Category: News Broadcasting

  • Rahul Shaw is INX News SVP ad sales

    Rahul Shaw is INX News SVP ad sales

    MUMBAI: Rahul Shaw has joined INX News as senior vice president ad sales. Based in Delhi, he will be reporting directly to INX News COO Vynsley Fernandes.

    In his new post, Shaw will be responsible for driving the revenue function of English news channel NewsX and the other upcoming channels from INX News.

    Shaw was earlier with NDTV Imagine where he was working as senior VP ad sales.

    Commenting on the appointment, Fernandes said: “Rahul has a wide experience of handling advertising sales across several genres in print and television. He has proven expertise of driving revenue growth in start ups as well as building and leading strong sales teams. We are delighted to have him on board.”

    Prior to NDTV Imagine, Shaw was in Star India where he held various roles in the sales function. Shaw also had a stint in Set India, where he was managing revenue for their English language channels.

    Shaw started his career with Bennett, Coleman & Company Ltd. and later moved to Turner International where he handled HBO, Cartoon Network and CNN before joining Set India.

  • BBC Worldwide channels are now available in Poland

    BBC Worldwide channels are now available in Poland

    MUMBAI: BBC Worldwide has announced that its channel portfolio, including BBC Entertainment, BBC Lifestyle, BBC Knowledge and CBeebies, are available in Poland through Telekomunikacja Polska.

    Customers will be able to access the channels via their telephone line as part of TP’s triple play offer. The channels are available through the IPTV service. The channels debuted last December on the Cyfrowy Polsat platform and currently have over 1.7 million subscribers.

    BBC Worldwide Channels GM, senior VP EMEA Dean Possenniskie said, “I am delighted that we are able to build on the distribution of our BBC-branded channels to audiences in Poland through this partnership with TP. The channels have already proven a success since their launch last year and we will be announcing further distribution deals in the future.”

  • Euronews launches in Arabic

    Euronews launches in Arabic

    MUMBAI: Euronews, which covers world affairs from a European perspective, has started broadcasting in its eighth language, Arabic, from 12 July. The other languages of broadcast are: English, French, German, Italian, Spanish, Portuguese and Russian.

    Euronews Arabic will use the existing distribution network globally. The channel has been carried on two new satellites of the Arabsat fleet, since 1 July, via digital transmission to extend its reach to a potential audience of nearly 32 million households in the Middle East, says a company release.

    Euronews claims that with these two satellites, the channel is now available in 248 million households in 135 countries worldwide.

    For the new channel, Euronews has recruited a 17-member team of Arabic-speaking journalists. The team is headed by Mohamed Abdel Azim, who participated in the original launch of Euronews in 1993, and is made up of journalists from eight different countries: Algeria (6), Bahrain (1), Egypt(1 + the head of the Arabic team), Lebanon (3), Morocco (1), Palestinian territories (1), Syria (1) and Tunisia (2).

    “We must build an intellectual and cultural bridge over the Mediterranean; a bridge founded on mutual understanding and shared values. Increased cooperation in the Euro-Mediterranean region is of vital and strategic importance for all partners in political, economic and cultural terms. Euronews in Arabic will contribute to the exchange of cultures between the European Union and the peoples of other parts of the world, in particular from the other side of the Mediterranean and the Middle East,” said European Parliament president Hans-Gert Pöttering.

    Adding further, Euronews chairman and CEO Philippe Cayla said, “Our Arabic version will help Arabic-speakers to better understand the framework and issues around European policies. Euronews Arabic will also enhance the channel’s position as an international reference for global news.”

  • BBC secures exclusive MotoGP coverage till 2013

    BBC secures exclusive MotoGP coverage till 2013

    MUMBAI: BBC has announced that BBC Sport and Dorna Sports, commercial and TV rights holders of the MotoGP World Championship, have signed an extension to the existing agreement for coverage of MotoGP from 2009 to 2013. BBC Sport will now have exclusive UK rights to broadcast the world’s premier motorcycle championship for the next five years.

    The deal includes the rights to show all the races – 125cc, 250cc and MotoGP, plus qualifying sessions. All MotoGP races will be shown live on BBC Television with the 125 and 250 races and qualifying sessions shown live on interactive TV via the red button and online.

