Category: GECs

  • ‘We have stepped up work on digitalization for Prasar Bharati’ : Asutosh – IBN 7 managing editor

    ‘We have stepped up work on digitalization for Prasar Bharati’ : Asutosh – IBN 7 managing editor

    His father wanted him to be a doctor, but he chose science as his discipline in college. Within a short time, having done his graduation from Allahabad University, he switched over to philosophy as his master’s degree subject. He did not stick to that either, and did his M Phil from JNU in Foreign Affairs.

     

    Today at 37, Ashutosh is the managing editor of the Hindi news channel IBN 7. He has been with TV journalism ever since it took off in the country.

     

    But why journalism, and why so many changes? “Restlessness,” he smiles, almost apologetically. Suave and affable, Ashutosh got a prize fellowship, the Dag Hammejoldt U N Scholarship in 1996, and that was one of his two “major jumps in life.”

     

    He has got pretty strong opinions and does not believe he needs to pussyfoot his industry for some of the ills that have gotten in and are sticking out like snot. But he has the analytical tools to examine why these problems are there and tries to find a way out.

     

    Ashutosh spoke to Indiantelevision.com’s Sujit Chakraborty.

     

    Excerpts:

    Why is Hindi news television so loud, often crude, repetitive and boring?
    I agree with you, but only partly. There has been an unbelievable level of dumbing down of content, so much so that some of it ought not to be there at all. I guess the editors of Hindi channels would have to soon sit and decide what goes and what does not. It’s just the rating, the grabbing of eyeballs, which has become the single focal point and, therefore, all this is happening. But as time goes by, we shall have to mature. This is an evolutionary process.

    Eyeball journalism?
    Absolutely. To that extent, I agree with you. But there is the other positive side. Hindi TV journalism has completely revolutionised the news universe. It has educated and broadened the frontiers of news audience. Things have gone so local it is difficult to believe. And yet, we have become unbelievably global as well, for a Saddam story is as important to a Hindi viewer as a rape in Nashik.

     

    The other huge positive is at the cultural level. I mean, who knew Karva Chauth? We in the Hindi channels went and did Karva Chauth and now it is a nationally recognised Hindu festival. So is Ganesh Chaturthi…

    But Ganesh Chaturthi was always a huge affair…?
    Yes, but in Maharashtra. We now have brought it to mainstream news with round the clock coverage. Look at Dandiya dance from Gujarat. It is now an elite-class affair in Delhi, and our people here deck up and go for Dandiya. So we have brought Ganesh Chaturthi and Dandiya to Delhi and taken Karva Chauth and Chhat out of Hindi heartland to the rest of the country. Hindi news TV has re-unified and revitalised Indian culture and identity.

     

    The other thing is that Hindi journalism has brought terror to the law makers and law enforcers. They have changed radically after the sting operations. Corruption has not been wiped out, but things have changed, because now no one knows who is a sting man and who is a common person.

     

    Most importantly, Hindi TV journalism has brought in a sense of urgency, which has forced newspapers to change. They had lost all urgency, till we came along and gave them such a fright by being there 24 X 7. They had to wake up… I mean the Times Of India front page today is not what it was a few years ago.

    Is it that Hindi news channels introduced crudeness and audiences lapped it up? Or is it that the audience itself was like that and you catered to their tastes?
    Both are responsible. But much of this is misunderstood. Take for example: the ‘F’ word…. It sounds OK when said in English but if I were to translate it in Hindi and use it, there would be a horrific repercussion.

     

    Hindi itself and the people who speak the language are robust, rustic, loud, feudal. Hindi is used in the area where feudalism is still prevalent largely. Hindi journalism is evolving to be more liberal and things are changing.

     

    English journalism is sophisticated, modern and in touch with global realities. But English news is only for South Block, India International Centre, South Delhi’s sophisticated lot, may be. Even in Delhi, it makes no sense in Shahdara, a few kilometres from the heart of the Capital. Hence, all these account for the complaint of crudeness, etc., but things are changing.

