Category: Kids

  • Guest column: Personifying animated characters for kids

    Guest column: Personifying animated characters for kids

    MUMBAI: One day, while at my neighbor’s house, I couldn’t help but notice how excited her daughter was to dress up for her annual fancy dress competition. More than being excited about the event, she was looking forward to dressing up as her favorite animated character! I realised then how big a role characters play in influencing kids. They just don’t consume the content but also relate to the characters as they are the first and major source of entertainment and engagement for them.

    Growing up is about following myriad animated characters. The story of a character transcends beyond the show into the kid’s world and builds a strong bond with them. A child consistently associates with key qualities of a character such as beauty or courage or even just language, mannerisms or situations. Beyond just being entertained, kids constantly pick up nuances from these character worlds and relate them to their own. In them, they find an idol, a hero or just a friend.

    Kids today are surrounded by innumerable characters that have become a day-to-day part of our pop culture. We, as content creators, tend to plug into a kid’s system to gather their understanding about their likings, preferences, routines and relationships, which become an innate part of their personality. From the look and feel of the characters to the storylines, the ultimate aim is to give kids something genuinely engaging and a reason to connect with the characters.

    Readings indicate that an average child watches approximately 18,000 hours of television from kindergarten to high school. It is thus natural for them to learn and soak in these animated characters. The animation industry, which has been a massive part of our childhood, is becoming more widespread and impressive as time has gone on. Shows with Indian characters with relevance and comedy-oriented plots click brilliantly with children. Hence, a content curator needs to constantly work towards build a show by personifying an animated character with the hope of making the brand memorable and the character that may seem worthy of a relationship.

    It is only in the kids’ segment that viewers’ loyalty goes beyond the show to its characters. Characters tend to develop into being kids’ friends with whom they can have fun with. This is exactly what translates into kids wanting to have every product or merchandise with their favorite character on it.

    “Only children believe they’re capable of anything,” quoted Paulo Coelho. They’re trusting and fearless; they believe in their own power and animated characters create a fictional world that kids can relate to. It encourages them to believe in the victory of good over bad and appeals, to a great extent, to their optimistic outlook.

    Today, India’s animation industry is booming and a large part of the revenue comes from licensing and merchandising (L&M)–an important layer that allows characters to be present far and wide in a kid’s life like in schools, homes, play areas and even their bathrooms! This, however, needs to be a lot more organised and L&M needs to be seeded while a show or a character is being conceptualised. The amount of animated character-based merchandise available in the grey markets for toy clearly reflects the enormous opportunity for any brand to put foresight and planning to create product-embedded concepts and shows.

    Moreover, building early affinity to a brand can lead to a lifelong relationship. By creating meaning in the mind of the child, it helps the brand become more relatable to them. Thus, linking a brand to a popular character helps bring it to life and leverage the relationships kids have already formed with these endearing characters that they see round the clock.

    public://ms-leena-dutta.jpg The author is the business head for the kids’ genre at Sony Pictures Networks India. The views expressed here are her own and Indiantelevision.com may not subscribe to them.

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  • Graphic india brings Archie to bollywood

    Graphic india brings Archie to bollywood

    MUMBAI: In an epic announcement that’s sure to send shockwaves around the globe, Archie Comics, home to some of the most popular characters in entertainment, including Archie, Betty & Veronica and Jughead, in partnership with Graphic India, one of India’s leading character entertainment companies, announced plans to develop a live-action, theatrical film based on the iconic Archie Comics characters, bringing Archie and his friends to life, Bollywood-style.

    The production, which will be the first international comic to be translated for Indian screens, is in the early stages with an official release date to be announced. The companies have begun taking initial steps toward a modern, entertaining screenplay that will surely resonate with longtime Archie fans in India and beyond. The Bollywood film will reimagine the classic characters like Archie, Betty, Veronica, Reggie, Moose and Jughead as Indians and will feature all the classic elements of the hugely popular comic book series.    

    “We are supremely excited to partner with the great team at Graphic India to bring Archie and his friends to Bollywood,” said Archie Comics CEO Jon Goldwater. “Archie’s lasting and growing presence in India made this move the logical next step as our stellar library of characters continues to expand into other media. It’s a major moment for Archie and its fans around the world.”

    “Archie, Betty, Veronica and Jughead have been a source of inspiration for numerous Bollywood films over the years, and now it’s time to take them fully into Bollywood in an exciting new twist of a story that we have planned,” said Sharad Devarajan, Co-Founder & CEO of Graphic India. “These characters have held a special place in the hearts of Indians for decades and we have no doubt that the new Indian cast of Archie and the gang will be an exciting moment for the country.” 

