Category: News Broadcasting

  • BBC Arabic launches on E-Vision in UAE

    BBC Arabic launches on E-Vision in UAE

    MUMBAI: BBC Arabic has extended its television availability in the UAE. It has partnered with the UAE-based cable TV platform, E-Vision for this.

    BBC Arabic’s news and information programming is now available to audiences in the Emirates via Channel 41 of E-Vision.

    This is the first local cable agreement for BBC Arabic television. The partnership with E-Vision further reinforces the BBC’s multimedia presence in the UAE.

    BBC World Service head of business development (Africa and Middle East) Simon Kendall said, “We are delighted that viewers in the UAE will be able to watch BBC Arabic on the E-Vision platform.

    “We have always had a strong and loyal audience to our radio and online services in the UAE. Through this agreement, our new Arabic television service is even more accessible to audiences in the country.”

    BBC Arabic head Hosam El Sokkari says, “This is exciting news. The launch of our programming on the E-Vision cable platform in the Emirates means further expansion of the BBC Arabic audience base in the Arab world.

    “We know our viewers in the UAE – a key regional and international business hub – want excellent international news. With our unique experience of bringing the key issues of region and world to Arab audiences, we will deliver just that, and in turn, involve our audience in an authentic dialogue on the issues that reflect their lives.”

    BBC Arabic is also distributed free to air by Arabsat, Eutelsat and Nilesat satellite systems.

  • BBC triumphs at Broadcasting Press Guild Awards in the UK

    BBC triumphs at Broadcasting Press Guild Awards in the UK

    MUMBAI: UK pubcaster The BBC is celebrating after winning a raft of accolades at two awards ceremonies over the past week.

    BBC programmes dominated this year’s Broadcasting Press Guild Awards in the UK winning 10 of the 15 prizes across TV and radio, and scooped four prizes at the international Peabody Awards held in the United States earlier this week.

    BBC drama production Cranford was the big winner at the Broadcasting Press Guild Awards taking four honours for Best Television Drama Series; Best Actress for Eileen Atkins for her performance as Miss Deborah in Cranford and Madama Fidolia in Ballet Shoes; Best Actor for Philip Glenister for his portrayal of Mr Carter in Cranford and Gene Hunt in Life On Mars; and the writers’ award for Heidi Thomas for Cranford, Ballet Shoes and Lilies.

    Andrew Marr won two awards, honoured as Best TV Performer in a Non-Acting Role for The Andrew Marr Show and taking the award for Best Documentary Series for his show A History Of Modern Britain.

    BBC Three comedy Gavin And Stacey continued its awards success by winning the Best Comedy/Entertainment programme award.

    BBC show Top Gear was voted Best Factual Entertainment Programme.

    Radio Broadcaster of the year was won by the Simon Mayo programme on BBC Radio 5 Live and Adam and Joe won Radio Programme of the Year for their BBC 6 Music show.

    The Broadcasting Press Guild Awards are voted for by those who write about TV and radio – correspondents, critics and previewers – and were presented on 4 April.

    At the Peabody Awards in the US the achievements of four programmes shown on the BBC were acknowledged.

    Planet Earth, co-produced with Discovery in the US, was honoured for its majestic use of HDTV technology while White Horse Village, a Newsnight production for BBC World News America, was the only report from a nightly network news broadcast to pick up one of the awards this year.

    Co-produced and co-funded by Storyville, the Oscar-winning documentary Taxi To The Dark Side adds a Peabody to its list of awards.

    BBC Four drama acquisition Mad Men from AMC in the US was also awarded a Peabody.

    The Peabody Awards, the oldest honour in electric media, recognise distinguished achievement and meritorious public service by stations, networks, producing organisations and individuals.

    The winners, chosen by the Peabody board as the best in electronic media for 2007, were announced by the University of Georgia’s Grady College of Journalism and Mass Communication on 2 April.

    BBC Vision director Jana Bennett says, “In what has been a year of exceptional programmes from across BBC Television, it is wonderful to gain recognition from the industry through these prestigious awards. My congratulations to all the programme teams involved.”

