Category: GECs

  • Tivo’s new service allows net delivery of films to TV sets

    Tivo’s new service allows net delivery of films to TV sets

    MUMBAI: Tivo which works in the area of creating television services for digital video recorders (DVR) in the US has announced that it will debut a break-through new service early next year which will provide friends and families scattered across the US with an easy way to share their home videos, by sending them directly to the television.

    Rather than burning and mailing DVDs, or viewing videos uploaded on a computer, friends and family will now be able to set-up their own private channel to send home videos directly to a Tivo subscriber’s TV set.

    Tivo has partnered with One True Media an online service that helps people easily turn their video and photos into online video stories, to create an end-to-end solution for the person who took the home movies and to whomever he or she would like to show them.

    After uploading their home movies to One True Media, consumers will be able to edit their videos online and will receive a personal TiVo channel code which they can then distribute to other Tivo subscribers. With a few clicks of the Tivo remote, and the personal Tivo channel code, friends and family will be able to get a Season Pass recording that will deliver to their TiVo all the current and future home movies from the video creator. Videos will be displayed in the Tivo subscriber’s Now Playing List — the same location all of their favorite television programming is stored within Tivo.

    Tivo president, CEO Tom Rogers says, “TiVo is not only the best way to watch television, but it is also the best way to get television programming of all types. TiVo is committed to ensuring that its subscribers can enjoy their favorite video content no matter what the source. With the introduction of home movies, TiVo is once again delivering new service features that expand the universe of choices available to our subscribers.

    “Video that stars the important people and events in a subscriber’s life should be viewable on TV. It is not TV until it is on the TV and that is one reason we say ’It’s not a TiVo unless it’s a TiVo.’”

    To share home movies or slide shows privately the video creator gives his personal Tivo channel code to friends and family. Only people with the unique personal code assigned to the subscriber’s channel can see the published channel. Thus, creators can share their videos with friends and family, while assuring that their most treasured memories are not publicly available to anyone.

    One True Media CEO Mark Moore says, “One True Media makes it easy to tell the most important stories of our lives and share them with friends and family. We are excited to work with TiVo to enable consumers to now create their own personal TV channels and enjoy their videos on the big screen in their living room.

    “Tivo revolutionised the way we watch TV, putting consumers in charge of what they want to watch and when. Now, our two companies are taking that empowerment to the next level.”

  • Zee, Ten-Infront, Nimbus table ICC global rights bids

    Zee, Ten-Infront, Nimbus table ICC global rights bids

    MUMBAI: The bidding for the audio-visual rights for International Cricket Council (ICC) conducted events from late 2007 to 2015 is certainly not going according to the expected script. For starters, there have only been three global bids tabled and a significant absentee from the list is ESPN Star Sports.

    As it turns out, two of the global rights bidders — Zee Telefilms and Ten Sports-Infront — are acting in consort while the third contender is the now familiar name in all matters cricketing — Harish Thawani’s Nimbus.

    As for ESPN Star Sports, sources familiar with the developments say it has tabled a territory bid that covers the Indian Subcontinent and the Middle East.

    Confirmed bids have also come in from DirecTV (North America); a combined bid by Supersport and SABC (South Africa Broadcast Corporation) for the Africa territory; News Corp’s Sky for the UK; Geo TV (for the Pakistan territory); and ARY for Middle East/Pakistan/ Europe and UK.

    Another likely bidder is Channel 9/Fox for Australia.

    ZEE’S GLOBAL BID $ 620 MILLION?

    What seems to be emerging out of all this is that the fears of “crazy bidding” that Set India CEO Kunal Dasgupta expressed, which ultimately kept Sony out of the bid process altogether, might well prove unfounded.

    This is best exemplified by the comments Zee Telefilms CMD Subhash Chandra made in an interview to business news channel CNBC TV18 following that announcement that his company had taken a 50 per cent controlling stake in Taj Television, the Dubai-based holding company that owns and operates Ten Sports.

