ITV

Category: GECs

  • Time Broadband achieves Asian landmark in IPTV

    NEW DELHI: The Mumbai-headquartered Time Broadband Services Pvt Ltd might not ring a bell immediately, but this media technology company has achieved an Asian landmark.

    Commissioning of a fully integrated content delivery network over H.264 AVC Revision 10 of MPEG4 format as an end-to-end solution on Mahanagar Telecom Nigam Ltd (MTNL) MPLS core and ADSL 2+ access system is the first of its kind in Asia.

    This hi-tech implementation was first recorded on 4 July 2006 at Cavalier Telecom in the USA by Kasenna, which also happens to be Time Broadband’s technology provider.

    “Considering the few weeks gap, the achievement of having a total integrated solution on an emerging technology is certainly a landmark in Indian broadband domain where more than 100 TV channels are to be delivered via digital multi-cast to PC and TV sets by our technology partners,” said Time Broadband MD and CEO Sujata Dev.

    What this means in layman’s language and where does the
    government-controlled telecom company MTNL fit into the scenario?

    MTNL, providing services in Delhi and Mumbai, has associated with Time Broadband to provide IPTV at affordable rates to the telco’s consumers. The services are slated to be commercially flagged off later this year.

    According to Dev, apart from the telephony and internet services, a MTNL subscriber can also subscribe to TV channels, which can be seen either on the consumer’s PC or television set.

    The charges for subscribing to over 100 channels and internet services are likely to be in the region of Rs 400 per month (exclusive of charges for telephone usage).

    Time Broadband, which in no way is connected to the Times of India group, did a trial simulation of the technology in Mumbai on 14 January 2005, the day on which a nation-wide launch of broadband was held by MTNL and its sibling Bharat Sanchar Nigam Ltd (BSNL).

    On 21 November 2005, Time Broadband signed up formally with MTNL for providing the content delivery network (CDN) and do content aggregation for MTNL to enable rich-media content delivery.

    MTNL, set up on 1 April 1986 by the government, has a customer base of approximately 5.92 million as on March 2006. The government presently holds 56.25 per cent stake in the company.

    Time Broadband, where Sujata Dev’s husband Amit works as the chief tech mentor, has been initially funded by promoters and has received $12 million mix of equity and debt from global investors to move into full-scale rollout plan to 600 tri-band customers shortly in Delhi.

    Next stage of integration would cover uni-cast or the interactive on-demand media delivery, which is to be completed shortly.

    “In IPTV domain, a major challenge faced by a operator is the integration of the CDN components like middleware, content protection, video-on-demand services and head-end encoding components with set-top box. We could successfully integrate the whole system in past six months along with inputs from our technology partners,” said Dev.

    A unique aspect of the whole venture involving MTNL is the content protection or guarding against piracy.

    The content protection technology used by Time Broadband for MTNL’s IPTV service is being provided by Verimatrix and is a mix of session-based water marking and clone-detection capabilities.

    “Broadcasters like Star, Sony and Zee have approved the content protection system of Verimatrix as also major studios of Hollywood as a key defense against the vandalism of piracy due to the forensic tracking, which is invisible but un-destructible,” Dev explained.

    The video-marking added to 128 bit PKI as per AES norms would offer threshold level of protection to all content. The achievement of technical solution is one hurdle crossed but the issues of Regulation and availability of volume based H.264 STB with ‘session-based water-marking’ is still a challenge to be overcome before commercial launch, Dev adds.

    However, a major hurdle in rollout of IPTV services in India is the regulatory body Trai’s present ambivalence on the status of such service.

    Telecom Regulatgory Auhtority of India (Trai) is yet to decide whether to classify IPTV as a television service or make it part of telecom.

    Both MTNL and Bharat Sanchar Nigam Ltd (the biggest telecom service provider in India in terms of reach) control over 95 per cent of last mile
    connectivity in India.

