Category: GECs

  • Sun TV’s petition against NTO 2.0 adjourned for three weeks

    Sun TV’s petition against NTO 2.0 adjourned for three weeks

    MUMBAI: While Sun TV Network had challenged the Telecom Regulatory Authority of India’s (TRAI) recent amendments to the New Tariff Order (NTO 2.0) in the Madras High Court in January , the ongoing matter has been adjourned by three weeks.

    The matter has been adjourned automatically by the Chief Justice as only urgent matters will be taken up under the current circumstances.

    “There was absolutely no material available either scientifically or legally assessed that could support the introduction of the tariff,” the petition said. The broadcaster also said that the regulatory body had amended NTO without consulting the broadcasters.

    The Indian Broadcasting Foundation (IBF) also filed a writ petition against the regulatory body seeking a stay on the implementation of the recent amendments to the New Tariff Order in the Bombay High Court. However, the verdict is still awaited.

     

  • Shooting of TV shows, digital originals & films halted from 19 March to 31 March 2020

    Shooting of TV shows, digital originals & films halted from 19 March to 31 March 2020

    MUMBAI: Various stakeholders of the Indian entertainment industry have taken measures to prevent the spread of the Covid-19 pandemic. Different bodies of television, directors and producers have decided to stop shooting of films, TV serials and web series from 19 March 2020 till 31 March 2020.

    The decision was taken in a joint meeting of Indian Motion Pictures Producers' Association (IMPPA), Western India Film Producers' Association (WIFPA), Indian Film and Television Producers Council (IFTPC), Indian Film & Television Directors' Association (IFTDA) and Federation of Western India Cine Employees (FWICE) held on 15 March 2020.

    “In view of the epidemic spread of Covid19 virus throughout the world, including India, an urgent meeting of IMPPA- WIPFA- IFTPC-IFTDA- FWICE held on 15 March 2020 unanimously decided to stop shootings of films, TV serials, web series and all other entertainment including digital formats from 19 March 2020 till 31 March 2020 as a result of health advisory, closure of all cinema halls, all sporting, educational institutes and entertainment events by the government of India which has declared a medical emergency over the Corona Virus. We appreciate and support all the steps taken by the government of India to control the virus,” said IMPPA.

    The association further says, “All units shooting till the stoppage comes into force have been strictly advised to follow all precautionary and preventive measures without fail. Decision about re-starting shootings shall be taken on 30 March 2020 after considering the prevailing situation.”

    TV broadcasters too are taking utmost measures to avoid gatherings on the sets.  

    A Zee spokesperson says, “In view of the growing concern regarding the COVID-19 outbreak, Zee TV is putting a temporary halt to on-sets for the safety of all the members of the media. Apart from on-sets, no bytes or special stories will also be allowed, unless prior committed and lined up for a particular day. This is being done as a precautionary measure and as soon as the situation improves, we shall resume onset access.”

    Abhinav Khare, CEO of Asianet News Group, said that every effort has been taken to ensure that the employees are safeguarded and their health protected. 

    "However, being media companies, we cannot adopt the work-from-home option. There are studios and equipment. Ours is a live medium. So whatever is happening and whenever is happening, reporters have to go to the spot and report," he said.

  • ZEE Business breaks all records on Budget Day 2020

    ZEE Business breaks all records on Budget Day 2020

    MUMBAI: After ZEE Business broke all records on viewership for 1st Feb. 2020, well wishes from viewers and icons of India Inc. have not stopped pouring in. For the first time ever in Business News genre, ZEE Business replaced competition. Below are some eye-opening facts that were accomplished on Budget Day:

    •    ZEE Business achieved a share of 35.8% versus CNBC Awaaz (31%); CNBC TV18 (25.7%); ET Now (7.5%)

    •    ZEE Business is Number 1 on all fronts – during Market Hours, during FM Speech, All India Markets, whole day 0600-2400hrs 

    •    ZEE Business achieved a market share of 58% during the FM Speech in Hindi Business News

    Source: BARC; HSM; All 22+ Male ABC; 01-02-2020; 0600 to 2400 hrs

    Mr. Rajnish Kumar, Chairman of SBI ; N.Chandrasekaran, Chairman of TATA Sons; Arun Nanda, Chairman of Club Mahindra ; Mahesh Shah, General Manager & Head – Public Relations at HDFC Limited; Yuvraj Mehta, Head – Corporate Brand Management at L&T;Amisha Vora, Joint MD of PrabhudasLilladheramongst many others congratulated Mr. Anil Singhvi, Managing Editor – ZEE Business on this achievement.

