Category: News Broadcasting

  • Asia’s First Cross-Media Interactive TV Game Format introduced at Mipcom

    Asia’s First Cross-Media Interactive TV Game Format introduced at Mipcom

    MUMBAI: Robert Chua, producer of original television programming for the Asian marketplace and founder of The Interactive Channel (TIC), introduced Asia’s first cross-media interactive TV quiz/game format You Are History! at Mipcom 2006.

    The Frapa registered show will soon launch on TIC. The one-hour game show is the first of its genre using TV and Internet pairing of contestants. The unique concept is to have two competing teams each consisting of one studio-based contestant and one home-based contestant interacting via webcam. Each team will answer general knowledge, ‘IQ’ and current affairs questions, solve puzzles and answer questions asked by a celebrity.

    The studio-based contestant will be the team leader and decide who will be his/her partner, choosing from a number of home-based contestants. Along the one-hour show, the studio-based contestant or home-based contestants can decide whether to keep his/her partner or to ‘fire’ that person and choose a replacement.

    Viewers can via SMS and the internet participate by predicting the winning team or the final scoring to win prizes.

    “We’re excited to have created You Are History!, a very promising unique cross-media interactive TV program,” said Chairman and founder of The Interactive Channel Company Limited Robert Chua.

    “You Are History! sees the convergence of broadcast TV, Internet and Telephony (SMS) and is available to international buyers who want to broadcast cross-media interactive TV shows generating SMS revenue and ratings. TIC provides the ideal technical support and software platform to integrate the internet, TV and SMS technologies,” added Chua.

    Over the past decade, Chua has produced and launched such format hits as Everyone Wins, You Be The Judge and The Entrepreneur Show. TIC licenses its cross-media interactive technology as an enhancement to existing TV channels’ programs or to start an entire TV channel with program formats.

  • MSOs get CAS authorisation letters

    MSOs get CAS authorisation letters

    MUMBAI: The government’s CAS rollout plan continues apace. All the major MSOs today received “CAS authorisations” from the sector regulator, which clears the way for the public awareness campaigns to kick on the stipulated date of 15 October.

    According to IndusInd Media & Communications executive director Ashok Mansukhani, the letters issued by the Telecom Regulatory Authority of India (Trai) are dated 30 September and authorise an MSO to operate in the cities of Mumbai, Delhi, Kolkata and Chennai “in the areas notified under Section 4(a) of the Cable Act 1995 as per 11(2) of the cable rules 1992 as amended in 2006.”

    Says Mansukhani, “These letters clear the way for MSOs to seek authorisation from broadcasters to enter into revenue share agreements with broadcasters and operators in terms of the August 24 interconnect regulation and the August 31 tariff order issued by Trai. It also clears the way for us kick off the CAS awareness campaign by the mandated date of 15 October.”

    Executives in the Zee Group promoted WWIL (earlier Siticable) also confirmed receiving the CAS authorisation letters. 

    It was on 18 September that Trai issued a directive that the date for starting public awareness campaign by permitted MSOs in CAS notified areas will be not later than 15 October. This directive was further to its earlier order specifying standards of quality of service to be observed by the MSOs / cable operators in CAS notified areas.

    The CAS awareness campaign will last for a period of 30 days. The general directive also provides for filing of a compliance report immediately after the start as well as the end of the campaign.

    Trai had issued a regulation on 23 August specifying standards of quality of service to be observed by the MSOs/ Cable Operators in CAS notified areas of Chennai, Mumbai, Delhi and Kolkata. This regulation had stated that multi system operators permitted to provide cable services in CAS notified areas would be required to conduct a public awareness campaign from a date to be specified by Trai.

  • GSM Association announces shortlist for first Asia Mobile Innovation Awards

    GSM Association announces shortlist for first Asia Mobile Innovation Awards

    MUMBAI: The GSM Association (GSMA) has announced the six finalists for the first Asia Mobile Innovation Awards, a competition for young, small and start up companies across Asia that are developing technologies, applications and compelling content for the fast moving mobile space.

    The six short-listed companies have been selected from more than 70 entries by a panel of judges comprising innovation leaders from mobile operators, vendors and venture capital firms.

    The competition will culminate at the 3GSM World Congress Asia in Singapore on 16 October 2006, when a representative from each of the companies nominated will present an ‘elevator pitch’ style presentation to the judging panel for final selection of the winners. There are two Awards categories – Most Innovative Mobile Application or Content; and Most Innovative Technology Development.

    The Innovation forum session will also include presentations and panel discussions on the mobile innovation theme by Smart Communications, Bharti, Ericsson and SpinVox – this year’s winner of the GSMA’s global innovation award.