  • IBN-Lokmat soft launches, commercial launch on 6 April

    IBN-Lokmat soft launches, commercial launch on 6 April

    MUMBAI: IBN-Lokmat, the the GBN-Lokmat joint venture’s Marathi news channel, began its test signals and soft-launched on some cable networks in the city this evening. However, the channel will see its commercial launch on 6 April.

    IBN-Lokmat editor Nikhil Wagle says, “We are launching on Gudi Padwa (New Year as per Marathi calendar) as it is an auspicious day for the ‘Marathi Manoos’ (Marathi speaking people).”

    The channel will be available on cable networks in the state from 6 am on Sunday and will show many special programmes throughout the launch day.

    “We have a one-and-a-half hour exclusive interview with Sachin Tendulkar in Marathi in addition to our other offerings,” says Wagle.

    IBN-Lokmat has 13 fully functional bureaux and will also be using Lokmat’s reporters. IBN-Lokmat will join Zee 24 Taas and Star Majha in a market that currently generates under Rs 600 million in annual revenues.

  • Ashok Venkatramani joins MCCS as CEO

    Ashok Venkatramani joins MCCS as CEO

    NEW DELHI: Media Content and Communications Services (MCCS), the joint venture company between ABP Ltd and Star Group, has appointed Ashok Venkatramani as CEO.

    Venkataramani comes in from Hindustan Unilever Ltd, where he was VP for the skin care division.

    MCCS which houses Star News, Star Majha and Star Ananda was operating headless for almost a year after Uday Shankar shifted to Star India as COO (he later became CEO).

    MCCS Chairman Aveek Sarkar said, “We are delighted to get Ashok on board MCCS. His remarkable successes in FMCG marketing and business clearly demonstrate that Ashok has an acute sense of the consumer pulse.”

    Venkatramani said, “Television is an extremely exciting medium for a marketing person, offering as it does the opportunity to connect with the audience directly and at several levels in the same space and moment.

    “It allows for more nuanced communication, which is a marketing person’s delight. At the same time, with so many channels proliferating, it is a challenging task to keep ahead of the market as MCCS has successfully done, while driving revenues and growing profitably.” 

    Venkatramani has been working for HUL for more than 18 years. He has worked in most parts of the business, in the HUL foods division as well as the home and personal care businesses, in sales, marketing and general management role.

  • BBC TV Licensing unveils new communications campaign

    BBC TV Licensing unveils new communications campaign

    MUMBAI: UK pubcaster The BBC’s TV Licensing division has announced the launch of a new integrated communications campaign, Circuit City, which will be rolled out from next month.

    The campaign highlights the power of technology in making it easier for people to pay for their TV licence and harder for them to evade.

    The campaign will feature a new trademark and visual identity, incorporating the name “TV Licensing” and a new symbol.

    The new trademark and visual identity will appear from 1 April on the TV Licensing website and in direct mail.

    The communications campaign comprises BBC TV and radio trails, advertising on commercial television, online banners and posters. It replaces the Sofa campaign which has been running for two years.

    Online banners will run from 1 April, followed by TV from 14, radio from 19 and posters from 21 April.

    TV Licensing’s aims are to ensure that everyone who needs a licence buys one, and to reduce the cost of collection to put more money into BBC programmes and services. The effective use of computer technology is at the heart of both these aims.

    The creative approach for the Circuit City campaign brings to life how TV Licensing uses technology to make it easier for people to pay their licence online and how its database of more than 29 million addresses plays a key role in detecting licence fee evaders.

    The campaign was developed in partnership with AMV BBDO, PHD and Proximity London, with TV production by Red Bee.

    Circuit City will be the first campaign featuring the new TV Licensing trademark and visual identity.

    It is the first time the trademark has been revised since it was registered almost 20 years ago. The old trademark did not work well electronically (eg, online) and research showed that people did not regard it as reflecting a modern organisation.

    The new TV Licensing trademark is based on the power button design seen on many electrical devices. Many of these, such as laptop computers and mobile phones, are now able to receive TV signals and, therefore, their use may need to be covered by a TV licence.