    The remaining miniscule is with some private players, which are finding themselves handicapped to introduce large scale broadband services in the country in the absence of last mile connectivity.

    Though the set-top box needed to access the MTNL Tri-band service is being imported by Time Broadband for approximately $ 160, in the initial stages the boxes are being subsidised to catch consumers.

    Time Broadband would build and own all the elements of this massive city-wide content delivery network with service delivery platform to operate uni-cast and multi-cast services of rich-media, apart from critical sub-system and peripheral devices.

  • Star Plus to launch ‘Rin Mera Star Superstar’ on 8 September

    MUMBAI: Star Plus’ nationwide talent hunt targeted at the kids segment, Rin Mera Star Superstar, will launch on 8 September at 7:30 pm. The hunt is dedicated to unearthing talent in children aged 5-14.

    The programme promises to offer a national platform for talented children to showcase their potential that will help them win a scholarship of Rs 5,00,000 to pursue the dream of becoming an artist. Rin Mera Star Superstar will be hosted by television actress Shilpa Sakhlani.
    As per an official release, mothers of the kids have an active role to play in defining the kid’s victory or loss in the Maa Sangram round where each mother plead to the judges and audience requesting votes for his/her talented child. Her appeal will then be judged by the audience and can affect the final scores of her child. The mother-child duo with the highest score will move on to the semi-finals level of the Talent Hunt.

    Rin Mera Star Superstar jury panel comprises of Sachin Pilgaonkar and Farida Jalal. Selected from among lakhs of entries across the country, 40 most talented kids will showcase their talent to the world and garner votes along with their mothers to achieve the coveted title!! These kids have been groomed by choreographer Pooja Shetty, singer Qadir Mustafa Khan and actor Alok Ulfat The hunt on air kick starts with actress and super mom Raveena Tandon coming especially to encourage the kids in the first episode followed by many more famous personalities later, the release further adds.
    Show Format
    Produced by Endemol, Rin Mera Star Superstar will be aired every Friday eliminating two out of the four kids in each episode. Two Semi final episodes and a Grand Finale will follow elimination rounds. Each show will open with the host introducing the celebrity guest, judges and contestants for the day to perform. After the performance round, Mothers of two kids who have qualified will plead to judges and viewers to vote for their child. Contestant who gets the highest score will make it to the semi finals.

  • UTStarcom introduces portable WiFi handset F3000

    MUMBAI: UTStarcom, Inc., the IP-based, end-to-end networking solutions and services, has launched its portable WiFi handset – the F3000. The handset is currently being deployed by customers worldwide and can be purchased directly from UTStarcom or through one of the company’s regional distributors.

    “We are seeing massive growth in demand for mobile voice-over-IP devices as the number of public WiFi hotspots and prevalence of wireless routers in people’s homes and offices increases,” says UTStarcom, Inc. VP EMEA Youssef Kassissia.

    “This, combined with the international roaming charges levied by operators, is encouraging consumers to look to wireless VoIP as a cost- effective alternative to traditional mobile telecommunications, both at home and abroad.”

    “The F3000 builds on the success of our award-winning F1000 handset, our first-generation WiFi phone launched last year and the low-cost market leader in WiFi handsets worldwide,” Lu adds. “Much like the F1000, UTStarcom’s F3000 enables consumers the ability to reap the benefits of VoIP service without being tethered to a fixed-line and at a consumer friendly price point.”

    With a designs available in both black and gold, UTStarcom’s F3000 WiFi handset bridges the gap between traditional WiFi phones and today’s state-of-the-art cellular devices, offering consumers a combination of form and functionality. Measuring 85 x 43 x 22mm and weighing approximately 90g, the F3000 features a full-color, 1.8″ (45.7mm) LCD screen, polyphonic ringtones, text messaging capability and talk-time of up to three hours and stand-by time of approximately 75 hour, states an official release.

