Category: GECs

  • DirecTV inks deal with GCC for ICC Champions Trophy 2006 and World Cup 2007

    DirecTV inks deal with GCC for ICC Champions Trophy 2006 and World Cup 2007

    MUMBAI: Cricket fever will soon grip the US! The direct-broadcast satellite provider DirecTV has reached an agreement with Global Cricket Corporation (GCC) to broadcast two International Cricket Council (ICC) events — the ICC Champions Trophy, to be held in India in October 2006 and the ICC Cricket World Cup, to be played in the West Indies in March 2007.

    Television rights to the two ICC events have been acquired by DirecTV on a non-exclusive basis. DirecTV’s acquisition of international cricket rights has been part of an effort to expand its programming services for the diverse ethnic population within the United States.

    “These are the most prestigious cricket events in the world, and we are proud to offer them to DirecTV customers for the first time ever,” said DirecTV Inc VP International Aaron McNally.

    “With these ICC events and with exclusive rights to six of the ten test-playing ICC members as part of our CricketTicket package, we are cementing our position as the leading distributor of televised cricket content in the United States.”

    News Corp owns approximately 36 per cent in DirecTV. The pricing and packaging for the two events will be announced at a later date, according to an official release.
    “Our agreement with DirecTV is great news for cricket in the United States of America and for the ICC,” said ICC president Ehsan Mani.

    “DirecTV’s coverage means people who might not ordinarily be exposed to cricket will get the chance to watch it. And we hope the opportunity to see the world’s best players in the world’s best tournament, the ICC Cricket World Cup, will lead to a significant increase in the number of people interested in the game in the United States, a country which has tremendous potential for growth in cricketing terms.”

    “We are extremely grateful to DirecTV for their support and look forward to a mutually beneficial partnership with them,” added Mani.

    GCC managing director Ian Frykberg said, “Global Cricket Corporation looks forward to working with DirecTV at the ICC Champions Trophy 2006 later this year and at the ICC Cricket World Cup 2007 next year.”

    Cricket is extraordinarily popular among populations from South Asia, West Indies and many other parts of the world. Since late 2004, DirecTV has been offering customers access to cricket matches via the DirecTV CricketTicket package, the first-ever, year-long subscription TV package for international cricket.

    All other international programming is being offered through DirecTV’s WorldDirect platform, which features 39 channels that deliver a wide variety of new programming in multiple foreign languages, including Russian, Hindi, Tamil, Telugu, Gujarati, Bengali, Mandarin, Cantonese, Vietnamese, Tagalog, Korean, Italian and Ukrainian, to underserved ethnic markets throughout the United States.

    DirecTV customers will need to use a WorldDirect services satellite dish that is capable of receiving both international and English-language programming. In some markets, customers who subscribe to a local channels package will require a second smaller dish.

  • ‘DD Sahyadri has been successfully exploring the pubcaster’s autonomy to unleash useful information’

    Another tranquil evening is setting in the imposing Prasar Bharati complex, situated at Mumbai‘s upscale Worli area.As I enter the DD Kendra Mumbai (DD Sahyadri) office, an eerie silence accompanied by that unmistakable government office aura surrounds me. The staff has slowly started packing their bags, and walking through the vacant corridor, I wonder if that terrible traffic jam has cost me my appointment with the Kendra director Mukesh Sharma.

    Meet the man though and any notions that he oversees a culture of ennui are dispelled. Sharma has just come off major brainstorming session with his key officers. As I am ushered into the spacious cabin, Sharma displays no signs of the fatigue. Over a cup of black tea, that Sharma himself prepared, he switches on the cheerful chat. He has been running the show at the Mumbai Kendra in this fashion since the last six years and the way DD Sahyadri evolved during this phase says it all.

    In the course of the conversation, the former filmmaker‘s uninterrupted journey of six years as DD Sahyadri director is unveiled frame by frame.

    A UP-ITE COMES TO MUMBAI TO LEAD DD‘S MARATHI DRIVE

    I have come all the way from Lucknow to Mumbai to head DD Sahyadri. There was a bit of apprehension in my mind when I took up the assignment. Reason, obviously the language and cultural barriers. To think like a Maharashtrian when it comes to conceptualising and ideating programming sounded a difficult proposition. However, I solved the situation successfully by following the strategy of ideating quality programmes and then banking on the local team to do the job perfectly.

    I also realised that, I could use my film background to my advantage in this position. Being a filmmaker and producer myself, I think in the same wavelength that my producers think and that came as a huge bonus. My career background helped me to interact with my clients in a better way and overall it helped a lot to increase the Kendra‘s productivity.

    THOSE EARLY DAYS

    When I joined on 4 May 2000, DD Sahyadri was in a terrible state then. Poor connectivity, substandard programmes and low grade technical infrastructure had placed us lowest in the Marathi channel chart, behind ETV Marathi, Alpha Marathi (now Zee Marathi), Tara Marathi and Prabhat. I wanted to change this.

    I started with the connectivity issue. The issue was discussed with the cable operators and the DD Public Relations (PR) machinery was effectively used to improve the relationship with all concerned. Within six months, we were seen, heard and known. DD Sahyadri discovered its own identity and that made a huge difference. I have never sold the channel as Doordarshan. I always marketed it as Sahyadri.

    To improve the programming, I did a SWOT (Strengths, Weaknesses, Opportunities & Threats) analysis of the channel and identified my target group (TG) as citizens and not consumers. I decided to run Sahyadri like a real public channel. To reach out to the masses, phone-in programmes were conceptualised. This was something new in those times. I realised that, DD Sahyadri‘s USP should be, ‘a channel that reaches the masses and empowers them — especially women — through its programmes‘.

    PROGRAMMING LANDMARKS

    Our first ever phone-in programme Hello Sakhi, has completed six years as a daily show now. So, I can say, DD Sahyadri has about 1500 hours of women empowerment programming unleashed in Maharashtra. The programme gives expert advice on issues such as legal, career, education and health and the programme was first its kind when it was introduced in 2000. Even phone-in programmes were a rare affair then, whether on DD or satellite channels.

    Then came Hello Doctor in 2001, again targeted at the masses. We also kicked off the Navratna Awards, which felicitates nine talented Maharashtrians, in the same year. Another award property Navjot Sahyadri Che was initiated in 2002 in association with Unicef. Then in 2003, we introduced Lux Hirkani Awards to honour ‘women of substance‘. As an appreciation towards our achievements in establishing event properties, Prasar Bharati asked us to produce an award show Prerna Puraskar and then New Year programmes for the national network. The New Year programmes are produced at a cost of about Rs 2.5 million and we record a profit of about Rs 7.5 million out of it.

