Category: GECs

  • Another TV executive bites the TV producer bullet

    Another TV executive bites the TV producer bullet

    MUMBAI: With the general entertainment genre getting hyper-competitive, the demand for out of the box content is exploding. And nobody understands the needs of a channel’s creative and executive producers than somebody who has worked there before.

     

    Hence, it is no surprise that executives from channels are leaving their relatively comfortable jobs to turn entrepreneurs or partnering with producers as creative producers. Saurabh Tewari (Nautanki Films, Colors), Ranjeet Thakur, Hemant Ruparel (Frames, formerly with Zee TV), Bimal Unnikrishnan (India Dancing Superstar), Siddhartha Tewari and Vikas Seth (formerly with Sony). The latest to do so is Vaibhav Modi, formerly with Endemol and later Star Plus as non-fiction programming head.

     

    He put in his papers in September 2012, and set up his own production house calling it Bolt Media. His initiative is being funded by Ekta Kapoor’s Balaji Telefilms and hence it is being talked about as its subsidiary. Modi has taken along with him an old Star hand Rajkamal Patra as commercial head and has hired a team of creatives, production professionals and writers on a project basis.

     

    The production house has already wrapped up eight ad films for Kissan which were aired in March 2013 and featured Punar Vivah’s Kratika Sengar. Now it is working on two fiction shows one of which is in the mythological genre and the other in the historical documentary drama space

     

    Modi is loath to reveal any further details on the shows. All he was willing to say was that “Bolt Media was incorporated to independently create and produce cutting edge TV concepts across mainstream and regional television. We will be covering genres like youth, humour, neomythology, reality, scripted reality, factual entertainment besides exploring branded content like digital brand solutions and short form programming. We are also looking at creating intellectual property like TV formats, events and digital content. “

     

    Going by how other TV-broadcast-executives-turned-entrepreneurs have fared in the past, expect Modi to notch up success.

     

  • Obama nominates Tom Wheeler as next FCC chairman

    Obama nominates Tom Wheeler as next FCC chairman

    MUMBAI: US President Barack Obama has nominated Tom Wheeler, a technology investor and former head of two major trade associations, as the next chairman of the media watchdog Federal Communications Commission (FCC).

     

    Obama announced Wheeler’s nomination at the White House and joked, “Wheeler is the only member of both the cable television and the wireless industry hall of fame. So he’s like the Jim Brown of telecom or the Bo Jackson of telecom”.

     

    If the US Senate approves Wheeler’s nomination, he will replace outgoing chairman Julius Genachowski, who had announced in March that he would step down from his post after four years. Until the Senate vote occurs, democratic commissioner Mignon Clyburn will serve as FCC interim chairwoman after Genachowski leaves in the middle of the month.

     

    National Association of Broadcasters (Nab) president and CEO Gordon Smith said, “Nab welcomes the nomination of Tom Wheeler as chairman of the FCC. He has the experience and temperament to serve the agency with distinction, and we look forward to working with him.”

     

    Meanwhile AT&T has called Wheeler an inspired pick, saying that his high intelligence, broad experience, and in-depth knowledge of the industry may, in fact, make him one of the most qualified people ever named to run the agency.

  • DD’s Q1 revenues see spike thanks to new primetime programming

    DD’s Q1 revenues see spike thanks to new primetime programming

    NEW DELHI: With new initiatives that have helped to add spice to the national prime time telecasts, Doordarshan managed to push up its gross quarterly revenue from just over Rs 322.4 million in the last quarter of 2012 to above Rs 503.4 million in the first quarter of 2013.

    The monthly revenue for this time slot shot up from just Rs 9.21 million in October last year to more than Rs 197.1 million in March this year.

    Doordarshan additional director general Raj Shekhar Vyas told Indiantelevision.com that this had been achieved by adding variety to the programmes and not necessarily getting stuck to the same series from Monday to Friday as most private television channels tend to do.