    Asked a direct question as to whether Zee’s bid was above or below $ 750 million, Chandra stated it was well below that. The figure Zee has bid is in the region of $ 620 million, industry sources aver. If that figure proves correct when the tenders are opened on Friday at the ICC’s headquarters in Dubai, it will mark the first serious “correction” in cricket rights bidding since 2000, when Chandra and Rupert Murdoch had fought over the ICC rights.

    It is worth noting that in 2000, Zee’s global bid was an astronomical $ 650 million. This is not to imply that Zee has actually gone lower this time round though. One condition that the ICC has introduced for the current tender is that if a company bids for worldwide rights, then it has to deduct production costs (approximately $ 70 million) from the bid before submission. Add those costs and Zee’s bid works out to $ 690 million or $ 40 million higher than what it bid in 2000.

    Queried by TV18 as to the reasons for his being so conservative when Zee had nothing by way of cricket properties other than BCCI neutral venue event rights, Chandra said: “We would go up to the point where it makes sense and it makes profit. We will not be buying it as a loss leader. If it comes sensibly, then we will take the rights, otherwise we will wish good luck to whosoever buys those ICC rights at a much higher price.”

    If that much higher price is dished out by new channel on the Zee block Ten Sports, it would add yet another angle to the still unfolding equations at play. If the joint bid of Ten Sports and German sports marketing company Infront is higher than that of Nimbus, then one can expect Zee Sports to take the India rights, Ten Sports the Pakistan and Middle East rights and Infront the international rights. On the other hand if Nimbus’ bid prevails, then one would expect Thawani to keep the international rights while ESS would take up the Indian subcontinent / Middle East rights.

    That would be the logical expectation but since nothing in this drama has unfolded according to script there is another possibility that could crop up. Which is of current ICC rights “incumbent” Sony making a late play from the sidelines. Dasgupta did say as much when he earlier spoke to Indiantelevision.com regarding his network’s withdrawal from the bid process: “We believe that the terms (of the tender) are quite onerous. We do not want to put our company at risk so we are constrained to hold back our bid. But that does not take away our right to enter into post-bid arrangements with the winning bidders.”

    Friday is when the financial bids are expected to be opened (going by Chandra’s comments in the interview), so expect some more interesting twists to the tale before the final denouement.

  • Mobile game firm Spiel ties up with actor Arshad Warsi

    Mobile game firm Spiel ties up with actor Arshad Warsi

    MUMBAI: Indian mobile game development company Spiel Studios has announced their partnership with film actor Arshad Warsi for an worldwide contract to develop and distribute games based on his title.

    Soon Arshad Warsi will be seen in a series of mobile games to be released by Spiel Studios. All the games will be developed by Spiel Studios and will be available on all the leading mobile service providers worldwide.

    Arshad Warsi’s personality Spiel says is a perfect match to develop games, and the users will be able to relate to Arshad Warsi while enjoying the gameplay. All the games will be based on Arshad’s characters, hobbies, likings and personality. These games will revolutionize the Indian mobile gaming industry and set a new benchmark for itself.

    Warsi has had a string of hits like Munnabhai MBBS, Salaam Namaste, Golmaal and Lage Raho Munnabhai. His forthcoming films include Kabul Express.

    Going by the increasing popularity of Mobile games and the mass appeal that Arshad Warsi has in the country, the games will definitely prove to be a huge success in the Indian & International market. These games will be an exciting mix of strategy, skill and speed and will even feature some of Arshad Warsi’s signature dialogues which will be a treat for his fans.

    Warsi says, “Mobile gaming is a new concept in India, and I am sure these games will create a rage in the Indian market. I am a game freak myself and I have seen some screenshots and demos of the games that Spiel has created and they’re great. I am looking forward to my affiliation with them as they recreate the magic on the screen of the mobile phone.”

    Spiel Studios CEO Mohit Sureka said, “Arshad Warsi connects brilliantly with the audience, and a common man can relate to him in a much better way than any other star. He is one of the most prominent sought out actor in India and we look forward to a dynamic association with him.

    “With India becoming a hub for the wireless platform, bollywood based Mobile games are particularly gaining a huge popularity with the audiences. Spiel, as an organisation, is committed to take Indian games to the International market by offering high quality performance based mobile games.”

