Category: GECs

  • Channel [v] to present a special on Shankar, Ehsaan and Loy on 29 December

    Channel [v] to present a special on Shankar, Ehsaan and Loy on 29 December

    MUMBAI: Channel [v] will be airing a Shankar, Ehsaan and Loy special presentation on 29 December at 5 pm.

    This half hour special on the band who have created compositions for films like Dil Chahta Hai, Don, Bunty Aur Babli, Kal Ho Na Ho will take the viewers through the journey of the trio’s life.

    The band will talk about their secrets of success, career and future plans. This is another initiatve taken by channel [v] after the recent launch of Dance with [v] calender.

  • Zoom in rejig mode, adds Bollywood flavour

    Zoom in rejig mode, adds Bollywood flavour

    MUMBAI: Zoom has been primarily associated with Page 3 content on and around celebrities. But now the non-fiction lifestyle and entertainment channel wants to become broadbased and create an urban mass appeal to attract maximum viewership.

    For starters, it has gone completely Hindi from being partially English in its initial stages as it plans to look at a wider audience.

    Zoom has also initiated several activities to create properties around events. Currently focusing more on the entertainment news, they have just relaunched their show Popkorn News in a new form.

    Says Zoom business head M K Anand, “The channel has become more centrist now. Initially, the shows were a little edgy. Today we are the only service filing 200 Bollywood stories per week. With our initiatives like Popkorn News we compete straight with news channels.”

    To extend the entertainment news section, Zoom would be launching a half hour entertainment news-based show in the first quarter of next year. Unlike Popkorn News, this one won’t be pre-recorded but would go live.

    Says Anand, “Currently we don’t have an infrastructure to go live but we certainly plan it for the next year. This will be a big step to further our target to compete with the news channels.”

    The other show Page 3 has also roped in new anchors Supreet Bedi and Pooja Sharma who take the viewers into the world of the most talked about socialites, stars, fashion gurus and corporate big wigs. And Weekend Page 3 is a compilation of week’s parties, events and exhibition.

    “Today there is an inate requirement to look and learn. Peoplr pick up fashion trends and style from a channel like Zoom and with such initiatives we are just staying true to the urban appeal,” says Anand.

    Zoom is looking at gaining distribution. As a strategy to improve sampling, it has introduced 2 se 5, an afternoon slot dedicated completely to movies.

    Talking about this initiative Anand says, ” Movies is just a short time initiative. We don’t plan to do a decibel marketing of movies by acquiring big titles. Its just to improve our viewership. We plan to flash the promos of our shows during the slot so viwers can know more about the shows.”

    For this month, Zoom has lined up movies like Shabd, Hazaaron Khwaishein Aisi, Kabhi Haan Kabhi Naa and 7 1/2 Phere.

    The coming year would see Zoom engaging in various events. There would be Banoongi Main Miss India in February-March, followed by Zoom Holi party in March and the Zoom Glam awards in March-April.

  • ‘Cable ARPUs in Cas areas to touch Rs 400 in five years’ : Jagjit Singh Kohli

    ‘Cable ARPUs in Cas areas to touch Rs 400 in five years’ : Jagjit Singh Kohli

    Subhash Chandra is betting big on his cable TV business. Wire & Wireless Ltd (WWIL), the demerged entity of Zee Group, plans to invest Rs 7.14 billion over two years. A major chunk of this will be consumed by set-top boxes (Rs 3.28 billion) and customer acquisition (Rs 1.14 billion) as he attempts to hold grip in the distribution business.

     

    When WWIL gets listed sometime in January-February, investors will have a touch and feel of the valuation that cable business will enjoy in the digital era.

     

    Launching the aggressive drive, WWIL CEO Jagjit Singh Kohli says he has ramped up 250,000 customers at an average valuation pegged at Rs 2000 per subscriber. The ambitious target in year five: 9.6 million.