    As well as the expanded coverage on interactive TV (which 86% of individuals in the UK have), the MotoGP races will also be available as a catch-up service on BBC iPlayer.

    The new agreement represents increased commitment and coverage of MotoGP for BBC, and makes the broadcaster the UK leader in motor sport with the world’s premier bike and car events in MotoGP and Formula One.

    BBC Sport’s director of sport rights Dominic Coles said, “We are delighted to have secured, for the first time, fully exclusive rights to the world’s premier and most watched motorbike competition. Alongside our recent acquisition of Formula One, BBC Sport has become the home of motorsport in the UK; a one-stop shop for fans of the very best two-wheel and four-wheel, adrenalin-fuelled sport action across TV, radio and online services.

    “With James Toseland making a very promising start to his MotoGP career, Bradley Smith shining in the 125s, and Scott Redding making history in that series recently at Donington Park, the future for British riders in MotoGP looks good, and the BBC will be there all the way to tell their stories.”

    Dorna MD Manel Arroyo said, “Dorna is delighted to extend its collaboration with the BBC, and thanks to their prestige and their dedication to MotoGP, we are sure that the championship will continue to grow in the UK. We are also happy that fans will not miss out and can continue to enjoy all races and qualifying sessions in the future.”

  • BBC strengthens drama production team

    BBC strengthens drama production team

    MUMBAI: BBC has announced that BBC Drama Production has made changes to build on the success of an increasing number of new commissions, re-commissions, the opening of a new hub in Manchester led by Phil Collinson, and a major expansion for the Writers Academy programme.

    BBC Drama Production has seen a boom in work over the past 12 months, with series such as Five Days and The Curse Of Comedy, Cranford and The Passion, Oliver Twist and Lark Rise alongside its regular returning slate including EastEnders, Waking The Dead.

    Its next major series House Of Saddam is due for transmission on 30 July on BBC Two. Drama Production currently operates from major bases in London and Elstree, Birmingham and Bristol and has recently added Manchester.

    Vision Productions head Peter Salmon said, “The brilliant recent performance of BBC Drama Production is one of the big success stories of in-house programme-making.

    “To cope with the pressures of their growing business, I have asked Nicolas Brown to lead the senior team as Director, Drama Production, and set out their strategy for the next few years, including growing the slate of titles, driving production modernisation and building commercial revenue.

    “He will sit on the board of Vision Productions to make sure drama gets the credit and profile it needs to continue to deliver strongly. He leads an outstanding top team.”

    As part of the changes, John Yorke becomes controller, Drama Production and New Talent. While remaining editorially responsible for the Continuing Drama Series, all currently enjoying ratings and award success, he will also spearhead a four-fold expansion in activity for writer, producer, director and script editor training.

    John will oversee an expansion of Writers Academy to the Nations and Regions and by drawing in the BBC Writersroom, lead a much more co-ordinated approach to training.

    Kate Rowlands (Creative Director, New Writing) will work alongside John to ensure that writers’ training is linked up across the whole of the UK.

    Kate Harwood, who has been behind such successes as Cranford, Oliver Twist and The Passion, will take on responsibility for the department’s single films, and becomes Controller, Series and Serials, BBC Drama Production.

    She is editorially responsible for series, serials and singles across the whole of Drama Production. Kate’s team are currently working on some of the highlights of the BBC One Autumn schedule, including new productions of Survivors, Little Dorrit and Tess of the D’Urbevilles, as well as the return of Silent Witness and Lark Rise To Candleford which returns in Winter 2009.

    Kate, John and Phil Collinson, who have just started work leading the Manchester hub of Drama Production, will now report managerially to Nicolas Brown in his role as Director, Drama Production – who has responsibility for the delivery of the creative, production and financial strategy across the whole department – and sit on the Drama Production Board.

    Salmon said,”These changes have become urgent at a time when the ambitions of in-house drama have resulted in its most successful period for years.

    “Editorially, the department is at the top of its game, enjoying a growing slate of ambitious productions, BBC One’s Criminal Justice being just the latest. All this increases our need to plan long term and develop and manage more strategically.