    The games will be available for downloads from all leading mobile service providers worldwide for a one time download fee or on a ‘pay-per-play’ model.

    The first game to be released thisd month will feature Arshad battling the veteran baddies of Bollywood in a street fight combat. The game will be called Arshad’s Fight Club.

  • Most DVR homes in the US play recorded primetime content within two days

    Most DVR homes in the US play recorded primetime content within two days

    MUMBAI: Among television households with digital video recorders (DVRs) in the US, more than 78 per cent of all viewers who watch recorded broadcast primetime shows within a week play them back within two days. 84 per cent of them play them back within three days.

    That is one of the findings from recent analysis of DVR playback viewing by Nielsen Media Research, for the week of 25 September.

    TAmong viewers age 18-49, 76% played back broadcast network primetime programs within 48-hours. During the same time period, 84% watched primetime shows they recorded off advertiser-supported cable networks; and 85% viewed time-shifted syndicated shows within two days. By the third day, those percentages rose to 84% for primetime broadcast, 90% for primetime cable and 91% for total syndication.

    Nielsen Media Research senior VP planning and analysis Pat McDonough says, “The TV landscape is changing rapidly, and as consumers increasingly decide for themselves when to watch their favorite shows, Nielsen will establish new means to track their behaviour.

    “This latest analysis allows clients to better understand how DVR playback affects viewing over seven days. It will enable us to work with clients to determine the most appropriate way to incorporate this data into our measurements.”

    Nielsen says that viewers age 18-49 constitute the largest targeted buying group within the television industry. Other key findings with respect to DVR playback of primetime programming among persons 18-49 reveal that:

    Among all households age 18-49, 2.6 per cent of viewing time is DVR playback, but among households with DVRs, 22.9 per cent of all primetime minutes viewed are via DVR playback.

    Among total minutes of primetime programming viewed by households with DVRs within seven days, the percentage that is played back from DVR is:
    Broadcast Networks: 41.1 per cent
    Ad-Supported cable: 17.9 per cent
    Syndication: 14.1 per cent

  • MyFM station moves to new frequency 94.3 FM

    MyFM station moves to new frequency 94.3 FM

    MUMBAI: Bhaskar Group’s first FM station MyFM has moved to its new frequency 94.3 from today. Earlier MyFM was operating on the 106 FM that was given by the government.

    Says MyFM national programming head Viplove Gupte, “Frequency and the station name are two prime identifier with the FM station, they speak a language of attitude that the listeners empathize with and thus builds the brand.”

    According to an official release, he said, “In normal course a change in frequency would create a setback. But when you have a product that matches with listeners taste – epitomizing the attitude ‘dil se’ – it’s the listeners miss the content / programme much before the radio station misses them.

    “Its they, who seek out the content and in the process their favourite radio station. MyFM fortunately has reached this level of comfort on programming and activation- result of knowing their listeners’s pulse, their ambitions, desires and most importantly their inner self- what translate and means Dil se.”

    Bhaskar Group communication head Sanjeev Kotnala believes, “At the end of the day – listeners get attached to at least one or maximum two frequencies – stations as their priority set. And it is for these stations to continuously perform for their listeners- to prevent any outsider to join the club.

    “A listener will tune in to your frequency till you do not give him a reason to shift to another frequency. So the game is all about the listener’s choice and you’re realizing and acting on them. It’s all in the programming just like the content in a newspaper that makes or breaks a station. And this could be a very simplistic way of placing the complex 24 hour clock work of a FM station”

    Presently MyFM has initiated a ground level ‘Kaan marodo’ campaign which asks people to tweak Kaan (dial) and tune in to the new frequency. Also the media communication exercises listeners to smoothly move over from 106 to 94.3FM, informs the release.

  • Government aims to give community radio a leg-up

    Government aims to give community radio a leg-up

    NEW DELHI: For the investors in radio projects, there is some good news. Stating that the government is trying to look into the investments made by entrepreneurs, the secretary, Information and Broadcasting ministry, government of India, said today that “we must look into how to help them realise their business projections on which the investments are based.”

