Category: Movie Channels

  • Star Gold’s high profile movie acquisitions for 2014

    Star Gold’s high profile movie acquisitions for 2014

    MUMBAI: The Star network continues on its path to keep pushing the envelope in terms of providing some of the best content to its viewers.

    Star Gold, the Hindi movie channel, is all set with a smashing blockbuster television premieres line-up for 2014. The network has announced its acquisition of a fresh movie library as part of its extensive plans for 2014 in the Hindi movies genre. The new acquisition comprises of 18 highly anticipated Bollywood films of the year including films of leading superstars such as Salman Khan, Ajay Devgn, Ranbir Kapoor and Hrithik Roshan.

    Announcing the network’s movie acquisition plans for the year, Star Gold and Movies OK EVP Hemal Jhaveri said: “We have consistently received a phenomenal response for the big ticket premieres on our network.  Apart from entertaining the audiences, movie premieres also prove to be an extremely successful platform from the advertisers’ standpoint. Hence, it proves to be a win-win situation for all stakeholders. For 2014, we have targeted a diverse content line up acquiring films across different genres. Our strategy has always been to simply offer our viewers’ content they want to watch, rather than what we want them to watch.”

    Touted to be the first hit of 2014, Yaariyan shall kick start the movie premieres for the year across the network. This shall be followed by Salman Khan’s Jai Ho, the first Rs 100 crore grossing film of the year. The other acquired films of 2014 include Gang of Ghosts, Traffic, Sonali CableO TeriBhaag Johnny and Hawaa Hawaai. The newly acquired movies are bought for a period of 10 years with exclusive telecast rights.

    In early 2013, Star India had signed an exclusive television broadcast rights deal with superstars Salman Khan and Ajay Devgn for their films till 2017. In addition to this, the network has signed a deal for other exciting movies for its 2014 movies line up. Some of the high profile premieres slated for the year include: Jai HoKick, Bombay Velvet, Bang Bang, Roy, Action Jackson, Singham 2, Hamshakals, Bobby Jasoos and Creature.

    In 2012, the network had acquired over 500 films from the Viacom 18 group followed by the deal with superstars Salman Khan and Ajay Devgn in early 2013. Star India has successfully premiered the maximum number of Rs 100 crore Bollywood films, including blockbusters such as Singham, Bodyguard, Ra.One, Housefull 2, Bol Bachchan, Son of SardaarDabangg 2 and Bhaag Milkha Bhaag.

  • The whole movie acquisition game has gone for a toss

    The whole movie acquisition game has gone for a toss

    MUMBAI: In recent times, quite a few International as well as regional films have been dubbed into Hindi to wide commercial acclaim. Why are the channels acquiring the rights to air these foreign films or south Indian films, dub in Hindi and air on their channels at primetime? What might be the reason behind it?

     

    Bollywood blockbusters have become too expensive. These films revolve around just the top four to five male actors. Plus, a Bollywood blockbuster comes with a baggage. Bollywood producers have become aggregators. When they sell a blockbuster film, four to five smaller-budget films come in the package.

     

    For example, when Karan Johar sells television rights for his blockbuster, he sells it as a package along with a few of the films made under his banner by other directors. The smaller-budget films make no commercial sense for television channels.

     

    When Sony MAX bought the television rights for Dhoom 3, reportedly paying a very high price, the movie channel had to buy yet-to-be-released film like Bewakoofiyaan as part of the package.

     

    Also, the recall value of bollywood blockbusters now is low. A bollywood blockbuster which was aired on a television channel for the second time, the viewership rating was more than 75 per cent lower than the ratings garnered by the film at its television premier in October 2013.

     

    The big budget films being made now make their money in the first and second weekends. The films do not qualify for a second viewing.

     

    The economics of acquiring bollywood blockbusters first drove movie channels to dubbing English and south Indian languages films, largely action movies, in Hindi.