    He said DD was set to break new ground with the telecast of Hollywood blockbusters in English from midnight onwards daily from mid-May. He said negotiations were on with the American studio Lionsgate Films. It was expected that the films would initially be offered without any payment. This slot was until now reserved either for old films or repeat telecasts, he said.

    However, on account of a decline in national mid-day prime time slots between noon and 3.00 pm, the quarterly revenue went down from Rs 177.9 million in the last quarter to just about Rs 156.7 million.

    Asked about this, Vyas said he was currently concentrating on re-vamping the evening prime time but would also overhaul the mid-day prime time since around 240 proposals had been received for various programmes.

    Following an initiative by Prasar Bharati chief executive officer Jawhar Sircar, DD had for the first time decided to go in for out-of-home publicity and also advertised in newspapers, Facebook and Twitter about its new programmes. An initial sum of Rs 20 million had been set aside since Republic Day this year for this. Advertising in cinema houses will form the second phase of the advertising binge.

    Vyas claimed that following directions from DD director general Tripurari Sharan, he had given the national prime time a youthful look with programmes like ‘Bharat ki shaan’, ‘Yahan ke hum Sikandar,’ ‘Ek Kiran Roshni ki’ and ‘Yeh hai India Meri Jaan’ by the renowned Saeed Akhtar Mirza remembered for the path-breaking ‘Nukkad’ series. The channel also had its share of interpretation of classics like ‘Krishna Kali’, ‘Gora’ and ‘Sarsaswati Chandra’, apart from old favourites like ‘Byomkesh Bakshi’ and ‘Ek tha Rusty.’

  • ZeeQ to presents second edition of the World Children Expo

    ZeeQ to presents second edition of the World Children Expo

    MUMBAI: The second edition of ‘World Children Expo 2013’ (WCE) will be held in Gurgaon. The three day event will start from 17 May and go on till 19 May. The expo is conceptualised by Creative Children Media Pvt and presented by ZeeQ.

    WCE 2013 is a platform showcasing children centric consumer brands catering to kids up to 15 years. The carnival gives an opportunity to the kids and their families to meet popular cartoon characters like Doraemon and Chhota Bheem. The ZeeQ kid zone will have games like Balloon Maths, Puzzle games, Larger than Life Scrabble, English Wordmatch and Multiple Intelligence quiz.

    WCE 2013 has been divided into three parts: WCE – The Business Conclave, Kidzooka – India's first ever recognition awards for children centric brands on 17 May at the Crowne Plaza, Gurgaon; WCE – The KiddZone – A carnival like expo area for kids to be held over the weekend of May 18-19 (10 am- 7 pm) at The Island, Ambience Mall, Gurgaon.

    Creative Children Media and World Children Expo founder Rahul Gupta said, "WCE is now being acknowledged nation-wide as India's biggest and most formidable kids’ expo catering to the ecosystem of children and children centric brands. It is gratifying to see that our exhibitor brands range from top corporates to upcoming start-ups. The philosophy of WCE is essentially to be a platform for start-ups to launch and the top brands to expand their offerings and interact with children through one singular event.”

    ZeeQ business head Subhadarshi Tripathy said, “We are very happy to associate with WCE. WCE is one of the largest engagement platforms for kids in India. Kids being ZeeQ’s focus as well, this is an ideal for us to connect and engage with children and their parents and communicate how learning can be fun.”'

    Interactive Entertainment Business Microsoft India business group head Anshu Mor added, “Microsoft is delighted to leverage the opportunity to showcase the upcoming technology it has to offer to children. Through the Interactive Entertainment Business which comprises the gaming console Xbox 360 with Kinect, Microsoft aims at establishing an environment of playful learning for children.”

    TNS Consult executive director Rima Gupta says, “India is one of the youngest countries and for us as marketers, understanding teenagers is very key. We are pleased to partner with WCE to develop and share a customized report on Indian teenager’s lives, hopes & attitudes. This will provide insights for both marketing and communicating with young ones.”