    In what sense?
    Well, there is this stereotypical image of the Hindi journalist, that you have to be the jholawalla and chew paan masalaa….

    And try your best to be dirty and scrumpy, like this major presenter who makes you feel he could any time spit out the paan juice on the floor of the studio, despite the fact that he is a fine National School of Drama actor…. Why?
    (Laughs) But for him that is his achievement, being sophisticated and yet doing the opposite… Things, though, are changing fast. I mean, look around our studio here, there is none like that. Most of them are fluent in English, dress well… the Hindi news reporter’s image is changing fast. Today, in fact, Hindi TV scribes are better paid than their English counterparts. Because in English TV journalism, there is less competition, so there is less demand and the salaries are lower. We have to compete against huge odds.

    What are the synergies you draw from CNN-IBN?
    We are two entirely different and independent channels. Our outputs are different, but at the level of logistics and information there is a lot of synergising. If there is a murder somewhere, and we do not have that, but they (CNN-IBN) do, they tell us. If they are short of an OB Van where something is happening, they tell us and we give them the back up.

    Why are the names of programmes in your channel ( from Breakfast News downward) in English?
    This is a planned thing. It is a clear signal to the viewers that we have to be international in our approach. There is no point in forcing a bad Hindi name for a good Hindi programme. So if the name sounds good in English, and it catches on, we shall use English names. That is a conscious approach.

    Hindi journalism has brought terror to the law makers and law enforcers. They have changed radically after the sting operations

    Breaking news… all the time, Hindi channels are giving breaking news. Pramod Mahajan dies, that is breaking news for all the channels, from morning to late night. Don’t you think this is ridiculous?
    (Laughs) Those two words are the most misunderstood and misused in Indian TV journalism. Breaking News is a TV technique for catching the eye of the viewer; it is vibrant and attractive, but it is being used for everything. We have to evolve somehow to have different methods of presenting big breaking news and the ordinary news.

    Some of your programmes are very long drawn. Do you think any audience would stay that long with a channel?
    These long programmes are meant to tell the audience that here is a basket from which you get everything, from Saddam Hussain to Bollywood to travel and lifestyle. Stay with the channel and you will get everything from the same basket.

    But is it getting reflected in your TRPs?
    (Somewhat uncertainly), Yes, there is a good response. We have gained ratings and respectability.

    What would you say is the driver programme for your channel?
    We simply do not subscribe to the idea of a driver programme. If the driver programme is good, the channel’s showing is good. But if the driver programme flops, it all goes down. So we cannot have one or two driver programmes. The idea is to create a channel that has all good content across.

    I asked a friend once why there were no programmes on environment on Hindi channels, and he said it does not sell. Is that true?
    True, that is the worst tragedy of Hindi TV journalism. There is a lack of concern, and I am party to that crime. Blame it on eyeball journalism. Besides, can you imagine what kind of money BBC or CNN or Nat Geo spend on their programmes?

    Forget big money. Environmental programmes are the most ethical sting operations you can carry out at minimal cost and people would stay glued to them because it relates to their life. Also, corruption is rampant.
    (Ponders) Yes, I see what you mean, but may be we need to give some real thought to this.

    How do you see yourself in the ratings warfare?
    Everyone wants to be number one, and so do we. But as a group, we are have decided that the biggest thing that we need to develop is credibility. We need to bring back the credibility of TV news journalism. In the process, if we become number one, so be it. I would prefer to stay at the second or third place if people told me that we are hugely credible.

    You see so much sophistication in foreign channels. Why do Indian channels never pick that up?
    Oh, Indian channels are way ahead in terms of energy, vitality and intelligence. And we make mistakes, from the exuberance of youth. That can be corrected. But foreign journalism is not what we want to do.

     

    Indian journalism is far superior. We also went to war in Kargil, and we were taken there by the Indian army. But Indian channels did not spare the army for the mistakes they made. We did critical stories against the army as well.