     

    Sony MAX, Senior Vice President and Business Head, Neeraj Vyas, has an interesting take on the matter. He says, “it is because acquisition of Hindi films has become so expensive. It is virtually impossible to keep buying those films. Everybody everybody has a limited budget. There is a cost that you incur for renewing your existing library. So there is very little money to keep buying those films.”

     

    “The whole movie acquisition game has gone for a toss,” says Vyas.

     

    Even the Hollywood action blockbusters do not come cheap. These films too are packaged by the studios along with older movies. Aggregation happens even when television rights are sold for Hollywood movies. And, a substantial part of the movies acquired along with blockbusters add to the worthless movie library.

     

    In an interesting turn of events, the south Indian films being dubbed into Hindi are gaining more traction as compared the international films.

     

    Disney India Director, Programming, Movie Channels, Kunal Mukherjee says Disney has witnessed a preference towards regional films, specifically south Indian language films dubbed in Hindi. “While certain international titles do work wonderfully with the audiences, south Indian films, if taken average, certainly work better.”

     

    Do the channels tend to follow a particular timeslot, for example, airing Chinese films dubbed in Hindi on weekends and south Indian films dubbed in Hindi on weekdays? On that Mukherjee states, “We understand our audiences and there is no specific viewing pattern that is followed for dubbed movies. UTV Action brings in content as per the audience preferences and entertains them with movies in the manner and language that is relevant to them.”

     

    What is the selection process of the films? “We are constantly listening to our viewers’ choices and for UTV Action, we consider the star cast of the movie along with the number of action scenes and the date of release for our library.”

     

    Regarding the audience demographic being aimed at, Mukherjee stated that, UTV Action is a movie channel which entertains audiences across all age groups with content which is acquired through various partners  and associates who own the intellectual properties of the film.

     

    Sony MAX’s Vyas says, “Almost 25-30 per cent of everybody’s FPC in a week comprises of south Indian dubs. South Indian dubs are very integral reality of composition of every Hindi movie channel. Those guys completely enjoy south Indian cinema.”

     

    Another up and coming movie channel &Pictures also has some exciting projects lined up. The channel is launching ‘Hollywood Sundays’ at 12:00 pm, starting 2 March, 2014, to bring the Asli Desi flavour.

  • Zee Classic celebrates the life and works of renowned Director Basu Chatterjee

    Zee Classic celebrates the life and works of renowned Director Basu Chatterjee

    MUMBAI: Over the past 100 years, Bollywood has made spectacular contributions to the world of art. Beautiful portrayal of human emotions, innovations in the technical aspects of cinematography, actors and musicians of unparalleled talent – India’s film industry has a lot to be proud of. Keeping the mood alive, Zee Classic, India’s only Hindi movie channel shows films from the classic era of Hindi cinema. The channel has taken a step forward to enthral the movie lovers with a robust line up of evergreen movies and experience the magic of the Golden era of Indian cinema.

    Come March and the channel will screen works of Basu Chatterjee – one of the stalwarts of Hindi Cinema every Saturday from 1st March to 5th April 2014.  Basu da, as he is lovingly referred to, is known for his light comical take on issues revolving around the lives of middle class families.  The repertoire of his ‘middle-of-the-road’ films have catered to Indian sentiments of the time he came from and went on to be timeless classics which is enough to describe the legendary filmmaker.

    The film festival – Khatti Meethi Life includes a line-up of movies such as the comedy drama Pasand Apni Apni, romantic comedy musicals follow with Laakhon Ki Baat, moving on to a funny tale of Four old men Shaukeen, the beautiful love story Baaton Baaton Mein and Chitchor. The festival comes to a close with Piya ka Ghar – a movie about the ups and downs of living in India’s city of dreams and Bollywood’s home – Mumbai.

    Commenting on the channel’s endeavour, Mr. Akash Chawla, ZEEL Marketing Head, National Channels said, “Our film industry has grown manifold from where it started. There are new genres being explored and each artist comes with his/her own set of expertise and innovations.  In the field of arts, looking back to one’s roots is always a great source of inspiration. The themes and plots from the golden era are relevant to this very day. Zee Classic believes that such great works of cinema should not go unnoticed and hence we have recreated that evergreen era for the viewers of today. We have a great lineup of some of the best works of Basu Da for the audience and we look forward to offering many such specials in the coming future.”

