Category: GECs

  • SET-Discovery announces sign-on to Dish TV

    SET-Discovery announces sign-on to Dish TV

    MUMBAI: It’s now official. The Sony-Discovery One Alliance today announced a distribution tie-up with India’s first direct-to-home service Dish TV to carry their channels.

    The announcement confirms the exclusive report put out by Indiantelevision.com last week (7 June) that the two parties had arrived at a memorandum of understanding and the official signing would happen withinin the next few days.

    The official signing of the deal means that all the channels from ‘TheOneAlliance’ bouquet – SET, MAX, Discovery Channel, Ten Sports, SAB, Discovery Travel & Living, AXN, Animax, MTV, PIX, Animal Planet and Nick – will be available on the Dish TV DTH platform by today. Currently, Dish TV carries more than 120 channels and is available across the country.

    Commenting on the tie-up, SET India CEO SET-Discovery chairman Kunal Dasgupta said, “We expect significant growth in the subscriber base for Dish TV and for the DTH market in India due to this tie-up between SET Discovery and Dish TV.”

    “We welcome the SET Discovery channels on Dish TV. We have been growing at a healthy rate in the last year and the addition of ‘TheOneAlliance’ bouquet of channels will enable us to offer our customers a complete family package at affordable prices.” said Dish TV CEO Sunil Khanna.

    Elaborating on the SET Discovery – Dish TV tie-up, Deepak Shourie, EVP & MD, Discovery Networks India and Director, SET Discovery said, “We are extremely pleased with this arrangement as we believe that it would enhance a Dish TV consumer’s television viewing experience and take it to a new level.”

  • ‘We should leverage on each other’s strength and boost the sector by providing the consumer a common platform of services’ : Viren Popli – Star senior VP, Interactive Services

    ‘We should leverage on each other’s strength and boost the sector by providing the consumer a common platform of services’ : Viren Popli – Star senior VP, Interactive Services

    For the last six years, Viren Popli has been an integral part of the Star India system. As the international business senior VP, Popli reported to Kaushik Dalal before moving to the Wireless division to work with Sumantra Dutta. As he puts it, those were days when he worked quietly behind the camera and enjoyed the ‘privacy’ too.

     

    The so-called privacy was soon broken when he was made the head of Interactive Services in February 2005. As he recognizes the tough task he has at hand to build this emerging business as a strong revenue stream, Popli settles down to give his first interview to the media.

     

    At the Wireless division, Popli and his team are making efforts to create a highly sought after destination brand for mobile content, Star 7827, to offer specially created and aggregated content for the mobile screen available through SMS, WAP, Web and voice platforms. In this interview with indiantelevision.com’s Bijoy A K, Popli shares Star’s plans and talks about the evolving digital market.

     

    Excerpts:

    Star India has been spending the last three years to prepare the first draft of its wireless and interactivity plan. And as the first step, the revamped version of Star’s wireless platform 7827 has been unveiled. What went into the research? What are the key findings?

    Several things went into the research. Firstly, we have tried to analyse the effectiveness of areas such as voting, gaming and content. For example, on the gaming front, we have tried to look at the effectiveness of text games and java games. We wanted to know how the product actually sells itself.

     

    Secondly, we have done a lot of focus group studies and discussions across the country to gather useful feedback. Lastly, while doing the research, we did a series of internal studies which covered the whole News Corp platform. News Corp entities across the globe are doing various things on mobile. Hence, we were able to exchange ideas.

     

    Research provided us with a total new insight into the market. For example, very few people in this country know how to download using a mobile. There are booklets and help manuals released by mobile phone companies, but you won’t get a solution in any of those. Someone had to teach people to effectively use the mobile phone in such practical situations.

     

    People are willing to learn technology and pay for it, if they are provided the right content. What kind of content is desired by the mobile community? What is the age group structure here? What is the significance of the word of mouth communication in this segment? Through our research, we got an idea on the kind of efforts we have to make to provide the right response. We also learnt that flexibility, speed and relevance are the most important pieces of this business.

    Could you elaborate on your digital and wireless strategy?