    ZEE Business' budget day coverage was led by its Managing Editor Anil Singhvi who was on air with his panel of experts for more than 12 hours. Singhvi, with his team of experts, broke breaking news and gave market insights as the finance minister went on to present the Union Budget.Singhvi was full of praise for his panel after the data revealed that ZEE Business has emerged as the most watched channel on Union Budget day. Singhvi said that when you put together such a fine 'Budget Cafe', featuring some of the best names from the industry, the viewers will automatically get glued to the channel."On the biggest day for Bazaar, Business, Industry and Economy, ZEE Business emerged as country's favourite channel," Singhvi tweeted, while thanking the ZEE Business viewers for their love, trust and support.

    ZEE Business continues to create milestones and give the viewer Value in all forms.

  • Star Jalsha to launch cookery show ‘Rannabanna’ on 16 March

    Star Jalsha to launch cookery show ‘Rannabanna’ on 16 March

    MUMBAI: Star Jalsha has come up with a new delicious offering for its viewers. It is all set to host “Rannabanna”- a one of a kind cookery show which will teach the viewers an array of new delicacies from across the world including local delicacies which they can cook and relish with family and friends.

    Capturing the love for food, Rannabanna, is a unique cookery show featuring a grandmother as the show host. In every episode the lovely grandmother will whip up two mouthwatering dishes for her foodie grandson. The recipes will have a traditional touch, revealing grandmother’s way of cooking as well as contemporary dishes well suited to the changing taste of the new Bengali. The warm, fun filled grandmother-grandson relationship with their common love for food will be seen for the very first time on television screen.

    Star network regional entertainment CEO Kevin Vaz said, “We are supremely attentive to the continually evolving tastes of our audience. In step with their discerning preferences, our new show, Rannabanna, promises to bring a new dimension to the otherwise routine cookery shows. We are delighted to have Adani as the presenting sponsor for Rannabanna, wherein their products under the brand Fortune, will be showcased. As a strategic partner, we look forward to a long-term association with them on the project.” “We are confident that this concept will appeal to the taste buds of our audience.”, he added.

    The show is being produced by Windows Production one of Bengal’s leading production houses. Windows has produced multiple successful cookery shows in the past featuring celebrities. Windows has also recently produced the blockbuster filmPosto, capturing the warm relationship between grandparents and a grandson.

    Fortune Rannabanna features popular actress Tanima Sen,who will be seen as the grandmother and Star Jalsha’s popular character “Gopal bhar” aka Raktim Samanta as the grandson. While Tanima adds to the love and warmth of the show, Raktim in his innocent style adds to the fun factor of the show through light hearted banter.

    Adani has come on board the show as ‘Presented by’ Sponsor showcasing their plethora of products under the umbrella brand Fortune in an integrated manner in the show. Adani Wilmar deputy chief executive officer Angshu Mallick said, "Fortune Oil always stood by the philosophy that there is nothing like home cooked food. We found Rannabanna as a concept fresh, engaging and it takes the brand ahead. The show puts the kitchen at the centre of the home and Fortune at the centre of the kitchen.With Star Jalsha and Rannabanna we found a unique proposition to reach out to the food loving Bengali audience in the true Fortune way.”

  • Hindi GEC women-centric shows highlight crucial issues around women’s day

    Hindi GEC women-centric shows highlight crucial issues around women’s day

    MUMBAI: Over a period of time, Hindi GECs have made many attempts to show the female protagonist in a stronger character. From Tulsi of Kyunki Saas Bhi Kabhi Bahu Thi and Parvati of Kahaani Ghar Ghar Ki solving their domestic issues in the shows to Anandi of Balika Vadhu fighting for her basic rights to Mini of Patiala Babes addressing issues faced by women channels have made sure to portray women characters in a better way which is more relatable and also inspires many women viewers and convey a strong message in the society.