    Flashbacks to good things of the past are a favourite for all movie buffs. With Zee Classic bringing you the best of one of Bollywood’s greatest movie-makers – this March is going to be a wonderful throwback. Here’s to Zee Classic standing true to the promise of bringing forth ‘Timeless Movies. Timeless Moments’ and many more movies from that unmatched era!

  • Get your Sunday dose of ‘Hollywood in Hindi’ on & Pictures

    Get your Sunday dose of ‘Hollywood in Hindi’ on & Pictures

    MUMBAI: Naye India KaNaya Channel, launched in mid-2013 offers a new dimension to new Indians who nurtures high aspirations while staying rooted. Breaking the cluttered Hindi cinema space in the country,the channel has discovered unexplored territories by making India’s first crowd-sourced film‘Online Milo Saajana’, during its launch phase. & Pictures has emerged as India’s first Interactive Hindi Movie Channelwhich is all set to strengthen its programming line-up.It has acquired rightsfrom Sony Pictures to air 40 Hollywood films dubbed in Hindi and bringing the Asli Desi flavour with ‘Hollywood Sundays’ at 12:00pm, starting March 2, 2014.

    With an exhaustive movie line-up of famous Hollywood films dubbed in Hindi, & Pictures is all set to bring freshness in movie viewing. This extensivelist of films includes action, action-comedy, rom-coms, horror and animated movies.The month of March will see a mix ofaction and action-comedy which include movies such as Hancock, Karate Kid (1984), The Adventures of Tintin, Resident Evil and Terminator Salvation.

    Commenting on the programming line-up, Mr. Akash Chawla, ZEEL Marketing Head, National Channels says, “& Pictures programming line-up caters to the progressive Indian mind-set rooted with traditions. With ‘Hollywood Sundays’ we are offering our viewers the world class experience of Hollywood movies in their comfort zone of Hindi Cinema. Sunday afternoons are usually family time spent together watching television, hence it was the ideal time to showcase Hollywood Sundays”

    Apart from bringing Hollywood Sundays to its viewers, & Pictures offer a robust programming line-up which includes ‘Pictures @ 8’ and Comedy kaSiyapaa. ‘Pictures @ 8’ will see popular Hindi movies that have been recently released. It will showcase films that have been accepted and admired by the audiences. With the release of Total Siyapaa around the corner, & Pictures – the co-producer of the movie is all set to bring a comedy film festival called ‘Comedy ka Siyapaa’. Thisweek-long movie festival will begin from Monday, March 3, 2014 at 2:00pm and will include a comedy riot of movies such as All the Best, Andaz Apna Apna, Double Dhamaal, Apna Sapna Money Money and DeewaneHuyePaagal.

    Hollywood movies will be promoted on social media through a contest which will invite entries for viewers to send Hindi movie names for the Hollywood movies.Twitter hastag: #hollywoodsundays; SMS: AND<space>movie_name_in_hindi<space>your_name and send to 57575.

    Catch the exciting line-up of movies throughout the week as it offers an all dayfare for everyone in the family. So grab your bowl of popcorn and enjoy fully loaded Hollywood entertainment in ‘aslidesi’ flavour with Hancock airing on Sunday, March 2, 2014 on & Pictures

     

  • South Indian films dubbed in Hindi more popular than English

    South Indian films dubbed in Hindi more popular than English

    MUMBAI: Sony MAX and Sony MIX executive vice president and business head Neeraj Vyas was the Guest Editor of the day at Indiantelevision.com today.

    During his interaction with journalists at Indiantelevision.com, Vyas talked about what he thinks about broadcast journalism. His complaint was that journalists do less of research-based writing and are more interested in the financial details of the broadcasting business.

    While dwelling on the businesses he heads, Vyas talks about how Sony MIX has tried to make the music channel musical from being a trade channel, on the preparations for Indian Premier League (IPL) season 7 and the preferences of Indian audiences for the film genre.

