaa, recent initiatives by the Ministry of Information & Broadcasting (MIB) and the Telecom Regulatory Authority of India (Trai) will severely limit development, not just of pay-TV, but of the entire Indian communications industry.

    Speaking at a conference in Delhi organised by the Associated Chambers of Commerce and Industry of India (Assocham), Casbaa said it would like to see more emphasis on promoting growth, rather than on restricting market flexibility, adding that international and domestic examples of thriving, lightly regulated markets are plentiful.

    A Casbaa study last year Regulating for Growth clearly demonstrated this linkage, under-scoring the success of markets such as Singapore, Japan, Malaysia and Hong Kong.

    Davies adds, “India can make immediate and enormous strides towards becoming a digital leader – if it takes fundamental steps to loosen restraints on industry growth. The size of Malaysia’s pay-TV market, for instance, has doubled in the last three years.”

    In other Asian markets bidding for cable systems is generating offers of more than $1.5 billion each, yet there is little encouragement of fresh domestic or foreign investment into the India market.

    Meanwhile, Casbaa believes that the proposed Broadcast Services Bill would create a new pay-TV industry regulator potentially subject to political interference.

    Favies says, “India needs to install a truly independent communications industry regulator. Regulatory decisions should be technical and quasi-judicial, responding to the demands of the fast-changing media environment, and not subject to transient political pressures.”

    Casbaa also highlighted items such as the recent Trai decision to set maximum retail prices for all pay-TV channels at Rs5 ($ 0.11) each and the draft Broadcasting Services Regulation Bill (2006) – which mandates local content requirements for every pay-TV channel.

    “Does the Government of India really believe that all TV channels have the same value; that a high cost movie channel should be priced in the same way as a channel dedicated to low cost chat shows? This makes no sense,” argues Davies.

    According to Casbaa investment in high-quality content could quickly dry up as channel providers find they cannot make a return on their investment. The rate cap decision could quickly produce a race to the bottom in terms of content, to the detriment of viewers.

    The maximum retail price directive ignores market realities states Casbaa. “It is now over two years since TRAI first instituted a cable price freeze which it said would be temporary until the launch of DTH satellite services. Unfortunately, that understanding seems to have evaporated, even though we have two DTH platforms that are now competing ferociously – with each other and with cable providers,” said Davies.

    Casbaa also has serious concerns over a proposed 15 per cent ‘local content’ requirement for all channels aired in India, another example of regulation that will restrict the access of Indian viewers to premium content, especially international news, documentaries, sports and entertainment.

    Many internationally focussed channels do not have India-specific feeds. “How can a global news channel meet a 15 per cent local content requirement? News happens where it happens. The same applies to international sports. And how reasonable is it to expect niche channels from Italy, or Australia, or Germany, or China to carry Indian programming?” ask Davies.

    According to Casbaa, India’s content industries are already strong and don’t need artificial life-support. “India’s film and television industry is now an export market and part of the global industry. Indeed, it benefits from the airing of Indian-generated TV programming in jurisdictions that don’t impose content quotas. The domestic market should operate in sync with the rest of the world and gain the full benefit of a global marketplace.

    “Without taking account of the new digital world, India’s pay-TV regulators will fall further and further behind global trends,” Davies warned.

  • Andrew Baxter joins BBC Worldwide as head of commercial policy

    Andrew Baxter joins BBC Worldwide as head of commercial policy

    MUMBAI: UK pubcaster the BBC’s commercial arm BBC Worldwide has appointed Andrew Baxter as head of commercial policy. Baxter will be responsible for the full range of commercial policy matters relating to all of BBC Worldwide’s seven businesses. In particular, he will work to ensure that all of BBC Worldwide’s commercial activities serve the BBC’s wider goal by competing fairly in the marketplace, operating efficiently and through protecting the BBC’s reputation and promoting the BBC’s brand.

    He has management responsibility for BBC Worldwide’s compliance with the BBC’s fair trading commitment, Editorial Policy guidelines and the requirements of the new Charter. He will also take the lead in working with the BBC in developing new policy.

    BBC Worldwide director of business affairs Sarah Cooper said, “I am delighted to welcome Andrew to the company at a time of exciting new developments. Now that the BBC Charter has been agreed and the remit for BBC Worldwide’s activities has been clarified and endorsed, we are moving ahead with our plans to further increase profits for the BBC whilst ensuring we protect its brand, both at home and abroad. Our strategy includes building some important commercial digital opportunities for our parent and for the UK licence fee payer in what is a fast-changing media landscape.

    “A rigorous commercial policy is essential for any global brand with a reputation as strong as ours, and it is core to our business to ensure we always operate according to the four criteria laid down in the Government White Paper published earlier this year. Andrew’s extensive commercial and legal experience across the television industry and his breadth of understanding of regulatory, rights and competition issues will be invaluable as we take BBC Worldwide on to the next stage of growth.”

    Baxter said, “It is great to be joining BBC Worldwide at such an exciting time. The cornerstones of Commercial Policy – efficiency, respect for the brand, and fair and transparent trading – are policies which make sense for any responsible business and should help drive profitability and growth. I am very much looking forward to what I see as a really positive and enabling role.”

  • Vuico and B2’s combined mobile video technology feeds live entertainment events to mobile devices worldwide

    Vuico and B2’s combined mobile video technology feeds live entertainment events to mobile devices worldwide

    MUMBAI: Vuico Inc. and B2 Networks announced a strategic alliance to deliver live events and highlights to cell phones and mobile devices via B2 Networks worldwide broadband and mobile network.