    “The expansion of the hugely influential Writers Academy spearheaded by John and the creation of a new production centre in Manchester led by Phil, will help ensure that we build on our recent creative successes and get the best value for money from all in-house drama production.”

  • BBC Worldwide, Babelgum sign global content deal

    BBC Worldwide, Babelgum sign global content deal

    MUMBAI: BBC Worldwide, the commercial arm of UK pubcaster BBC, has signed a global deal with Internet TV platform Babelgum to provide clip content ranging from natural history, travel to other factual shows in the BBC Worldwide portfolio.

    Under this deal, BBC Worldwide will provide short-form content from a range of programmes including that of David Attenborough documentaries, the Tribe series and Top Gear series, for viewing on the Babelgum platform.

    Clips shown on the service will be supported by advertising and made available through three new branded channels: BBC LoveEarth, BBC Knowledge and BBC Entertainment, which will be launched within the next two weeks.

    Through this deal, BBC Worldwide aims to broaden the reach of its content to new channels and outlets apart from engaging with audiences worldwide.

    Babelgum CEO Valerio Zingarelli said, “We are glad to be able to offer a wide variety of programmes as short-form content tailored for the Internet. These include shows with a massive international following such as Top Gear, Tribe and Galapagos. The BBC brand is known around the world and by bringing these brands to the Babelgum platform we aim to emphasise our position as a point of reference for Nature and Science’s audiences.”

    “Babelgum’s focus on natural history and the environment is a great fit for us. We’ve got a wealth of content in this genre and we’re excited about making it available to Babelgum’s users around the globe. Babelgum is an innovative player in the market and a great way of reaching out to an audience that perhaps doesn’t see our content on more traditional channels,” BBC Worldwide digital media content and development head Jemma Adkins added.

  • CNN-IBN to launch The Weekend Edition with Rajdeep Sardesai

    CNN-IBN to launch The Weekend Edition with Rajdeep Sardesai

    MUMBAI: CNN-IBN is launching a weekend show ‘The Weekend Edition with Rajdeep Sardesai”. Starting on 12 July, the one-hour show will focus on the topics that matter to the citizens.

    Hosted by Sardesai, the show will showcase the biggest stories of the week. It will be divided into five segments, starting with a discussion on the big story of the week.

    This will be followed by feedback on the issue reflected through blogs ‘Blogger Talk’ and also via SMS from viewers in the section ‘Have Your Say’. The show will also profile the newsmaker of the week and will conclude with an editorial called ‘Our Take’ and image of the week in ‘Parting Shot’.

    “This show will give the viewers an opportunity to voice their opinions, ask questions and participate in the discussion by emailing the anchor directly,” CNN-IBN said in a release.

  • Rat-ings race on News TV

    Rat-ings race on News TV

    In a world of 56 news channels, the only objective currency of success is high placing in the rating meters. The battle to beat the ratings means that news channels are constantly ‘experimenting’ and ‘looking for the magic formula’. As one editor points out, “The approach is to hit entertainment TV… to enter the market of Saas Bhi Kabhi Bahu Thi… News is trying to enter into the area consciously… deliberately.” Three genres of news television started specifically as tactics to capture high ratings: reality television, lifestyle shows and crime news.

    Reality television is not an Indian innovation but it has taken an interesting form on news channels here. A case in point is Zee News’ two-hour special on the Gudiya case in late 2004, a programme that the Zee News director proudly refers to as his achievement…

    The week Zee ran the show was the only week it became number one in the ratings that year. The Zee News editor explains the rationale behind the show, “…As far as news is concerned, earlier it was only about politicians. We are changing that. Various kinds of things are now news because the canvas has increased.”

    The rush for ratings was the backdrop to this coverage. Gossip that once might have ended at the village well was now prime-time national viewing. The battle for ratings turned the private tragedy of Gudiya into a public spectacle. Zee wasn’t the only channel to pursue the Gudiya case in this manner. While Zee had her entire family into the studio, other TV channels too rushed reporters who woke up her remaining relatives in her villages at midnight on live television to get sound bytes.

