Category: Music and Youth

  • Vh1 to air The Billboard Music Awards 2016 on 23 May

    Vh1 to air The Billboard Music Awards 2016 on 23 May

    MUMBAI: Vh1 is all set to bring its viewers the Billboard Music Awards 2016 on 23 May at 6:30 am with a repeat at 9 pm. The channel will air the function straight from the T-Mobile Arena in Las Vegas.

    Commenting on the initiative, Viacom18 EVP and head English and youth entertainment Ferzad Palia said, “In the past, we have received an incredible response for the live telecast of the Golden Globe Awards and the Grammys. The telecast of Billboards is our endeavor to further our promise of showcasing the best in English Entertainment. Award shows have a huge impact on the music industry as it witnesses the union of numerous talented musicians from across the globe. We, at Vh1, are thrilled to telecast the grand celebration of music to our audience in India”

    The 2016 Billboard Awards will see the always eccentric actor and singer Ludacris along with the gorgeous supermodel and singer Ciara as hosts of the show. Top nominees for the show include The Weeknd with a whopping 19 nominations across 16 categories, followed by Justin Bieber with 12 nominations across 11 categories. Drake and Fetty Wap are both nominated 11 times, in 10 categories. Singing sensations Taylor Swift and Adele are competing with each other with 8 nominations each.

    The Joe Jonas-led band, Mendes is set to join performers P!nk and The Go-Go’s, together to celebrate the35th anniversary of “We Got the Beat” – A Go-Go’s classic hit.

    One of the highlights of the event is P!nk gearing up to make the World Television Debut of Just Like Fire, her new single from Alice Through the Looking Glass.  Alongside the glamorous and popular faces, a number of fresh talents such as DNCE and Shawn Mendes will also be seen performing at the glorious award ceremony.

    The Annual Billboard Music Awards is a part of an extravagant award show line-up aired on Vh1 which includes Golden Globe Awards, The American Music Awards, The Annual Grammy Awards, Video Music Awards and Europe Music Awards.   

    The complete list of nominees for the Billboard Music Award can be browsed at:

    http://www.billboard.com/articles/news/bbma/7326512/billboard-music-awards-2016-nominations

  • Vh1 to air The Billboard Music Awards 2016 on 23 May

    Vh1 to air The Billboard Music Awards 2016 on 23 May

    MUMBAI: Vh1 is all set to bring its viewers the Billboard Music Awards 2016 on 23 May at 6:30 am with a repeat at 9 pm. The channel will air the function straight from the T-Mobile Arena in Las Vegas.

    Commenting on the initiative, Viacom18 EVP and head English and youth entertainment Ferzad Palia said, “In the past, we have received an incredible response for the live telecast of the Golden Globe Awards and the Grammys. The telecast of Billboards is our endeavor to further our promise of showcasing the best in English Entertainment. Award shows have a huge impact on the music industry as it witnesses the union of numerous talented musicians from across the globe. We, at Vh1, are thrilled to telecast the grand celebration of music to our audience in India”

    The 2016 Billboard Awards will see the always eccentric actor and singer Ludacris along with the gorgeous supermodel and singer Ciara as hosts of the show. Top nominees for the show include The Weeknd with a whopping 19 nominations across 16 categories, followed by Justin Bieber with 12 nominations across 11 categories. Drake and Fetty Wap are both nominated 11 times, in 10 categories. Singing sensations Taylor Swift and Adele are competing with each other with 8 nominations each.

    The Joe Jonas-led band, Mendes is set to join performers P!nk and The Go-Go’s, together to celebrate the35th anniversary of “We Got the Beat” – A Go-Go’s classic hit.

    One of the highlights of the event is P!nk gearing up to make the World Television Debut of Just Like Fire, her new single from Alice Through the Looking Glass.  Alongside the glamorous and popular faces, a number of fresh talents such as DNCE and Shawn Mendes will also be seen performing at the glorious award ceremony.

    The Annual Billboard Music Awards is a part of an extravagant award show line-up aired on Vh1 which includes Golden Globe Awards, The American Music Awards, The Annual Grammy Awards, Video Music Awards and Europe Music Awards.   