  • Zee Learn promotes Navneet Anhal to CEO

    Zee Learn promotes Navneet Anhal to CEO

    MUMBAI: Navnnet Anhal former chief operating officer at Zee Learn has now taken the position of the chief executive officer.

    Anhal started off with Zee Learn in 2008 and has since earned made his way up the ranks showing dedication and commitment towards the organization. He was appointed as the COO in July 2012.

    Meanwhile, Pradeep Pillai has been appointed as the chief operating officer to step into Anhal’s shoes.

    Pillai was earlier the business head for K12 unit at Zee Learn which includes Kidzee preschools and Mount Litera Zee Schools.

    Anhal said, “At Zee Learn we are focused on improving Human Capital. We are optimistic about the future opportunities in the education sector in India and gearing up to meet expectations of all stakeholders associated with the sector.”

    Zee Learn HR head Aman Pal Singh said, “The demand for quality education is an important social reality today and Zee Learn is well poised to cater to this growing aspiration. We are confident that the new leadership team will drive the organisation to set new benchmarks in education in India.

     

  • NBSA Chairperson Justice J S Verma passes away

    NBSA Chairperson Justice J S Verma passes away

    New Delhi : The Indian news broadcast industry lost a guide and mentor late last evening in the passing away of 80 year old Justice (Retd.) J.S. Verma, chairperson of the News Broadcasting Standards Authority (NBSA).

    Verma, a former chief justice of India and former chairperson of the National Human Rights Commission (NHRC), was appointed the first chairperson of the NBSA, a self-regulatory body set up by News Broadcasters Association (NBA), on 2 October 2008. He took over the role at a time when the government was making noises that the it would step in an censor the news TV industry if it did not get its self-censorship act together. His first major challenge had been to draw up guidelines for news channels, following the terrorist attacks in Mumbai a month or so into his appointment.

    The NBA has mourned his passing on. In a press note it said: “He believed that self-regulation in the broadcast media is the best way forward in achieving a balance between the media's duty to empower the participatory role of the people in governance. In his frequent interaction with members of NBA he would tell them that in a democracy, it was the media's duty to inform the people of everything of significance; but the right to inform did not include the right to mis-inform as the media's right is no greater than an individual's right, which was again subject to reasonable restrictions. He advised members that self-regulation was the best way so that there was no occasion for any outside intervention to regulate.”

    During the past four years of his association with NBSA, he took ‘pro-active steps to ensure that broadcasting standards improve. The entire electronic news broadcasting fraternity deeply mourns the passing away of this extra ordinary person who lived by his principles and convictions until the very end.’

    The Broadcast Editors' Association too condoled the passing away of Verma.

    In a condolence message, Information and Broadcasting Minister Manish Tewari said, ‘Justice Verma was an iconic personality, who gave jurisprudence, a new perspective with the judgements that he pronounced. As a firm believer of judicial accountability and probity, Justice Verma will always remain etched in public memory. The entire country deeply mourns the passing away of this extra ordinary intellectual who lived by his principles and convictions till the very end.’

    Prime Minister Manmohan Singh said Justice Verma was held in great respect as a public figure not only for his vast understanding and knowledge of law and the many path-breaking judgements he delivered as a Judge, but also for his deep sensitivity to the concerns of the common man and his fierce commitment to the public good. His service to the country continued even after his retirement as Chief Justice of India, and the positions he held included Chairman, National Human Rights Commission and Chairman News Broadcasters’ Standards Authority.

    Verma, born January 18 1933, was the 27th chief justice of India from 25 March 1997 until his retirement on 18 January 1998. After obtaining degrees of B.Sc. and LL.B. from Allahabad University, he joined the Bar in 1955; became a judge of the Madhya Pradesh High Court in 1972; its chief justice in 1985; the chief justice of Rajasthan in 1986; a judge of the Supreme Court of India in 1989; and then the chief justice of India. He was also the acting governor of Rajasthan, twice between 1987 and 1989.