     

    In an interview with Indiantelevision.com’s Sibabrata Das, Kohli elaborates on the steps WWIL is taking to emerge as a leading multi-system operator (MSO) with plans to launch Headend-In-The-Sky (HITS) and STBs that have internet and VoIP (Voice over Internet Protocol) capabilities.

     

    Excerpts:

    Is WWIL close to roping in a strategic investor?

    We are in talks with both strategic as well as financial investors. They have shown interest in our business. We would go with anybody who gives us the maximum valuation.

    What is the valuation WWIL is now getting?

    The investors are discussing of valuations in the range beyond $600 million. Our expectations are higher. We are likely to get listed by mid-January or early February. The true valuations will come out then.

    Are investors valuing the cable TV business based on the number of subscribers or future revenues?

    In India, it is too early for a subscriber-based valuation. Investors are using the discounted cash flow method. The valuations are obviously based on our future target of touching 9.6 million subscribers. There are two reasons why we will get valued more: we are doing Headend-In-The-Sky (HITS) and we are using set-top boxes (STBs) designed by Pacenet which will offer multiple usages like internet and VoIP (Voice over Internet Protocol).

    MSOs will have to make major investments on STBs. Is it going to comprise as high as 46 per cent of your overall investments?

    We are planning to invest Rs 7.14 billion in the business over two years. For STBs, our fund requirement could be Rs 3.28 billion. We are planning to pump in Rs 2.21 billion towards hardware. Another area where we will be aggressive is customer acquisition. We plan to put in Rs 1.14 billion for this.

    What is the debt to equity ratio and how are you meeting the initial fund requirement?

    The ratio will be firmed up once we know the price WWIL quotes after getting listed in the exchange. That in a way will determine how much debt component we would require to raise. Our initial fund requirement is Rs 5 billion. We have lined up a debt of Rs 2.15 billion. We have already got Rs 500 million from Infrastructure Development Finance Corporation (IDFC).

    WWIL is on a drive to acquire customers. What is the price of acquisition?

    We are offering to cable operators a valuation of Rs 2000-3000 per subscriber. While WWIL will be a 51 per cent partner, the balance 49 per cent will be with the operators. We have already ramped up 250,000 subscribers in recent months through aggressive acquisitions.

    What is the average valuation for acquiring 250,000 subscribers?

    The average valuation works out to Rs 2000 per subscriber.

    Won’t you have to handle too many operators by doing JVs with them?

    We are making proposals to networks with decent size. In Mumbai, for instance, 12 local operators are creating a company and entering into a JV with us. We want to reduce the number of JVs. Otherwise, it will be impossible to manage.

     

    In some of our acquisition models, we make MSOs buy out the local cable operators.

     

    We have set a target of ramping up our direct subsciber base to 9.6 million within five years. We expect 7.6 million to receive digital cable. Our aim is to have 4.4 million through our own digital cable service and an additional 3.2 million through our HITS platform. We will have two million through analogue acquisitions. We have expanded operations from 35 to 43 cities. We plan to be in 66 cities in three years.

    WWIL has a thin presence in Mumbai. Even in the lucrative market of South Mumbai, which is a Cas notified area, you have a negligible presence. What are you doing to correct this?

    We have linked up optic fibre and have commissioned a digital headend a few days back at Worli. We will be in the Cas notified area of south Mumbai and several operators from rival MSOs are joining us. We have acquired control over 5 Star which operates in Andheri, a western suburb of Mumbai. We have also poached a few operators from Incablenet in Andheri East and others from rival MSOs are joining us.

    The average valuation of acquiring 250,000 customers works out to Rs 2000 per subscriber.

    How are you expanding your footprint in Delhi?

    In Delhi, we have acquired a 51 per cent stake in Satellite Channels. We have also signed up with Spectranet and Sanjay Cable Network. All these MSOs were disqualified for Cas as they were found not ready by the Telecom Regulatory Authority of India (Trai) for making the switchover to addressable system by 31 December. As for Kolkata, we are very much a dominant player after buying out Indian Cable Net (formerly RPG Netcom), a leading MSO, in May 2005.

    What is the price of the STBs?