    The Gudiya example spurred similar experiments with reality television in a bid to increase ratings. In January 2006, Channel 7 telecast a live six-hour argument between a divorced mother and her estranged husband in the Middle East over custody rights for their child. The anchor introduced the show as one that took a deep look at social issues and the mother appeaed live with her seven-year-old daughter in tow. The channel then called her estranged husband on telephone and the two argued bitterly over the next six hours, fighting over domestic matters while her underage daughter looked on. She was even asked to comment on who she would like to live with, all in the cold glare in the camera. It was the kind of battle that should have taken place in a divorce court. Here it unfolded on national television, and it wasn’t a one-off. For channel 7, such programming, along with cricket and crime, was the key component of its strategy to register on the ratings.

    It was the quest for ratings that spurred Star News in 2004 to start a new afternoon show called Saas, Bahu aur Saazish. It is a show that seeks to build on the popularity of popular soap opera on Star’s sister channel Star Plus – Kyunki Saas Bhi Kabhi Bahu Thi and Kahaani Ghar Ghar Ki. The storylines of these soaps are based on intrigues within the huge extended families and they have been among the most popular television shows in India since the early 2005…

    The third new genre that Indian television has experimented with is lifestyle programming. In 2003, NDTV started prime time shows called Night Out on NDTV 24X7 and Raat Baaki on NDTV India. These were the daily shows which were anchored live out of a different night club in a different city each day and the idea was to take viewers on a party trip with the hip and the happening. The producers took care to choose a nightclub where famous models or film starts were partying that night, and that was the selling point: party with the stars. The shows proved so popular that all other news channels started similar shows in the time and 2003 became the ‘Year of Night Outs’ in news parlance. Advertisers liked these shows because they brought in new non-news viewers and, more importantly, young viewers.

    After the experiment with party programmes in 2003, news channels turned to crime programming in 2004. Aaj Tak experimented first with a programme called Jurm. Uday Shankar, who was then news director of Aaj Tak, says he got the idea from American television where crime is hugely popular. NDTV followed suit with FIR, Crime and the City, and Dial 100. Zee News started Crime Reporter and Crime File, Sahara aired Hello Control Room and Crime and Punishment. Aaj Tak responded with a second crime show Vardaat and Star News launched Sansani. CNBC India also started a programme on economic crimes.

    The move towards crime shows can be explained by one factor: they fared well on the yardstick of TRPs (television rating points). Zee News’ Crime File in the 10:30- 11 pm slot on Saturday nights registered a 100 per cent jump in ratings over the show in the previous block. Similarly, Red Alert (Star News) showed a 63 per cent jump and Jurm (Aaj Tak) an 18 per cent jump from the previous show. The ratings were much higher than any other genre in Hindi news. And advertisers came in thick and fast. The most remarkable aspect of these shows remains the presentation. There is an overt, overdone bid to create tension with the visuals as well as soundtrack, as though the crime is happening next door. Even the anchors seem to have a certain edge: they speak loudly, menacing voices taut with tension. According to one observer, it is as if “KN Singh, Pran, Ajit, Gulshan Grover, Amrish Puri and other such screen villains have all been rolled into one composite face.” According to one editor, the anchors are deliberately styled in this theatrical manner because their ‘personality helps stylise and package the show.’

    …But television is a complex business and ratings do not always translate into revenues. They do most of the time, but not always.

  • NDTV India to celebrate Independence Day with special programmes

    MUMBAI: To celebrate Independence Day, NDTV India has planned a bouquet of special shows to be aired on 15 August. The shows include India 60: all through the day, Azad Hamsafar, Sidhu hit wicket, Freedom at Midnight: 60 years of India and Pakistan’s Independence and a special episode of Jai Jawan.

    India 60: all through the day will trace India’s historical 60 years after it acheived freedom.

    The one hour programme Freedom at Midnight: 60 years of India and Pakistan’s Independence will bring together politicians, soldiers, artistes and ordinary people from both sides of the border. The show will be anchored by Barkha Dutt from Dubai and an anchor from Pakistan live in Dubai, Islamabad and New Delhi.

    In Sidhu hit wicket, Navjot Singh Sidhu will meet his various spinoffs like Piddhu the great, a character based on the idiosyncrasies of Sidhu and the Gustaakhi Maaf puppet of Sidhu.