    In the new trademark, the power button is combined with a tick to convey the positive connotations of being properly licensed.

    The new trademark and visual identity has been designed by The Partners.

    TV Licensing marketing manager Peter Kirkfor says, “TV Licensing has come a long way since 1990, when the old trademark was registered. We’ve more than halved the estimated evasion rate and significantly reduced collection costs.

    “In 1991, many people queued to pay their TV Licence in cash. You can now pay in many more ways, including setting up a direct debit online and receiving an e-licence.

    “TV Licensing is a modern, efficient organisation making effective use of technology. It’s now easier to pay than ever before and harder to hide if you are an evader. Our new campaign and trademark are important tools in conveying these messages.”

  • Is Bollywood taking over TV news?

    Is Bollywood taking over TV news?

     As the world’s largest television news bazaar – with over 40 dedicated news channels, unrivalled by any other country – India offers exciting possibilities for broadcast journalism. At the same time, just as elsewhere in the world, television news in India shows a clear trend towards infotainment – soft news, lifestyle and celebrities – and a decline in journalism for the public interest.

    While news outlets have proliferated globally, the growing competition for audiences and, crucially, advertising revenue, has intensified at a time when interest in news is waning. Audiences for network television peak-time news bulletins have declined in the US from 85 per cent in1969 to 29 per cent in 2005 (though in India news audience has grown).

    With the growing commercialisation of television news, the need to make it entertaining has therefore become a priority for broadcasters. They borrow and adapt ideas from entertainment and adopt an informal style with an emphasis on personalities, storytelling and spectacle.


    This has been reinforced by the take-over of news networks by huge media corporations whose primary interest is in the entertainment business: Viacom-Paramount (CBS News); Disney (ABC News); AOL-Time-Warner (CNN) and News Corporation (Fox News/Sky News and Star News Asia). This shift in ownership is reflected in the type of stories – about celebrities from the world of entertainment, for example – that get prominence on news, thus strengthening corporate synergies.

    In the process, symbiotic relationships between the news and new forms of current affairs and factual entertainment genres, such as reality TV have developed, blurring the boundaries between news, documentary and entertainment. Such hybrid programming feeds into and benefits from the 24/7 news cycle: providing a feast of visually arresting, emotionally charged infotainment which sustains ratings and keeps production costs low. The growing global popularity of such infotainment-driven programming indicates the success of this formula.

    Infotainment – a term that emerged in the late 1980s to become a buzzword – refers to an explicit genre-mix of ‘information’ and ‘entertainment’ in news and current affairs programming. This new news cannibalises visual forms and styles borrowed from TV commercials and a MTV-style visual aesthetics, including fast-paced action, in a post-modern studio, computer-animated logos, eye-catching visuals and rhetorical headlines from an, often glamorous, anchor person. This style of presentation, with its origins in the ratings-driven commercial television news culture of the US, is becoming increasingly global, as news channels attempt to reach more viewers and keep their target audiences from switching over.

    As I demonstrate in my new book News as Entertainment: The Rise of Global Infotainment, such type of journalism has been very successful: in Italy, infotainment-driven private television catapulted Silvio Berlusconi from a businessman to the office of the Prime Minister. A study of journalism in post-Soviet Russia found that the media were ‘paying huge attention to the entertainment genre’, while in the Chinese news world, Phoenix channel regularly runs such soft news programmes as ‘Easy Time, Easy News.’

    In the world’s largest democracy, what I have described as – the three Cs – cinema, crime and cricket – encapsulate most of the content on television news. Here global influences are important: As in many other countries, the greatest contributor to infotainment in India has been Rupert Murdoch, whose pan-Asian network Star, launched in 1991, pioneered satellite television in Asia, transforming TV news and entertainment. Murdoch was responsible, among other things, for introducing the first music channel in India (Channel V); the first 24/7 news network (Star News) and the first adaptation of an international game show (Who Wants to be a Millionaire).