    While the cost of the basic box is Rs 2000, the one with internet is Rs 2500 and internet plus VoIP Rs 3000. Customers can enjoy interactive games and online share trading through this. We are looking at a monthly fee of Rs 70 for internet and Rs 75-100 for movie-on-demand. Subscribers will have to pay Rs 1499 as deposit and Rs 45 as monthly rent. We haven’t, though, arrived at the final pricing. We plan to introduce the internet-enabled boxes after two months and those with VoIP sometime in April.

    Who are your STB vendors?

    We have Korean and Chinese vendors who will be supplying us the boxes. We have also ordered 200000 STBs from Bharat Electronics Limited (BEL).

    Earlier, in 2003 when Cas was to be introduced, Pacenet had ordered STBs from TVS Electronics. Why haven’t you included them in the list?

    We are also considering them. But at this stage it makes more business sense to import the boxes.

    Were you doing some tests with BSNL for VoIP?

    We were testing out whether our technology would work on BSNL’s network. The tests were successful.

    Is WWIL serious on launching a HITS platform or is it a mere hype?

    We are going to do HITS and have expressed our intent to broadcasters. This will provide us a national footprint and hasten the pace for digitisation in the country. We can tap cable operators even in places where WWIL has no presence. We have booked four transponders on Thaicom satellite with effect from 1 January, with the option of taking three more. We plan to launch HITS before the end of February.

    Do you see ARPUs (average revenue per user) falling in a Cas regime?

    For one year, it may come down. Let us not forget that cable TV rates have been suppressed for artificial reasons for too long. But by deploying STBs, this scenario is going to change. We may start off with an ARPU of Rs 250 per month, but like in case of cinema theatres with the launch of multiplexes, this will go up. By year five, we may be looking at ARPUs in the region of Rs 400.

    Hathway Cable & Datacom has come out with bouquet packages along with the a la carte choices. Will you offer something similar?

    We will be introducing a combo package where consumers who buy STBs on outright purchase and take annual subscription will be offered an attractive subsidy. This scheme will make available 100 TV channels. We will be offering under this at least 20 pay channels. We will be subsiding the boxes.

    Unlike DTH, broadcasters will have to make their pay channels available on an a la carte basis at a maximum rate of Rs 5 on cable networks in Cas areas. Will this mean that they will do content deals where they give their bouquets to MSOs at lower cost than to DTH service providers? Otherwise, MSOs can create bouquets picking and choosing the best channels and dumping the weaker ones in the bouquet.

    Yes. If broadcasters don’t do that, they will always be faced with the dilemma that the MSOs can pick and choose the stronger channels in their bouquet while ignoring the rest. The other reason why we should get better costs than DTH is because we have to share the revenue with the distributors and local cable operators across the value chain.

    How does cable compare with telecom operators in triple play service?

    Indian cable systems are ready to do telephony. They have pipes already laid including ethernet. The cable architecture throughout the country is in a position to provide triple play. All that is required is the box and IP can provide the return path for voice, data and interactive services.

     

    The public sector telcos, on the other hand, require strong compression technologies and ADSL2+ signals are good only for distances up to 1.5 km. The private sector telcos do not have a system suitable for large scale deployment and will require a high capital cost of $300 per line, even if we take the fact that their network is ready for IPTV (which is not the case). IPTV could have happened in markets where ARPUs are high. But India is not a high ARPU market.

  • Zee TV expands DTH offering with Snell & Wilcox standards converters

    Zee TV expands DTH offering with Snell & Wilcox standards converters

    MUMBAI: Zee Telefilms Limited (Zee), is using advanced CVR 550 multiformat standards converters from Snell & Wilcox to expand its direct-to-home offering. Twelve new CVR 550 standards converters, part of the high-performance Kudos Plus line, allow Zee TV to convert television programming from any standard, including PAL, SECAM, and NTSC, for delivery to its viewing audience.