    Our first goal is to make our mobile service 7827 as the most preferred platform both for content owners/mobile operators and consumers. The next focus will be on content. I would rate content space as the biggest challenge in the wireless business.

    What is the next step?

    We want to deliver an all-pervasive service available on all platforms, whether it is text, web or WAP. For an average Indian, Web and WAP are high-end technology words. Hence, we also want to put together an easy-to-access interface method that is more accessible.

    How much of investment has gone into revamping 7827?

    The project requires a significant funding. I can’t provide you the actual figures because we are still in the investment mode. We want to expand in the areas of technology, content and marketing. This is an ongoing process.

    What are the issues that will foster an even faster mobile market growth in India?

    The mobile business has grown tremendously, but the industry is just three or four years old. It will still take some time to evolve. The value chain and the relationship need to fall in place. The audio visual content should reach the masses. The market requires effective strategies and marketing initiatives to attract consumers to audio visual content. This will be crucial for the market to grow.

     

    3G is still some distance away as far as India is concerned. The Indian market has explored 2G and 2.75G technologies really well, but I would say there is still room for improvement. These technologies have still juice in them to drive innovative concepts and deliver better results.

     

    Instead of waiting for the arrival of 3G, we should explore the 3C business, which is Cool Connected Consumer. Mobile phone is no more a mere communication equipment. We change our mobile phone models in such frequency, while we never make an attempt to change our fixed phones. Here the content, as the driver of such a phenomenon, takes centre stage. As a content provider for wireless, we want to make sure that the market will not run short of content. That is what we are doing here. We believe that, content can force the technology to catch up or take a leap.

    We have learnt that, flexibility, speed and relevance are the most important pieces of this business

    Will web streaming as a concept catch up in India?

    It is a tremendous opportunity. As I said, it again depends on technology and the technology depends on the content. If the content is really attractive, we will have more and more people opting for the broadband service.

    What is your take on the global scenario? Is there any learning from the China market, where Star Wireless is already operational?

    This space is all about intelligence and experimentation. One interesting development has happened in the international space. Globally, most of the mobile companies are getting out of the content sector. The operators have found working on the content space — which is not actually their main area of strength – very distracting. Across the platform, the players have decided to focus on their main areas of strength.

     

    In India also, mobile operators will have to move out of the content space. It would be very difficult for them to run content services. Focus on a niche area is very important in this sector.

    Who are the key players occupying the digital and wireless space?

    Yahoo is very strong in the communication space, while Google reigns supreme in search. Entertainment companies are aggressively eyeing the digital space. Fox, for example, has taken major inititatives. There are also many small companies. But once consolidation happens, we will have four or five big aggregators and a range of secondary companies working around them in niche areas.

    What is the role played by News Corp. in Star India’s interactive initiatives?

    There is a macro direction element present in the whole process. News Corp. as a company has been a great idea exchange platform. It is all about sharing ideas and capitalising on the ideas and thoughts exchanged through this vast network. Since each individual country has its own local environment, we won’t be able to accept all the ideas generated. We will have to see what survives in our environment. However, the global platform has helped us tremendously to share and generate information and ideas.

    News Corp recently acquired the social network portal Myspace.com. Are you looking at creating a similar networking platform in India?

    The concept of online social networking has been very successful in the West. Star India is also exploring opportunities to launch a social networking portal on its mobile platform.

    Star India launched mobisodes last year. Now it is more than six months since this happened and how was the experience? How much did the initiatives contribute to Star India’s revenues during the fiscal?

    It did really well. We had significant number of video downloads, though the lack of technology awareness and penetration limited the exercise to certain areas. However, I would say, the initiative covered its costs and made a profit.

    Interactivity works for a channel or a programme, when the viewer chooses mobile phone over remote control

    You are about to launch your mobile voice platform. What are the growth plans for this?

    We have signed agreements with Hutch and BSNL, while more deals are on the anvil. We will have a different short code on Voice. On the technology front, there is bit of a problem since BSNL has a separate short code digit structure. In that case, we will have to market two different short codes for Voice. At present, we are trying to sort this issue out.