    The government has decided to further liberalise norms for setting up Community Radio projects as the third arm of the radio policy that includes AIR and FM Radio channels to revolutionise the air waves and make radio entertaining, socially relevant and commercially viable.

    Arora said this while inaugurating the seminar on “Indian Radio Industry: the way forward”, organised by Federation of Indian Chambers of Commerce and Industry (FICCI). The seminar was the first interaction between industry and policy makers after the bids for Phase-II of FM Radio were finalised.

    Arora said, “We are waiting for the results of the Phase-II policy and after a due process of consultation with the stakeholders, and will tweak the policy and then go Phase-III of the radio policy.” He expressed satisfaction that in Phase-II, the number of radio stations was expected to jump from 20 to 270 by the end of the current fiscal year.

    He said competition to AIR from private FM radio channels had given the government radio station a run for its money but expressed confidence that this would force the station to provide quality programme and the available infrastructure that would enable them to withstand competition. “We are trying mix and match the bouquets for the listeners and asking AIR to revive programmes like Hawamahal dramas and skits which were once the hallmarks of Akashwani.

    Trai member AK Sawhney, noted that at while the process of roll-out of services by Phase-II licence is currently on, what is increasingly becoming clear is that the spectrum that was so far lying unutilised has the potential to allow a much greater variety in the offering of radio that was hitherto considered possible.

    He said the focus of Trai has been to expand the markets, provide room for more services and more competition and to allow new technology to come in without fresh approvals being taken at every stage. A key element of the approach is to reduce the cost of licences and spectrum and also to push the industry towards a low price-high growth scenario. The focus of changes in the policy for Phase-III should be in tune with this approach, Sawhney pointed out.

    ENIL Chairman FICCI Radio Forum and CEO and MD AP Parigi, empahsised the need for a continuing dialogue between all stakeholders so that the level of regulation can be decided on a consensual basis. Such dialogue, he said, would provide answers to questions of FDI and the participation of Indian financial institutions (FIs) in the growth of the FM Radio industry.

    FICCI Secretary General Dr Amit Mitra, said the radio industry which was Rs 2,400 million in 2004 is expected to grow to Rs 12,000 million by 2010, representing a 32 per cent growth CAGR when the entire media and entertainment industry is slated to grow at 19 per cent CAGR. This makes the radio industry the fastest growing medium in the media and entertainment sector.

    He announced the launch of the FICCI Radio forum under the chairmanship of Parigi. Among other objectives, the Forum will seek to consolidate the radio industry for effective lassoing with the government, promote interface of the industry with significant international players, support R&D in radio technology and provide facilitation, guidance and interface with government and key radio players for new start-ups.

    During the interactive session on “Regulatory Framework on Radio Industry”, Neil Curry of BBC expounded on the system that governs broadcasting in the UK, said that there are parallels from and lessons to be drawn from the model that has been developed in Britain. The main aim of the regulatory body should be to ensure freedom of speech from economic and political forces. He also emphasised in the UK, the key aspect of regulation is now shifted focus from outlet (that is what audiences hear) rather than input.

    T Sengupta Associates CEO Tamali Sengupta who was the moderator for the second session, asked a seminal question that somehow got buried later: through seeking a voice vote, she remarked that radio was loosing the youth factor, and that most young me were not listening to radio, rather choosing to use on-demand technology like the iPod.
    Issue of FDI and FII cropped up during the interactive session.

    Most speakers felt that radio was being discriminated against vis-à-vis the print medium since the latter had a FDI/FII cap of 26 per cent, where as radio had a cap of 30 per cent.
    Rajiv Sethi, S&R Associates, also raised the issue why private radio FM channels are debarred from hosting news and current affairs programmes. “All the FM channel owners are cleared by the ministry of home affairs in any case, and they have paid a 10-year licensing fee, so why they are debarred from hosting news programmes, whereas the TV channels are not, defies logic.”