    “As India’s pioneering general entertainment network, broadcasting in six languages nationally as well as supplying feeds to international audiences, we are providing our viewers with offerings in every genre — film, news, fiction, action, celebrity shows, comedies, game shows, and more,” said Zee TV Assistant VP Technical Ravi Puri. “To provide this range of programming, we require high-quality standards conversion.

    The Snell & Wilcox Kudos Plus range provides this quality and enables us to expand our offerings to the direct-to-home market seamlessly while maintaining the programming quality on which we have built our reputation.”

    “The tremendous reach of Zee TV and the diversity of its programming requires a high quality of standards conversion ” said Snell & Wilcox Limited VP of marketing Joe Zaller.“With a dozen CVR 550 systems in place, Zee TV is able to convert and distribute virtually any media asset without compromising quality, regardless of the standard in which that material was originated.”

    The Kudos Plus CVR 550 is an advanced multiformat four-field, four-line aperture standards converter designed to delhver excellent results at an economical price point. Just 1 RU in size, the CVR 550 provides full bidirectional operation between composite PAL, NTSC, and SECAM standards, as well as 10-bit SDI signals, along with AES audio handling.

    The compact converter’s performance, size, and price make it ideal for a wide range of applications including mobile applications, news, and transmission. Like all Snell & Wilcox conversion solutions, the CVR 550 is fully compatible with the RollCall monitoring system and IQ Modular infrastructure systems, which simplify management of processing and distribution across the Zee facility and television channels

  • Now, Shaadi Mein Atyachaar on Bindaas

    Now, Shaadi Mein Atyachaar on Bindaas

    MUMBAI: With season four of Bindaas’ cult show, ‘Emotional Atyachaar’ completing 50 well-received episodes, the channel is all set to telecast a mini-series titled ‘Shaadi Mein Atyachaar – Dekho, Seekho, Bacho’ in the same time slot, starting tomorrow.  

    To be aired at 7pm every Saturday, the one-hour series will run across four episodes; taking viewers through the heart-wrenching stories of real women who’ve braved all forms of betrayal in marriage, and lived to tell the tale.

    We don_t do anything without research, says Shalini Sethi

    Bindass director programming Shalini Sethi feels that betrayal in an institution like marriage is not restricted to sexual infidelity alone but goes on to include fraud, dowry-related harassment and domestic violence among other issues. The series celebrates women who’ve fought these odds while serving as inspiration to others who might find themselves in a similar situation.

    Asked about the choice of subject, Sethi says: “We got a lot of feedback saying that in many marriages, women in particular are extremely unhappy and have been tortured. These women wanted a platform to tell their stories and inspire other women. These brave hearts in the end have stood up against society and family and spoken about it.”

    The core format of the series is the same as that of season four of Emotional Atyachaar, where the victims came and narrated their stories. It caters to the youth, especially in the 15-24 year age group, and is in sync with Bindaas’ motto of inspiring the youth to take positive action.

    Regarding the timing of the series, Sethi says: “Like the first three seasons, the fourth season of Emotional Atyachaar was a huge success. It has been our constant endeavour to candidly represent the realities of our society with sensitivity. We thought the time was right to showcase to our viewers another facet of infidelity by featuring episodes dealing with such unimaginable situations in marriages.” 

    What about research? “We don’t do anything without research. As the programming team of Bindaas, we strongly believe in research. Emotional Atyachaar absolutely does a lot of research because over the years, we have shown the viewers how real people come and talk about their experiences. Even for this special series, we had to go through different stages and research women who’ve been suppressed big time in marriage,” explains Sethi.

    Hosting the series will be Pravesh Rana, who is also the face of Emotional Atyachaar. He will be seen interacting with women who’ve successfully battled troublesome marriages.

    Will the series work for the channel? “Relationships always get wider audiences. If the shows have been done right, they will always get you much larger audiences. Bindaas as a brand always had a purpose, a message. We have always told audiences to take action and find solutions. At least, we will inspire a couple of people to think and families to wake up,” concludes Sethi.  