    Since Mumbai is the hub of Indian cinema, I brought the entire Films Division from Delhi to Mumbai. The division has now become a significant player in Prasar Bharati‘s revenue plans as it functions in harmony with the DD marketing division in Mumbai.

    Overall, DD Sahyadri launched about 25 programmes during this six-year period. These cut across all the programming genres such as talk shows, game shows, events, musicals and soaps. I would say, DD Sahyadri gave a significant contribution to television in its infancy by introducing such diverse genres to the masses and the huge success these shows recorded underlines their popularity.

    REVENUE REALISATIONS & FUTURE PLANS

    Some time back, I realised that, DD Sahyadri was wasting its air time during the breaks between programmes. We used to simply display some message on the screen informing viewers about the next programme coming up. I introduced five minute programmes in these ‘lazy‘ slots and started telecasting programmes such as Hasnavari Gheu Naka (Jokes Apart). The popularity of the programme attracted advertisers and now the five minute slot has 1.5 minutes bought by advertisers.

    In 2005, Prasar Bharati introduced the Self Financing Scheme (SFS) successfully in the national channel. The logical extension of the scheme has been to regional channels and DD Sahyadri was chosen as the first regional Kendra to implement the scheme. The SFS scheme gives DD the power to market its shows and earn the returns, while producers are paid a fixed amount for their work.

    The system delivered very well for DD Sahyadri in the 2006 fiscal. We recorded revenues of Rs 280 million in the 2005-2006 fiscal, which comes to about 28 per cent of the Kendra‘s revenue. By marketing our shows in-house, we could triple our returns. As we move towards a 100 per cent implementation of the system, DD Sahyadri is targeting revenues of about Rs 300 million in the 2006-2007 fiscal,

    On 2 October 2006, on its 35th birthday, DD Sahyadri will activate a complete switchover from the sponsored to commissioned model for its show slots. We will bring all our programmes under SFS by marketing them ourselves. Presently, sponsored programmes constitute about 20 per cent of our schedule and from 2 October onwards, there won‘t be a single sponsored programme in our line up. Right now the plan is in the initial phase of implementation and we are working towards achieving the goal.

    DIRECT TO HOME (DTH) & DD SAHYADRI

    According to a study conducted by Tam recently, about 2.5 million DTH boxes were sold in the country. The study showed Zee had the maximum number of DTH customers in Rajasthan, while DD‘s DTH is most popular in the rural areas of Maharashtra. That is a testimony to DD Sahyadri‘s strong hold over the masses in the All Maharashtra market.

    DD Sahyadri has also taken an active part in marketing the DD DTH. In fact, I presented a DD DTH connection to Sachin Tendulkar during the Navratna Awards ceremony.

    DOORDHARSHAN IS AGEING

    On the lack of young talent in Doordarshan: Since 1992, DD hasn‘t made any fresh recruitment. The average age of DD employees is now 55 years. We have no new generation backing us. The government must look at this with all the seriousness required.

    SETBACKS

    Overall, DD Sahyadri – during my tenure – didn‘t have to backtrack from any of its major initiatives. However, one programming initiative did let us down. Inspired by the national network‘s successful 11 pm Bioscope experiment, where a movie is telecast over three days on DD1 part-by-part, we started a similar initiative for the 8 pm slots on Monday, Tuesday and Wednesday. But it didn‘t appeal to the viewers and we were forced to pull it off.

    PARTING SHOT

    As the DD Sahyadri director, I have been trying to do this balancing act of selling the channel as well as contributing to society. Through our various properties which are targeted at the common man of Maharashtra, DD Sahyadri has been successfully exploring the pubcaster‘s autonomy to unleash useful information. As a responsible broadcast official, I am working towards an effective broadcast policy in a digital multi-channel era in the context of social education.

  • Sony, Star One bid to get back on narrative track

    It was in early October 2005 that we last had a close look at the Hindi entertainment space. What did we see then?

    The top programmes on Star Plus were witnessing a ratings erosion of between 10-12 per cent on an average. But the key point then was that though Star Plus‘ top shows had dropped on the TRP scale, the channel share had dropped by only 5 per cent due to the expansion of the performing time bands to the weekend — thanks to KBC 2 and its effect on the weekend line up on the channel.

     

    KBC 2‘s unexpected exit and Star Plus‘ failure to present a fitting substitute exposed the channel‘s overdependency on the property

    Add to that was the huge success sibling Star One enjoyed on the back of two talent shows Nach Baliye and The Great Indian Laughter Challenge. So, Star as a network ended the year on a super high note with Star Plus managing to hold steady its grip on Hindi entertainment and the added bonus of Star One‘s meteoric rise in the reckoning.

    Going into the month of April 2006 though, the picture is looking a whole lot different. What has been extensively reported on is Zee TV‘s overtaking of Sony Entertainment Television India’s flagship channel SET to ensconce itself firmly as the clear number two in the Hindi entertainment space.

    What not many seem to have taken note of though is the way Star Plus’ flanker channel, which Star Entertainment India CEO Sameer Nair had hoped would make a serious assault on the number two position, has plummeted hugely from a high of 15.1 channel share in the second week of December to a lowly 5.5 for the week ended 30 April (see charts).

    This brings us to a posit that has been made earlier, but with specific reference to SET — that the recipe of relying on format shows to deliver would prove difficult to sustain as a long term proposition.

    In a sense, the trajectory of both SET and Star One has been similar. While the format shows have offered them temporary spikes, the lack of strong wraparound drama content has meant that overall there has only been a downward spiral witnessed.

     

    Star Plus has finally zeroed in on the period drama Prithviraj Chauhan to fill the void created by KBC2‘s exit

    Comparing the two is not exactly warranted, though except to draw attention to the inability of the format shows to drive up the channel as a whole without solid dramas (or as Nair terms it narrative fiction) as the main menu proposition.

    Why is it incorrect to compare? The format shows worked brilliantly for Star One in the sense that if one looks at where the channel was before these shows “did the trick” it was far lower than where it is now. So basically, Star One is now in direct competition with Sahara One (which has improved on the ratings reckoner). It would appear that the only way ahead from Star One is up, which should be good news as a lot of hope and money is riding on the channel.

    For Sony, a lot depends on how the strategy that the channel is charting on the narrative fiction front takes off. The results haven‘t been too encouraging so far though with the two new prime time shows launched simultaneously on 24 April (Aisa Des Hai Mera and Thodi Khushi Thode Gham) yet to make an impact. This stands out in stark relief when compared to Zee TV‘s new prime time show Jabb Love Hua, which launched the same day and is doing far better.