    The phone supports a range of voice protocols, including SIP, SDP, RTP/RTCP and RFC 2833/inband DTMF, and utilizes ITU codecs G.711 and G.729. It operates at WiFi 802.11b/g 2.4GHz and supports WiFi security WEP64/128 and WPA. The F3000 also supports a variety of user interface languages, including English, French, Spanish and Chinese, and standard PSTN features, such as call waiting and three-way calling, are also available. It is easily configured, supporting auto-provisioning and remote software upgrades, the release adds.

    Additionally, UTStarcom’s F3000 features an Auto-Search capability, enabling users to locate WiFi networks within range and store these profiles for later use. Moreover, the handset can be programmed with three separate SIP accounts, providing both service provider and access point flexibility for the end user.
     

  • Adlabs Films finds Synergy in equity deal

    MUMBAI: The Anil Dhirubhai Ambani Group (ADAG)-backed Adlabs Films is set to formally make a foray into the television business.

    According to capital market sources, Adlabs Films is poised to pick up a sizeable equity stake in Siddharth and Anita Basu’s production house Synergy Communications Pvt Ltd.

    Sources close to the development, however, said that it is still not clear whether the stake being picked up is 51 per cent or higher.
    While Adlabs expressed ignorance of the deal when contacted by Indiantelevision.com, Synergy Communications refused to entertain any query on the issue.

    However, market sources said that a valuation of Synergy Communications has been pegged between Rs 470 million to Rs 500 million.

    The scrip of Adlabs Films Ltd closed on 6 September at Rs 332.10 after opening at Rs 332 on Bombay Stock Exchange (BSE). The scrip reached an intra-day high of Rs 337.50, probably riding on the information of its radio division slated to roll-out FM operations in about four to six weeks time.

    It must be reiterated here that Adlabs Films CMD Manmohan Shetty had earlier confirmed to Indiantelevision.com that the company was looking at taking a controlling equity stake in a production house.

    Though Shetty had refused to divulge any names at that time, he had admitted, “All that I can say is that it (the targeted production house) is not a listed company and produces three to four shows with a good balance sheet.”
    Adlabs has been funding a few TV production companies and has chalked out eight projects with various producers who will be making programmes for TV channels.

    Synergy Communications, producers of Kaun Banega Crorepati or KBC (an Indian version of the popular western game show Who Wants To Be A Millionaire), is presently working on Jhalak Dikhla Jaa (a local adaption of Dancing With The Stars) for Sony.

    KBC, hosted by Bollywood legend Amitabh Bachchan, first started airing in 2000 on Star Plus and created such a national hysteria that it changed the fortunes of Star India and put it in a leadership position that’s still being maintained.

    Synergy was started by ace quizmaster Basu and his wife after the gentleman became a household name in India by hosting the very popular Quiz Time on Doordarshan in the pre-cable television days.

     

  • ‘K’ show rate hikes: Balaji expects 8% rise in turnover

    MUMBAI: Balaji Telefilms Ltd. is targeting a 7-8 per cent growth in turnover to around Rs 3.1 billion this fiscal on the back of a rate hike on four of their popular TV serials and an increase in programming hours.

    The investment in capital expenditure for the year is estimated at Rs 250-300 million. “We are adding two more studios this year. The capex is also towards equipments and sets,” a source in the company says.
    Of the four serials that will come up for an upward rate revision, three are expected from Star India and one from Zee Telefilms. Balaji makes a prime time show, Kasamh Se, for Zee TV.

    The paid up capital for Balaji’s wholly owned subsidary company at Sharjah will be Rs 40 million.

    The company is making a serial for ARY which will go on air by the first week of November. “The serial will air four days a week. If demand for our shows increase, we will invest in ramping up our facility. We don’t expect revenue inflows getting reflected this fiscal,” the source adds. The subsidiary company will produce serials aimed specifically at the Middle East market.
    Commissioned programming in the year is eexpected to increase by 7-8 per cent while exposure in the sponsored category will reduce. Revenue from the southern market is also estimated to reduce from Rs 320 million to Rs 200-250 million. Balaji has an exposure on the Sun Network channels.