    B2 will use Vuico technology as a core component coupled with other B2 technologies to broadcast live events to the customer base of the revolutionary broadband network.

    Vuico and B2’s combined Mobile Video Technology will serve as a platform to broadcast more than 2,000 events during the next 6 months.

    Live events will be broadcast worldwide from B2 Networks system of arenas, stadiums and entertainment venues. Additional future product innovations are being developed by the alliance.

    “B2 Networks is the leader in the global broadband broadcasting market for TV and direct to home broadcasting. With this new mobile video alliance, Vuico and B2 Networks are taking the delivery of live content to cell phones and mobile devices around the world,” said Vuico President and CEOVui Le.

    The new alliance brings unprecedented capability for consumers to watch sports and entertainment from major stadiums and venues on mobile and wireless devices.

    “With Vuico’s mobile video technology coupled with B2 technology delivering our live events and programming, B2 Networks can now offer live mobile TV to the cell phones of our customers. Our partners, whether they are arenas, stadiums, local venues, clubs, schools or churches can leverage our end-to-end systems to reach their constituents,” said B2 Networks Owner and CEO Greg P Bell.

    The combined technologies have already been deployed to recently broadcast the World Professional Fighting Championship from Las Vegas and live entertainment from The Palm in Las Vegas to viewers on three continents.

  • Apple unveils new iPod shuffle

    Apple unveils new iPod shuffle

    MUMBAI: Apple has introduced the new iPod shuffle, nearly half the size of the original, it claims to be the world’s smallest digital music player. It is half a cubic inch in volume, weighs just half an ounce and features a all-new aluminum design and a built-in clip.

    The new iPod shuffle contains one gigabyte of flash memory which holds up to 240 songs, and is more affordable than ever at Rs. 5,600.

    “It’s hard to believe the new iPod is a real music player when you first see it,” said Apple’s CEO Steve Jobs. “But it is real, and holds up to 240 songs in an incredibly compact and wearable design that weighs just half an ounce.”

    iPod shuffle is based on Apple’s popular shuffle feature which lets users enjoy their songs in random order. Or listeners can simply flip a switch to listen to their songs in order, such as when listening to a new album. iPod shuffle features up to 12 hours of battery life.

    Users connect the new iPod shuffle to their Mac or PC with the included dock, and iTunes’ innovative AutoFill feature automatically syncs the perfect number of songs from their music library. Seamless integration with iTunes 7 and the iTunes Store (www.itunes.com) allows customers to choose from a selection of over 3.5 million songs from the digital music store.
    The new iPod nano models are now available through Apple authorized resellers across the country for Rs. 5,600 (INR).

  • MGM, G4 TV network, Berliner Film team with Mel Brooks on animated series

    MGM, G4 TV network, Berliner Film team with Mel Brooks on animated series

    MUMBAI: Metro-Goldwyn-Mayer Studios Inc. (MGM) is teaming with the G4 television network, Brooksfilms Limited, and Berliner Film Companie GmbH (Berliner) on the US release of a new original television series based on the classic Mel Brooks comedy Spaceballs.

    G4, which is now available in 59 million cable and satellite homes nationwide, has exclusively licensed the first run of Spaceballs: The Animated Series for the US market. The series will be produced by Berliner in association with Brooksfilms. Already in production, Berliner will produce 13 half-hour episodes, which will debut on G4 in Fall 2007.

    MGM Worldwide Television Distribution Group, a unit of Metro-Goldwyn-Mayer Studios Inc., will officially launch the property at the upcoming MIPCOM international television festival in Cannes, France (9-13 October).

    Spaceballs: The Animated Series brings together a talented team of comedy specialists. Brooks, who over the past 40 years has created classics as Blazing Saddles, Young Frankenstein and both versions of The Producers, co-wrote the Spaceballs pilot with Thomas Meehan. Meehan will oversee all writing for the first 13 episodes. Brooks will also lend his voice to two of the characters in the show, President Skroob and Yogurt.

    MGM Worldwide Television Distribution Group President Jim Packer, said, “This series has all the elements of a great comedy show. Mel Brooks has one of the top comedy minds in the business and the Berliner team has an impressive track record for producing quality animation. On the heels of retooling our worldwide television distribution group, MGM will be an active player in bringing first-run series to the marketplace and Spaceballs is a good example of the programming partnerships we can create with this vast library.”

    G4 President Neal Tiles added, “As the go-to network for men 18-34, irreverent humor is one of the benchmarks of our programming philosophy, as is animation. Mel Brooks’ classic movies Young Frankenstein and Blazing Saddles are just as relevant to our young male audience today as they were when they were first released. His brand of humor will resonate well with our viewers.

    In the pilot episode of Spaceballs: The Animated Series, the storyline will be similar to that of the movie, which was released theatrically in 1987. The evil Dark Helmet kidnaps Princess Vespa of the Planet Druidia. His dastardly plan to blackmail her father, King Roland, into giving up his planet’s air to replenish the polluted Planet Spaceball, run by the fiendish President Skroob (to be voiced by Brooks). Princess Vespa’s dad hires Lone Starr and Barf to rescue the princess. After a battle with Dark Helmet, they rescue the princess and Planet Druidia. From there, they launch on a series of wild adventures across the Galaxy.