    Archie Comics is enjoying tremendous success with the hit TV series Riverdale, which launched in 2017. The company also recently announced with Netflix the upcoming Untitled Sabrina Series. Archie Comics have sold over 2 billion copies worldwide and are published in over 17 languages in over 55 countries.

  • Cartoon Network wins big at FICCI 2018

    Cartoon Network wins big at FICCI 2018

    MUMBAI: Turner’s leading kids’ entertainment channel, Cartoon Network wins multiple awards at “FICCI Frames – Best Animated Frames (BAF) Awards 2018”. BAF awards stands for excellence in animation, visual effects and gaming and are considered as the most prestigious recognition for creative talent in this field.

    The Cartoon Network India team walked away with ‘Lamput’ winning in the best animated episode (Indian) category and ‘Roll No. 21- Kris Aur Ulta Pulta Time’ winning in the best animated film (Indian) category. Turner India was also nominated in a diverse set of categories at FICCI this year with ‘Andy Pirki’ for the Promo Film (Indian), ‘Bill Tony–Spicy’ for Animated Episode (International) and ‘Roll No. 21- Kris Aur Ulta Pulta Time’ for Animated Film (International).

    This is fourth year in a row that Turner original content has won at FICCI Frames. Cartoon Network’s short series ‘Lamput’ won the prestigious critics’ choice award as the best case study in the Animated Frames category in 2017. Cartoon Network won Best Animated Film for its Roll No. 21 – Kris in Bollywood in 2016 and Best Animated Film for Roll No. 21 – Ticket to Australia the year before.

    Always at the forefront in offering responsible yet engaging content, Turner India ensures to provide unparalleled family entertainment to its fans on Cartoon Network.

  • Tuzki inspires Manish Arora Collection at Paris Fashion Week

    Tuzki inspires Manish Arora Collection at Paris Fashion Week

    MUMBAI: After winning millions of hearts in China, Turner’s massively popular emoticon, Tuzki, is ready to take the international world of glitz and glam by storm! Turner India has announced an exciting collaboration with Indian fashion designer Manish Arora for the international launch of a special Tuzki-inspired collection.

    Launched as a part of Manish’s Fall-Winter collection, called‘Orange is the new Zen’, was unveiled at the mecca of international fashion trends, the prestigious Paris Fashion Week. This year marks a milestone for the veteran designer, celebrating 10 glorious years of showcasing stunning designs at one of the world’s most revered fashion week.

    Commenting on the collection launch, Manish Arora, India’s leading fashion designer said, “It feels great to partner with an iconic brand like Tuzki. This unique collection was inspired by this special rabbit. He personifies a composed, relaxed yet a cool lifestyle, one that is similar to mine. The collection is a story of Tuzki’s day in Paris where he is seen meditating below the Eiffel tower, chilling in his room with a glass of wine and watching nature from the window, highlighting the fascinating character that he is! Being a Tuzki fan, it’s a pleasure to be a part of his world now, in my own way.” 

    The collection, including t-shirts, dresses, jackets, pants, sweat shirts and accessories like backpacks, pouches and clutch bags, inspired by the rabbit, will be widely promoted and available for sale across Manish Arora Fashion stores in China, Tuzki’s home country, before bringing it to the Indian market.

    Clement Schwebig, Turner Asia Pacific’s Chief Financial Officer and Senior Vice President of Business Development, Licensing and China, added, “It’s an exciting time for us, with t​wo powerhouse brands coming together to showcase Tuzki to a new audience of fans​. Paris Fashion Week serves as the perfect international platform to unveil a first glimpse of Manish’s Tuzki-inspired collection.”

    With quirky movements and humorous body language, groovy dance moves and a penchant for milk, the mischievous bunny quickly became an internet sensation in China. Flitting from cheekiness to profound thoughts, Tuzki’s moods have reflected those of millions of people through emoji, gifs, animations and stickers on various platforms.

    Embodying these unique traits and features of the emoji star, the collection is a unique dove-point between Tuzki’s quirky characteristics and Manish’s astute craftsmanship. The collection features apparels and accessories that puts the spotlight on Tuzki’s funny traits and peculiarities through the fashion designer’s quintessential creativity and play on colours. This collaboration is all set to elevate Tuzki’s presence to an unprecedented international scale, expanding his popularity beyond the China market.