    Each category has three nominations:

    Category 1 – Innovative Mobile Application or Content

    · GSTL (India) for Geneva NDIS

    Geneva NDIS is a disaster information dissemination system that rapidly processes data from emergency information sources and sends it to mobile users as a text message alert or a voice call.

    · N2N Consulting for M-Bit Network

    M-Bit Network services supports mobile media applications such as mobile music and video, and TV tie-in competitions, making billing easier for operators and enabling end-users to share files, uncover additional content, or create their own for sharing with others.

    · Microimage Ltd for localised messaging and content browsing

    Microimage claims to have developed the world’s first patented local language messaging and content application, to provide customised local language support for entry-level mobile devices in emerging markets.

    Category 2 – Innovative Technology Development

    · Open-Plug for ELIPS

    Open-Plug for ELIPS claims to be the first open software framework designed for mobile phones, which enables ELIPS-based handsets to be tailored and configured far more quickly according to the requirements of operators.

    · Radius ED for Global 1 Number

    The Global 1 Number (G1) solution is a simple universal short code that lets mobile users access information from anywhere in the world, via a single secure hub that also handles call-routing, billing and data rights management.

    · Dialog-UOM Lab & Microimage for Disaster Early Warning Network (DEWN)

    DEWN uses a centralised mobile messaging platform and also device-based technology to disseminate early-warning emergency messages, audio and visual alarms, to warn communities of impending disasters.

    The six finalists will also be exhibiting at the 3GSM World Congress Asia, as part of a special feature ‘Innovation Zone’. The two winners will receive an automatic place on the shortlist for the innovation category of the GSMA’s Global Mobile Awards at the 3GSM World Congress in Barcelona next February.

  • Endemol announces deal with Hong Kong broadcasters

    Endemol announces deal with Hong Kong broadcasters

    MUMBAI: Television format creator and distributor Endemol has announced its first ever license deals in Hong Kong. The two main broadcasters in the territory have bought game shows.
    Asia Television (ATV) has ordered over 60 episodes of 1 vs. 100. The show is due to launch at the end of September and will run initially as weekly specials then as daily shows.

    The series will have attached to it a range of digital media applications including a fully interactive 3G TV game – the first time this has been done in the region.

    Over on Television Broadcasts (TVB), more than 50 episodes of Deal or No Deal are due to run as weekly shows launching in early October. The deals will see both series also broadcast into southern Chinese Cantonese provinces, Guangdong and Guangxi.

    Endemol International’s Licensing Manager, Asia Julian Curtis says, “This is the first time Endemol has sold its shows into Hong Kong and it’s great to have secured deals with both broadcasters at once.”

    1 vs. 100 has now been sold to 11 countries worldwide including US broadcaster NBC and the UK where it will launch on BBC One later this year.

    Endemol says, Deal or No Deal has been picked up by over 45 countries including NBC in the US and in the UK where Channel 4 have signed a two year deal.

  • Saban Entertainment Group brings a Virtual Studio product to Mipcom

    Saban Entertainment Group brings a Virtual Studio product to Mipcom

    MUMBAI: Saban Entertainment Group (SEG) has launched a new venture dedicated to incubating, developing and marketing family entertainment properties.

    The new virtual studio will unveil its first project, Hollywood Star Dogs, at the upcoming television trade event Mipcom in Cannes, France. The event takes place from 9-13 October 2006
    Led by Haim Saban and Saban Capital Group chief creative officer, Joel Andryc, the new venture will leverage the executives’ access to world-class financial and creative resources, including industry-leading producers, writers, artists, production houses and grass roots marketers, to create a virtual studio that employs targeted freelance teams for every project.

    The new venture will focus on identifying and creating intellectual properties and brands capable of being distributed across numerous multi-media platforms and connecting with audiences across a variety of entertainment genres, with a particular focus on new media.

    Haim Saban said, “I am thrilled to return to my roots and focus on developing media properties for children and families. The SEG team’s extensive background in children’s entertainment gives us unique expertise in recognizing breakthrough creative content. We will bring together specialized freelance talent to help develop, brand and promote each project. This strategy will enable us to create a best-in-class studio that is custom tailored for the needs of each individual project.”

    Andryc said, “In today’s new media environment, we plan to capitalize on cutting-edge interactive technologies to engage the youth market. Our audience will discover and experience unique characters and story content through the media outlet they prefer; be it broadcast, cable, VOD, broadband/internet, direct-to-home-video, videogames or mobile devices.”