     

    We are also working on the Voice content. The radio channel will offer a mix of created, aggregated and Star India content.

    How do you plan to leverage Star India’s programming dominance with the mobile initiatives? Are there plans to make mobisodes of your popular soaps including Kyunkii…??

    All our programmes can go to mobile as well. At the same time, variations of these programmes can also go. For example, it would be interesting to watch Tulsi’s (the lead character in Kyunkii..) fashion transformation over the years in a mobisode. We can present alternative storylines through mobisodes. Lots can be done in terms of this content variation.

     

    We have plans to do a lot of things this way. But, I am not in a position to offer a timeline since, once we start such an initiative, we will have to be consistent with our delivery. We can’t provide Kyunkii.. on mobile for a week and forget about it. We will have to offer the Kyunkii.. content six days a week. It requires significant amount of planning and improvisation. The editing of an episode for mobile itself would consume significant amount of time. Hence, to make a formal announcement, we want to be confident of our delivery cycle.

    Does it also work in reverse? Will 7827 also help in driving up viewership?

    It can be assumed that the consumer downloading a mobisode of our programme is a loyal viewer of our shows. The interest in the programme must be inspiring him to download the mobisode of that particular programme. Hence, we believe that mobile holds tremendous potential to boost viewership and audience base.

     

    Now, how to take it ahead? Here is where interactivity comes in. We are looking at various methods to boost interactivity by way of the existing mobile technologies. Interactivity works for a channel or a programme, when the viewer chooses mobile phone over remote control. There are these traditional methods such as contests and special schemes. Interactivity can be a more powerful weapon, if used effectively in breaks. We are looking at various strategies to improve on this front.

    Any SMS-driven shows from Star? Are you planning any mobile-based gameshow at the moment?

    I have nothing concrete to offer you at the moment. But we are definitely exploring this segment.

    Has Star recently bought any show formats for the mobile and internet?

    We keep scanning the environment. But nothing significant has caught our attention as of now.

    Are you planning to work with film producers for mobile and other interactive initiatives?

    We are looking to work with every content provider in the country, including filmmakers and producers. In fact, we are very keen to work with film producers.

    How much have broadcasters raked in as revenues through SMS services during the last fiscal? How fast will it grow this year?

    It is in the range of Rs 750 million to Rs 1 billion. With more initiatives coming in, we expect this to double this fiscal.

    In the next five years, how much will the mobile division contribute to Star India’s revenues?

    Mobile will evolve as a strong revenue stream for Star India, after advertising and subscription. It is difficult to forecast the figures, because the technology will undergo lot of changes during the next five years.

    Will it be totally subscription driven or is there a scope for ad revenues in the immediate future?

    In the mobile content platform, there have been many experiments to generate advertising revenues. There is this method of inserting brands in content, but it is not generally very effective because of the space constraints. That is just one way of doing it. We believe that the real opportunity is yet to happen and there should be a better way out. Marketing and branding should be handled in a smarter way in this case.

    What is your take on in-game advertising?

    In-game advertising can be effective in the case of console and PC gaming. But, again, when it comes to mobile, we have space restrictions. The brand will look too small to generate appeal. Branded games can be one way out. Still, how many people would want to download a branded game? This space requires an effective strategy.

    What are the plans in India for the Lost game?

    Buena Vista International Television (BVITV) owns the rights for the game and as far as I know, they are very keen to launch the product in India.

    In the next five years, mobile will be a strong number three as Star India’s revenue resource, after advertising and subscription

    Are there any Indian shows that you feel have potential for this kind of an extension?

    Absolutely. I would say, most of our shows have the potential to be extended as various mobile initiatives. But we haven’t really zeroed in on any particular show as yet.

    Have you struck deals with international companies?

    The plan is to aggregate the best content from across the world. We are planning associations with companies working in the areas including content, applications, technology and games. We haven’t reached a position to name any particular company as our associate yet.

    How would you like to explore the interactive market segments such as video sharing, messaging, connecting and email through your digital initiatives?