     

    We have that freedom. But look at CNN’s embedded journalism… they not only go with the army, they become the army. This is unimaginable, there is no democracy. BBC was marginally better, but just that.

  • Celebrities set to present at Golden Globe Awards

    Celebrities set to present at Golden Globe Awards

    MUMBAI: The Hollywood Foreign Press Association (HFPA) which will host the 64th Annual Golden Globe Awards has announced a raft of celebrities as presenters for the ceremony that will take place on 15 January.

    In India the show will air early in the morning on 16 January 2007 on Star World at 6:30 am with a primetime repeat at 8 pm.

    George Clooney and Rachel Weisz who won Golden Globes last year for supporting roles in the films Syriana and The Constant Gardener respectively are among the presenters along with Sarah Jessica Parker and John Stamos.
    They join previously-announced presenters Felicity Huffman, Salma Hayek, Ben Stiller, Justin Timberlake and Reese Witherspoon.

    Warren Beatty will receive this years Cecil B. DeMille Award from the Hollywood Foreign Press Association for his contribution to the entertainment field.

    The Golden Globe Awards will be seen in more than 150 countries worldwide and is one of the few awards ceremonies that rewards work in both television and film.

  • NDS completes acquisition of Jungo

    NDS completes acquisition of Jungo

    MUMBAI: Pay TV technology firm NDS has completed the acquisition of 100 per cent of the share capital of Jungo.

    Jungo provides residential and business gateway software platforms and applications. Jungo’s flagship products, OpenRG – the residential gateway software platform and OpenSMB – the small and medium gateway software platform enable Original Equipment Manufacturers (OEMs) to bring broadband customer premises equipment (CPE) such as Residential Gateways, triple play gateways, office-in-a-box gateway, firewall/VPN routers to market quickly.

    Jungo also develops USBware, a complete embedded USB software stack for mobile handsets, set top boxes and other consumer devices, and WinDriver, – a driver development toolkit that enables developers to create custom device drivers for multitude of operating systems.

    NDS last month had announced plans to acquire Jungo. The acquisition NDS says bolsters its position in the growing broadband television market Jungo’s products and expertise further accelerate introduction of new end-to-end solutions for the converging broadcast/broadband market.

  • ImaginAsian TV launches Anime block

    ImaginAsian TV launches Anime block

    MUMBAI: Asian American television network ImaginAsian TV (iaTV) in the US will launch a new two-hour primetime anime block Anime EnerG.

    The block will feature anime series from animation distribution company, Geneon Entertainment, a division of Dentsu. Elemental Gelade, Kyoh Kara Maohi, Law Of Ueki, and Gankutsuou: The Count Of Monte Cristo are scheduled to premiere on iaTV’s new Tuesday evening animation block Anime EnerG later this month

    ImaginAsian TV senior VP programming and production David Chu says, “We are very excited to partner with Geneon Entertainment in launching an outstanding primetime anime block populated with series that are fan favorites, all of which will be making their U.S. television premieres.

    “All of the anime series are top quality productions that fit perfectly into iaTV’s strategy of providing the best animation for American audiences.”

    Geneon Entertainment senior VP business development Katsuhiko Tsurumoto says, “ImaginAsian TV is a great destination for Geneon content casual fans appreciate the pop-culture sensibility executed by ImaginAsian, and core anime fans value seeing the original language versions that ImaginAsian can provide so well!”

    In Elemental Gelade after a routine raid, the rookie sky pirate Cou finds a most unusual cargo in his mates’ cargo hold: Ren, an “Edel Reid”, a race prized by humans for granting special combat power to their partners through “Reacting”. He quickly discovers, however, that Ren is even more prized than he expected. The pirate ship is visited by three members of the Edel Reid Complete Protection Agency “Arc Aire”, who try to purchase her. When Cou refuses, the ship is suddenly attacked by a mysterious force, and Cou’s captain charges him with Ren’s protection. Thus starts Cou and Ren’s “journey of love adventure.”