  • Channel [V] heats up Asia’s live concert scene

    Channel [V] heats up Asia’s live concert scene

    MUMBAI: Pan Asian music broadcaster Channel [V] is heating up Asia’s concert scene with a series of live concerts to be staged in Hong Kong, Malaysia and Singapore in January 2007.

    The channel will bring music aficionados music and live concerts from such diverse acts as operatic supergroup Il Divo; Grammy-winning R&B singer-songwriter-pianist John Legend; and post-grunge modern rockers Hoobastank. The brioadcaster is also promoting the concerts of Korean sensation Rain in Malaysia and Singapore.

    Star executive VP, content Ross Crowley said, “These concerts celebrate Channel [V]’s commitment to bringing world-class music to Asia both live and on-air. We’re proud to support these and other outstanding international and Asian musicians with original programming, concert ticket giveaway contests and dedicated online initiatives. Channel [V] is devoted to promoting quality music throughout Asia.”

    Channel [V] has associated itself with a number of other international artists’ Asian tours. The channel was the official TV partner of the concerts of British rock group Oasis, Grammy-winning hip hop singer Kanye West, New York punk pioneer Blondie, Glasgow rock quartet Franz Ferdinand and sassy pop act Pussycat Dolls. In addition, sister channel STAR WORLD was the official TV partner for the July 2006 concert of Coldplay in Hong Kong and the upcoming Eric Clapton tour, which will take the legendary guitarist and singer through Hong Kong and Singapore early next year.

    To build up momentum for the concerts of Il Divo, John Legend, Hoobastank and Rain, Channel [V] will launch a number of programmes such as the Il Divo Special and a series of special On the Record episodes.

  • VH1 Mobile launches Mobile Junk 20

    VH1 Mobile launches Mobile Junk 20

    MUMBAI: VH1 Mobile has launched Mobile Junk 20, a new mobile application that lets users capture and upload mobile video for potential inclusion in episodes of the weekly series, web junk 20.

    Sprint is the first carrier to offer the application, which is available via the Sprint Vision and Power Vision networks, asserts an official release.

    The application adds to VH1 Mobile’s current Web Junk 20 offering, which includes a dedicated channel for weekly and archived video clips from the show.

    In addition to offering users the functionality to capture and upload user-generated video and photos, the application gives users the ability to watch, rate, and share videos and photos submitted by others.

    VH1 executive vice president and general manager Tom Calderone said, “The launch of ‘Mobile Junk 20’ further extends the ways viewers can interact with our popular ‘Web Junk 20’ franchise and VH1. Mobile Junk rounds out the experience by giving fans a way to submit and exchange the creative content they shoot with their mobile phones.”

    Mobile Junk 20 is available exclusively on Sprint through January for $3.99 per month on select multimedia phones. Sprint customers can download the application via their phones, at http://www.sprint.com/digitallounge or by texting junk to 2323.

    The application was envisioned, created and designed by VH1 Mobile and developed and powered by Nellymoser, the mobile media platform company, the release adds.

  • Zee inks deal with Media Overseas for launch in Indian Ocean Islands and Africa

    Zee inks deal with Media Overseas for launch in Indian Ocean Islands and Africa

    MUMBAI: Zee Network has tied up with Media Overseas, subsidiary of Canal+ Group, for the launch on their multi channel satellite pay-television platform, for three of its channels Zee TV, Zee Cinema and Zee Muzic.

    The service will be available on three Media Overseas platforms including, Canal Sat Reunion in Reunion Island, Canal Sat Maurice in Mauritius and Canal Sat Horizons in more than 20 countries in Africa such as Senegal, Cameroon, Togo, Mauritiana, Congo, Democratic Republic of Congo, informs an official release.

    The service was launched commercially on 14 December for Indian Ocean Islands including Mauritius, Reunion, Madagascar, Seychelles, Mayotte and Camoros and shall be available from 15 January 2007 onwards for French speaking countries in rest of Africa. The cinema and TV channels shall be available with sub titles in French.

    The Zee channels will be uplinked on NSS7 and Eutelsat W2 from the playout centre of Canal in France.