    “The average revenue realisation per house will see a further rise this fiscal,” the source says. Balaji’s realisation per hour of commissioned shows rose from Rs 1.7 million to Rs 2.2 million for FY06.

    The company is adopting a cautious approach towards movie production. It will not be releasing any movie this year and is taking the co-production route for the next three films. “We are taking safer bets. There is no pressure on us to take risks. Our bottomline will stand even stronger this year,” the source says.

    Balaji Telefilms saw a robust growth in FY06 with topline increasing 43 per cent to Rs 2.8 billion. Net profit rose 44 per cent to Rs 594 million.

  • Liquid propellant strap-on failure primary cause for Insat 4C crash

    BANGALORE:The Failure Analysis Committee (FAC), constituted for investigating the failure of ISRO’s Geosynchronous Satellite Launch Vehicle, GSLV-F02 mission from Satish Dhawan Space Centre (SDSC SHAR) Sriharikota, on 10 July, 2006 has submitted its report.

    The 49 metre tall and 414 tonne GSLV comprises three stages. The first stage consists of a solid propellant motor and four liquid propellant strap-ons. The second stage is also a liquid propellant stage and the third is a cryogenic stage.

    GSLV-F02 launch was the fourth in the series. All the three earlier missions (GSLV-D1, D2 and F01) were completely successful. The mission objective of GSLV-F02 was to place Insat-4C, an operational satellite into Geo-synchronous Transfer Orbit (GTO). About 55 sec into the flight, GSLV-F02 started deviating significantly from its nominal flight path resulting in the vehicle breaking up at 62 sec after lift-off. The debris fell into Bay of Bengal.

    The 15 member FAC chaired by K Narayana, former Director of SDSC SHAR, with the participation of experts from academic and research institutions besides ISRO, has reviewed the performance of GSLV-F02 from lift-off to the end of flight. FAC had detailed deliberations for over 100 hours in several sittings and was assisted by eight specialist sub-committees examining the flight data of vehicle subsystems, manufacturing documents, inspection, calibration and test results, etc. Especially, the details related to the realisation of liquid propulsion stage of GSLV were closely scrutinized. Several tests simulating possible failure modes were also conducted to identify the exact cause.

    FAC has concluded that the performance of all vehicle subsystems, except one strap-on stage was normal until 56.4 sec. The primary cause for the failure was the sudden loss of thrust in one out of the four liquid propellant strap-on stages (S4) immediately after lift-off at 0.2 sec. With only three strap-on stages working, there was significant reduction in the control capability. However the vehicle attitude could be controlled till about 50 sec. At the same time the vehicle reached the transonic regime of flight and the vehicle attitude errors built up to large values, resulting in aerodynamic loads exceeding the design limits thus leading to break up of the vehicle.

    The thrust of the liquid engines used in the strap-on stages is precisely controlled by a set of regulators. Detailed analyses have indicated that in S4 engine the thrust control was not effective. Instead of stabilizing at 5.85 MPa (Mega Pascal) chamber pressure, it reached 7.11 MPa at 2.8 sec. This was much beyond the design limits and the engine failed at 0.2 sec after lift-off, that is 5 sec after its ignition.

    Simulations and analyses of flight data and verification through calibration tests have led to the conclusion that the propellant regulator in the failed engine had much higher discharge coefficient in its closed condition. The reason for this could be an inadvertent error in manufacturing, which escaped the subsequent inspection, and acceptance test procedures. This regulator has functioned satisfactorily in all the previous 50 engines manufactured and tested so far, states an official release.