    For their first virtual studio project, SEG has partnered with Holly Goldberg Sloan. Hollywood Star Dogs features a troupe of live-action talking dogs portraying classic fairy tales.

    Andryc ads, “We were instantly drawn to Hollywood Star Dogs because of the property’s innovative take on classic literature. With its unique use of live animals and advanced CGI animation to tell timeless tales and other stories, it is a high quality, distinctive property that lends itself to number of distribution outlets. It has been a pleasure to work with Holly. She is a great creative talent and together we are confident that we can build Hollywood Star Dogs into a successful entertainment franchise and an enduring evergreen brand.”

    As part of its new virtual studio, SEG has also entered into a development deal with Tiny Island Animation, a Singapore-based animation studio led by David Kwok, a veteran leader in the Singapore animation industry. SEG will provide development resources to Tiny Island Animation, which focuses on producing computer-generated entertainment for international television audiences. A comedic CGI animated series is already currently in development and is expected to make its debut in 2007.

    SEG’s virtual studio, which will focus on developing a limited number of projects at any given time, is currently in the advanced stages of negotiation and/or development of several other properties, which will be announced shortly.

  • Industry tuned to CAS; pricing still vexed issue

    Industry tuned to CAS; pricing still vexed issue

    NEW DELHI: From “let there be voluntary CAS” to “if you must mandate CAS stay out of the pricing mechanism”. That could well sum up how the view of the broadcast sector in general to the prospect of the rollout of addressability has changed from the situation that existed back in 2003. 

    That was a recurring theme during the informed discussions that went on in the post-lunch session of the Indian Broadband Digital Networks Forum organised by Indiantelevision.com and Media Partners Asia in the capital yesterday. The two sessions – The Strategic Imperative: Consolidation & Convergence and Ground Realities: Content Distribution & Technology flowed seamlessly from one to the other taking further the cues that had been provided in the morning’s keynotes.

    Unless pricing was elastic, it was a non-sustainable business model not just for the pay channels but for the cable service providers as well, was the view expressed by Raghav Sahgal, CBO, Converse. Speakiing during the morning keynote, John Malone-controlled Liberty Media board member Shane O’Neill suggested that a better formula for the government to consider might be that the baseline or lifeline service (basic tier?) be given maximum spread while the rest should be left to the market to determine.

    Interestingly, that was the sentiment off the Orissa-based MSO Ortel Communications’ Jagi Mangat Panda as well. Said Panda, “CAS is important and necessary. But the regulator entering into pricing issues is unviable for long.” Mandate CAS but stay away from pricing, she offered. Panda also spoke of the need for a level playing field on issues like foreign investment similar to what the telcos enjoyed for all players in the broadcasty sector.

    ADAPT OR PERISH:

    Speaking on the issue of the shift to digital, HSBC Securities’ Sandeep Pahwa pointed out that “consolidation and building of scale is important but not a necessary recipe for success.” The ability to innovate according to the dynamics as determined by Indian situation was the critical factor, according to Pahwa. “Adapt or perish. The mantra is continual innovation,” Pahwa said.

    Another point that came through in the discussions was that in the move towards digital delivery, the real battle in the short to mid term would be between cable and DTH. “IPTV is a real challenge in an emerging market like India,” said Comverse CBO Raghav Sahgal.

    According to Pahwa, DTH will compete on reach (cable dark areas in particular) and service. However, where cable service providers have got it right, there is a clear advantage in their favour.

    WWIL’s JS Kohli said, “CAS is the trigger that will actually facilitate the move towards convergence.”

    Tata Sky’s Vikram Kaushik said while in the medium term quality of service would be the key differentiator that DTH offered, going forward, once transponder limitations haad been overcome some element of exclusivity would come into play. 80 per cent of programming will be across platform and 15 per cent will be exclusive, Kaushik said.

    Speaking on the content provider’s side Star India’s Paritosh Joshi said, “Star’s content for the mass audiences will remain the primary focus. We will look for opportunities – mobile in particular is something we’re particularly gung ho about. That’s something we’re already actively looking at.”

    “A marginal higher value consumer may exist and these we will address,” Joshi said.

    Speaking about the impact CAS would have Hathway MSO’s K Jayaraman said, “CAS is going to be painful in terms of investments required. If the first phase of CAS goes well then the funding is going to be a challenge.”

    Incable’s Ashok Mansukhani offered, “We need to put in a lot of money to upgrade ourselves as well as LCOs. We believe in 100 per cent transparency.”

    On the scope for IPTV, Tandberg Television’s Alan Delaney said, “There is plenty of space in the market for everybody.”