    In Kyo Kara Maoh Yuri Shibuya was living a pretty normal life. That changed the day he was dunked into a toilet after an attempt to save a classmate from a gang of bullies. Instead of just getting a good soaking, he’s pulled in. The next thing he knows, he’s in a world that vaguely resembles medieval Europe . If that’s not odd enough, he’s told that he is to be the next Maoh, the King of the Mazoku, who are coexisting not-so-peacefully with the humans in this world. Now, Yuri has to deal with trying to become a good Maoh, while at the same time attempting to adapt to this land’s customs and culture, all in a world where the tension between the humans and Mazoku is reaching its peak.

    The protagonist of Law of Ueki is Junior high school student Kousuke Ueki. He is picked by a God Candidate, Koba-sen, to participate in a competition where people battle out to become God. Embodied with the ability to turn garbage into trees, Kousuke will be competing against other junior high school students in this selection. This sets the premise for the earth-friendly battle where the students will pit their powers against the rest.

    In Gankutsuou: The Count of Monte Cristo Albert, the son of a renowned general from Paris , makes a journey with his friend Franz. During his travels, he meets an immensely wealthy nobleman named The Count of Monte Cristo. Living in luxurious hotels, surrounded by beautiful women, and strong bodyguards, the charming but enigmatic count fascinates Albert. Albert invites the count to join the high society of Paris . However, unknown to Albert, his father had once framed the count and took the count’s fiancée as his own.

  • Dilip Jayaram leaves ESS for Procam International

    Dilip Jayaram leaves ESS for Procam International

    MUMBAI: After a long stint of over six years with ESPN Star Sports (ESS), Dilip Jayaram has decided to move on. He will be spearheading Procam International as its senior VP and would be groomed to take over as its COO in a year.
    He used to work with Buena Vista Television India earlier which used to manage the ad sales for ESPN, followed by a stint with MTV and SAB TV.

    In 2000 he came back to ESS as the regional head of the southern region, and in 2002 he moved to Delhi as the regional head for north and east. In 2004, DJ took on the portfolio of business development and innovations for ESS and was heading the team that was responsible for the
    launch of the Premier Hockey League in 2005. He was then promoted as ad sales director in June 2006.

    Procam International organises the Standard Chartered Marathon in Mumbai (which incidentally has in four years found a place in the top 10 marathons of the world) and the Hutch Half Marathon in Delhi (which is the richest half marathon in the world). Procam is also involved with Under 17 Cricket which it manages under the aegis of over seven state associations and also runs the soccer leagues in Goa and Kerala.

    Additionally Procam has also done premium sports events in India like the Squash World Cup and Mr Universe to name a few. He says, “I have worked extensively with one vertical of sports with the best in the genre and have also gained valuable insights on the other side of sports during the Asia Cup in 2004 and the first two editions of PHL. I am now crossing over to the next aspect – that of owning and promoting sports events in the country?”

    Anil and Vivek Singh the promoters of Procam said, “His past experience with ESPN Star Sports, combined with his innate entrepreneurial initiative, gives him extensive knowledge of media and sports events covering the entire gamut from conception to execution. He has been responsible for some of the largest media deals in sport and has also been the chief protagonist of the PHL.

    Procam Mediatel, responsible for the live production of the Marathons, is also currently involved in creating
    innovative shows and concept formats for television.

  • Prem and Pooja win Garnier Fructis Jodi No 1

    Prem and Pooja win Garnier Fructis Jodi No 1

    MUMBAI: Vijay TV Garnier Fructis Jodi No 1 has announced reel life couple Prem and Pooja as winners.

    The show on the Tamil channel owned by Star, which began with eight celebrity couples (four real life and four reel life jodis), came to a close on 30 December.

    Commenting on his win Prem said, “I am very excited that I now have a couple of movie offers up my sleeve. With a real life experience of this nature, I can confidently say that nothing is impossible when hardwork and perseverance are in place.”