    The complete list of nominees for the Billboard Music Award can be browsed at:

    http://www.billboard.com/articles/news/bbma/7326512/billboard-music-awards-2016-nominations

  • Eurovision 2016: Newton Brings Added Stability and Efficiency to Live Broadcasts

    Eurovision 2016: Newton Brings Added Stability and Efficiency to Live Broadcasts

    MUMBAI: Newton gyro-stabilized camera heads helped capture live action from the stage at the Eurovision Song Contest 2016 for NEP Sweden and Rail & Tracking Systems (RTS). The NEWTON heads were used for the broadcast of the semi-finals and final of the competition, which ended on Saturday. Camera operators now have a compact, affordable stabilized head providing precise control of camera, lens, and gimbal movement by a single operator.

    “The NEWTON performed flawlessly for us during the Eurovision broadcasts,” said Daniel Hjalmarsson, an independent special cameras and remote head operator who worked one of the cameras in front of the stage. “Until now I haven’t been able to operate both the head and the movement of the tracking rig by myself.”

    Hjalmarsson used Intuitive Aerial’s DOMINION gimbal/camera controller to precisely operate the NEWTON head and Grass Valley LDX Compact camera and lens over an Ethernet connection. The DOMINION runs on CAN bus, which enables quick integration with third-party products. Intuitive Aerial programmed the controller so its joystick, in addition to being used for pan, tilt, and zoom, could be rotated to move the height adjustable tower up and down. Hjalmarsson moved the rig left and right along the 10-metre horizontal tracks with foot-operated controls. This ability of the DOMINION to be integrated with the equipment of other companies resulted in a streamlined operator experience and saved the production money by turning what is usually a two-person job into a one-man operation.

    “The whole setup feels more professional with the NEWTON head,” Hjalmarsson said. “I could make even the smallest move by myself, which is much easier and quicker than having to communicate with an assistant.”

    The Eurovision Song Contest, which was won this year by Ukraine and singer-songwriter Jamala, was viewed by over 200 million people around the world, including, for the first time, in the U.S. Prior to setting up for the broadcast, Hjalmarsson made a list of what he wanted in a stabilized camera head. Then, Intuitive Aerial ensured that the NEWTON and its DOMINION controller were integrated with the necessary third-party products.

    “The NEWTON heads worked even better than we expected and we had no failures or problems at all during the three weeks,” said Axel Engström, project manager at NEP Sweden who chose the equipment to be used and was responsible to the Swedish host broadcaster, SVT. “The stabilization of the NEWTON meant we were able to shoot flawless footage.”

    “With the NEWTON, I was able to zoom in much further than usual,” Hjalmarsson explained. “I could start with a head shot or half shot, then move out to the total stage, without any vibrations at all. Directors and others on the set who saw the system were really impressed.”

    The NEWTON weighs only 15 lbs and can be mounted on 1D/2D/3D wire-cam systems, cranes, dollies, motorcycles and other vehicles, and any compact moving rig where weight and visual footprint need to be minimized. “While other gyro heads are large and obtrusive, the size of the NEWTON means I could hide it from the other cameras,” Hjalmarsson said.

    Hjalmarsson will be using the NEWTON again soon for a live broadcast of the Stockholm Marathon on June 4. “It was funny because one of the Swedish TV stations called to say they wanted to use the NEWTON for the Marathon and asked us if we knew anything about it,” he laughed. “They were delighted to hear that we were using it on Eurovision and that it had been such a success for us.”

    Hjalmarsson, who has worked on the TV show Swedish Idol since 2004, hopes to be able to use the NEWTON on that show as well. “We’ve been looking for a head like this one. It costs too much to get a larger one. Now, with the NEWTON, we can afford it.”

    “We were thrilled to see the NEWTON pass its first major test on such a huge stage,” said Robin Kahlbom, CEO of Intuitive Aerial. “We’re glad to be able to integrate our technology with that of our third-party partners, providing operators with more compact, unobtrusive camera setups.”

  • Eurovision 2016: Newton Brings Added Stability and Efficiency to Live Broadcasts

    Eurovision 2016: Newton Brings Added Stability and Efficiency to Live Broadcasts

    MUMBAI: Newton gyro-stabilized camera heads helped capture live action from the stage at the Eurovision Song Contest 2016 for NEP Sweden and Rail & Tracking Systems (RTS). The NEWTON heads were used for the broadcast of the semi-finals and final of the competition, which ended on Saturday. Camera operators now have a compact, affordable stabilized head providing precise control of camera, lens, and gimbal movement by a single operator.

    “The NEWTON performed flawlessly for us during the Eurovision broadcasts,” said Daniel Hjalmarsson, an independent special cameras and remote head operator who worked one of the cameras in front of the stage. “Until now I haven’t been able to operate both the head and the movement of the tracking rig by myself.”