     

    Channel
    Key properties
    April-May average ratings combined
    Star Plus Kyunki…, Kahaani…, Kasauti… 12.64 TVR
    Star One Laughter Challenge, Mano Ya Na.., Kya Hoga.. 2.61 TVR
    Zee TV Saath Phere, Kasamh Se 4.44 TVR
    Sony Idol final & Idol Muqabla, Fear Factor, CID 3.36 TVR
    Sahara One Cricket, Woh Rehne Wali.., Hanuman (film) 2.76 TVR
    Sab TV Caravan (film), Idol Takka Tak, Wah Wah, Lo Kal.. 0.52 TVR

     

     

    Source: TAM Peoplemeter System TG: CS 4 years + Markets: Hindi Speaking Markets
    Period: 2/4/06 to 6/5/06

     

     

    After Saath Phere and Kasamh Se, Zee‘s latest prime time property Jabb Love Hua is now ringing the alarm bells for rival channels

    If one were to look at Zee, Saath Phere at 9:30 pm delivered and that has given the channel a huge boost. The good show from Kasamh Se, coming at 9 pm, has doubled the channel‘s excitement. According to Tam, the latest prime time offering Jabb Love Hua has also achieved a strong opening. Zee also has strong properties in its afternoon soaps, Paalki and Mamta. Zee is presently strategising its moves to strengthen the afternoon band further.

    What gave Zee the momentum was of course Sa Re Ga Ma Pa Challenge 2005, which has been a solid home grown quality format property which has pretty much chugged along without too much media noise all these years. When Zee made substantial investments in Sa Re Ga Ma Pa Challenge, it got the dividends.

     

    Sony’s format overkill and the resultant viewer fatigue worked against ‘Indian Idol 2‘ in viewership charts

    While speaking of Sa Re Ga Ma Pa Challenge, the case of Sony’s Indian Idol 2 immediately comes into the frame. We remain convinced that Idol is an intrinsically a strong property. So frankly, we are surprised at the low (comparatively) ratings it delivered. About the only reason that makes sense is that Sony’s format overkill led to viewer fatigue.

    After the first edition of Indian Idol signed off on such a high note, in came Fame Gurukul, which also took the music talent route. From a viewer’s perspective, it was one into the next and before gathering breath as it were, there was Idol 2 back again.

    There was a lot of “format noise” on the rival channels as well so that also has to be factored in. Music talent hunt Sa Re Ga Ma Pa has already been discussed. Then there was the celebrity dance contest Nach Baliye and the Great Indian Laughter Challenge on Star One and of course the big daddy of them all KBC 2 on Star Plus.

     

    Will the new soaps such as Aisa Des Hai Mera and Thodi Khushi Thode Gham see Sony pulling its viewers back to the drawing room?

    How do the coming months look for Sony? Well it depends on what are the narrative fiction shows that the channel has launched as well as those in the pipeline fare. Drawing from the example of the US, NBC has slid because it has found nothing to replace cult hits like Friends, Seinfeld and Frasier while ABC’s surge has filled the “vacuum” with hits like Desperate Housewives, Lost and Grey’s Anatomy.

    Coming back to Sony, Jassi has bid its long overdue adieu and the channel has tapped the horror genre (Khauffnak) as its replacement. The show is expected to conclude by June end. What shows the channel throws up next in the time band and how Aisa Des Hai Mera and Thodi Khushi Thode Gham ultimately fare in the ratings reckoning could well determine whether the coming months see SET’s ratings curve travelling north or further south.

  • Zee Studio presents ‘An Unfinished Life’

    Zee Studio presents ‘An Unfinished Life’

    Thursday, May 18, 2006 at 9:00 p.m.

    Director : Lasse Hallstrom

    Written by : Mark Spragg, Virginia Korus Spragg
    Produced by : Alan Ladd, Jr. Kelliann Ladd, Leslie Holleran

    Cast : Robert Redford, Jennifer Lopez, And Moregan Freeman, Josh Lucas, Camryn Manhein, Damian Lewis, and introducing Becca Gardner

    Set against the rugged ranchlands of Wyoming, An Unfinished Life is the story of a modern-day western family, as stoic as they are divided, learning the true meaning of forgiveness. Robert Redford stars as Einar Gilkyson, a toughed-skinned, retired rancher who long ago turned his back on memories. Still in shock from his only son’s death a decade ago Einar has left his ranch fall into ruin along with his marriage.

    Now, Einar spends his days caring only for his hired hand, and last trusted friend, Mitch (Morgan Freeman), who was gravely injured in an encounter with a grizzly bear. Einar intends to live out his days in this heartbroken solitude…. until the very person he blames for his son’s accident comes to town; his daughter-in-law Jean (Jennifer Lopez).

    Jean shows up broke, on the run and with a girl named Griff (Newcomer – Becca Gardner), who she swears is the granddaughter Einar never knew he had. Suddenly, Einar’s quiet life is turned upside down as anger and accusations resurface. But slowly, miraculously, 11 year-old Griff’s curiosity about Western life, and longing for family and a father figure, begin to chip away at the stone that has become Einar’s heart – opening up the way for unexpected connection, adventure, mercy and true reunion.

  • ‘If pay model comes into place, I wouldn’t even think twice before launching four more kids’ channels’ : Zarina Mehta – Hungama TV chief operating officer

    ‘If pay model comes into place, I wouldn’t even think twice before launching four more kids’ channels’ : Zarina Mehta – Hungama TV chief operating officer

    Hungama TV has recently touched the number two position in the kids' channels space and the channel's chief operating officer Zarina Mehta is in an ecstatic mood. What's more, she is also upbeat about the new talent hunt for kids on the only Indian kids channel beaming in the country.

    The channel has roped in John Abraham for the same and the two kids who win the hunt will get a chance to star opposite the youth icon in a UTV produced movie. This can be termed as a perfect example of synergy between the two brands – UTV and Hungama TV.

    Her enthusiasm and zest for her baby (that's best how Hungama TV can be described) is infectious. In a free wheeling interview with Indiantelevision.com's Hetal Adesara, Mehta talks about the channel's future plans, the kids' space in India and the problems broadcasters are facing due to non implementation of conditional access system (CAS), which will help bring in pay TV revenues.

    Excerpts:

    Hungama TV recently achieved the number two position in the kids' channels space. What has contributed to the growth?
    Overall I think the growth has basically come from excellent distribution for which I have Star TV to thank and my own distribution team headed by Kevin Pereira.