    Following are the comments made by Vyas on films, music and IPL:

    There is a channel dedicated to English movies dubbed in Hindi — UTV Action. If you look at the other channels — Sony MAX, Zee Cinema, Star Gold, & Pictures and Movies OK, almost 25-30 per cent of everybody’s FPC in a week comprises south Indian films dubbed in Hindi. South Indian dubs are a very integral reality of composition of every Hindi movie channel. There was reluctance from advertisers initially. Indians completely enjoy south Indian cinema.  They might not know who is Nagarjuna or who Ravi Teja is but they love the action. They love the way the action is choreographed. They love the fact that there are no songs. They like the feel of the characters because they are larger than life.

    They like the plots in south Indian films because they feel some of the plots are better than Hindi movie plots. Its vendetta, its revenge, it’s about the common man rising. These are the plots that work across.

    The language of Indian cinema does not change just because the film is made in the south or made in Mumbai or Hyderabad. Most of the films dubbed are Telugu films which are over the top. Tamil films are by and large understated. Telugu films have blood and gore and all that. Indian viewer does not mind.

    The characters are bound differently because of language reasons, geographical reasons. Otherwise Indian films are Indian films. Viewership tilts towards the male.

    Hindi movie channels are skewed towards male. Unless you have Chennai Express which is very universal. If I have to give you some south Indian parallel is Telugu film Magadheera. We promoted it as a proper Hindi film blockbuster. It gave me a rating of 2 in the first screening. That cuts through all TGs and massive special effects.

    International dubbed movies are not staple diet, but can be served as a surprise and can be a good break from the regular.

    MUSIC:

    We went and bought more music and put more variety than anybody else.  The other call we took was that whatever we do we should be musical. We will not have movies like some channels do. We will not have animated characters. Whatever we do will be music. We have got something like Solos. Singer comes and sings two lines.  These are things that we did and after digitisation we got shelf space. We saw 13 weeks in a row we were the number one channel. But for that we did a lot of sacrifice. We reduced advertising time. Against 30 minutes I was doing 15-20 minutes.

    We started with 12 million viewers and today we have 55 million viewers.

    Indian Premier League

    The second edition was done in South Africa, but at that time the scale at which IPL was hosted wasn’t as big as it is today. Everything today has changed. So the campaign has to be bigger.

    This season, if done outside India, will be very critical in terms of revenue as well. IPL for us is like a huge ‘Mela’. The ‘Mela’ gets prominence and written about because it happens in our city. If it happens outside India, it also impacts advertising, since the advertiser loses the buzz. It also has an impact on the rating. If IPL happens in South Africa, they will ensure that the match is aired in India at 8 pm. This time there will be only 60 games, because there is one team less.

    IPL Campaigns

    We need to up the entertainment quotient. There has to be a call of action. These two states always have to go hand in hand. It needs to be engaging, entertaining and fun-filled. It needs to be riveting; it needs to cut through different kinds of loops. Can’t be very male dominated, can’t be very male–centric, can’t be very female centric, can’t be very children centric. So, it’s a tough brief, not a very easy brief; because these guys are used to very focused briefs. I say, “this is my TG, these are the values of my brand, this is what it needs to be and these are the values that need to come through my communication. So, the consumer knows that I’m buying this for this.

    On Farah Khan

    Farah brought her own style and because of the fact that she’s a director and actor, made it easier for her to get into the zone of her character. She knew the tone and tenor of what we needed. She has changed the entire paradigm of the campaign. Then we roped in Vishal – Shekhar, who she is very close with. So it became a huge family gathering. We also got Rajeev Sethi, the director of Keroscene Films is also a childhood friend of ours.

    The 2014 campaign has no real people, they’re all models. Especially because our campaign is emotion based. One wrong reaction about what the character is feeling and the whole 30 second ad can go for a toss. That is why we spend a lot of time in casting. I personally am a stickler for casting!