    Hjalmarsson used Intuitive Aerial’s DOMINION gimbal/camera controller to precisely operate the NEWTON head and Grass Valley LDX Compact camera and lens over an Ethernet connection. The DOMINION runs on CAN bus, which enables quick integration with third-party products. Intuitive Aerial programmed the controller so its joystick, in addition to being used for pan, tilt, and zoom, could be rotated to move the height adjustable tower up and down. Hjalmarsson moved the rig left and right along the 10-metre horizontal tracks with foot-operated controls. This ability of the DOMINION to be integrated with the equipment of other companies resulted in a streamlined operator experience and saved the production money by turning what is usually a two-person job into a one-man operation.

    “The whole setup feels more professional with the NEWTON head,” Hjalmarsson said. “I could make even the smallest move by myself, which is much easier and quicker than having to communicate with an assistant.”

    The Eurovision Song Contest, which was won this year by Ukraine and singer-songwriter Jamala, was viewed by over 200 million people around the world, including, for the first time, in the U.S. Prior to setting up for the broadcast, Hjalmarsson made a list of what he wanted in a stabilized camera head. Then, Intuitive Aerial ensured that the NEWTON and its DOMINION controller were integrated with the necessary third-party products.

    “The NEWTON heads worked even better than we expected and we had no failures or problems at all during the three weeks,” said Axel Engström, project manager at NEP Sweden who chose the equipment to be used and was responsible to the Swedish host broadcaster, SVT. “The stabilization of the NEWTON meant we were able to shoot flawless footage.”

    “With the NEWTON, I was able to zoom in much further than usual,” Hjalmarsson explained. “I could start with a head shot or half shot, then move out to the total stage, without any vibrations at all. Directors and others on the set who saw the system were really impressed.”

    The NEWTON weighs only 15 lbs and can be mounted on 1D/2D/3D wire-cam systems, cranes, dollies, motorcycles and other vehicles, and any compact moving rig where weight and visual footprint need to be minimized. “While other gyro heads are large and obtrusive, the size of the NEWTON means I could hide it from the other cameras,” Hjalmarsson said.

    Hjalmarsson will be using the NEWTON again soon for a live broadcast of the Stockholm Marathon on June 4. “It was funny because one of the Swedish TV stations called to say they wanted to use the NEWTON for the Marathon and asked us if we knew anything about it,” he laughed. “They were delighted to hear that we were using it on Eurovision and that it had been such a success for us.”

    Hjalmarsson, who has worked on the TV show Swedish Idol since 2004, hopes to be able to use the NEWTON on that show as well. “We’ve been looking for a head like this one. It costs too much to get a larger one. Now, with the NEWTON, we can afford it.”

    “We were thrilled to see the NEWTON pass its first major test on such a huge stage,” said Robin Kahlbom, CEO of Intuitive Aerial. “We’re glad to be able to integrate our technology with that of our third-party partners, providing operators with more compact, unobtrusive camera setups.”

  • Parleen Gill and Abhishek Kumar releases debut song and video album.

    Parleen Gill and Abhishek Kumar releases debut song and video album.

    MUMBAI: Indian Idol 3 top 2 versatile singers Parleen Gill and Abhishek Kumar have unveiled their first music album- ‘The Stagz’ featuring Pop singer Hard Kaur. The music video album ‘Who wants to party now’ is also a part of launch pack, being released on May 18.

    The singers claim that the song ‘Who wants to party now’ is a new age party anthem, composed by the 4 baj gaye fame, ‘Hard Kaur’. The makers also believe that the foot tapping music will promise to enthrall the music lovers with its high scaled techno addictive beats.

    The singers were thrilled to announce their first album, Speaking about the album launch, Parleen and Abhishek said,” We are proud to announce our first debut album as ‘The Stagz’. We are really excited about our debut album and we feel a nervous energy similar like giving a board exam all ever again! Hard Kaur has composed this song and she has inspired us to form this band and debut in our first music album. ‘Who wants to party now’ is a step towards changing the mindsets of people who think winners of television reality series fade away with time! We hope that our followers and listeners love this song and we garner massive viewership”.

    The song has released worldwide across all digital platforms and shall be aired on television soon.

  • Parleen Gill and Abhishek Kumar releases debut song and video album.

    Parleen Gill and Abhishek Kumar releases debut song and video album.