    Secondly, localisation on the marketing and programming front, that has worked on the channel. Whether it is the Hungama Captains' Hunt, which is such a local area that reaches out to the kids directly and pulls them into the channel. They can actually see who is running the channel. Then a show like Hero, which is right now one of our massive driver shows has done really well on the channel so much so that the repeats of the show has got higher ratings that the first time airings.

    The third thing is excellent acquisitions. Doremon is the top rated kids show for the last four – six weeks. This week we got 36 GRPs just from Doremon.

    We did a brand study last year in May because we had a very critical brand problem, which we have now solved. The problem was the logo of the channel with the 'h,' which was perceived as too young. The responses we got from kids about the channel were 'not cool,' 'not for me' or 'my kid sister may watch.'

    The study was done among 2,000 kids and this is when we realised that we had a serious brand problem. So in October 2005, we re-launched with the new logo and in March this year, we changed the entire look and feel of the channel.

    We commissioned the BBC to do design our new on air look but I was very disappointed with what they did. Apart from the new logo with the swirl that they made for us, we re-did the entire on-air look of the channel in-house. This has also helped the channel. Hungama has now become a cool, friendly, fun and Indian channel for kids. The brand perception is shifting now and kids are spending more time on the channel.

    The interesting story about the 141 GRPs that we got a couple of weeks back is that our time spent went up. Hence loyalty and stickiness on the channel are going up, which is very comforting to know.

    How has your role been redefined after becoming COO of Hungama TV? What are the additional responsibilities apart from programming that you are now looking after?
    There are massive additional responsibilities now. Instead of just looking after programming and OAP, I have to look after everything. I am still learning the ropes but so far it has been a good experience.

    I have a great team at Hungama and the people are really passionate about their work. There's Kevin Periera, who is the head of distribution and operations; Siddhartha Roy Kapoor is our group head of marketing who looks after UTV and Hungama TV. Then there is Aparna Bhosle who is vice president programming for the channel, Nilofer Dhund who is vice president sales, Venkatesh G is our head of OAP and Shilpa is the head of research.

    My task is to make sure that the different elements of the channel work powerfully together so that one plus one is eleven, not even four. And that's what I think we are slowly achieving. Marketing, sales, distribution and programming have to work together. We had passionate people before but they were not working together as a team. Now that has changed.

    What are the new shows that you have acquired recently?
    There are three new shows that we have acquired and each one of them is really big. But at this point in time, I cannot talk about it because we haven't yet signed on the dotted line.

    This year, we will be going to Cannes for Mip Junior in October. Last year, we screened each and every show that was there on the market, so now we know the kids' market place.

    What about new local content?
    We have a reality talent hunt show called John Aur Kaun?, which is a magnificent idea. We'll be going across five major cities in search for two kids who will get an opportunity to star in a UTV produced movie starring John Abraham. UTV has signed a two movie deal with John and more than anything else, it is a perfect example of fabulous synergy between UTV and Hungama TV.

    We were thinking of a big idea for Hungama TV and then Siddhartha came up with this one and I immediately lapped it up. My skill is to manage people and recognise a good idea (not necessarily come up with it) and make it happen.

    John has also been roped in as the brand ambassador for the channel. What role is he going to play in this respect?
    John is willing to do the movie with two kids because he recognises how popular he is with the 4 – 14 TG. Then we thought that if we are doing a movie with him; then let's take him on as the channel's brand ambassador. He agreed to that too.

    We are going to figure out ways to synergise the relationship between John and Hungama TV. We are just working all that out and we have at least three innovative ideas but it will take another month or so to finalize the same. When John comes back from his world tour, we will be ready to announce the specifics of what we are doing with him besides John Aur Kaun?

    'I will never ask John to act in 'Hero' or 'Sanya' as it will be a detriment to his brand and also mine'

    Speaking about John, how important do you think is it for a kids channel to have a brand ambassador? If we look at the other channels, Nick had Saif Ali Khan and Animax had Irfan Pathan as brand ambassadors… but nothing much came out of it so to speak…
    Honestly, if I may say, I don't think they used them correctly. I am never going to use John to say – "Watch Hungama TV." I am going to innovate, which is why it has taken me more than seven – eight months to think how exactly to use him in an innovative long term manner, wherein he can bring a long term brand equity to the channel. It is absolutely a no – no that I will ask him to ever act in Hero orSanya. I will never ever do that as I think it is a detriment to his brand and mine because if Hero can't stand on his own two feet then he is not a hero.

    A brand ambassador has to go deeper into the brand and build a meaningful relationship with the kids and I am figuring that out. I will make it work. It cannot be done the way the others did it. Even Sab TV had done it with Karisma Kapoor… it didn't work.

    For my brand it is going to be a deeper connection with the kids. How? I can't answer that right now. The channel will be a medium for kids to connect with John. In no way should either of the brands be diluted by this association… especially his brand.

    Are there any other new local shows apart from this talent hunt that in the pipeline?
    We are doing a whole new series of Hero, which will be launched in June. We have a fantastic new story written by Aarif Ali and I'm sure kids will love it.

    I am also planning a new series of Sanya. Moreover, I think it has a good merchandising and licensing opportunities. All the merchandising and licensing that is happening currently is all international stuff. I want to break to that and I also want Hero and Sanya to become licensing and merchandising powerhouses.

    It's going to take the earth and the moon to do it because somehow Indians tend to buy foreign things, which is sad but true. So we need to break that but I'm going to try.

    So will we be seeing a separate division for licensing and merchandising?
    I must admit that this is one thing where we are nowhere near our competition. However, having said that, we have licensed Yu Gi Oh!with the Pepsi taazzos and it is doing quite well.

    Funnily enough, the very first merchandising property in the kids' space was the Shakalaka Boom Boom pencil and they were a runaway success (except that they got pirated since they were cheap and easy to copy).

    We are lacking there but we are looking at it seriously now. It is going to be quite some time before we actually start making money there or even giving Cartoon Network and Disney any competition there but it will be a beginning.

    There are seven kids channel in the country at present. Together, how much have they managed to grow the market?
    From January 2005 to mid April 2005, there were a total of seven kids' channels, which together contributed 300 GRPs. Compare that to the same time period this year (2006) and the number of channels are the same but the GRPs have climbed up to 500. It's a fantastic, unbelievable and sensational growth.