    The larger flow of propellant led to higher operating pressure in the gas generator (4.7 MPa against design specification of 3.6 MPa). Due to this higher operating pressure of the gas generator, the water flow rate into it got reduced. The combined effect of larger flow of propellants and reduced flow of water led to a very high gas temperature of 1823 K against design specification of 900 K and pressure of 4.7 MPa against the design specification of 3.6 MPa. The very high operating pressure and temperature resulted in the structural failure of the gas generator. The consequent abrupt stopping of the turbo pumps that feed propellants at very high pressures to the engines led to loss of thrust of S4 engine. The water calibration tests conducted simulating the malfunction of the propellant regulator hardware could closely reproduce the flight phenomenon thereby confirming the larger flow area.

    FAC has concluded that the design of GSLV is robust and recommended implementation of strict control on fabrication, inspection and acceptance procedures. Among others, FAC has recommended fabrication processes to be critically reviewed and updated. It has recommended for independent inspection of all critical dimensions of components and subassemblies by in-house agencies. Further, long duration hot test on one out of every 20 engines fabricated has been recommended to ensure that production process is under control. In addition, FAC has recommended strengthening the process of clearance of launch during Automatic Launch Sequence (ALS) phase.

    FAC conclusions and recommendations have been accepted and necessary action has been initiated to implement all of them, the release adds.

  • Star, Zee both claim rights to ‘Betiyaan’ concept; issue set to reach Court

    MUMBAI: The Diwali fireworks have already hit Indian television’s Hindi Entertainment space with archrivals Star India and Zee Network locking horns over a copyright issue.

    The “war” was kicked off with Zee Telefilms issuing a notice to Star demanding it withdraw all activites around its upcoming soap, tentatively titled Betiyaan, claiming ownership of the concept.

    Star dismissed Zee’s charges, asserting that the show’s writer Rekha Modi had registered the titles and the concept with various copyright bodies well before Zee made its own registration.

    In its legal notice sent to Star, Zee has said that its upcoming prime time soap Ghar Ki Lakshmi Betiyaan, produced by Creative Eye, would face serious market implications if Star went ahead with its prime time project carrying a similar title Betiyaan.

    Revealing the registration dates of the Ghar Ki Lakshmi Betiyaan title and concept with various copyright and industry bodies such as Film Writers Association, Film and Television Producers Guild of India and Society for Copyright regulation of Indian Producers for Film and Television, Zee has warned Star that, “Use of key elements or concept or format in your programme/series may constitute a violation of applicable intellactual property laws, including without limitation those regarding copyright infringement and passing off.”

    Buttressing its case, Star made available to Indiantelevision.com copies of the registrations made with the Film Writers Association on 5 April, 2006; 12 April, 2006 & 27 July, 2006. The show concept, characters and scripts were registered with the Association of Motion Pictures and TV Programme Producers on 29 July 2006 with the titles Betiyaan and Ghar Ki Lakshmi…Betiyaan. A copy of this document was also furnished.

    Zee’s notice to Star further states, “We would like to draw your attention to the fact that the television programme ‘Ghar Ki Lakshmi Betiyaan’ is owned by Zee Telefilms Ltd. We have already started the promotions on 5 August, and have incurred and/or committed substantial sums on business promotion / advertising and publicity etc for the programme. Our right to the programme is highly valuable to us as we have invested a lot of resources in the programme in building up awareness and goodwill in the said programme.

    “We state that, on 2 August 2006, our programme was registered with the “Film Writers Association” and on 21 August, registered with the Film and Television Producers Guild of India and Society for Copyright regulation of Indian Producers for Film and Television (SCRIPT). We understand that, this registration was done by the Guild after confirming with Association of Motion Pictures & TV Programme Producers.”

    A Star spokesperson countered, “We have been working with Rekha Modi on a show which she has registered with various industry bodies. The show concept and script of Betiyaan was registered with the Film Writers Association on 5 April, 2006; 12 April, 2006 & 27 July, 2006. The show concept, characters and scripts have also been registered with the Association of Motion Pictures and TV Programme Producers on 29 July 2006 with the titles Betiyaan and Ghar Ki Lakshmi…Betiyaan.”