    A major section of the debate in this session related to the upcoming broadcasting bill 2006. Questions were raised about the Code of Conduct, and speakers said that since the Supreme Court of India has been issuing orders that have more or less crystalised a sort of code of conduct, is there a need to have a fresh one. One of the major recurring irritants that surfaced was that the proposed bill is more biased towards the TV industry rather than the radio, and it was also stated that the Broadcasting Regulatory Authority proposed does not encapsulate the orders of the Supreme Court.

  • Zee Cinema presents ‘Mazedar November’

    Zee Cinema presents ‘Mazedar November’

    MUMBAI: Zee Cinema is all set to launch Mazedar November. It will present viewers with a host of movie titles like Pyaare Mohan, Garam Masala, Fight Club and Sholay.

    Mazedar November will premiere with Pyare Mohan on Saturday 26 November at 12:30 pm.

    Announcing the launch of Mazedar November business head Zee Cinema Bharat Ranga said, “Zee Cinema consistently showcases something new every month for our viewers.The Mazedar November concept has been planned with the thought of reaching out to our viewers in an unconventional way, essentially to confer value to the viewers through airing premium movies, fun and prizes from the interactive contests.”

    Along with airing the movie titles, Zee Cinema is also running a contest, “Khelo Cinema”, where viewers will get a chance to win prizes like Akai Surround Systems, Videocon Microwaves and Orson VCD players, asserts an official release.

    The format of the contest will include a set of questions to be answered through SMS and one winner will be announced everyday. At the end of the contest one of the viewers stands to win a Grand Prize, adds the release.

    The contest questions will be shown on the television screen during the following movies:

    – Pyare Mohan – 26 Sunday 12:00 pm

    – Garam Masala – 12 Sunday 4:30 pm

    – Fight Club – 12 Sunday 8:30 pm

    – Sholay – 11 Saturday 8:00 pm

    – Adalat – 18 Saturday 8:00 pm

    – Hatya – 24 Friday 8:30 pm

  • Optibase and Time expand IPTV services for MTNL India

    Optibase and Time expand IPTV services for MTNL India

    MUMBAI: Optibase Ltd. and its partner Time Broadband Services Pvt Ltd, broadband content services operator, are expanding their IPTV solution to India’s state-owned telecom service provider, Mahanagar Telephone Nigam Ltd (MTNL).

    MTNL recently launched IPTV services through Time Broadband, utilising Optibase’s IPTV MGW 5100 platforms for its digital IPTV head-end operation at the company’s network operating centre.

    Time Broadband is all set to deploy IPTV services on both TV and PC delivery through network and internet service providers across India. Following the initial deployment of Optibase MGW 5100 IP video head-ends providing 26 channels of telco-grade streaming, Optibase has now supplied an additional 74 channels, totaling 100 MPEG-4 Part 10 H.264/advanced video coding (AVC) channels, asserts an official release.

    Together with Time Broadband, Optibase is enabling the launch of their IPTV services in Delhi – one of the affluent areas in terms of average revenue per user (ARPU), with high sign-on rates for broadband internet services.

    Time Broadband Services managing director Sujata Dev said, “During the initial deployment, Optibase demonstrated their extensive IPTV know-how relating to H.264 AVC. We decided to select the Optibase MGW 5100 integrated digital head ends for the full-scale commercial launch. We are confident that this productive relationship with the high level of commitment from Optibase will continue into the future with our plans for further growth of our IPTV services in prominent locations of the Indian market through multiple telecom operator relationships.”

    Optibase CFO Danny Lustiger added, “We are delighted with the success of our first installation of Time Broadband at MTNL Delhi network and look forward to a long-term collaboration with our globally eminent CDN partners, driving the large scale deployment of IPTV in India. Optibase combines high quality products with world-class services, providing MTNL with a carrier-grade IPTV solution required for the expansion of triple-play services in the Delhi metropolitan high growth potential market.”

  • China Mobile, Star TV in wireless music service tie-up

    China Mobile, Star TV in wireless music service tie-up

    MUMBAI: Star TV, has agreed to provide Chinese music content to China Mobile,asserts an official release.
    According to the statement, China Mobile will offer Channel V Chinese original music on its wireless service platform, which will permit interactive voting for the music programs as well as downloads.