    I have to compliment my competition as well as us, because together we are driving value to the kids' space. There are a lot of things that we are competing for but there are certain things that we need to do together. We need to change the perception of advertisers towards the kids' space. We have to make them understand that the current big thing that is growing today is the kids' space and everything else is declining. I really believe that 2006 – 2007 is the year of the kids' channels. For me, I value my competition because if they weren't there I would be lazy and bored. I actually want my competition to work because then the space works and it is important for the space to work.

    Overall, the key is to drive our effective rates (ER) up from the current abysmal rates that we have. We should stop selling at low rates because we are worth much more. Even with the cable operators, we should use our clout together. These are the things we should do together. At the same time there is no denying that there is a huge sense of competitiveness amongst Cartoon Network, Disney and Hungama TV. This hots up the space and makes it that much more exciting. No media planner or buyer can ignore us… they may not give us the ERs that we deserve but it is moving in the right direction.

    Programming-wise, what do you think is the way forward for kids' channels – live action or animation?
    It has to be a mix of the two. Originally produced live action is great but we have to admit that it is very expensive. I cannot afford to have more than two or three originally produced live action shows on my channel. I think the rest of the channel has to be filled with acquisition – whether it is live action or animation.

    That is the best way to go. I am very happy with the balance we have currently on Hungama TV.

    Are there any new distribution platforms that you are looking at for your content?
    We were the first to go on the mobile with our Hungaming channel. We launched it in October. Sadly we didn't make a noise about it.

    Kids can download and play the Gol Gol Ghulam and Full Toss games. Also in the pipeline is the Hero game, which is currently being developed. This has been done in association with Indiagames.

    What is the latest on the deal with Sun TV for the two regional kids' channels?
    No comments.

    A couple of years back; at the Ficci Frames seminar you had mentioned that by 2010, we will have 20 kids' channels in India. How realistic does that figure look to you today?
    I still think so. As far as I am concerned, we already have plans to launch two more channels and we definitely need to grow the pie.

    The only thing that is stopping us is the state of cable in the country. Pay TV revenues have to kick in and viewers have to pay for what they get. They cannot keep expecting free stuff as it is not fair to the broadcasters, cable operators or anybody who is running a business. Why should a consumer get it free? It doesn't make sense to me.

    In the market the prices of everything keeps going up but our prices keep going down. Why should it be like that? The government also has to take a hard stand on this. Basically what they are doing is that they are not allowing the market to open. When pay TV kicks in the market will boom again. By not implementing CAS they are actually depressing the growth of the market.

    But do you think CAS will be implemented considering its history in the country?
    I don't know. It is so sad that it is not happening because it is the only way to implement a pay model. And then the other thing is DTH and we are all hoping that DTH will work.

    We have 65 million cable and satellite (C&S) homes and the reporting is a meager five million homes. This is utter nonsense and this is only because viewers are not paying. Cable operators may be underreporting but viewers are actually not paying.

    Let DTH come in and reach that five million homes; I will switch off cable and go to DTH because I need to earn. The fact is that we are spending a lot of money. I don't think any of the broadcasters are profitable as yet. There are a lot of issues that need to be sorted out. But India is the best place to be in and it is the best kids' market in the world. Only if the pay model comes into place, I wouldn't even think twice about launching two or even four more channels.

  • Water Kingdom rolls out Summer Fiesta

    Water Kingdom rolls out Summer Fiesta

    Mumbai April 03: Water Kingdom, Asia’s largest theme water rolls out a never before summer fiesta this season. Celebrating eight happy years of enthralling crowds from all over India who make Water Kingdom their “must see, must do” destination place, fun and frolic is the anthem for this years celebrations. In keeping with its 8th Anniversary celebrations which rolled-out in mid-April with “Nach Le”, a musical extravanganza with a host of popular celebrities, Water Kingdom has outlined eight week-long week-ends of singing and dancing. So in the midst of all the water splashing there’s some trendy music to gyrate to, promising Water Kingdom patrons a respite from the heat and dust of city life.

    So much for beating the heat this hot summer season!

    Come May 7th and Water Kingdom has popular artist Mikka stir up an emotional frenzy, with loads of surprises. At Water Kingdom it’s not only the musical concerts that promises to be entertaining……it’s also the sheer delight of splashing around the many, many theme water rides with family and friends.

    An entire calendar has been outlined to make this entire summer season a truly family break-away package. There are great live performances from the artists like Bombay Vikings, Mikka, Saru Maini and Avdhoot Gupte to name some, over the next couple of Sundays.

    We invite you to join in the fun at Water Kingdom and have your readers accordingly informed, through your engagement columns and have outlined the calendar of events for this fiesta:

    Date
    Name of Artists

    7th May
    Mikka

    14th May
    Meet Brothers, Shabani Kaashyap

    21st May
    Bombay Vikings, Deepa Chari

    28th May
    Band of Boys, Sonu Kakkar, Crazy Cat

    4th June
    Kailash Kher, Kainaz

    ***********************************

    For media passes and for added information for print, do get in touch with the undersigned:

    Samanta Singh Khumanthem
    Brodeur India
    Tel: 022 2659 2222

  • Garnier Fructis Jodi No 1 climbing up the ratings charts

    The black and white round of GARNIER FRUCTIS JODI NO.1 really did a number for Vijay TV with their chart-busting ratings performance. The studio performance on 28 October fetched Star TV’s regional channel a whopping 13 TVRs (CS ABC 15+F; 2000-2130 hrs, Oct 28th; Chennai; Source: TAM), rocketing it to the one of the most favored shows on Tamil television. Vijay TV is known to provide differentiated content has yet again showed its supremacy in executing format shows with GARNIER FRUCTIS JODI NO.1.

     

    What was quite remarkable about the numbers is that the ratings have climbed steadily over the weeks as the competition becomes stiffer. The channels shares read 14.9, 20.3, 20.8, 26.9 in TN for week 40 41, 42 & 43 respectively. (CS ABC 15+F; 2000 hrs – 2100 hrs; Saturday)

     

    The competition’s shares for the above TG and time band read 1.4; 2.8; 12; 4.9 on Jaya TV; while Raj TV clocked 1.7, 0.3, 0.2, 1.3 in Tamilnadu.

     

    Ravinath Menon, General Manager Vijay TV remarked, “The fever has just started. The show is hugely popular across the state, a clear indication of the changing preferences in TV viewing. We anticipate a substantial increase in share on the wild card episode and the finals.

     

    He further said, “Jodi No.1 is a clear driver. It also helped us to drive viewer attention to other weekend formats like Alive Koffee with Anu and Hutch Kallaka Ppvadhu Yaaru -2 while functioning as a launch pad for the four new shows we launched last week in prime time. The fact that Vijay is now available in Singapore and Japan and the plans for Malaysia and Middle East make us work harder to provide international quality content to the discerning Tamil viewer.