  • Disney to spin Aladdin’s magic Broadway style

    Disney to spin Aladdin’s magic Broadway style

    MUMBAI: After Beauty and the Beast Broadway-style musicals in 2015 and 2016, Disney has rolled up its sleeves for another musical in Aladdin for an India production. BookMyShow (BMS) has exclusive rights for distributing this Disney hit and is also producing the show. The musical will premiere at Mumbai’s National Centre for the Performing Arts (NCPA) on 20 April 2018.

    Sponsored by PayPal, the show will also travel to Delhi and Hyderabad. BMS CEO and founder Ashish Hemrajani said that the initial price of the ticket would be around Rs 750 with weekday prices differing from weekend ones. Opening with 13 shows, the musical will be reimagined by the Indian talent to make it locally relevant without losing the original essence of the Broadway show.

    Marketing will primarily focus on BMS’s existing customer base while also leveraging traditional media routes. Show locations are decided by BMS depending on demand, said Disney India head (live entertainment and local content studio) Vikranth Pawar. Cities with a large English-speaking population or with love for English entertainment content will accept the show.

    Disney India country head Abhishek Maheshwari added, “Disney stories are timeless and have a special meaning for everyone in the family. Stories like Aladdin and Beauty and the Beast are universal and can engage fans everywhere. In India, we are committed to developing world-class entertainment that families can relate to and become a part of their everyday lives. We partnered with BMS, given their deep understanding of the local audience and their quality of consumer engagement.”

    The Indian production boasts of extravagant sets, costumes, choreographed sequences, mesmerising special effects and the flying magic carpet, which will instantly transport the audiences into the magical world of Agrabah. Over 50 performers will weave the story on stage taking the viewers on the adventures of Aladdin and making this musical a unique experience.

    The show is originally produced by Disney Theatrical Productions that features music by Tony Award and Alan Menken. (Beauty and the Beast, Newsies, Sister Act, Little Shop of Horrors), lyrics by two-time Oscar winner Howard Ashman (Beauty and the Beast, The Little Mermaid) and three-time Tony Award and three-time Oscar winner Tim Rice (Evita, Aida).

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  • Nickelodeon announces 2018 kids’ choice awards nominations

    Nickelodeon announces 2018 kids’ choice awards nominations

    MUMBAI: Nickelodeon today announced the superstar nominees and a one-of-a-kind performance for the highly-anticipated 2018 Kids’ Choice Awards. Celebrating kids’ favorites across movies, television, music and digital, this year’s nominees include: Dwayne Johnson, Gal Gadot, Beyoncé, Kevin Hart, Taylor Swift, Camila Cabello, Luis Fonsi, Shawn Mendes, Zendaya, Chris Pratt, Khalid, Cardi B, Selena Gomez, Millie Bobby Brown, Kendrick Lamar, Justin Bieber, Harry Styles, Chris Hemsworth, Ed Sheeran, Coco, Jumanji: Welcome to the Jungle, Guardians of the Galaxy Vol. 2, and Wonder Woman, among others. WWE Superstar John Cena returns as host of Nickelodeon’s 2018 Kids’ Choice Awards on Saturday, March 24, at 8 p.m. (ET/PT), live from the Forum in Inglewood, Calif.

    Nickelodeon star and social media sensation JoJo Siwa will perform a medley of hits, including her triple-platinum smash “Boomerang,” with has garnered over 500 million views on YouTube.

    Said Siwa, “I am so excited about this year’s Kids’ Choice Awards. Not only will I be performing for the first time at the KCA’s, but I am also super excited about my nomination for Favorite Musical YouTube Creator. Bring on the slime, I am soooooo ready!!”

    Beginning today, Nickelodeon will roll out a brand-new, four-week voting wave, where new categories will be revealed each week leading up to the show. Kids can cast their votes on Nickelodeon’s digital site kidschoiceawards.com, using special KCA hashtags and the hashtag of their favorite nominee. In addition, kids will have the chance to influence the show in real time with all-new live votes.

    Fans can go to kidschoiceawards.com, the official destination for everything Kids’ Choice Awards, for hilarious videos, trivia, polls, word scrambles, and photos, and to get the latest KCA news on this year’s show, nominees and attendees.

    Sponsors of Nickelodeon’s 2018 Kids’ Choice Awards include Barbie®, Cinnamon Toast Crunch ™, Lysol®, Swiffer®, Toyota and Walmart. The presenting international sponsor for the 2018 Nickelodeon’s Kids’ Choice Awards is Heelys.

    Stay up to date on all Kids’ Choice Awards news by liking Nickelodeon on Facebook and following @Nickelodeon on Twitter and Instagram.