    It is the first project since two companies announced a strategic partnership in June, adds the release.

    China Mobile is a mobile operator headquartered in Hong Kong and operating in the mainland China. The company provides various voice-related services and virtual private mobile network services to its corporate customers.

    Satellite Television for the Asian Region (Star Tv) is an Asian TV service owned by News Corporation. It is based in Hong Kong, with programming offices in India and Australia,and other Asian countries.

  • ‘The future of TV will be personal’: Nokia report

    ‘The future of TV will be personal’: Nokia report

    MUMBAI: Personalisation and interactivity will be the key drivers of mobile TV according to a new report commissioned by Nokia and conducted by London School of Economics Lecturer Media and Communications Dr Shani Orgad.

    The report, titled This Box Was Made For Walking, examines the future impact of mobile TV on the broadcasting and advertising industries, asserts an official release.

    The report predicts that the introduction and adoption of mobile TV will ultimately give way to a more personal and private TV experience than that of traditional broadcast TV, with big implications for users, content providers and advertisers.

    Users will be able to receive content anytime, anywhere, choose what is most relevant to them, and even create and upload their own television content, while content providers and advertisers will be able to tailor their offerings more specifically to the user.

    Dr Orgad said, “For mobile TV to become more than just television on the move, it will have to build on existing channels, programmes, and ways of watching television and using the Internet.Mobile TV will become a multimedia experience with an emphasis on personalisation, interactivity and user-generated content.”

    “We are currently entering a new era in television, that of personal TV and video consumption. This LSE report highlights the opportunities for both broadcasters and advertisers in this new mobile television era, ” added Nokia director multimedia Harri Männistö.

    According to the report, the current trend of user generated content, as seen by the growth of YouTube, will be a key feature of mobile TV. As consumers increasingly use their mobile devices to create video content, new broadcast platforms will emerge to distribute this content to other mobile users, adds the release.

    Introducing the five second ad spot Dr Orgad examined the impact of mobile TV on the advertising industry and predicts new opportunities for the industry as it is able to better target and interact with key audiences. On mobile TV, advertisers will be able to pinpoint their messages to users according to very specific levels not possible with traditional TV and at success rates higher than those of the Internet.

    The report also reveals that advertisers are currently experimenting with five and seven second-long ad spots to be better suited to the snacking culture’ of mobile TV viewing.

    What will people watch?

    The report predicts that mobile TV programming will be a combination of original content from broadcast television and new content made specifically for mobile, as the release states.

    It is expected that the most popular genres and programmes on mobile TV will be news, entertainment (soaps, reality shows, comedy, animation), sport, music and children’s programmes. Moreover, the content will be tailored with the mobile viewer in mind:

    – Much shorter and more concise news bulletins

    – User interactivity in the plots of reality TV shows and game shows

    – Growing importance of user-generated content

    – New distribution formats

    New TV content

    The mobile TV viewing experience is also likely to see new programme formats emerging. These include:

    – Talking heads and close ups – due to the small screen size, broadcasters will need to focus on talking heads, where viewers will be able to watch close-ups and see the details, rather than capturing a wide screen.

    – Snackable content – mobile TV content will need to be suitable for ‘snacking’.

    – Mobisodes – mobisodes are fragmented and small made-for-mobile episodes that cater to bite-sized portions of content on the go.

    – Visual spectacle – programmes will need to emphasise visual spectacle over conventional narrative and be image-orientated.

    – Local content – content should be relevant for the here-and-now of viewers.

    New prime times

    Broadcasters are likely to see a new mid-day prime time with mobile TV according to the report. This is backed up by consumer trials of mobile TV in Europe which revealed heavy usage of mobile TV during the day as well as during the more traditional early morning and late evening prime times.

    This Box Was Made For Walking written by Dr Orgad is based on a review of existing literature, analysis of mobile TV consumer trials, interviews with experts in the fields of television, mobile media, advertising and other media, and attendance at industry events.

    The event will be webcast live on www.nokia.com/press/mobiletvreport from 1:30 pm GMT on Friday 10 November.