    Meanwhile, Priyanka Chopra will visit the historic Tenga, an important location for the 1960 Indo-China war in the special episode of Jai Jawan.

  • BBC Worldwide FY 08 operating profit up 17 % at ?117.7 million

    MUMBAI:BBC Worldwide‘s operating profit rose 17 per cent to ?117.7 million (from ?100.6 milion in 2007) in the 12-month period ended 31 March 2008.


    During the period, sales has increased from ?810.4 million to ?916.3 million, a surge of 13 per cent from the year ago period.


    BBC Worldwide CEO John Smith said that the proportion of sales from outside the UK had increased from 46 to 49 per cent of the total.


    Significant profit growth was delivered by BBC Worldwide‘s sales, distribution, home entertainment, content and production businesses, with magazines put on circulation in a challenging market.


    Good progress was made in increasing BBC Worldwide‘s presence in Australia, India and the US, which have been identified as top priority markets.


    During the financial year, BBC Worldwide also made significant long-term investments in its digital and global brands strategies, launching bbc.com – an advertising-funded internet platform for web-users outside the UK. It has also build the Top Gear brand and acquired a majority stake in Lonely Planet, the renowned travel information publisher.


    Smith says, “BBC Worldwide has achieved another year of double-digit profit growth, while also making significant strategic investments in new businesses to prepare the company for the digital media world.


    “The continued international appeal of our content and formats, coupled with high demand for home entertainment and the strengthening in key markets of our channels and production operations, has enabled the company to report very good results.”


    BBC Worldwide non-executive chairman Etienne de Villiers said, “BBC Worldwide is on track to achieve its five-year growth plan and return a substantial stream of additional funding to its parent, the BBC, for the long term. The company is firing on all cylinders and well placed to deal with the challenges ahead.”


    BBC DG Mark Thompson says, “The figures from BBC Worldwide once again demonstrate its importance to the corporation. It generates profits and dividends that the BBC can reinvest in making outstanding programmes and developing online applications for the benefit of all licence fee payers.


    “Increasingly I believe partnerships, like those we have with Virgin Media, or as in the proposed joint venture Kangaroo, will be critical in delivering future success for BBC Worldwide.”


    In terms of the trading outlook, Smith indicated that profits for the current financial year could be affected by the changing global economic conditions and that the company plans further significant investments in new businesses, such as Kangaroo, the commercial media player currently being developed jointly with ITV and Channel 4, which is subject to approvals.


    He also announced a strategic review to improve the performance of the children‘s business and the closure of Audiocall, the telephone services business where payments to charities were wrongly withheld last year.


    “These two issues aside, I remain confident that the company as a whole is in very good shape, and that the investments we have made across our key growth businesses will deliver new, sustainable, growing profits for the BBC,” said Smith.


    In the channel business sales grew by 8.8 per cent to ?183.3m, with improvements evenly spread between UK and overseas markets.


    Europe, Middle East and Africa sales and profit growth were driven by UKTV portfolio of channels, while US sales, predominantly from BBC America, continued to grow in US dollar terms.


    Audiences have responded favourably to the newly launched suite of international BBC-branded channels – BBC Entertainment, CBeebies, BBC Knowledge, BBC Lifestyle and BBC HD – showcasing the best UK content.


    A new schedule and a raft of high-profile UK series such as Torchwood and Top Gear helped double BBC America‘s ratings in the key 25-54 age group and add seven million subscribers overall.


    Sales now include commission from BBC World News, the BBC‘s commercially funded, 24-hour, global news and information channel. BBC World News‘s advertising revenue grew by more than 20 per cent year on year, and full-time distribution grew by eight per cent to 159 million households.


    UKTV, Britain‘s second-biggest digital broadcaster, a joint venture with Virgin Media, had a successful year. Its nine channels, which include UKTV Gold and UKTV History, offer a range of programming from across entertainment, drama, lifestyle and factual and reach 20 million unique homes via pay-TV and free-to-air platforms.


    The launch by UKTV of Dave, a new entertainment channel aimed mainly at men in the 16-44 age group, was a particular success. The channel rapidly tripled its audience share, to become the third most popular non-terrestrial entertainment channel for this viewer group.