    Bharti Televentures’ Sriram TV was clear that staying out of content creation was the way to go for telcos. Said Sriram, “Focus on what you’re best at. Bharti has taken its learnings from the experiences of Singtel / Vodafone in the UK as examples of networks that went into too many areas and lived to regret the decision. Network convergence, device convergence and industry convergence is what we are looking at. Bharti has content tie-ups with all the pay channels.”

    HFCL’s Surendra Lunia, however, said, “We will evaluate according to opportunity.”

    Another problem for broadband is that technical skill sets need to be sorted out before value added services can be rolled out, said Jayaraman. This statement coming from the head of a cable MSO who has 100,000 registered users reflects on the difficulties that lie ahead for introduction of IPTV in particular.

    However, Mansukhani was more optimistic on that front: “It is a dynamic growth oriented business. Broadband adding significantly in the next three years.”

  • Radio City ropes in Roop Kumar Rathod as RJ for new show ‘Shaam-E-Ghazal’

    Radio City ropes in Roop Kumar Rathod as RJ for new show ‘Shaam-E-Ghazal’

    MUMBAI: The private FM player Radio City 91 FM Mumbai unveils a fresh season of ghazals with the launch of a show solely devoted to ghazals. Starting 6 October, with the Shaam-E-Ghazal, Roop Kumar Rathod makes his radio debut as the host.

    The show holds an interesting blend of unplugged ghazals, mushairas and live on-air performance by the Roop Kumar Rathod. 

    The one hour show will aired every Friday at 9 PM, with a repeat telecast on Sunday at 9 PM Apart from broadcasting popular ghazals, the show would also look at reviving ghazal listening and giving a new dimension to it, informs an official release. 

    Roop Kumar Rathode will cite examples of shayaris and ghazals and explain the nuances, meanings of relevant words and difficult phrases through the show.

    ‘Shaam-E-Ghazal’ also presents a unique opportunity for the listeners to participate in a contest whereby getting a chance to send an interesting ghazal / shayari and win a music CD specially signed by Rathode.

    According to Radio City CEO Apurva Purohit, “Radio City has always believed in bringing to our listeners the best, through the best. We constantly push the envelope in terms of giving differentiated programming to our listeners through our music experts. With Life Ki Dhun With Sonu Niigaam, we pioneered the trend of celebrity RJs, which received tremendous response. With Shaam-E-Ghazal and more such programs in the next few months we will continue to treat our listeners to great music.”

  • Nat Geo Intl looks to bring Malaysia to the world

    Nat Geo Intl looks to bring Malaysia to the world

    MUMBAI: National Geographic Channels International (NGCI) and National Film Development Corporation of Malaysia (FINAS) have announced a partnership agreement.

    They have commissioned two one-hour documentary programmes in high-definition (HD) to showcase Malaysia to the world and to encourage local filmmaking talents. 
    NGCI executive VP- production Bryan Smith says, “We are pleased to partner with Finas to produce high-definition documentaries for the global audience and to cultivate local filmmaking talents.”

    Finas DG En Mohd Mahyidin Mustakim said, “This is the first time that National Geographic Channels International and the National Film Development Corporation of Malaysia have come together to promote the local filmmaking industry.

    “We are excited to be associated with this partnership as Malaysia has a pool of highly creative talents and Finas would like to encourage, preserve and enable growth and development of the filmmaking industry in Malaysia.”

    NGCI will kick-off the launch with a call-for-entries to all Malaysian-based production companies, the finished programmes will be aired globally on National Geographic Channel’s network in 164 countries.

    The successful grantees will be guided by NGCI’s senior producers to ensure a consistently high-quality production. The winning producers can also expect future opportunities with NGC.

    The call-for-entries is given a further lift as each successful grantee will receive up to $200,000 to make a one-hour of original production in high-definition. The local filmmaking talents are given an excellent opportunity to commission a high-definition documentary and rise to the Malaysia to the World challenge.

  • BBC Worldwide to showcase British dramas at Mipcom

    BBC Worldwide to showcase British dramas at Mipcom

    MUMBAI: BBC Worldwide the commercial arm of UK pubcaster comes to the television trade event Mipcom with new British dramas. Mipcom takes place in Cannes, France from 9-13 October 2006.

    The psychological thriller Torchwood will be presented for the first time at this year’s market. The sci-fi drama follows the adventures of a team of investigators who use scavenged alien technology to solve mysterious crimes. Led by the enigmatic Captain Jack Harkness, played by John Barrowman, the Torchwood team delves into the unknown and fights the impossible.