    Viacom18 Hindi Mass Entertainment chief content officer Manisha Sharma said, "Colors believes in leading the content curve, more so when it comes to women-centric programming. Over the years, we have given Indian television some of the most iconic women characters who are impactful and empowering. Our current line-up of shows have Meher of Choti Sarrdaarni, Pinky of Naati Pinky Ki Lambi Love Story, Bondita of Barrister Babu, Heer of Shakti.. Astitva Ke Ehsaas Kii who embody the spirit of womanhood and are a true inspiration.”

    This year, United Nations celebrates Women’s Day with the theme of ‘Each for Equal’, which upholds that an equal world is an enabled one. It is unfortunate that women are still judged and constantly made to feel awkward for something as frivolous and insignificant as a ‘peeking bra strap’. Viacom18’s youth and entertainment channel MTV has launched a campaign Baar Bra Dekho to normalise conversations around bra straps and slam the judgemental eye rolls on a woman’s peeking strap.

    The campaign kickstarted with a series of engaging content on social media and grabbed the attention of the viewers, asking them to talk it out and share their stories of strap shaming. It also went out into the crowd to understand the perception of uncles, aunties and youngsters alike on peeking bra straps.

    The channel’s show Nishedh will also addressed relevant issues on Women's Day. “Since inception, Viacom18 has worked towards identifying differentiated content that cultivate positive social change through its storytelling. MTV Nishedh looks at issues that have been brushed aside under the garb of stigma too long in ignorance. These are issues such as safe sex, consent, safe abortion, malnutrition and TB, which impact women. Through relatable and close to reality characters, the show answers some pertinent questions of concern. The lead female character of Aastha Gunawat unravels many facets of the young woman of today. A risk-taker at the age of 21, Aastha deals with challenges in her new journey, looking to make a name for herself.  MTV Nishedh gives a voice to concerns that are suppressed by patriarchal conventions with a strong narrative that engages and relates to the youth,” said Viacom18 corporate marketing, communications and sustainability head Sonia Huria.

    In line with the brand philosophy of Sony Entertainment Television, which values partnerships, this year’s Women’s Day campaign highlights gender equality #SheEqualsHe. The campaign thought stems from a very critical question – What do women really want? Instead of opening the car door for her, it’s time to open our minds; instead of giving her a reserved seat in a bus or metro, it’s time to make her feel safe when she’s travelling. Instead of saying ‘Ladies First’, it’s time to say ‘we are equals”. It’s time to say #SheEqualsHe.

    Link of TVC:

    https://www.facebook.com/sonytelevision/videos/207311794014138/?epa=SEARCH_BOX

    Sony Entertainment Television’s show Patiala Babes starring Ashnoor Kaur, Sourabh Raaj Jain and Saisha Bajaj truly believe that no child should grow up in the spectre of violence and abuse and this very thought has been incorporated in the form of an interesting track around ‘Good Touch and Bad Touch’ within the show. Patiala Babes has always been at the forefront of educating its viewers through its progressive narrative, be it women empowerment or establishing one’s identity in the society or even pay parity.

    In the show, Mini (Ashnoor Kaur) will be seen teaching her younger sister Aarya ( Saisha Bajaj) about the concept of ‘Good Touch and Bad Touch’ after one of her friends in the school has a bad experience with the school Peon. Post the incident Arya is in a state of shock and reluctant to talk about it to anyone. Mini takes charge and not just ensures proper guidance to Arya but also fights back with the support of other ladies of her mohollah through a campaign #ChuppiNoMore.

    To celebrate Women's Day the channel’s The Kapil Sharma Show will have all women cast of Devi on Sunday, 8 March.

  • Sony TV rides on ‘brandwagon’

    Sony TV rides on ‘brandwagon’

    MUMBAI: Normally, viewership plays an important role for broadcasters because that is what tells them whether viewers liked them or not. But, viewership may not be the sole determining factor in creating a brand perception among people, if the recent announcement of the ‘most desired brands 2020’ by Trust Research Advisory (TRA) is an indication. The weekly data of BARC India ratings put Sony Entertainment Television (SET) at the fourth or fifth position. However, the channel has entered the TRA’s top 20 India’s most desired brand 2020 at fourth position.