    International Business CEO Dheeraj Kapuria said, “We take great pleasure in announcing the tie up with Media Overseas for the launch of three Zee channels with French sub titles for Zee TV and Zee Cinema. French is the main language in many countries in this region and by bringing Zee channels with French sub title, not only our proximity with the viewer is closer than ever, but also opens a new market for us.”

    “Based on extensive research and feedback, we decided to launch this service for the segment which has great fondness for the content from Indian sub continent but a gap exists due to language barrier.”

    “After Multichoice, with whom we already have a tie up, Canal Sat is the next major pay television platform in the region and through this tie up Zee has widened its reach, its products in Africa and enforces its position as market leader.”

    In continuation of offering services bringing closer to viewer through specific feeds for each region and sub title or dubbing in local language, this is yet another expansion of Zee’s reach in International market. Zee has in the past one year launched its sub titled or dubbed services in Indonesia, Malaysia, Russia, Middle East and announced plans for entry into China, adds the release.

  • Channel [V] rocks Taiwan with Le Tea [V] Power Concert

    Channel [V] rocks Taiwan with Le Tea [V] Power Concert

    MUMBAI: More than 70,000 music fans attended the [V] Power Concert in Taipei, the large-scale outdoor music event organized by Channel [V] Taiwan and presented by Le Tea, a Taiwan beverage group.

    Held a few days ago the concert garnered artists from Taiwan, Hong Kong and Japan, including FIR, Edison Chan, 183 Club, Matsuura Aya, Fish Leong, Fan Fan and Kenji Wu, to perform live music for fans at Zhongshan Soccer Stadium.

    Le Tea was the event’s presenting sponsor for the second consecutive year. Music fans received tickets to the concert by purchasing Le Tea beverages. The promotional campaign led to a significant boost in its sales, particularly leading up to and during the concert period.

    Star Taiwan GM Wayne Chou says, “We are delighted that the [V] Power Concert was once again such a huge success – in terms of attendance as well as in the exposure it generated for Le Tea .

    “The calibre of artists we were able to attract this year made for a fantastic live concert, and will undoubtedly enthrall our viewers when we broadcast the show on Channel [V] Taiwan. Building on the success of this year’s event, we look very much forward to working with Le Tea in the years to come.”

  • Demerged Zee Telefilms starts trading on a strong note

    Demerged Zee Telefilms starts trading on a strong note

    MUMBAI: Subhash Chandra couldn’t have hoped for a better start to the first day’s trading of Zee Telefilm’s demerged entity. Zee Entertainment Ltd, which also temporarily houses the direct-to-home (DTH) business, opened on Monday at Rs 249 on the BSE, touched a high of Rs 297.80, before closing the day at Rs 272.20 with 3.45 million shares changing hands at the counter.

    On the NSE, the scrip opened at Rs 275 and closed marginally lower at Rs 273. “This was more or less in line with the market expectations. Though the scrip fell 20 per cent from the previous close of Rs 341, this was the first day’s trading of the demerged entity. The stock witnessed heavy trading,” a market analyst said.

    Zee’s other two demerged entities – Wire & Wireless India Ltd. (WWIL) and Zee News Ltd. (ZNL) – would get listed independently, after relevant approvals from the stock exchanges. Listing is likely in January 2007.
    The process of getting approval of Zee’s DTH business under Dish TV is underway. A separate record date for the demerger of Dish TV will be announced. Till then, Zee Entertainment Ltd will include Dish TV while trading on the stock exchanges.

    “The value of both the companies is embedded in the current scrip price. Investors, after all, will get shares in Dish TV when it is demerged,” said an analyst in a stock broking firm.

    After Dish TV gets listed, Zee Entertainment Ltd could see a drop in price. “But the sum of parts will be higher than the current level. We see it somewhere in the Rs 320-330 range,” the analyst said.

    Zee TV’s ratings are also going up and as the second largest general entertainment channel, it will be able to exploit advertising revenues which should get more properly reflected in the next fiscal, the analyst added.