    MUMBAI: Indian Idol 3 top 2 versatile singers Parleen Gill and Abhishek Kumar have unveiled their first music album- ‘The Stagz’ featuring Pop singer Hard Kaur. The music video album ‘Who wants to party now’ is also a part of launch pack, being released on May 18.

    The singers claim that the song ‘Who wants to party now’ is a new age party anthem, composed by the 4 baj gaye fame, ‘Hard Kaur’. The makers also believe that the foot tapping music will promise to enthrall the music lovers with its high scaled techno addictive beats.

    The singers were thrilled to announce their first album, Speaking about the album launch, Parleen and Abhishek said,” We are proud to announce our first debut album as ‘The Stagz’. We are really excited about our debut album and we feel a nervous energy similar like giving a board exam all ever again! Hard Kaur has composed this song and she has inspired us to form this band and debut in our first music album. ‘Who wants to party now’ is a step towards changing the mindsets of people who think winners of television reality series fade away with time! We hope that our followers and listeners love this song and we garner massive viewership”.

    The song has released worldwide across all digital platforms and shall be aired on television soon.

  • Can Saavn change the dynamics of radio in India?

    Can Saavn change the dynamics of radio in India?

    MUMBAI: For a streaming service that began as a movie service in 2006 in the United States, Saavn’s decade-long journey and expansion involved not only systematic penetration to varied regions, but branching out to other forms of entertainment.

    Saavn – in 2006 – licensed Bollywood films from India, and brought them onto cable platforms, such as Time Warner, Comcast and Cablevision, and ten years later, the ‘Spotify of India’ has executed unique ten  original programming series catering to mainstream and niche audiences.

    With personalities from radio, music, TV and other forms of entertainment associating with Saavn for the programming series, the entertainment ecosystem appears set for a re-imagining of its plans and strategies.

    Saavn did not take long to amass an impressive user-base. With a heavy catalogue – understandably dominated by Bollywood songs – the US-based company focused on content tailor-made for mainstream Indian users, the company, today, possesses 20 million tracks in 13 different languages and has over 18 million monthly active users.

    Please click here to read further

  • Can Saavn change the dynamics of radio in India?

    Can Saavn change the dynamics of radio in India?

    MUMBAI: For a streaming service that began as a movie service in 2006 in the United States, Saavn’s decade-long journey and expansion involved not only systematic penetration to varied regions, but branching out to other forms of entertainment.

    Saavn – in 2006 – licensed Bollywood films from India, and brought them onto cable platforms, such as Time Warner, Comcast and Cablevision, and ten years later, the ‘Spotify of India’ has executed unique ten  original programming series catering to mainstream and niche audiences.

    With personalities from radio, music, TV and other forms of entertainment associating with Saavn for the programming series, the entertainment ecosystem appears set for a re-imagining of its plans and strategies.

    Saavn did not take long to amass an impressive user-base. With a heavy catalogue – understandably dominated by Bollywood songs – the US-based company focused on content tailor-made for mainstream Indian users, the company, today, possesses 20 million tracks in 13 different languages and has over 18 million monthly active users.

    Please click here to read further

  • RED FM sweeps Indian Radio Forum Awards yet again

    RED FM sweeps Indian Radio Forum Awards yet again

    MUMBAI:  Red FM 93.5 added several more feathers to its cap last evening at the prestigious India Radio Forum by winning 13 awards across5 different categories. The esteemed ‘Excellence in Radio Awards’ by India Radio Forum celebrates the very best of Indian radio, by honouring innovative and creative programming, popular on-air personalities, outstanding marketing & promotional activities within the fraternity. This year also marked Red FM’s 11th year partnering with IRF as Premium Presenting Partners

    Marking another remarkable year of creating impact in the industry, Red FM was honoured with multiple awards. Red FM Delhi’s famous Bauaa was bestowed as Best Radio Sparkler of the year. Red FM Pune’s Morning No.1 show was honoured as the Best Radio Program (Marathi). While Red FM Mumbai’s Morning No.1 and Suryam FM’s Blade No.1shows took away the Best Breakfast Program award in Hindi and Tamil categories respectively. Red FM Hyderabad’sZabardasth Masthi was recognized as Best Program (Non-Breakfast) in Telugu category. Red FM came out shinning with four of the RJs receiving RJ of the year awards. RJ Blade Shankar from Suryan FM Chennai, RJ Dhrumil from Red FM Rajkot, RJ Sowmya from Red FM Kochi and Red FM Pune RJ Sangram stole the limelight with RJ of the year trophy in Tamil, Gujarati, Malayalam and Marathi categories respectively. Red FM Mumbai’s popular show Special 26, Red FM Hyderabad’s Red FM Sankranthi and Red FM Mysore’s Pani to Police initiative were well recognized for Best Radio Promo (In-house) in Hindi, Telugu and Kannada category. Red FM Delhi’s famous social initiative – ‘Himmat Ki Kimat Delhi’ was conferred the Best Community Service Award.