     

    The property round episode that concluded on Nov 4th saw the 4th couple being eliminated (Chetan and Devadharshini), so that leaves us with 2 real and 2 reel life couples (Vijay Adiraj & Rachna; Raghav & Preetha; Pooja & Prem; Deepak & Tharika) Two of these 4 couples will reach the finals and all other eliminated couples will come back in the wild card round and one among them will gain entry to the finals. Viewers will have to decide which couple from the wild card round will go to the final by voting for them through Reliance Mobile, 7827, indya.com and BSNL platforms respectively.

  • The WTA tour tournament to air LIVE and Exclusive on ESPN STAR Sports

    The WTA tour tournament to air LIVE and Exclusive on ESPN STAR Sports

    Bangalore, February 10, 2006: ESPN STAR Sports, Asia’s number one sports broadcaster, will telecast LIVE & exclusive the Bangalore Open, the WTA tour tier III tournament to be played at the Karnataka State Lawn Tennis Association Signature-Kingfisher Stadium from February 13, 2006. Sania Mirza, the World number 32, will be leading the Indian contingent at the tournament.

    R C Venkateish, Managing Director, ESPN Software India Pvt Ltd, said, “Bangalore Open will see some of the best in Women’s tennis battle for supremacy. India will witness 14 of the top 100 tennis stars exhibiting their talent in one of the biggest tennis tournaments of the country.”

    “After showcasing the Chennai Open and Australian Open in January, this certainly adds to our bouquet offering top tournaments and series in the world of international sports. We aim to deliver international quality production and package for all tennis enthusiasts in India. The following for the sport is on the rise with the likes of Leander Paes, Mahesh Bhupathi and more recently Sania Mirza doing India proud in world Tennis. ” Added Venkateish.

    Touted to be Asia’s largest tennis spectacle, Bangalore Open 2006, a Tier III tennis tournament, is organised by Globosport, the sports management company set up by Mahesh Bhupathi under the auspices of the Government of Karnataka. With the explosion of talent in women’s tennis in India, the Bangalore Open 2006 will allow Indians to see a new generation of Indian women take on the best in the world in their own backyard.

    Mahesh Bhupathi, Managing Director, Globosport, said, “We are extremely pleased to be associated with ESPN STAR Sports for Bangalore Open 2006. Being a premier tournament, we are indeed delighted that the leader in international sport will be showing the tournament live, providing India’s tennis fans a chance to see some of the game’s best in action. We are certain that the international quality of production and telecast will bring in more viewers across the country.”

    Bhupathi added, “It has been our continuous effort to create a platform for India to witness high-voltage tennis. Looking at the acceptance list, the Bangalore Open is sure to create an atmosphere of healthy competition for the players. Sania Mirza leading the Indian contingent will set the pace for the
    greatest tennis Bangalore will witness. The unrelenting support of The
    Government of Karnataka will make this tournament one of the biggest India will ever see.”

    The tennis courts of Bangalore will be a battlefield for the best of talents from around the world during the tournament, the fourth WTA tour tournament in the country. The Bangalore Open 2006 is sure to witness flaring passions, with old scores to settle. Melinda Czinks who defeated India’s Sania Mirza at the Sunfeast Open in September is back. Mirza will also be renewing rivalry with old time opponent, the former World Junior No 1, Shahar Peer. Sybille Bammer (ranked No 77), Kaia Kanepi (ranked No 98) will be returning to India, after the Sunfeast Open. With over 16 countries in the main draw, the Bangalore Open is most definitely going to be the largest ever showcase of international tennis talent in the county.

  • ‘We expect our involvement with cricket to improve our market impact by 25-30 per cent’ : Sandeep Tiwari – LG Electronics India marketing head

    ‘We expect our involvement with cricket to improve our market impact by 25-30 per cent’ : Sandeep Tiwari – LG Electronics India marketing head

    Having been in the country for nine years now LG Electornics is for the first time using a Bollywood star as its brand ambassador. It has signed on bollywood actor Abhishek Bachchan to endorse its line of consumer durables like refrigerators, air conditioners. The aim is to connect better with women. This year the company is targeting a turnover of Rs 90 billion.

     

    Indiantelevision.com‘s Ashwin Pinto caught up with LG Electronics India marketing head Sandeep Tiwari on the sidelines of a media briefing.

     

    Excerpts:

    With the signing of Abhishek, LG is changing its strategy by moving away from relying only on cricket. What prompted this?

    I won’t say that our strategy has changed. It has been enhanced. Quite a few people expect us to exit cricket. That is not the case. We realise though that two growth engines as far as the advertising fraternity is concerned will work. One is all around cricket and the stars. The other will revolve around entertainment.

     

    We are going with a double engine effect. Cricket delivers numbers and reaches masses. It however alienates women. It does not address that gender with the same amount of passion. Cricket is better for a consumer electronics television oriented effort for the male audience. It also partially delivers in the air conditioner category as men to some extent make decisions for this product. But when it comes to pushing mobile phones, washing machines, microwave ovens, refrigerators it does not deliver the full impact.

     

    We will be launching a mobile phone campaign later on. That TG is very young from the late teens. Our brand has to become younger, their generation brand. We do not want to become a brand that is for an older generation just because we have been around for several years. We have learnt from what Coke, Pepsi have done over the years to remain young. This will helps us address all sections of consumers. We want to become a consolidated consumer driven brand that also encompasses mobile and IT.

    Could you talk about LG’s brand positioning in the market and how it allows for differentiation?

    We are differentiated from the Indian and foreign brands. LG does not get classified as either. It is easy for Indians to relate to it. The brand has a multinational lineage while delivering what Indians require. We don’t show any foreign ads.

     

    Our communication language is not that of a foreigner. Emotions work a lot in India. The warmth and affection that a brand showers upon its target audience will be reciprocated. A brand may be ranked higher but if it is not relatable then it will not do well.

    Has this positioning been tweaked in any way recently?

    I would not say so. In 1997 we were represented in high end markets. We were niche. Today we sell different TV sets, refrigerators. We don’t just have SEC A+ 35+. Our target is total. So our communication must address everybody. You cannot have one for the higher end and another for the lower end.

     

    That is what we are looking to achieve with a celebrity. The sheer rub off of that celebrity will draw in masses for a high end product. It connects mind to mind. This is where a Saurav Ganguly works.