    We are an entertainment and information service provider. We would stick to what we are doing at present. There is no plan to offer services which are outside our purview.

    How do you rate competition in this segment?

    All the players have competed really well to create their own space in the mobile industry. The next incremental step should be a leap in terms of strategies. All of us should come together to empower the business. We should try to leverage on each other’s strength and boost the sector by providing the consumer a common platform of services.

  • UK pay TV provider Sky looking to launch another sports channel

    UK pay TV provider Sky looking to launch another sports channel

    MUMBAI: UK pay television service provider Sky is looking to launch a fifth sports channel to add to its Sky Sports 1, 2 and 3 and Sky Sports Xtra channels.

    Sky won a new TV licence from media regulator Ofcom. The licence has been issued under the name Sky Sports 4.

    A report in brandrepublic.com states that Sky already has a Premiership rights package, which was extended last month. It also has the rolling sports news channel Sky Sports News, which, as well as being broadcast on satellite and cable channels through Sky, is also broadcast on Freeview channel 83. In addition to Premiership football rights, Sky’s live sports coverage includes cricket, rugby, golf and boxing.

  • MTV launches animated series ‘Wulffmorgenthaler’ on mobile TV

    MTV launches animated series ‘Wulffmorgenthaler’ on mobile TV

    MUMBAI: Created exclusively for MTV Mobile TV, MTV Networks International has launched its made-for-mobile animated series Wulffmorgenthaler inspired by the world famous comic strip of the same name.

    The Wulffmorgenthaler shorts, a coproduction between MTVNI and Mikael Wulff and Anders Morgenthaler.

    Comprising 20 short animations featuring the comical twists of different characters and storylines, it is available on MTVNI’s mobile TV channels and mobile video on demand across Europe, Australia and the US for eight weeks.

    It will be distributed on MTVNI’s broadband services, according to media reports.

    MTVNI has 20 mobile TV channels in 19 countries.

    “Wulffmorgenthaler delivers on our promise to provide audiences with the most original, compelling content on multiple platforms around the world. These edgy animations will offer audiences a new, bite-sized burst of humour and creativity that only MTV can offer,” said MTVNI senior VP digital media Gideon Bierer.

    The Wulffmorgenthaler shorts join MTVNI’s other made-for-mobile productions including Head and Body, produced in partnership with Motorola.

  • Sony-Discovery reach agreement with Dish TV

    Sony-Discovery reach agreement with Dish TV

    NEW DELHI / MUMBAI: It’s been a long time coming but after endless rounds of discussions, India’s first direct-to-home service Dish TV has finally reached mutually agreeable terms with the Sony-Discovery One Alliance distribution bouquet to carry their channels.

    The two parties arrived at a memorandum of understanding today and the official signing will happen anytime in the next few days, sources close to the developments tell Indiantelevision.com.

    The One Alliance channels will begin beaming off the Dish platform within the next few days and the billing cycle is effective from 1 July on. The financial terms that the two parties have agreed to were not available at the time of filing this report.

    For Dish TV, this resolves one half of the problem it has been facing ever since its launch – its inability to offer subscribers channels from the One Alliance and Star bouquets.

    With the addition of the Sony bouquet, Dish TV can look forward to a major ramp up in subscriber numbers. Two key events that are expected to drive acquisitions in the immediate term are the ongoing India-West Indies Test series and the Fifa World Cup. The Word Cup kicks off in Munich, Germany, on 9 June while the second Test in St Lucia, West Indies, will take place between 10 and 14 June. ESPN Star Sports (already on the Dish network) has exclusive rights to the World Cup while Ten Sports – part of the One Alliance bouquet – is exclusively airing the cricket in the Caribbean.

    A contentious issue that automatically gets resolved with Sony’s sign-up on Dish is the legal spat that Subhash Chandra’s DTH service has been having with Viacom channels MTV and Nick since last year. Both channels are part of the One Alliance.