    Pooja added, “I am very happy that we have been chosen as the Jodi No.1 by the viewers.”

    The viewers chose their favourite jodi by voting for them across various platforms i.e. IVR, SMS, televoting and online. Actor Dhanush along with the judges handed over the prize money of Rs 100 million to the winning jodi.

    The three finalists Vijay Adhiraj – Rashana, Raghav – Preetha and Prem – Pooja performed for the last time in the grand finale on 23 December.

    While Vijay Adhiraj-Rashana performed a thematic love story, Raghav-Preetha performed the jolly theives theme and Prem-Pooja incorporated the pirates theme. The show also witnessed performances by Ragasiya, Priyamani and Lakshmi Rai and a special performance by Yogi B and the Natchathira Boys; a Tamil hip-hop band from Malaysia and a dance performance by the cast of teen-soap Kanaa Kaanum Kaalangal.

    Following the response received for Garnier Fructis Jodi No 1 has paved way to another reality dance competition Garnier Fructis Jodi No1 – Challenge kicking off on 5 January at 8 pm.

    This show will feature six popular jodis who would take on the challenge. The show would have four rounds of performance with on the spot elimination, asserts an official release.

  • Shemaroo releases home video of animated film-‘The Legend of Buddha’

    Shemaroo releases home video of animated film-‘The Legend of Buddha’

    MUMBAI: In line with its plans to ramp up the programming Nick has launched two shows – Go Diego, Go! and Perman in India. While Go, Diego, Go! is an international show from the Nickelodeon library, Perman is a Japanese acquisition.

    Continuing its onslaught, the channel has introduced a spate of 13 new shows since the beginning of this year. Go, Diego, Go!, is a half-an-hour animated show for young kids, that will air at 10 am every Sunday while Perman, is aimed at the 4-14 year age-group and will air at 7 pm from Monday to Friday.

    Talking about the shows Nick vice president and general manager Nina Jaipuria said, “The launch of these new shows in line with our programming strategy of not only bringing the shows that are ‘entertaining’ but also ‘safe-for-kids-viewing’. Over the last 1 year, Nick has become the preferred destination for kids looking for ‘masti’ and ‘comedy’ and I am sure that both Perman as well as Go, Diego, Go! will further strengthen this association.”

    Go, Diego, Go! is a half-hour animated show, starring Diego Marquez, Dora the Explorer’s cousin. Diego is an 8-year-old animal rescuer who loves nature and has the ability to talk to animals. An entertaining play-n-learn show, Go, Diego, Go helps kids understand and appreciate animal life in habitats other than their own. So, as Diego goes about locating and rescuing animals, he keeps talking about them – their names, physical attributes as well as their habitats, thus informing kids about animals and their unique life in a manner that makes this an exciting learning experience. Every animal on ‘Go, Diego, Go!’ is researched and its traits authenticated by a renowned science education consultant.

    Perman, a classic animation series, is also a half-hour show created by the Japanese duo Fujiko Fujio (also responsible for Nick’s programme Ninja Hattori). It tells the story of a gang of kids – two boys, a girl and monkey who are elected by a mysterious masked man (named Super Perman) to be the protectors of their city. The main protagonist is Mitsuo who is the leader of this gang. All the members of the group own a special ‘Perman Kit’ comprising a helmet with ear-caps giving them super strength, a magical cape that allows them to fly, an emblem button with a ‘P’ that they use as a communicator and their own robots that have the special ability to transform themselves into exact replicas of the kids at the press of a button. This classic animation show, a super hit in Japan, promises loads of masti and fun.

  • Star One’s ‘Idea Ek Se Badhkar Ek’ to premiere on 30 December

    Star One’s ‘Idea Ek Se Badhkar Ek’ to premiere on 30 December

    MUMBAI: After announcing the launch of Antakshri, Star One now is all set to launch Idea Ek Se Badhkar Ek a countdown show premiering on 30 December at 8 pm and would be hosted by Manoj Bohra and Tina Parakh.