    TRA’s ‘most desired brands’ is a measure of the consumer’s perception of their expressed desire about brands they love. It lists those brands which have striven hard to woo their customers with a long-term relationship in their minds and hearts.

    The TRA’s report says: “At fourth rank is Sony TV with a small 7 per cent DI (Desire Index) difference from its predecessor. Sony TV, a Hindi GEC, makes a dramatic entry with massive jump of 594 ranks over the previous report. One of the country’s earliest Hindi TV channels, Sony TV has stayed relevant to the audience by evoking with their entertainment offering and a differentiated palette to maintain freshness.”

    TRA research director Sachin Bhosle said: "It is the first time that we have included 50 per cent housewives and 50 per cent working women in our women's sample. And we saw a great change in top brands. You have Sony TV entering the top 10, which was never the case earlier.”

    Bhosle explained that the TRPs are made of tangible things that are measured. Brand trust or desirability is based on intangible sides of the brand. “It is how it communicates with the audience, the way it creates aspirational value, the way it has a rationale behind it, and what is the aspirational value it is trying to create. That's all what is probably more important."

    Sony Entertainment Television Business Planning and Communication head Amit Raisinghani says: “We are pleased to see Sony Entertainment Television placed at fourth position amongst the Top brands in the recently released list of TRA’s most desired brands 2020. Perhaps, the clarity that we have with respect to the purpose of the brand and for whom the brand is meant for has helped us drive relevance, engagement and desire amongst our viewers. Our brand is a manifestation of our people, culture, relentless consumer focus and the premium that we put on creative talent. We hope to continue our relentless pursuit to delight our viewers with compelling content.”

    “There is a brand perception in the market that comes from what is its brand value. In case of Sony, when the channel aired KBC and Indian Idol, they did well in the BARC data. Brand perception and viewership is different; one is the brand love and trust and the second is the viewership, i.e. from the rating perspective which is as per the kind of content the channel is playing. There is a lot that Sony as channel does from the audience’s responsibility perspective which also plays a big role in brand perception. Sony as a channel cares and connects itself to social responsibility and that itself plays from the brand perception’s perspective,” opines Havas Media Group CEO India and South East Asia Anita Nayyar.

    Carat India executive VP Mayank Bhatnagar says: “Congratulations to Team Sony! It is great to see a TV channel brand scores the fourth position and gets featured in top 50. Viewers’ behaviour, habit and preference have evolved and this has resulted in a major shift in the way people consume content. Consumers today want to consume relatable and relevant content. Sony TV has got the mix right and it has helped them build a strong connect with urban viewers.”

    Bhatnagar, however, believes that this will not help the channel in attracting more advertisements as the media planners will continue to evaluate channel performance on the basis of viewership data.

    He says: “The Sony TV viewer profile is more skewed towards higher NCCS and urban. If we see the trends for the past few weeks, their viewership and ranking at All India and Urban market level has stayed consistent. The channel has built an unwavering trust through varied content. It's important to be consistent and innovative. This will help them further strengthen the brand and go from strength to strength.”

    Joel Multimedia founder-CEO Varghese Thomas comments: “Sony TV is the favourite choice of many advertisers and agencies irrespective of the numbers being delivered by the channel. In a media plan, the channel really helps to build reach in a big way. It's dominance in the male-oriented programmes is also commendable.  So, it really does not matter whether the channel has featured in the top ranking or not. Also, beyond numbers, the channel's intend to continuously invest in new shows tells us that they are serious about what has been offered to the television viewers across all genres. This announcement about the channel being featured on the fourth rank of TRA's most desired brands is a great achievement as far as the brand is concerned and will have a chance to attract more business.”

  • Colors’ new drama series ‘Pavitra Bhagya’ to premiere on 2 March

    Colors’ new drama series ‘Pavitra Bhagya’ to premiere on 2 March

    MUMBAI: Colors’ upcoming drama series, Pavitra Bhagya will premiere on 2 March. The show will highlight the complexities of three connected lives as they cross each other's path by the stroke of destiny. Produced by Balaji Telefilms, Pavitra Bhagya will air every Monday to Friday at 10 pm.