    Speaking about IRF and the Excellence Awards, an elated Nisha Narayanan, COO, Red FM said, “It is a moment of immense pride for Team Red FM.  In a constantly evolving and challenging industry scenario, being recognized for creativity, innovation and clutter breaking campaigns is an encouraging impetus. We have aggressive plans for the coming year both in programming and marketing and listeners in each of our stations can look forward to some great listening experiences.”

    The Indian Radio Forum is an annual one-day event that presents and discusses latest industry developments and issues and challenges. This year, the theme of discussion was dedicated to the revolution of on-air marketing, boosting radio relevance and amplifying the bond between sound and soul. Red FM being the Premium Presenting Sponsor at IRF, the session began with an opening address by Rajat Uppal, National Marketing Head at Red FM. He spoke about the importance of creating strong business and financial structures and building an engaging brand by creating content on digital. Nisha Narayanan, COO – Red FM moderated the panel discussion on “Radio Selling beyond FCT”; a session that discussed the benefits of collectively using the powers to widen the horizons for Radio in India. 

  • RED FM sweeps Indian Radio Forum Awards yet again

    RED FM sweeps Indian Radio Forum Awards yet again

    MUMBAI:  Red FM 93.5 added several more feathers to its cap last evening at the prestigious India Radio Forum by winning 13 awards across5 different categories. The esteemed ‘Excellence in Radio Awards’ by India Radio Forum celebrates the very best of Indian radio, by honouring innovative and creative programming, popular on-air personalities, outstanding marketing & promotional activities within the fraternity. This year also marked Red FM’s 11th year partnering with IRF as Premium Presenting Partners

    Marking another remarkable year of creating impact in the industry, Red FM was honoured with multiple awards. Red FM Delhi’s famous Bauaa was bestowed as Best Radio Sparkler of the year. Red FM Pune’s Morning No.1 show was honoured as the Best Radio Program (Marathi). While Red FM Mumbai’s Morning No.1 and Suryam FM’s Blade No.1shows took away the Best Breakfast Program award in Hindi and Tamil categories respectively. Red FM Hyderabad’sZabardasth Masthi was recognized as Best Program (Non-Breakfast) in Telugu category. Red FM came out shinning with four of the RJs receiving RJ of the year awards. RJ Blade Shankar from Suryan FM Chennai, RJ Dhrumil from Red FM Rajkot, RJ Sowmya from Red FM Kochi and Red FM Pune RJ Sangram stole the limelight with RJ of the year trophy in Tamil, Gujarati, Malayalam and Marathi categories respectively. Red FM Mumbai’s popular show Special 26, Red FM Hyderabad’s Red FM Sankranthi and Red FM Mysore’s Pani to Police initiative were well recognized for Best Radio Promo (In-house) in Hindi, Telugu and Kannada category. Red FM Delhi’s famous social initiative – ‘Himmat Ki Kimat Delhi’ was conferred the Best Community Service Award.

    Speaking about IRF and the Excellence Awards, an elated Nisha Narayanan, COO, Red FM said, “It is a moment of immense pride for Team Red FM.  In a constantly evolving and challenging industry scenario, being recognized for creativity, innovation and clutter breaking campaigns is an encouraging impetus. We have aggressive plans for the coming year both in programming and marketing and listeners in each of our stations can look forward to some great listening experiences.”

    The Indian Radio Forum is an annual one-day event that presents and discusses latest industry developments and issues and challenges. This year, the theme of discussion was dedicated to the revolution of on-air marketing, boosting radio relevance and amplifying the bond between sound and soul. Red FM being the Premium Presenting Sponsor at IRF, the session began with an opening address by Rajat Uppal, National Marketing Head at Red FM. He spoke about the importance of creating strong business and financial structures and building an engaging brand by creating content on digital. Nisha Narayanan, COO – Red FM moderated the panel discussion on “Radio Selling beyond FCT”; a session that discussed the benefits of collectively using the powers to widen the horizons for Radio in India.