  • Sony YAY! announces its unique engagement to celebrate Holi with its fans

    Sony YAY! announces its unique engagement to celebrate Holi with its fans

    MUMBAI: It’s that time of the year when the children’s thrill-o-meter is at its peak; when the vibrancy of colours takes over their lives and the euphoria of festivities leaves them with their happiest memories! Yes, it’s time for HOLI, undoubtedly the most loved festival amongst children. This Holi, Sony YAY! promises to sprinkle joy and happiness into the lives of their little fans along with huge dozes of colour, masti and madness. The channel is giving its colour-laden aficionados an opportunity to feature on television alongside their favourite toons, making it a Holi celebration like never before.

    To be a part of this unique Holi Ki Toli contest, the channel is asking children to send in their Holi celebration pictures on Facebook or on their official website. Sony YAY! will bring together these fun-filled photographs, put a funky Holi filter and present those pictures on-air during the Holi weekend, giving kids a chance to soak themselves in colour both on and off-screen.

    ‘Holi Ki Toli’ contest is now live, promising a colourful and fun-tastic celebration for children across the country. So hurry, send in your pictures, get coloured and stand a chance to be on Sony YAY! on 03rd and 4th March 

  • Bandbudh aur Budbak helps catapult Discovery Kids ratings by 112%

    Bandbudh aur Budbak helps catapult Discovery Kids ratings by 112%

    Discovery Kids’ new show Bandbudh aur Budbak has helped in propelling the TV ratings of the channel to a historic high in the country. Discovery Kids garnered 17,479 GTVTs* for week 7 as per BARC (Age group 2-14, India Urban) more than double the average 8229 GTVTs* garnered by the channel in the preceding 3 weeks. The reach for Discovery Kids has grown from 8.5 Million to 10 Million, while TSV has almost doubled from 28 minutes to 52 minutes*.

    Speaking on the occasion, Discovery Communications India, Head – Discovery Kids, Uttam Pal Singh said, “Our insight that everyone loves naughty kids is proving to be correct with the success of Bandbudh aur Budbak.  In just 5 days, this show has helped us in delivering historic high GTVTs– the number will go up further once full 7 days of Bandbudh aur Budbak data is captured next week. We hope that love for the characters grows further in the coming weeks. This success has given us a good platform to launch Little Singham in April later this year.”

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    Bandbudh aur Budbak follows the fun school life adventures of two best friends, Badrinath and Buddhadeb who often land in trouble because of their antics but luck always seem to be on their side and they manage to escape scot-free.

  • Animation sees an uptick despite expensive production

    Animation sees an uptick despite expensive production

    MUMBAI: When it comes to popular content on TV in India, general entertainment channels (GEC) lead the way. Primetime shows are most watched, most-earning and most talked about since the early years of the saas-bahu serials.

    Animation as a genre is sidelined to the kids’ channels but producing it involves tons of cash, which may not necessarily be recoverable so easily. At first, India was content with syndicated content like Tom & Jerry, Mickey Mouse, etc and only in 2008 did we get our most pride-worthy IP Chhota Bheem.

    A media professional quoted the price for producing 2D or 3D animated content to be Rs 10-20 lakh or above for one 11-22 minute show. Initial episodes entail an even higher spend at Rs 20 lakh. The cost depends on the number of characters, background, etc. Another professional estimated it to be between Rs 30-50 lakh for shows that top the chart. If we produce it with the intent of selling it to the overseas market, the investment could skyrocket to Rs 1 crore. Compare these staggering numbers with just Rs 7-8 lakh needed for a single GEC episode.

    Green Gold Animation chief strategy officer Srinivas Chilakapudi said that GECs will raise the cost depending on the quality they wish to achieve. With Netflix and Amazon bringing in high value content, TV channels will be compelled to add visually appealing elements as well. He says that the case is similar with animation.

    It took a while for producers to realise that owning IPs was more profitable than syndicating animation content. However, Green Gold has a balance of local and syndicated shows. By playing shows at different times and watching where the ratings come from, the production house does its budgeting. Older shows like Luv Kush or Arjun are syndicated at a lower price.

    GEC ad rates are four times that of kids’ channels due to the viewership they command. Brand-building founder Ambi Parameswaran says, “It will be a much lower cost per thousand to reach kids through channels focussed on them. Obviously, GECs have huge barriers to entry and while they may deliver good number of kids, you are also reaching homes without kids.”

    He says that as the penetration of TV grows, there will be a growth of sub genres like kids, sports, religion, travel etc. There has also been a growth of Indian language niche channels that will further lead fragmentation of audiences. “Surprisingly multiple TV homes are still a rarity. I expect this to change in the next five years. From the current low level of multiple TV homes (less than 5 per cent) we can expect this to go beyond 15 per cent in the coming decade,” says Parameswaran.