    Viacom18 Hindi mass entertainment and kids TV network head Nina Elavia Jaipuria says, “At Colors, we always aim to present stories and characters which are immersive, imaginative and intriguing. With Pavitra Bhagya at 10 pm slot, we present to viewers a distinctive portrayal of relationships in today’s modern world. The unusual journey of three characters will definitely strike the right chord with the audience and further strengthen our weekday fiction line up.” 

    Reyansh (played by Kunal Jaisingh) is a rich, flamboyant boy who doesn’t believe in committing to relationships. Pranati (played by Aneri Vajani), is a girl with solid middle-class values and high morals. The one time she decides to let her heart lead the way, she falls in love with Reyansh but eventually is left scarred and broken. Eight years later, oblivious to the existence of her child from Reyansh, she decides to move on, but destiny has other plans in store for her. Unknowingly, she crosses path with her daughter Jugnu (Vaishnavi Prajapati), who she thought she had lost while giving birth. Jugnu who like a firefly finds light in the darkness has over the years learned to emerge stronger from everything that life has put her through in an orphanage. In the ordinary course of life, people fall in love, get married and have kids in that order. Here, a child will begin a story, but will it ever lead to love? Will Jugnu be able to make a family with Reyansh and Pranati? 

    Viacom18 Hindi mass entertainment chief content officer Manisha Sharma says, “Love often comes with complexities and what can add to it is a broken past. With Pavitra Bhagya, we present to viewers the journey of not one but three central characters who they will strongly connect to. Pranati’s calm and composed yet strong nature will make viewers fall in love with her, Jugnu’s hardship will be an inspiration and Reyansh’s attitude will be a reminder of a young and carefree life. COLORS and Ekta Kapoor has time and again created magic on the small screen, with this beautiful portrayal of love and relation, we are looking forward to another successful inning.

    Balaji Telefilms producer Ekta Kapoor said, “With Pavitra Bhagya, our aim is to narrate an intriguing story of three individuals divided by circumstances but brought together by fate. Challenging status quo and shattering stereotypes, Pavitra Bhagya will showcase a story of how a child becomes instrumental in bringing two people together. The show will feature myriad shades of characters that are nuanced and relatable. We had a great time conceptualising the show and are certain that the journey of each of these characters will keep the audience intrigued and engrossed.” 

    Pavitra Bhagya boasts of a terrific cast that includes Kunal Jaisingh, Aneri Vajani and Vaishnavi Prajapati in the lead. The supporting cast includes Sherrin Varghese who plays Reyansh's Father, Vibha Chibber as dadi Baljit Kaur. Accompanying them are Ajay Chakraborty as Praniti's father and Ruma Rajni as Pranati's mom. 

    The launch will be supported by a robust marketing plan which includes television, print, DTH, cinema, and digital. On the digital front, the channel has designed a series of interesting activities to engage with the viewers. Focussing on the show’s concept, an Instagram predictor filter will be introduced to predict destinies. This will be based on the predictions that are related to the theme of the show, promoting it in a digital first and fun way. Additionally, a series of videos with Woodstock Witch, a renowned tarot reader will also be introduced to tell people about their zodiac’s Bhagya for the week.

  • Star Jalsha celebrates 500 episodes of Irabotir Chupkotha

    Star Jalsha celebrates 500 episodes of Irabotir Chupkotha

    MUMBAI: Irabotir Chupkotha, one of Bengali television’s most popular shows, has recently completed 500 episodes.

    A unique plot coupled with a stellar cast can only result in a successful mega serial. Irabotir Chupkotha, produced by Acropolis Entertainment is a sparkling example of this instance.

    Monami Ghosh and Syed Arefin as Ira and Akash,have brought to life two characters that embody the spirit of Chalo Paltai. Two individuals in their late thirties with contrasting dispositions, eventually find solace in each other’s company.

    With Irabotir Chupkatha – Bengal witnessed the journey of Iraboti and Akash who had conditioned themselves to lead mundane lives until they fell for one another and realized that it is never too late to give love a second chance.

    Soon after its launch in August 2018,Iraboti made her nest in the hearts of the women in Bengal. They loved, laughed, cried and rejoiced together.

    As the story took an 18-year leap, we saw Monami Ghosh in a double role- playing the titular character- Iraboti as well as Saloni- Iraboti’s long-lost daughter.