    The countdown show includes categories ranging from Top 10 Action Heroes, Top 10 Love Triangles to Top 10 Sizzling Singles amongst many others.

    Star India president advertising sales and distribution Paritosh Joshi said, “Idea Ek Se Badhkar Ek is a unique advertising funded programme and is all set to add excitement to Saturday night viewing on Star One. With young hosts, Tina and Manoj, there will be a great amount of interactivity in every episode and viewers will get to win prizes as well. We are thrilled to be associated with a young brand like Idea and hope to reach out to our audiences.”

    IDEA CMO Pradeep Shrivastava said, “We are delighted to be associated with a youth and extremely entertaining Hindi channel like Star One. At Idea, we have always looked at opportunities to connect with our consumers, one-on-one. Our products target the youth and synergises with Star One as it is the fastest growing channel today. We look forward to reaching out to our young consumers with this new show with a twist.”

  • Zee TV Titan Antakshri to appear in a new avatar from 5 January

    Zee TV Titan Antakshri to appear in a new avatar from 5 January

    MUMBAI: After Star One’s announcement of stepping into the musical wagon with Antakshri, Zee TV is launching Titan Antakshari in a brand new avatar from 5 January.

    Sunil Pal of Laughter Challenge fame and Sa Re Ga Ma Pa Champion 2005 finalist Himani Kapoor, will anchor Titan Antakshari.

    The show has been designed by blending both the elements of cricket and music leading to the coming World Cup. This musical war will go on for 13 weeks titled Elaan -e- Jung between the three lead protagonists of Zee TV – Saloni, Bani and Vidya.

    The usual teams of Deewane, Parwane and Mastane have been rechristened as Saloni ke Deewane, Bani ke Parwane and Vidya ke Mastane. Every episode in the coming 13 weeks will be a continuing battle between these teams for being crowned as Titan Antakshari – the World Champions.

    Announcing the launch of Titan Antakshri, Zee TV business head Punit Goenka said, “Zee TV’s Antakshri and Sa Re Ga Ma Pa has always been front runner shows. Zee TV is known for its excellency in musical shows. We gave best of the playback singers to Indian cinema like Sunidhi Chauhan, Shreya Ghosal, Debojit, Sanchita among many others. We look forward to providing our viewers a refreshingly new series of Titan Antakshri with some talented singing and loads of fun with Bani, Saloni and Vidya leading the teams.”

    Titan Antakshri’s title track is sung by Sanchita (Winner of Lil Champs) and Sriram Iyer (singer of the title track of Shabaash India).

  • Star One to introduce new formats in ‘Antakshari-The great challenge’

    Star One to introduce new formats in ‘Antakshari-The great challenge’

    MUMBAI: After creating programming in genres from reality to dance and comedy to drama, Star One beginning February 2007 will launch Antakshari – The Great Challenge.

    This is being produced by Gajendrra Siingh of Zee TV’s Sa Re Ga Ma Pa fame. Antakshari – The Great Challenge will see new inclusions to the format. Apart from just the competition there would be hint of reality with Star One airing the auditions too. Annu Kapur who has an old connection with Antakshri will host this musical show.

    Star Entertainment India CEO Sameer Nair said, “Siingh as we all know is the mastermind behind popularising music based talent competitions and we are very excited to host his home production’s debut venture – Antakshari-The Great Challenge on Star One. The show, with an innovative and exciting format, captures the passion that Indian audiences have for music. It also is in synch with the channel’s promise to consistently deliver indigenous content and complete entertainment for the audiences.”

    Commenting on the association Gajendrra Siingh said, “I have always looked at opportunities to connect with viewers and this show synergizes with Star One’s commitment of delivering entertaining and unique content. We have added new elements to the show which I am sure will be appreciated by the viewers.”

    Host Annu Kapur added, “This unit is family to me, I take this opportunity to congratulate Gajendrra and I wish him all the best. I am extremely delighted that he asked me to host the show. I can’t wait to get back on the floors and hear him say action.”