    BBC Worldwide content and production delivered sales of ?68.5 million, up 35.9 per cent on 2006-07, and profits doubled to ?14.2 million. Growth came from the US where BBC Worldwide‘s Los Angeles production office had a stand-out year, as the popularity of Dancing with the Stars (the international name for Strictly Come Dancing) continued.


    Dancing with the Stars continues to delight audiences around the world. In 2007-08, the series has a re-commission rate of nearly 90 per cent and was seen by audiences in 40 countries.


    BBC Worldwide‘s new office in Mumbai secured the commission to make the next Dancing with the Stars season for Sony.


    Progress was made in developing Top Gear as an international TV format. The commission to make a pilot of this long-running UK motoring show for NBC in the US was secured, and SBS in Australia commissioned the Freehand Group to make a full series of Top Gear Australia for autumn 2008.


    In addition to these entertainment formats, progress was made in licensing scripted formats: The office format was sold to UCTV in Chile and Life on Mars format was sold to Antena 3 in Spain.


    The newly created in-house format development team, responsible for devising new formats to appeal to particular markets, developed and sold a new game show, How Much Is Enough?, to the Game Show Network in the US.


    The well established Indie Unit continued to build relationships with the UK independent sector. It signed new distribution and development deals with Red, Tern TV and Oxford Film and TV. The latter will deliver Simon Schama‘s latest project on America.


    BBC Worldwide also secured stakes in UK independent production start-ups Left Bank Pictures Ltd and Cliffhanger Productions Ltd.


    The stake BBC Worldwide took in Australian indie The Freehand Group in 2006-07 is starting to reap rewards. As well as the commission to produce Top Gear for SBS in Australia, the new property, Outback Wildlife Rescue, was commissioned and is now selling internationally.


    Content and production now has a production office in New York. It has plans to establish further production capability in Europe and Latin America in 2008-09.


    The feature film Earth, based on the widely acclaimed natural history series Planet Earth, went on theatrical release in Europe, Asia and the Middle East. Even before the film reaches US audiences next spring, it has outperformed BBC Worldwide‘s previous theatrical natural history release, Deep Blue.


    BBC Worldwide Digital Media division delivered sales of ?21.9 million, up 57.6 per cent on the previous year, driven by revenue from syndication of content to partners such as YouTube and Apple iTunes and by the launch of bbc.com.


    Overall, BBC Worldwide saw an increase in online revenues from 1.1 per cent to 2.7 per cent of total sales year on year. This reflected growth from Digital Media businesses as well as magazine websites and video on demand sales, whose profits are reported elsewhere.


    In October 2007 BBC Worldwide gained BBC Trust approval to introduce advertising to the international traffic to bbc.co.uk. The service, known as bbc.com, was launched in November 2007 and is visible only from outside the UK. The revenues will allow BBC Worldwide to invest to make bbc.com the international showcase for the BBC‘s key brands.


    An alliance between BBC Worldwide, Channel 4 and ITV was formed – with the working title, ‘Kangaroo‘ – to develop a new UK on-demand service that will offer over 10,000 hours of TV content on the web. The proposal has been referred to the Competition Commission and is subject to various approvals, including that of the BBC Trust and each broadcaster‘s board.


    BBC Worldwide was the first broadcaster in the UK to sell BBC programmes on a download-to-own basis via iTunes, a deal it then repeated in the US. Another deal was struck with Sony Playstation for Top Gear to be downloaded through Gran Turismo TV.


    A new business, Global Brands, was established at year end, with Marcus Arthur, who had been MD of BBC Magazines‘ London-based publishing business, appointed MD.


    Going forward, Lonely Planet, the travel information group in which BBC acquired a 75 per cent stake in October 2007, and Top Gear, the media motoring brand, will be managed from within this new business area.


    In a year in which the market for travel guides was up only 1.3 per cent in volume terms, Lonely Planet grew volume by 6.4 per cent, outperforming its competitors in the main publishing and licensing business.


    The year 2008-09 will be a landmark year for Lonely Planet – with the website re-launch, a magazine and a range of new book products in the pipeline.


    BBC Worldwide also set up a joint venture in Australia with ACP to publish a local version of the Top Gear magazine – local versions are already available in a number of countries, including Russia, India and China.