    There are major twists and turns awaiting the viewer as the show progresses post the leap. The viewers are invited to tune in every Monday to Sunday at 11 pm only on Star Jalsha SD and Star Jalsha HD.

  • ViacomCBS reports $6.871 bn revenue in Q4

    ViacomCBS reports $6.871 bn revenue in Q4

    MUMBAI: ViacomCBS today reported financial results for the quarter and full year ended 31 December. The company’s full year revenue increased 2 per cent, driven by growth in advertising, affiliate and content licensing. Significantly, it reported the first quarterly earnings as a combined company.

    ViacomCBS reported $6.871 billion revenue compared to $7.092 billion in the same quarter of 2018, down by three per cent. The company also mentioned in a press release that transitional Q4 included merger-related expenses. For the full year, it reported revenue of $27.812 billion.

    “In less than three months since completing our merger, we have made significant progress integrating and transforming ViacomCBS. We see incredible opportunity to realise the full power of our position as one of the largest content producers and providers in the world. This is an exciting and valuable place to be at a time when demand for content has never been higher, and we will use our strength across genres, formats, demos and geographies to serve the largest addressable audience, on our own platforms and others,” ViacomCBS president and CEO Bob Bakish commented.

    ‘In 2020, our priorities are maximising the power of our content, unlocking more value from our biggest revenue lines and accelerating our momentum in streaming. With this as a backdrop, we’ve set clear targets for the year and are providing increased transparency around our business to demonstrate ViacomCBS’ ability to create shareholder value today, as we continue evolving and growing our business for tomorrow,” he added.

    In the quarter, affiliate revenue increased one per cent, as strong growth in reverse compensation, retransmission and subscription streaming revenue more than offset declines in the pay TV landscape. Domestic advertising revenue was affected by significant declines in political advertising compared with the prior-year quarter. Domestic Cable Networks’ advertising revenue grew  nine per cent while content licensing revenue declined 11 per cent due to the timing and mix of deliveries.

    On the full year basis, advertising revenue increased two per cent, driven by five per cent growth in domestic advertising sales, reflecting CBS’ broadcasts of Super Bowl LIII and the NCAA Division I Men’s Basketball Tournament’s national semifinals and championship games, as well as higher revenues from Advanced Marketing Solutions which includes Pluto TV, partially offset by lower political ad spend.

    Affiliate revenue grew three per cent, fueled by 20 per cent growth in reverse compensation and retransmission, as well as strong subscription streaming revenue, which more than offset declines in pay TV subscribers.

    Content licensing revenue rose five per cent, reflecting higher revenues from licensing library and original production to third parties. Domestic streaming and digital video business – which includes subscription revenue and digital video advertising – generated approximately $1.6 billion in revenue.

  • Sony MAX to air world television premiere of ‘Marjaavaan’ on 29 February

    Sony MAX to air world television premiere of ‘Marjaavaan’ on 29 February

    MUMBAI: Sony MAX is all set to feature the World Television Premiere of the month – Marjaavaan. The action drama featuring Siddharth Malhotra, Riteish Deshmukh and Tara Sutaria will be showcased on 29th February 2020 at 8PM.

    The film revolves around the love story of a local goon, Raghu (Siddharth Malhotra) and Zoya (Tara Sutaria), a mute music teacher whose world is turned upside down due to the villainous acts of Vishnu (Riteish Deshmukh), the son of an infamous gang leader The film takes a series of heart wrenching twists that results in the death of Zoya. Raghu avenges her death while Vishnu continues to destroy everything Raghu lives for.

    Speaking about his role as Raghu, Siddharth Malhotra says, "Milap, Me and my team first decided to change the physical aspect of Raghu – trying longer hair, a bandana, the matches, tougher, bigger and broader look including the tattoos of every religion in India. I found it cool and really enjoyed it. I've never done something like this before."

    Speaking about her role as a mute Kashmiri Music teacher, Tara Sutaria says, "I spent a couple of months before we started filming to learn the sign language as I wanted it to be 100 percent right. I believe if you're doing something unique like this, you need to do justice to the role. I am really grateful to Milap Sir and to everyone that I could learn this language."