    Star has further said that, it would be sticking to its original plan of launching Betiyaan very soon. “We will be launching this show very soon, though we are yet to finalise the title of the same. As far as the show is concerned, we are convinced that this is Rekha Modi’s original concept and will take all steps necessary to protect our position in this regard,” the company said.

    As per the Zee notice, the Star soap will be telecast by Star One. However, the star spokesperson refused to divulge any more details regarding the programme.

     

  • BKN New Media unveils two animated properties at Mipcom 2006

    MUMBAI: BKN New Media Ltd, a animation company engaged in the production and distribution of animated children’s television programmes and related consumer products, unveiled two of it’s new animated TV series, Zorro – Generation Z and Dork Hunters from Outer Space at Mipcom 2006.
    As announced by BKN Group CEO Allen Bohbot, Zorro – Generation Z is an animated action adventure series, while Dork Hunters from Outer Space is an animated action comedy series.

    BKN will be handling all TV and DVD distribution as well as merchandising and licensing rights worldwide. BKN is planning a strong marketing and advertising campaign for the brand targeting the trade and consumers for this major launch supported in part by toys, videogames and on-line activities, informs an official release.

    Zorro – Generation Z, is co-produced by BKN New Media Ltd (UK) and BKN New Media (Spain), sets Zorro in the present with modern-day themed adventures in a fast-paced format. Diego de la Vega is a descendant of Zorro’s past who has a reason once again to pick up the mantle when the city of his birth grows increasingly corrupt. Zorro fights crime on a cool black motorcycle called the Tornado-Z. His crime fighting tools include a Z-Pod, Z-Phone and other surprises befitting of a modern day hero. Expect new renditions of established Zorro characters along with some new additions, including a fellow female freshman, The Scarlet Whip, who also rides the night in a scarlet cape. The melding of an historic legend with powers, high tech gadgetry and vehicles of the modern-day super-hero as the all new El Zorro rides again, adds the release.

    The Dork Hunters from Outer Space has been produced by BKN International AG, follows the adventures of Mac, Nikki , Romeo, and their earthbound friends Eddie and Angie, as they take on the nastiest, interplanetary villains ever to hide out on Planet Earth – The Dorks

  • Worldspace launches Urdu radio station Falak

    MUMBAI: Worldspace Satellite Radio has launched a 24-hour Urdu radio station – Falak. Named after the Urdu word for ‘sky’, the channel aims to showcase the vast repertoire of Urdu music.

    Channel No. 109 on the Worldspace Satellite Radio Network, Falak captures the nuances of Urdu through a range of innovative programming that brings to life the romance of more than just the language. The channel revives memories of a whole tradition of impeccable style and etiquette, prose and poetry, and a rapidly vanishing set of traditional values.
    Speaking on the launch of the new channel, Worldspace India MD Shishir Lall said, “It is our endeavour at Worldspace to showcase the rich musical diversity of the world in a refreshing advertising-free format, which can be accessed in virtually any part of the country. Worldspace is home to the widest variety of musical genres on radio with music ranging from contemporary forms such as Hip-hop and Pop to classic selections like Jazz, Hindustani, and Bengali. Falak will now enable music lovers to go back in time and indulge in the lyrical sounds of Urdu.”
    Falak showcases the widest collection of Urdu music on radio in the form of ghazals, qawalis and film songs, broadcasting rare songs that are not even available in music stores today. The carefully structured programming highlights the various forms of Urdu music ranging from evocative poetry readings or Mushairas, exclusive interviews with singers and poets of a bygone era, special live recordings, trivia on historical events, celebrating the lives of legends from Urdu literature and music, sharing social messages contained in ancient Urdu literature, in addition to a host of other exclusive
    programming.

    The channel will air shows such as Taareekh Key Jharokhey Sey, Filmy Saugaat, Aqwaal-E-Zareen, Sufiyana Kalaam, Bazm-E-Khanam, Ghazal Usne Chhedi and Sham-E-Farozan.