    Murdoch was also the first transnational operator to recognise the selling power of Bollywood, its glamour and glitz. The obsession of almost all news channels with Bollywood-centred celebrity culture today dominates coverage. Crime is big too: as the ratings battle has intensified, news networks have moved towards reporting sensational stories, which are becoming progressively gruesome: murder, gore and rape are recurring themes. The paradox is stark: although crime coverage has spiralled, especially on more populist Hindi channels, in the real India the crime rate has in fact fallen dramatically in the last decade.

    A third obsession is to be seen in the coverage of cricket: cricket-related stories appear almost daily on all networks – and not just on sports news. And as Bollywood stars start bidding for cricketers, the ‘Bollywoodisation‘ of news is likely to continue.

    These three Cs are indicative of a television news culture that is increasingly becoming hostage to infotainment. The lack of coverage of rural India, of regular suicides by peasants (more than 170,000, in the last 15 years, according to government figures), and the negligible reporting of health and hygiene, educational and employment equality (India has the world’s largest population of child labour at the same time as having vast pool of unemployed young people), demonstrates that such stories do not translate into ratings for urban, Westernized viewers and are displaced by the diversion of infotainment.

    The lack of concern among television news networks for India’s majority population is ironic in a country that was the first in the world to use satellite television for educational and developmental purposes, through its 1975 SITE (Satellite Instructional Television Experiment) programme. The interest in broader questions of global equality and social justice appear to have been replaced among many journalists by an admiration for charismatic and smooth-talking CEOs and American or Americanized celebrities.

    Should we worry about this perceived dilution and debasing of news? In the early 1980s, years before media globalization and rampant commercialization of the airwaves, Neil Postman, in his influential book Amusing Ourselves to Death, argued that television militated against deeper knowledge and understanding since it promoted ‘incoherence and triviality,’ and spoke in only one persistent voice – ‘the voice of entertainment.’

    A quarter century later, looking at the Bollywoodization of news in India, Postman’s words ring truer than ever.

    (Daya Kishan Thussu is Professor of International Communication at the University of Westminster in London. His latest book is News as Entertainment: The Rise of Global Infotainment – the first book-length study of this phenomenon, published by Sage.)

  • Asianet launches Kannada news channel ‘Suvarna News’

    Asianet launches Kannada news channel ‘Suvarna News’

    BANGALORE: Asianet Communications Ltd (ACL) today launched Suvarna News, a 24-hour Kannada news channel.

    ACL is planning to launch its Telugu general entertainment channel (GEC) Sitara Television in April while the Marathi and Tamil GECs will be up within six months, says Suvarna COO K Sanjay Prabhu.

    With the launch of Suvarna News, Asianet Television Network (ATN) will have five operational channels – three Malayalam and two Kannada. Asianet also has two radio channels that were launched a couple of months ago.

    Suvarna News is the third Kannada news channel to be launched in the state, the other two being the Sun group’s Udaya Verthegalu and TV9 Karnataka. “In Karnataka, people just love to watch the news – be it local, national or international,” says Prabhu.

    ACL expects to garner ad revenues of Rs 300 million each from Suvarna’s GEC and the news channel in the next fiscal. Pundits predict the size of the Kannada television ad market to reach Rs 2 billion in FY’09. Hence, the Suvarna bouquet has ambitious plans of garnering 30 per cent of the market.

    Prabhu revealed that around Rs 1.1 billion have been invested in the two Kannada channels so far. He is confident that the Suvrana GEC operations will turn profitable in the next fiscal, and those of Suvarna News a year after.

    Among the major advertisers already on board on Suvarna News are HUL and the Confident group. The latter is the title sponsor of Suvarna GEC’s popular five-day-a-week talent hunt show Confident Star Singer. “We have a package deal with the Confident group,” said Prabhu, who admits that there could be a number of cross deals of a similar nature with other advertisers.

    ATN is having talks with P&G, reveal company sources.

    Following the launch of the news channel, the news portion on the GEC has undergone changes. Earlier, Suvarana used to broadcast four news bulletins and five minutes of news shorts every hour. This has been brought down to just two news bulletins per day.

    Suvarna News will focus in the 15-45 age group in Karnataka. The channel has nine full-fledged bureaus with studios in the state and another bureau in Delhi. It also has 30 stringers for news and content gathering.