     

    This is also what Abhishek Bachchan will do for us. Even in Allahabad, Benares it will work. At the same time we do not use a celebrity for everything. For television sets our positioning has been around the eyes. We used an average child.

     

    Conventional wisdom says that television watching is bad as it causes strain. Our communication showed that with LG’s eye technology it is not harmful. The position was very different in that we showed that it will give the child a world of knowledge. The child plays a crucial role in terms of buying a TV set. We looked at the TV as being an infotainment medium and not entertainment.

    Speaking of television what are the plans in the television manufacturing area and how challenging are price points as in consumers waiting for prices to fall and then buying TV sets?

    In this area we are targeting a 100 per cent growth for flat panel displays year on year in terms of the number of units sold.

     

    It is going to be interesting to see how we fare with little penetration of plasma sets and high acceptability of that category. People want a TV that can be hung from the ceiling or mounted on a wall. The big size experience at home is an aspirational product.

     

    As far as pricing points are concerned I will give the example of mobile phones. Though prices will fall nobody waits. People cannot wait to upgrade and change. People accept that gadgets will not last a lifetime. They want what is the best option as long as the brand is delivering what it promises.

     

    The consumer has become more experimental in nature. 35-37 per cent of revenue comes from television. Electronics along with IT contribute around 48 per cent of our revenues. Appliances contribute around 36 per cent.

     

    In 1997 when we started our group turnover was Rs 125 crores (Rs 1.25 billion). In 1999 we crossed Rs 1000 crores. Last year it was Rs 7500 crores. We are looking to touch Rs 9000 crores this year.

    What is a more powerful platform – Bollywood or cricket?

    They complement each other. No brand in our position can afford to ignore one or the other. The cricketing calendar is limited. We take the time for which they are played. For a lot of the months we cannot device our season vis-a-vis the cricket calendar.

     

    But with a film star we can plan better. A cricketer is only relevant when a game is being played. His performance affects how a brand that uses him is perceived to an extent.

     

    Brands go through highs and lows. When a cricketer fails the public reacts badly to the ad featuring the cricketer. A Bollywood campaign though cannot only be attributed to the star involved. Actors do not always play themselves. They show more versatility in negative, positive roles. It offers a wider spectrum.

    ‘The 1999 World Cup in England was our first mass awareness programme right from our carton boxes to communication. It became known to everyone

    In what way has the brand communication for home appliances evolved and why choose Abhishek?

    Till now the home appliances communication platform had the health message. Today that platform is being adopted by a lot of me too brands.

     

    We felt that we therefore needed to break way from that by graduating to a Health Plus objective. From here came the idea of Intello. This means that the products are technologically intelligent and futuristic.

     

    We want to position the brand as being young, vibrant and premium. So we picked Abhishek as he portrays Indian values. He also exudes an aura of aristocracy.

     

    The signing of Abhishek marks the start of the second phase of our marketing strategy in India. It is the marketing of a leader phase.

    Which are your key products that will be given a marketing thrust this year?

    Mobile phones are key for us this year. Flat panel displays are also important. Laptops will be third in importance but from the long term point of view as in 2010 laptops will be second.

     

    ACs have experienced good growth and the market shares are high. The aim is to sustain AC growth.

    To what extent is the marketing budget going to rise this year? How much of this will go towards television?

    The marketing budget will increase marginally compared to last year apart from cricket due to the Champions Trophy.

     

    We expect our involvement with cricket to improve our market impact by 25-30 per cent. Media advertising constitutes 40 per cent of the marketing spend. Out of that 40 per cent is spent on television and print.

    Does LG feel that there is scope for using television in a more interactive manner to reach consumers? By interactive I mean engaging the audiences in a more active manner.

    This is going to be very important. Using a celebrity is a classical way to approach that. If you could increase market share by simply putting ads then there would be no need for marketing professionals.

     

    Wittiness and innovation play a crucial role in breaking the clutter. It is not money versus money. It is not a question of Rs 250 crores versus Rs 280 crores. The content of communication and synergies created are what the focus should be on.

    LG is one of the ICC’s official partners. How has this benefited the brand over the years?

    When we associated with them in 1999 it was a big transitional phase. This was because it was our first attempt at national penetration and visibility. From 1997 till 1999 we did not have any television commercials. We were not represented among the masses in a true sense. We were just represented in towns through hoardings, newspapers.

     

    The 1999 World Cup in England was our first mass awareness programme right from our carton boxes to communication. It became known to everyone. Subsequently the two Champions Trophies and the 2003 World Cup became a mainstay in our efforts to build the brand.

     

    The ICC association has given us the stature of a mammoth brand. This would not have been possible through regular communication. The ICC association is more to do with the LG logo as a whole rather than with simply different parts of the company like a fridge or an AC. No other medium would have given us that.

    The pre purchase and post purchase experience are important towards enhancing brand value. In the long term word of mouth publicity is key

    How is LG looking to leverage the Champions Trophy which will be held in India?

    What is interesting is that it is coinciding with Diwali. It will be from the second week of October to the second week of November. Diwali falls somewhere in between. We have to figure out how the two communications of Diwali and cricket can work together.

     

    There will be two objectives to be achieved simultaneously. Can they be jelled to leverage the best out of the two? This is one of our biggest marketing challenges of the year.

    LG and the other ICC partners met recently. What transpired?

    There are two huge events coming up. It certainly required some getting together to figure how to leverage that.

     

    LG, Hutch, Hero Honda and Pepsi met with the ICC to discuss how we can work together to maximise opportunities.

     

    These are four large brands that do not compete or fight with each other. We discussed avenues that can be worked on together. How successful this is time will tell.

    Are below the line activities and promotions growing in importance for the brand?

    Significantly. 60 per cent of our budget is spent on these kinds of activities. It is crucial because no technology will work well until it is explained to the customer. At the ground level the product must be on display. The experience that a customer goes through on ground is equally important as using mass media.

     

    The pre purchase and post purchase experience are important towards enhancing brand value. In the long term word of mouth publicity is key. We have around 1,150 in shop demonstrators and 1,000 counters across the country. This is a force and manpower that no other competing brand has. Exhibitions play a significant role across the country. The portfolio that we have cannot be addressed with just one showroom.

     

    One showroom can only accommodate 30 per cent of our product line. Exhibitions give us the opportunity to display more products and do something meaningful. We concentrate on training our sales people and upgrading their sales skills.

     

    Mobile vans and road shows will play a crucial role going forward. We are also using malls as a place for display as a lot of people visit them. In-house demonstrations of products after purchase are another area of focus. Cookery classes for our microwave ovens tells the customer that LG does not just sell microwaves. It is also teaching him how to cook.