    In a letter sent to the information and broadcasting ministry last month, Dish TV had petitioned that despite the sector regulator’s directive on making available content to all platforms and a favourable judgement from disputes tribunal TDSAT, the “conduct of MTV” has been “clearly in violation” of the interconnection regulation of 2004.

    Dish TV’s parent ASC Enterprises’ contention was that despite carrying on commercial negotiations with MTV Networks India for several months, the content provider and its distributors in India (One Alliance) had stalled any fruitful conclusion of such talks.

    ASC Enterprises, an Essel Group company, holds the licence for a DTH service in the country, which is marketed under the brand name Dish TV.

  • Zoom appoints Sunil Sahjwani as chief creative & programming officer

    Zoom appoints Sunil Sahjwani as chief creative & programming officer

    MUMBAI: Lifestyle and glamour channel Zoom’s latest appointment is in keeping with the new initiatives planned for the next quarter. Sunil Sahjwani has been roped in as chief creative and programming officer for Zoom. The programming, production and on air promos (OAP) teams at Zoom will now report in to him.

    With this, Sahjwani will be moving from his current corporate role as chief creative consultant for Bennett & Coleman Co Ltd., ( BCCL) and takes charge of all creative and programming responsibilities at Zoom.

    Commenting on the appointment, Zoom CEO Suresh Bala said, “As Zoom prepares to meet the challenges of becoming a high impact channel, it needs a new dimension of creative leadership to rejuvenate its growth engines and take it to the next level. I believe Sunil Sahjwani, with his experience and expertise is the best person for this role.”

    Sahjwani says, “I am indeed very happy to take up this assignment. Zoom is at a very dynamic stage currently and I think it will be very challenging and exciting to take it forward from here. Zoom has created a unique position for itself in the television space. I’m confident that Zoom will touch even greater heights of success in the days to come.”

    With over 27 years in the areas of advertising, film, radio and television, Sahjwani has worked on several international productions which include shows for BBC’s Channel 4 and CNN.

    Amongst others, he has directed the immensely popular BPL Oye for Channel [V], for which he has won the RAPA, Lions and Screen awards. Sahjwani has also worked with ETC Networks as director of programming as well as VP Creative for Reliance Entertainment. Prior to joining BCCL, Sahjwani was the CEO of the Percept Picture Company.

  • Shemaroo celebrates Fifa WC with release of Beckham video

    Shemaroo celebrates Fifa WC with release of Beckham video

    MUMBAI: Home video maker Shemaroo has released a video Really Bend it like Beckham this football season.

    The video has the inside details and is the definitive video of his soccer skills. Fans can now have a never-before-seen view of his various skill sets, on technology that manages to capture and dissect his every move like never before. The video also features Beckham’s football highlights of matches like an England versus Argentina match.

    Shemaroo VP Hiren Gada said, “It is baffling that in a nation of a billion people, young talents aren’t making it to the international arena. Really Bend it like Beckham is an excellent video for two reasons. First, it will be a great learning opportunity for emerging players, almost like learning from the legend himself, and prove to be a great encouragement. Second, it is an excellent video that will be enjoyed by all Soccer fans.”

    The DVD has been sot on High Definition. It features multi camera angles, super slow motion and time slice footage. 

    It has been broken into easy to use sections – control, space making skills, passing and working for space, turning skills, forward play, crossing, closing down and defending, finishing and free kicks and much more.

    The DVD also has behind the scenes with David Beckham, Kids Q&A with Beckham and a Kids Football game with Beckham.

  • Zee TV takes lead in weekday 9-10 prime time

    Zee TV takes lead in weekday 9-10 prime time

    MUMBAI: It’s been a long time coming, but Star Plus’ vice like grip on prime time has been breached. Zee TV, which has been methodically building its narrative programming and taken a firm handle on the number two slot, has now made its first major assault on Hindi entertainment’s lead channel.

    And critically, this has been achieved not by a format show but two soaps working in tandem. Powered by the career best performances from Saat Phere and Kasamh Se, the channel has gone ahead of the market leader Star Plus in the highly contested 9 – 10 pm prime time band for Week 21 (18 May to 24 May), according to Tam.