    Taareekh Key Jharokhey Sey will air an interesting peep into the times gone by, Radio Falak will take a look into the history of various important cities, places of interest, monuments etc., sharing interesting and unknown anecdotes. Filmy Saugaat will broadcast film songs featuring Urdu lyrics, from India and Pakistan. The show will be presented by Sabiha Fazal who excels in his knowledge of Hindustani and Pakistani film music, shares anecdotes about singers, composers, songwriters, and film producers on this entertaining show, according to an official release.

    Aqwaal-E-Zareen will air social messages by great philosophers from all over the globe that have been translated and adapted in Urdu to imbibe modesty, humility and good human values.

    Bazm-E-Khanam, yet another special programme catering to the ladies, the show features tips on good health, house keeping, family relations, culinary delights from Indian, Mughlai, Irani, Uzbeki, Arabic and Afghani platter – their history, the little known tricks and techniques of their preparation.

    Sufiyana Kalaam, a special programme featuring Sufi Qawalis, Mersias, Nohas and Baints. Ghazal Usne Chhedi is based on Urdu poetry. Sham-E-Farozan will air best ghazals by renowned Urdu poets.

    Radio Falak will also air the ethos of a bygone era and revel in the soothing and powerful voices of legends like Ghulam Ali, Mehdi Hassan, Iqbal Bano, Tahira Saiyad, Farida Khanam, Reshma, Abida Parveen and Nusrat Saheb.

  • Essel Group picks up stake in UNI

    NEW DELHI: The Subhash Chandra-promoted Essel Group, which is the co-owner of DNA newspaper along with the Dainik Bhaskar group, has joined the United News of India (UNI) board as a shareholder.

    News agency UNI has shareholding from about nine big media organisations who also form the board of the news organisation formed in 1961.

    Confirming the development, Essel Group senior vice-president Ashish Kaul said, “We are on the board of UNI now as a shareholder, but the quantum of the holding cannot be disclosed at this point of time.”
    Kaul also clarified that Zee Telefilms, also an Essel Group enterprise, has nothing to do with the UNI deal. The other shareholders and board members of UNI include media outfits like HT Media, Times of India group, Ananda Bazar Patrika and The Hindu.

    Chandra has used his investment vehicle, Mediawest, to conclude the UNI agreement.

    Launched in March 1961, UNI has grown into one of the largest news agencies in Asia. today it serves more than 1000 subscribers in more than 100 locations in India and abroad. They include newspapers, radio and television networks, web sites , government offices and private and public sector corporations.
    The agencies communication network stretches over 90,000 kms in India and the Gulf states with bureaux in all major cities and towns of India.

    UNI has collaboration agreements with several foreign news agencies, including Reuters and DPA , whose stories are distributed to media organisations in India.

    Apart from that, UNI has news exchange agreements with Xinhua of China, UNB of Bangladesh, Gulf News Agency of Bahrain, WAM of the United Arab Emirates, KUNA of Kuwait News Agency, ONA of Oman and QNA of Qatar.
    The terrestrial TV area also will include a demonstration of the Harris/Neural Audio MultiMerge for DTV. MultiMerge uses intelligent detection to blend any audio (mono, stereo, matrix encoded stereo (L/R), and 5.1 discrete content) into a seamless, uninterrupted 5.1 surround sound stream.

    Harris began developing terrestrial transmission platforms for mobile TV in 2004 after participating in early demonstrations and the development of the DVB-H standard. The company’s recent acquisition of Leitch Technology adds a range of servers, routers, switchers and processing equipment to Harris® NetVX video encoding and distribution systems, providing the infrastructure for bringing content into the mobile TV headend. Meanwhile, equipment from the Harris Software Systems business unit adds a complement of broadband software and distribution equipment for network management, traffic scheduling, digital asset management and ad insertion, among other applications.