     

    Ladies come to learn cooking and they also learn about the other products available from the range. This activity will be strengthened over the years as India cannot be addressed by only going to 10 or 20 towns. The major growth will have in those middle markets.

    As a marketing tool what potential do you feel the mobile has?

    All our portfolio except for laptops and mobiles are in house. You can only see someone else’s Airconditioner by going to their living room. They remain inside. A mobile phone is flashed around as a personality trait. If you sell a LG phone to a school or college student you are preparing him/her to be a future LG television, washing machine, refrigerator customer.

     

    So we are catching them young. The mobile phone in the future will be the first entry product into the customers home. After that will come television sets and washing machines.

     

    It becomes a brand that a person is proud of. However we are staying away from SMS and MMS communication activities on ethical grounds.

    Are you happy with how global sports organisers have combated the threat of ambush marketing?

    I do not think that it is a very big issue. There are enough marketing opportunities for everyone.

     

    I do not think that media alienation for a certain period of time makes a big difference.

    There are lots of major sporting events this year. So how is LG splitting up its ad spend?

    We are staying away from cricket apart from the Champions Trophy.

     

    Every brand has limited resources and cricket is no longer an inexpensive proposition. Conserving of resources for better utilisation is what optimisation is all about. We will be doing activities around the Fifa World Cup though.

     

    We are yet to roll out ideas at the storyboard level. This activity will be in select markets like Goa, West Bengal.

    How do you work with your creative agencies?

    It is a partnership right from the concept generation level to how it shapes out to seeing it delivered to the marketplace. We even address the media together.

     

    The competitive business environment leaves little room for chance. It has to be a team effort.

  • Catch all the Grammy buzz on WorldSpace

    Tune in to catch the pre-event favorites, trivia, pick your Grammy Whammy and win exciting prizes on an exclusive contest.

    The definite music accolade – The Grammy Awards are around the corner and Spin, the 24-hour International hits station that gets you the best music from around the globe on the WorldSpace Satellite Radio network, counts-down the excitement to the grand show, bringing the fever right into your home. Tune in to “The Shack” from February 1st to 7th on Spin between 8 pm and 9 pm to catch the all the nominees interspersed with interesting trivia about the awards, singers and songs as well as voice your opinion on who you think deserves The Grammy! What’s more guess the winner of the most Grammies in 2006 and you could win an exciting hamper of CDs on an exclusive contest only on the WorldSpace website -http://www.worldspace.in.

    “The Shack” on Spin transforms into a Grammy Award Gala where you can listen to a ‘category special’ each day. The show will feature all nominated songs within a featured category everyday in an exciting format that features you – the listener – as you give us your opinions and choose your winners. RJ Mili steps in with a treasure trove of mind-boggling facts ranging from information on the nomination-leading Mariah Carey to stats on the top-selling albums and interesting tidbits on the Grammy Awards too. Tune in to a special edition on Sunday evening as Spin Gold showcases the winners from the Grammy past.

    While you are at it, log on to http://www.worldspace.in/ and participate in the ‘The Most Whammies This Grammies Contest’. Pick the singer who will walk away with the most Grammies this year and if you guess it right you may get lucky and win all 5 CDs which are nominated in the ‘Album of the year’ category – ‘The Emancipation Of Mimi’ by Mariah Carey, Paul McCartney’s ‘Chaos And Creation In The Backyard’, ‘Love. Angel. Music. Baby.’ by Gwen Stefani, ‘How To Dismantle An Atomic Bomb’ by http://music.aol.com/artist/main.adp?artistid=5723> U2 and Kanye West’s ‘Late Registration’.

    WorldSpace Satellite Radio also brings a unique opportunity to its listeners, to air their opinion on Spin or convey their wishes to their favorite star. The opportunity can be availed by writing in to WorldSpace at spin@worldspace.com.

    Program Schedule- “The Shack” 8 pm to 9 pm

    Feb 1st
    Best pop vocal performance – duo or group
    Best pop vocal performance – female

    Feb 2nd
    Record of the year
    Best new artist

    Feb 3rd
    Best Rock album
    Best alternative rock album

    Feb 4th
    Best rap performance by duo or group
    Best electronic and dance album

    Feb 5th
    Spin Gold
    Grammy winners from the past – an hour

    Feb 6th
    Best rap album
    Best rock vocal performance by duo or group

    Feb 7th
    Best pop vocal album
    Album of the year

    About Spin
    Spin, the 24-hour International Radio Station on WorldSpace Satellite Radio showcases the most popular English tunes from around the world. Tune in to a foot tapping play list that reverberates with the best international hits ranging from Mariah Carey, Beyonce and Madonna to 50 Cent, Ronan Keating and Bryan Adams! Catch the hits as they roll off the global hit-lists and spot the next chart topper first – only on India’s definitive international hits station – Spin!

    About WorldSpace, Inc.

    WorldSpaceR (NASDAQ: WRSP) is the world’s only global media and entertainment company positioned to offer a satellite radio experience to consumers in more than 130 countries with five billion people, driving 300 million cars. WorldSpace delivers the latest tunes, trends and information from around the world and around the corner. WorldSpace subscribers benefit from a unique combination of local programming, original WorldSpace content and content from leading brands around the globe including the BBC, CNN, Virgin Radio UK, NDTV and RFI. WorldSpace’s satellites cover two-thirds of the globe with six beams. Each beam is capable of delivering up to 80 channels of high quality digital audio and multimedia programming directly to WorldSpace Satellite Radios anytime and virtually anywhere in its coverage area. WorldSpace is a pioneer of satellite-based digital radio services (DARS) and was instrumental in the development of the technology infrastructure used today by XM Satellite Radio. For more information, visit www.worldspace.com.

    About WorldSpace India

    WorldSpace boasts a range of over 40 radio stations across genres – from Jazz to Classical, to Old Hindi Film Music and Rock. Its Indian programming includes two Indian classical stations – Shruti (Carnatic) and Gandharv (Hindustani), as well as regional Indian stations, viz. Tara (Bengali), KL Radio (Tamil), Sparsha (Kannada), RM Radio (Malayalam), Spandana (Telugu) and Tunak Punjabi (Punjabi) and a Spiritual and Wellness station, Moksha, among others.

    Ira Arora
    Torque Communications Pvt. Ltd.
    C 1/ 40 A, Safdarjung Development Area
    New Delhi – 16
    Hand Phone: 98112 88862
    Direct Line – 51756158
    Ph: 51756156-57
    Fax: 51756150