    As per the data, the top programme on Zee TV during the period was the 9:30 pm soap Saat Phere which recorded its best ever 6.61 TVRs on 25 May with a reach of 11.28 per cent and time spent/viewer of 24 minutes. Saat Phere also gave an above average performance on 22 May (4.7) and 26 May (4.68). In the 9 pm slot, Kasamh Se topped with 4.96 TVR on 24 May, 4.68 on 22 May, 4.27 on 25 May and 3.72 on 26 May.

    On the other hand, Star Plus’ counter soaps Kkavyanjali (9 pm) and Miilee (9:30 pm) for Monday to Thursday performed like this: Miilee – 4.77 TVR on 22 May, 4.17 on 25 May and 3.95 on 24 May. Kkavyanjali – 5.61 TVR on 22 May, 4.25 on 25 May, 4.19 on 24 May and 4.12 on 23 May. On Friday, 26 May, Prithviraj Chauhan recorded 4.24 TVR in the 9:30 pm time slot.

    To an extent, the good show from Saat Phere has been attributed to certain creative exercises the channel experimented on the soap. The consistent performance the soap had been maintaining over a long period gave the channel the opportunity to create, play up and reveal a suspense element on the soap and these efforts have now reaped it good fortunes.

    24, 25 and 26 of May were crucial for the soap as the suspense was revealed step by step during these days. And as the data reveals, the ploy has worked for Saat Phere and in the process the soap even emerged as the top show of the week in GEC in the 9-10 pm time band.

    “Saat Phere had been maintaining an upper trend if you look at the last few weeks data. We knew that the gap was closing. The suspense factor was just one of the reasons, but yes, it has helped the soap to record good numbers. However, this is just a one week performance and we have still got a lot of ground to cover to make our claims to the number one slot in this time band. Now the challenge lies in sustaining this good show,” states Zee TV marketing head Tarun Mehra.

    Star India senior creative director Shailja Kejriwal agrees that Saat Phere is doing a good job for Zee TV at present. “Zee TV has got two good shows in this time band and we agree that these shows are doing a good job. We have a healthy competition going on.”

    However Kejriwal is quick to warn Zee that Star Plus wouldn’t be sitting idle watching it stealing all the glory. “We are working on a strategy to beat it. Not only our newly launched or upcoming properties, but all the Star Plus prime time shows will play their roles in this process. This is a highly contested slot and we are confident of winning it back. In this particular slot, we have made fight backs earlier also. Earlier we have battled off the Sony soap Kkusum when it was going great guns in this slot. So we are confident of a comeback.”

    As already reported, Star Plus is launching a one hour soap Viraasat in the 9 pm slot, starting 12 June.

    The Tam data for the period also reveals that Zee TV has improved its position in the GRP (Gross Rating Points) space as well. In the 9 pm to 9:30 pm band, Zee recorded GRPs of 4.03 for the week, almost on par with Star Plus’ 4.04. But it was in the 9:30 pm to 10 pm slot that Subhash Chandra’s channel really made its play achieving average GRPs of 5.02 as against Star Plus’ 4.21.

    The channel as a whole recorded a GRP of 230 for the week 21, up by 34 points from 196 of the previous week. Meanwhile, the GRPs of Star Plus recorded a decline of 7 points, to 492 in the same week. Sony also went down by 5 points to stand at 103.

    What ammunition the “Empire” uses to strike back at the upstart that has intruded into its domain will be watched with interest. Whatever the final outcome though, it’s match on for the prime time ratings stakes.

  • SifyMax to cover French Open & Wimbledon as broadband partner for TWI/IG

    SifyMax to cover French Open & Wimbledon as broadband partner for TWI/IG

    MUMBAI: Sify Max, (www.sifymax.in) has tied up with TWI/G as its exclusive broadband partner for India for videos of the highlights of the on-going French Open, (28 May – 11 June) and Wimbledon, which will be held from 26 June – 6 July.

    As a result of this tie up, a special French Open 2006 section on SifyMax features, besides the highlights of the tournament, interviews with players, behind-the-scenes footage and previews. The highlights of the 2005 French Open will also be available.