    The channel has four DSNG (Digital Satellite News Gathering) and three MB vans. News will also be obtained through ANI and Reuters. “A policy decision has to be taken as yet whether we will go in for syndication with other news channels in other states, or whether we should have our setup,” says Suvarana News editor Shiddarth Bhatt who worked with the Indian Express group on its political desk for 17 years before joining the GEC Suvarana as its news editor about a year ago.

    “Some news channels depend on airing crime, sleaze and cinema to get the eyeballs. Our focus will be on politics and corruption. It will be investigative journalism that will help unearth scams and other political wrongdoings,” informs Bhatt.

  • BBC News and sport websites to get new look

    BBC News and sport websites to get new look

    MUMBAI: The BBC’s Journalism division has unveiled plans for a new look for its BBC News and BBC Sport websites.The first phase of the revamp will launch next week.

    The new look will include higher profile promotion of the new embedded video service, extra emphasis around breaking news and live events, wider page designs and more ambitious use of pictures.

    A second stage launching later in the year will deliver further improvements to design and
    functionality.

    The embedded media player puts the BBC’s best video and audio at the heart of story pages and indexes of the News and Sport websites. Users can watch video within the story rather than in a separate pop-up window. It also allows users to share the clips with others or put them on their own websites.

    Other developments include a range of revamped programme “gold” websites aiming to maximise the
    impact of flagship news and current affairs programmes across all audiences.

    The BBC Radio 1 Newsbeat website has relaunched with a dedicated team producing a mix of text, audio and video news for its younger audience.

    The Today programme site relaunches in May and an overhaul of Panorama’s online presence is planned for the summer. The mobile versions of the BBC News and Sport sites will also see a range of new features across the year, which started with the redesign earlier this month to improve the user experience.

    The moves are part of BBC Journalism’s Creative Future plans to develop web and other digital platforms so that audiences can find, play and share the BBC’s content.

    Multi-Media Journalism editorial development head Pete Clifton said, “This is the start of a
    rolling programme to refresh our sites and introduce exciting new designs and features across our services.All the changes are focused on showcasing our unbeatable content, underlining our reputation for breaking news, coverage of live sport, and brilliant reporting and analysis from our local, national and international journalists.”

    These developments are part of wider plans by the BBC to aggregate content more effectively and give users more control over their online experience. Last month’s revamp of the homepage was the first step in this process of redesigning the whole of bbc.co.uk.

  • INX’s news channel NewsX launches

    INX’s news channel NewsX launches

    NEW DELHI: NewsX, the English news channel from the INX Media’s stable, has gone on air since 9 am this morning. But this is a soft launch as the prime target is now to get connected to as many operators as possible.

    Speaking to Indiantelevision.com, NewsX COO Vynsley Fernandes said, “We are on air and we have released both the audio and video line for the operators, and taken off the ‘test signals’ band from the screen to facilitate the tuning of our signals.”

    Fernandes added, “The reason we are calling this a soft launch is that we are at the moment not promoting the channel but ensuring that the operators get our signals, both audio and video just right.”

    He said also that as and when an area gets seeded through the cable operator the subscribers can see the channel’s entire programming from today.

    INX Media founder-CEO Indrani Mukerjea said, “The period from March 2007 to March 2008 has been the most interesting year fro INX Media. We have achieved all that we planned and set out to achieve so far all in a years time from ground zero starting on 1 March, 2007 with one desk and one peon. 2008 is the year for INX and we will do everything to make it the most successful and promising enterprise in the country.”

  • Guidelines for news channels to make ‘stings’ difficult

    Guidelines for news channels to make ‘stings’ difficult

    NEW DELHI: The Self-regulating Guidelines for the Broadcast Sector, 2008 has special provisions for news channels, and is tough on ‘sting’ operations, mentioning it as issues of “breach of privacy,” with more than 11 separate aspects of dos and donts categorically mentioned under section 14 of Chapter Four.

    And though the phrase “sting operation” is not mentioned, the government has said in Section 14 that “infringement of privacy in a news-based/related programme is a sensitive issue”… and that “failure to follow the tenets will constitute a breach of this Chapter of the Code, resulting in an unwarranted breach of privacy.”