    This year, we are doing five 30-40 seconders and one 60 seconder and again there will be an anthem that’s been composed again by Vishal Shekhar. We’ll also have an Extra Innings music video shot on that with the actors and the commentators. So, it all comes together as a package.

    So, this year we have the same girls and boys back for IPL.

  • The call of IPL7….

    The call of IPL7….

    MUMBAI: The call of the IPL so divine that you have to be there for the seventh edition of the Indian Premier League (IPL).

    This year’s campaign by Sony MAX for the IPL is with a tagline that revolves around the concept of ‘The call of the IPL’.

    “It is as if you cannot refuse a call from the god. In the same way, when IPL calls, you have to be there,” is how Sony MAX and Sony MIX executive vice president and business head Neeraj Vyas explains the thought behind the campaign for IPL7.

    Vyas, the Guest Editor of the day at Indiantelevision.com, was speaking on the finer details that go into the making of the campaign to promote IPL. MAX has the broadcast rights for the twenty-20 cricket tournament.

    “You have to be there when IPL calls you,” reiterates Vyas.

    Sony’s IPL campaign will be launched towards the end of the first week of March.

    The core theme of the IPL campaign continues to be entertainment but the broadcaster’s challenge is to every year come up with a bigger and bigger campaign idea.

    ‘Sirf Dekhneka Nahi’

    In 2013, Sony took its campaign to a much higher level bringing in a celebrity in choreographer and director Farah Khan.

    ‘Sirf Dekhneka Nahi’ was the punch-line of the 2013 campaign featuring Farah Khan, urging people to express themselves whenever a wicket falls or a boundary or a six is hit.

    The campaign for IPL season 7 is expected to be a step ahead of 2013 campaign. “IPL is an entertainment vehicle which appeals to families, friends, men, women and youth. It cuts across different target groups. And this was the brief given to the creative agency (Havas Communications),” says Vyas.

    The preparation for the campaign started in November 2013 with the first creative meeting. “This was followed by several meetings to come out with that one idea, that one hook to develop the campaign,” Vyas points out.

    While five 30 second creatives have been made with common people, one 60 second creative has been made, which will have a glimpse of Farah Khan. The music for the campaign has been composed by the duo Vishal and Shekhar.

    It was JWT that worked on Sony’s IPL campaign in 2013.

    So why hasn’t the campaign come out as yet? Vyas says, “Well, this time, neither the venue nor the dates have so far been announced. But, we will be launching the campaign towards the end of the first week of March.”

    MAX’s EARLIER CAMPAIGNS

    So, as people eagerly wait for the new campaign, we at indiantelevision.com, take you through the journey of past IPL campaigns.

    Sony MAX has since the first edition of IPL, which started in 2008, been promoting the new format to build an audience.

    What started with IPL being ‘Manoranjan Ka Baap’ with unknown faces, the campaign has grown bigger and better over the years.

    The ‘Manoranjan Ka Baap’ campaign, directed by Rajesh Krishnan of Soda Films, was a spoof from the 80s films, where the wife and her two sons are taunted every now and then for their missing father.

    While the villagers keep asking the mother and the sons ‘Kab aayenge Manoj aur Ranjan Ka Baap?’, the trio believed that he would come some day. And then when the wife gives up hope, her sons come running and point at the TV set which says, ‘Aa Gaya Manoranjan Ka Baap.’ The promo that got around 78,377 views on YouTube was aimed at positioning IPL as the ultimate entertainer.

    The second season saw two promos under the tagline ‘Ek Desh Ek Junoon.’ While one promo shows how god made one land, but man created boundaries, the other promo shows how one billion people are doing the same thing at the same time. It shows how people rejoice over a ‘Six’ and get sad on a ‘wicket’, but all these emotions are depicted at the same time.

    The promo was created in-house and took the communication one level up from the first season which had proved that the format was accepted across.

    IPL by its third season had built a huge fanfare and while the second season was played in South Africa, the format was back in India in its third year.  The channel went all out promoting the series and came out with the campaign ‘Saare Jahan Se Achha’.