    The Wimbledon 2006 special on SifyMax will also offer comprehensive coverage replete with videos of individual match highlights, interviews with star players, daily round-ups and the behind-the-scenes action with live audio commentary. A live score-card and golden moments of the 2005 tournament will also be available.

    Sify Limited senior vice president Surya Mantha said, “Following the immense success of last year’s Wimbledon coverage on SifyMax, we are delighted to be associated with TWI/IMG again to bring the excitement of both the French Open and Wimbledon 2006 to sports lovers in India. The content on video of the highlights of the matches will offer a satisfying and complete experience of the two tournaments. Users can follow the tournaments on SifyMax at their convenience, either from their homes, offices or from any of our 3300 iWays across India. We believe this initiative will help make tennis a mainstream sport by making the French Open and Wimbledon available to users in India at their convenience.”

    IMG India senior corporate director Andrew Wildblood added, “TWI is excited to partner with SifyMax as the exclusive broadband content partner for the French Open and Wimbledon championships this year. This unique endeavour will extend the viewership of the French Open and Wimbledon 2006 beyond their existing formats. Sify Max will help us to take these premier tennis tournaments to the fast growing base of broadband Internet users in India, from both home and cyber cafes, and to capture new audiences outside the realm of traditional TV viewing.”

     

  • Sab’s to launch ‘Left Right Left’ on 10 July at 9:30 pm

    Sab’s to launch ‘Left Right Left’ on 10 July at 9:30 pm

    MUMBAI: After launching Twinkle Beauty Parlour recently, Sab will now be launching a new show Left Right Left -an action packed youth based drama – on 10 July. The show will be aired from Monday-Thursday at 9.30 pm.

    Set in contemporary India, Left Right Left is the story of six youngsters Huda, Naina, Yudi, Alekh, Ali and Pooja who come together at the pre NDA Academy with varied interests, dreams, aspirations and goals. They transform from being naive to responsible young men and women who are determined to fight all odds of life.

    The show captures the journey of six confused and disoriented youngsters who transform as strong determined individuals. It also renders their realisation for the love of their mother country along the way.

    Produced and directed by Tony and Deeya Singh (of Jassi Jaissi Koi Nahi), Left Right Left stars Rajeev Khandelwal (Captain Rajveer), Shveta Salve (Dr. Ritu Mishra) and Puneet Issar (Brigadier Chandok) along with Vikas Manaktala (Huda), Arjun Bijlani (Alekh), Kunal Kapoor (Yudi), Harshad Chopra (Ali), Ghazal Rai (Pooja) and Priyanka Bassi (Naina).

    Sab senior vice president and business head Vikas Bahl said, “Our programming strategy consists of introducing new shows that include unique concepts, fresh new faces and an overall packaging that draws the masses, giving the much needed impetus to expand the channel viewer ship. At Sab, we are currently moving in the direction of consolidating our prime-time and are sure that Left Right Left will give us the expected boost.”

    Sab programming head Priya Mishra said, “Left Right Left is a show based on the youth and is a key differentiator in terms of programming for the channel. Left Right Left is a show different from the competition in the 9 pm – 10 pm slot as none of the other general entertainment channels have addressed the sentiments of youth. The show showcases much larger issues that concern the youth and reflects their attitude.”

    Tony and Deeya Singh added, “Left Right Left demonstrates a unique story of six youngsters and their way of living life. The viewers will be able to relate to Huda, Naina, Alekh, Ali, Yudi and Pooja since there would be times in their lives, where they would have experienced the same emotions and therefore will empathise with them.”

    The channel has associated itself with leading fashion house Provogue and designer Deepika Gilani to lend their creative fashion expertise to build the look for this show. Provogue has especially designed the cargoes and Tee Collection for the cast and has also styled Rajeev Khndelwal’s look for the show.

    The marketing and communication campaign of Left Right Left, the channel claims, is just as differentiated as the show itself. The campaign spanning television, radio, outdoor, on-ground captures the rebellious streak of youth in an innovative manner.