    Viacom18 kids entertainment head content Anu Sikka says that kids love animation as it allows them to step into an imaginary world with their favourite characters. “Kids love stepping into Furfurinagar with Motu Patlu or riding a cycle in Vedas city with Shiva. Also, the repeat value of animation content is high, which increases the shelf value of the show. This, in turn, allows broadcasters to produce hours of original content that can be played on the channel for years bringing in a great success thereby reducing the cost average.”

    She further added that connect of an original Indian show with Indian characters is higher given that there is better connect and relatability to the environment. “Also creating content locally and owning the IP’s gives us more control over the creative of the show, which then can incorporate the local sensibilities thus making the show more endearing to the audience.” She added that the turn-around time for local show is much faster compared to international shows, which is the need of the hour, especially in India, as today kids are always looking for refreshed and newer content. Today, there’s a dearth of international shows, which has a strong universal appeal and which can match the success of some of the earlier acquisitions like Ninja Hattori or Oggy and the Cockroaches. “If we own the IP, it opens up more streams of revenue for the broadcaster, especially in CP, digital platforms, licence products, etc.”

    In an earlier interview, Shemaroo Entertainment head-animation business Smita Maroo and Green Gold Animation VP-content sales Bharath Laxmipati agreed that anything that is made for the own territory is far more expensive than syndicated content.

    Sikka also agrees with Maroo and says that today there’s a strong potential as the content is being viewed on multiple platforms world over in various languages. “If the content and the characters are universal enough, the potential of them being acceptable in the international market goes up substantially.” She said that an Indian show, Pakdam Pakdai was renamed as Rat-a-Tat and was sold to 30 territories worldwide, the concept was developed by Nick and executed by Toonz animation.

    Vaibhav More Films founder Vaibhav More takes a different view. He said that GECs are expensive than animation production. “In GECs the actors are charged high. Not only this, the equipment costs, editing, post-production activities, etc are also taken into consideration.” He feels that some stories live longer via animation.

    When asked about the ways you keep the production cost low, Sikka said that today it’s increasingly becoming difficult to keep down the cost of animation series in India as there’s been a surge in demand for local animation content in India. This requirement for local content is coming not just from the broadcasters, but also from digital platforms as kids are consuming content from all these mediums. “There’s also a shortage of big animation studios which can deliver the product from scratch to the end while maintaining a certain benchmark in terms of quality,” she says. She further added that one way to control the cost is by commissioning and committing to a certain number of episodes, which allows the studios to re-use the assets which in turn keeps the cost in control. “The other option that can always be explored is to go with 2D animation, which is cheaper in comparison to 3D show, provided the concept allows you to do so.”

    Though animation is a more intense and cost-expensive content, broadcasters and creators see potential in it, especially with the growth of digital and the global reach that popular ideas are likely to get.

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  • Nickelodeon all set to de-stress kids this exam season

    Nickelodeon all set to de-stress kids this exam season

    MUMBAI: Exams are right around the corner and Nickelodeon, India’s leading kids’ entertainment channel with its exciting new campaign is all set to help kids unwind during these stressful times. The franchise is all set to flag off a high-octane campaign, Nickelodeon ‘MASTI KA TIME TABLE’ and Sonic ‘SHIVA BANAYE EXAMS COOL’ to make sure that this exam season also becomes memorable for the students.

    Powered by United Colors of Benetton, the campaign will be brought alive on-ground by a high decibel school contact program across 250 schools spanning over eight cities over the next few weeks. The franchise is all set to make exam time stress-free through an engaging and exciting line up of activities which will help kids develop presence of mind and study smart. The campaigns ensure that children achieve balance between their study while simultaneously forgetting exam despairs and de-stress for a while.

    Nickelodeon’s MASTI KA TIME TABLE’ will see series of entertaining promos showcasing various fun ways to deal with exam stress. With this campaign, the channel aims to help kids plan their day better with regular breaks ensuring there is balance between study and play. The series of fun promos coupled with a robust digital, social media and on-ground presence is designed to engage with the young viewers at different touch points.

    On Sonic, “SHIVA BANAYE EXAMS COOL” will provide children smart tips from Shiva to stay cool by following simple exam rules! Armed with easy exam tips Shiva is all set to add a fun element to the stressful season. Kids need to tune in to Sonic every evening from 5:30 – 6:30pm and answer simple questions and stand a chance of winning exciting prizes from their favorite toon, Shiva.