    The video showed a red carpet laid for the players belonging to IPL teams from various cities. The video became hugely popular and this was quite evident from the 412,650 views it garnered on YouTube.

    ‘Bharat Bandh’ was the message the channel gave out to its viewers as the tournament stepped into season four. To send this message, seven promos were created.

    One showing how a politician was left wondering who had announced a 51-day ‘Bandh’ and the second promo showed a goon being upset with his business going down, considering there was a ‘Bandh’. The third showed a ‘Hot’ lady stepping out of the train and looking for help on the station but there was no one there to help.

    The fourth promo involved two female neighbours, who for long had hated each other but now have come together saying ‘nafrat bandh’ with ‘Bharat Bandh’.  The campaign was conceptualised by JWT and it too became popular.

    In the fifth season of IPL, MAX got more personal with its promos. The campaign was under the tagline ‘Mauka’, for a get-together for family and friends.

    The campaign saw five promos doing the rounds: ‘Mauka Phuphaji’ which garnered around 17,289 views on YouTube, ‘Mauka Stadium’ which saw approximately 45,229 views on YouTube, ‘Mauka Family’, with around 19,233 hits, ‘Mauka Father’ with around 17,898 views and ‘Mauka Friends’ with 15,663 views. The campaign was based on the idea of how IPL had the power to get people together.

    For the first five seasons, MAX roped in common faces, with no actors. But, as the game grew bigger, the channel knew that its campaign has to be at the same scale. It was then that in the season six of IPL, Farah Khan was roped in to promote its campaign ‘Sirf Dekhneka Nahi.’      

    The campaign had come from the insight that cricket is not just a game in this country but a passion that moves every Indian to get up to celebrate and dance.

    And to promote this thought, Farah Khan established three unique signature dance moves each for a four, a six and a wicket. Through the campaign, MAX invited the audience to shed all inhibitions and groove to the tune of Pepsi IPL 2013.

    The campaign featured three short films, three dance instruction videos and one big grand film. To make the campaign a nationwide sensation and to add to Farah’s dance moves, the channel had also roped in music director–singer duo Vishal and Shekhar who composed the tune for the Pepsi IPL 2013 campaign.

    The campaign was created and conceptualised by JWT and directed and filmed by ad film director Rajesh Saathi of Keroscene Films.

    Talking on the last year’s campaign and Farah Khan, Vyas says, “Farah Khan fit the bill completely. She directly connected with the audience and she cut across audience groups. She is a choreographer, a director, an actor and a mother. And she does all this with so much perfection. So when a Farah Khan says, ‘Sirf Dekhneka Nahi’, people know she means it. Also because she is a director herself, she could add so many other bits to the campaign to make it look even better.” 

    PROMOTING VIEWERSHIP

    “Since the inception of the game, marketing has been one of IPL’s strengths, and both TV viewership and stadium attendance were promoted simultaneously. One reason for IPL’s success has been that multiple entities (tournament owner, broadcaster, team owners, etc.) all promoted IPL, while ICL was promoted by Zee alone (as it played all those roles),” informs PipalMajik CEO Chandradeep (CD) Mitra.

    How different will be MAX’s IPL 2014 campaign?

    Pepsi, the title sponsor of IPL 7, has brought on board actor Ranbir Kapoor as an intern for promoting Pepsi IPL 2014.

    MAX will surely think bigger for this year’s campaign.

    For PipalMajik’s Mitra, marketers need to constantly promote their brands to break the clutter and keep their brands top-of-mind. “This is especially true for seasonal brands and time-bound events. Sports events particularly need to drum up excitement to engage fans. There has been some evidence of IPL viewership plateauing or declining in the last couple of years. This year, post last year’s scandals, and likely scheduling of matches outside India, the need for the IPL brand to be rejuvenated and promoted is even greater,” he adds. 

    Also, with other major sporting events like Football World Cup and T20 World Cup competing for sports lovers’ limited time and attention, this year “IPL definitely needs major promotion this year,” says Madison Media COO Karthik Lakshminarayan.