    There is also a new adaptation of Robin Hood starring Jonas Armstrong as the lead and Keith Allen as the evil Sheriff of Nottingham, will also be making its debut. Produced by Tiger Aspect, the series is a blend of exhilarating action-adventure, wit and romance – updating the popular legend for a contemporary audience.

    Primeval sees evolutionary zoologist Nick Cutter make the terrifying discovery that prehistoric creatures are alive and well in the twenty-first century. The natural world is turned on its head and humanity faces extinction as unexplained anomalies rip holes in the fabric of time and allow creatures from the earliest stages of Earth’s development to roam the modern world.

    As well as fighting off evil forces in a range of cutting edge action-dramas, BBC Worldwide also premieres a raft of wonderful new children’s and factual programming in Cannes. From the creative team behind the global phenomenon Teletubbies, comes In the Night Garden. This is a modern interpretation of a nursery rhyme picture book aimed at preschoolers. It takes children on an imaginative journey to meet a host of wonderfully silly characters living together within a happy and caring community.

    The classic saga of Jane Eyre sees Toby Stephens takes on the role of the fiery Edward Rochester while Ruth Wilson plays Jane Eyre in the star-studded BBC adaptation of this infamous tale.Following the global success of Planet Earth, the BBC presents Galapagos, a look at the islands, which inspired Darwin’s ‘Origin of the Species’.

    Presented in a pioneering new visual style combined with exhilarating cinematography, the series examines the spectacular variety of wildlife and evokes the different characters of the islands.

    In addition, BBC Worldwide will be showcasing a wide range of other new titles at Mipcom including Nuremberg, Ancient Rome – The Rise and Fall of an Empire.

  • FremantleMedia to laugh out loud at Mipcom 2006

    FremantleMedia to laugh out loud at Mipcom 2006

    MUMBAI: Fremantle International Distribution (FID), the distribution arm of global production outfit FremantleMedia will bring a comedy line-up for the television trade event Mipcom in Cannes, France.

    FremantleMedia Enterprises CEO David Ellender, says that a raft of new and favourite comedy titles will make the trip to Cannes for the trade event from 9-13 October 2006.
    Fresh from its BBC2 debut, the newest addition to Fremantlemedia’s comedy family is That Mitchell & Webb Look. This is a sketch show featuring the comedy duo David Mitchell and Robert Webb. As Mitchell and Webb bring their radio show to television, the new series is filled with riotous characters and ideas-driven sketches, lampooning the likes of the Nazis right through to Her Majesty the Queen. Intelligent, socially acute, sometimes satirical, sometimes bizarre, but always funny! 

    Best-selling author, child psychology expert and highly esteemed childcare guru – there isn’t a parenting problem for which Professor George Hartley hasn’t got a rational, reasoned answer. However, he’s never quite got round to the actual practical side of parenting. That is, until now. In the comedy, The Complete Guide To Parenting George finds himself thrown into the parenting deep end when his wife takes a job in Paris and he takes sole responsibility for their seven year old son, Jamie. Fortunately, George has people around him to help. Unfortunately, this assistance comes in the form of his inefficient, celebrity-obsessed P.A. and a foul-mouthed, Antipodean au-pair. Clearly this isn’t going to be child’s play!
    From Courteney Cox Arquette and David Arquette’s Coquette Productions comes Daisy Does America. In the comedy series actress-comedian Daisy Donovan travels the country in pursuit of the American dream, soon discovering that the phrase means different things to different people. Fast-paced and irreverent, it’s a look at some of America’s most extreme characters and lifestyles, as seen through the eyes of a Brit, and highlights the quirks and oddities of the American way of life.

    Along the way, Daisy pokes fun at herself and the characters she comes across in her unique, tongue-in-cheek style. As Daisy Does America, she strives to conform to the sometimes-bizarre characters and situations she encounters and the results are unpredictable and hilarious. 

    Man Stroke Woman is a sketch show that is silly and joyous in tone. The IT Crowd joins the fun with a comical look at the sub-species of I.T. gurus working in the basement of Reynholm Industries – a surreal, and very funny, look at the underclass of a company. Comedy Inc. tickles funny bones with its mix of sharp, fast-paced humour and irreverence, featuring sketch, TV and movie parody, non-existent cable shows, ads for products that don’t exist and characters that will become fixtures of popular culture for years to come.

    Ellender says, “FID has an unrivalled heritage of taking comedy to the world and we are pleased to continue the tradition with this extensive collection of sketch, sitcom, parody and observational humour. As a key genre for us, we are constantly working to identify, invest in and nurture the best up-and-coming writers and performers, to ensure that audiences will be laughing with FID for many years to come.