    In a covert approach to the word “sting” the Guidelines stresses (Section 14.6): “The means for obtaining material must be proportionate in all circumstances and in particular to the subject matter of the news-based/related programme.”

    Read this with Section 14.1 and the meaning if clear: “Channels must not use material relating to a person’s personal or private affairs, or which invades an in individual’s privacy, unless there is an identifiable larger public interest reason for the material to be broadcast.”

    Hence, obtaining a material covertly, which could cause a breach of privacy, is out, unless there is an identifiable larger public interest that can be demonstrated by the news channel.

    The Guidelines says that any such infringement in news-based/related programmes or in connection with obtaining material included in such programmes must be “warranted.”

    Even more seriously, the Guidelines says that any such infringement of privacy in such programmes must be with the persons and/or organisations consent, or be otherwise “warranted.”

    The fact that it were the news channels that had protested the loudest in favour of freedom of press has made the Ministry of Information & Broadcasting give special emphasis on the news segment, which is dealt with separately in Chapter Four of the Guidelines.

    “We waited for the news channels, under the aegis of News Broadcasters Association, for more than nine months to give their own guidelines, which they have not do till date,” say officials at the ministry.

    “They said first they would give that by January 31, and we waited, and then they again said they would give it on a subsequent date, which too they failed to do, so we had to come out with the Guidelines,” they say, adding that they were complying with a High Court order on that score.

    Though officials are not commenting if these are the Guidelines that will finally be implemented, the indications are clear: if the Delhi High Court gives its consent, this is going to become the mandate under which news channels would have to operate.

    Though all the basic provisions of the Guidelines, which indiantelevision.com has already reported on, remain in place for the news channels, especially compliance with the Certification Rules of the Cable TV Act, 1995, special attention has been given by the ministry to the issue of sting operations.

    This is understandable, as the present Guidelines had been asked for by the Delhi HC, which in several cases, and even the apex court, had expressed deep unhappiness with such stings, and had even suggested that the MIB may set up a committee to vet and clear all stings before these are aired.

    The Guidelines says too that if such an infringement is likely to occur, prior permission of the person has to be taken before going on air, and if a party feels that its privacy is being breached, and asks filming, recording or live broadcast to be stopped, “the BSP should do so, unless it is warranted to continue”. (Section 14.4, a and b)

    The names and identity of victims of sexual abuse or violence cannot be revealed, the Guidelines says.

    Ambulance chasing would now become difficult to justify, as the Guidelines specifically says at 14.4 (d): “In potentially sensitive situations such as ambulances, hospitals, schools, prisons or police stations, separate consent should normally be obtained before filming or recording or broadcast from that sensitive situation (unless not obtaining permission is warranted).”

    However it adds that if the individual is not identifiable in the programme, separate consent for broadcast will not be required.

    The ministry has used the interesting phrase “door stepping” to mean filming or interviewing with someone or announcing that a call is being filmed or recorded for broadcast purpose without warning, and said this will not be allowed, unless under specific conditions.

    These conditions are “unless a request for an interview has been refused, or is has not been possible to request an interview, or there is good reason to believe that an investigation would be frustrated if the subject is approached openly”.

    However, it must be remembered that though these grey areas have been kept open for stings, they would be subject to the Content Auditor giving or not giving permission for actual broadcast, depending on his reading of the Certification Rules under the Cable Act.

    Then, of course, there are the various Broadcast Consumer Complaints Committees from different segments of the industry, which would deal with the complaints, which would make the broadcast service provider, especially the Chief Editor, who is finally responsible for such broadcast, additionally careful.

    Overall, the Guidelines has suggested that “news should be reported with due accuracy and presented with due impartiality”, and stressed the word “due.

    It says, “Due is an important qualification to the concept of impartiality. ‘Due’ means adequate or appropriate to the situation, so ‘due impartiality does not mean that an equal distribution of time has to be given to every view.”

    It says that balance, or impartiality means that all the main points of view or interpretation of an event or issue has to be presented.