    IMPACT OF CAMPAIGNS

    Talking about the previous campaigns, Lakshminarayan says, “The campaigns so far have helped the channel garner good impressions in terms of ratings. Almost all of the marketing efforts are realised in the first week of the series as that draws in the viewers. So one can safely say that the ratings in the first week is largely the result of the media campaign that the channel runs. Post that the ratings are dependent on the matches played thereafter and the results etc.”

    So while there are loyalists for the series, there is also a huge chunk that is attracted to the game through the marketing campaign. “The campaign drives on emotions. There has always been general excitement around the marketing campaign of IPL, this year should be bigger,” adds Lakshminarayan

    The first leg of IPL 2014 mostly will be held in South Africa, and the second leg in India. “Keeping this in mind, the communication has to be more engaging this time. For me digital media should play a very critical part in the channel’s communication about the game,” says MPG planning head – west Soumya Sarkar.

    For Sarkar, it is not the brand ambassador that will drive the communication this year. “The channel has to keep interacting with the audience. So it needs to come up with more contests, fan clubs and online chatting among others to keep the viewers hooked,” he adds.

    (Following are links to Sony’s earlier campaigns)

    http://www.youtube.com/watch?v=0MQ4Jbb_nns

    http://www.youtube.com/watch?v=r41mcUzUkis

    http://www.youtube.com/watch?v=-RVg2mvNJDI

    http://www.youtube.com/watch?v=AHByZLDbPiw

    http://www.youtube.com/watch?v=3v5Nh_XtY_8

    http://www.youtube.com/watch?v=dBBIrcKBMWk

  • Action adventure with love and war in TROY on MOVIES NOW

    Action adventure with love and war in TROY on MOVIES NOW

    MUMBAI: Experience the re-creation of the greatest sieges and wars in mankind’s history with TROY on MOVIES NOW this month. Splendid epic-scale showcase of the Homer’s tale of love and war in the ancient Greek times on your television screens.  Catch this action adventure in its grandeur as the mega movie of the month this Saturday, 22nd, February at 9pm only on MOVIES NOW.

     

     What happens when Prince Hector and his young brother Paris negotiate a peace treaty with the Spartan King Menelaus? Not every treaty has a happy ending. This saga of love conquering after an epic war, written by David Benioff and directed by Wolfgang Petersen features an ensemble cast that includes Brad Pitt (Achilles), Eric Bana (Prince Hector), Orlando Bloom (Prince of Troy), Brendan Gleeson (King Menelaus) and many more. Watch History repeating itself when Greece goddess battle against each other for true love and sacrifice only on MOVIES NOW at 9pm on 22nd, Feb, 2014.

     

    Featuring a blend of spectacular pros, distressing cons, and great actors and actresses, this nail biting adventure will have you at the edge of your seats. What happens after Menelaus finds out that his wife was taken by the Trojans. The war at its footing step, based on Homer’s Iliad, TROY, is one of the most expensive films produced in modern cinema and has extremely succeed at the box office.

     

    This action adventure will leave you awestruck and is sure to keep the excitement meter at an all-time high this February.

     

    Don’t miss TROY as the action adventure unfolds only on MOVIES NOW!

  • Paramount Channel sets sail for Russia and Hungary

    Paramount Channel sets sail for Russia and Hungary

    MUMBAI: After its launch in Spain and France, Paramount Channel is now looking at making inroads into the Russian and Hungarian market this month.

     

    In Russia, Viacom International Media Networks (VIMN) has secured carriage for the service with Rostelecom, which operates the country’s largest cable TV network. The deal is for a Russian-language version of Paramount Channel to be available to Interactive TV subscribers as part of the Movie and Maximum packages. Paramount Channel HD will also be available to Rostelecom viewers.

     

    In Hungary, a distribution agreement has been signed with affiliate partners Tarr Kft., P R Telekom, Invitel and Magyar Telekom to launch a localised feed of the channel.

     

    Paramount Channel launched in Spain in 2012 and in France in 2013. The channel offers a selection of films from the Paramount Pictures library. In Hungary, the lineup will be expanded to include contemporary classics from other American film studios and some of the best in European movies from the last few decades.

     

    The channel is delighted that Russia and Hungary will be amongst the first markets globally to introduce the brand and its world class lineup of films to pay-TV audiences. The market will be a strong and complementary addition to the channel portfolio and will help it continue to grow its share of key audiences in these important European markets.

  • Saif Ali Khan’s ‘Bullett Raja’ set for World TV Premiere on Star Gold

    Saif Ali Khan’s ‘Bullett Raja’ set for World TV Premiere on Star Gold

    MUMBAI: Saif Ali Khan is all set to increase the ‘garmi’ on all television screens this February! Star Gold, the Home of Bollywood Blockbusters, is geared to kick start the year 2014 with the World Television Premiere of the widely acclaimed action film Bullett Raja on Saturday, 22nd February 2014 at 8 pm. Besides Bollywood superstars Saif Ali Khan, Sonakshi Sinha, the film also stars actors Jimmy Shergill, VidyutJamwalandhas been directed by National award winnerTigmanshu Dhulia

    Star Gold has been entertaining the ardent movie buffs showcasing the best of Bollywood entertainers such as Dabangg, Singham, Bodyguard, Ra.One, Housefull 2, BolBachchan, Son of Sardaar, Dabangg 2, BhaagMilkhaBhaag and others. As a one stop destination for the latest Hindi blockbuster releases, the channel is all set to once again recreate an action packed entertaining experience with the premiere of ‘Bullett Raja’, a des-chic, guns and gore affair, set against the backdrop of conniving UP politics and mafia

    Commenting on the premiere, Hemal Jhaveri, Executive Vice President, Star Gold said, “We have always focused on showcasing a mix of all genres to our viewers with entertaining content; and have always received a phenomenal response for our premieres from the viewers.  Besides a great star cast, Bullett Raja isone of the few critically acclaimed commercial entertainers of 2013. With this premiere, Star Gold once again reiterates its promise of bringing the latest and biggest Bollywood premieres on TV”

    World TV Premiere of Bullett Raja on Star GOLD, Saturday 22nd February at 8pm

     

  • Max Television Premiere of ‘Shuddh Desi Romance’ on 15 Feb

    Max Television Premiere of ‘Shuddh Desi Romance’ on 15 Feb

    MUMBAI: MAX, the premium Hindi movies and special events channel brings to you the MAX Television Premierof romantic comedyfilm, ‘SHUDDH DESI ROMANCE’ on Saturday, 15th February at 9PM and Sunday, 16th February at 1PM only on MAX.

    The movie is about three young people in today’s changing India trying to figure out what love, attraction and commitment mean to each of them. Raghu (Shushant Singh Rajput) needs a woman in his life -the rest he’s going to figure out along the way. Gayatri (Parineeti Chopra) has been around the block a few times and knows the scene. Tara (Vaani Kapoor) knows what’s right for her, but a little experimenting never did hurt anybody. When their lives crisscross, their beliefs get challenged, and their love tested. But it may not be as easy as it seems.

    Speaking about her on screen character(Gayatri) ParineetiChopra states, “I play a completely different person in the film than who I am in real life. The decisions that Gayatri takes is not what I would take but I think that’s the beauty of cinema where you get a chance to play someone who is not you and still carry it off with conviction.”

    Speaking about his experience of working with Parineeti Chopra, Sushant Singh Rajput states,“If you are working with such a spontaneous actor, you don’t think of much apart from staying in character and how you are going to react to a particular situation.” Adding on, Rishi Kapoor says, “Both Sushant and Parineetiare so spontaneous that you feel they are like the students of the ‘Spontaneity’ school and I personally love working with such actors.

    Watch a story on a modern twist between love, attraction and commitmentduring the MAX Television Premiere of SHUDDH DESI ROMANCE on Saturday, 15thFebruary at 9PM and Sunday, 16th February at 1PM only on MAX.