    He headed the commission to inquire into the security lapses leading to Rajiv Gandhi’s assassination (1991-1992); and the Committee to suggest operationalisation of the Fundamental Duties (1998- 1999). He was the chairperson of the NHRC from 4 November 1999 to 18 January 2003. After demitting that office Verma engaged himself in pursuing matters of national and public concerns, and advocating measures for amelioration of the polity.

    In the aftermath of the gang rape in Delhi on 16 December 2012, the Indian government on 23 December 2012 appointed a three member committee consisting of J. S. Verma, justice Leila Seth and Gopal Subramanium as members to look into possible amendments of the criminal law to provide for quicker trial and enhanced punishment for criminals committing sexual assault of extreme nature against women. In view of the significance and urgency of the task, the committee undertook and performed the herculean task within 30 days.

    He is survived by his wife and two daughters who along with their families were with him at the time of his demise.

  • Colors associates with Lakme Fashion Week; to air the event from 1 Aprila

    Colors associates with Lakme Fashion Week; to air the event from 1 Aprila

    Mumbai: Colors has announced its association with India’s premier fashion and trade event, Lakme Fashion Week (LFW).

     

    Titled ‘Lakme Fashion Week – Colors Ka Jashn’, the channel will air the event from 1-5 April at the afternoon time-slot of 3 pm.

     

    Taking fashion to the viewers, this season of Lakme Fashion Week Summer/Resort 2013 will have artists from Colors’ popular shows in a whole new designer avatar.

     

    The show will be hosted by Rohit Roy.

     

    Presenting a blend of style and drama a la Colors style, the channel will showcase all the behind the scenes action from the fashion week in a half an hour special episode. Colors’ artists like Shamim Manan (Bhoomi), Gaurav Chopra (Rathore), newcomers in the Colors family such as Shefali Sharma (Gurbani), Toral Rashputra (Anandi) and Aakansha Singh (Megha) will be seen in a new avatar as they prepare to charm the audiences.

     

    This special association will see Colors’ artists interacting with the top notch designers of the country.

     

    Colors weekday programming head Manisha Sharma said, “Colors has always persevered to bring new and innovative content for our audiences. With this association, we aim to further strengthen our perseverance and bring to them different type of content with a glimpse into the fashion industry. We hope to open doors and diversify to a new set of audiences that are looking for a mixture of fashion and entertainment – fashiontainment.”

  • Stage set for News TV Summit and NT Awards on 25 March

    Stage set for News TV Summit and NT Awards on 25 March

    MUMBAI: A large part of the Indian news television fraternity is expected to be huddled in New Delhi’s Taj Palace Hotel come 25 March. The occasion: the sixth Indiantelevision.com News Television Summit which is expected to commence at 11 am and which will be followed by Indiantelevision.com’s NT Awards in the evening.

     

    “Getting out of the Squeeze – Learning to live in a digitised India” is the theme of this year’s summit. A keynote opening address by Ministry of Information & Broadcasting Secretary Uday Kumar Varma has been lined up and will be followed by three panel discussions covering the business and regulatory framework in a digitising India, innovative use of technology in the news broadcast space and the emerging trends in prime time news and the importance of TV news anchors.

     

    The News Television Summit 2013 is endorsed by the Ministry of Information & Broadcasting and is supported by ABP News and ABP Majha. The NT Awards are presented by LR Active Oil while Saakshi TV, TV9, CNBC TV18, CNBC Awaaz, and Aaj Tak have also pitched in as partners.

     

    “The news TV industry has been grappling with an uber-competitive environment with limited revenue streams in almost every language segment,” says Indiantelevision.com Group CEO and Editor-in-Chief Anil Wanvari. “DAS and DTH can potentially help specific segments of the news TV industry generate new revenue streams in terms of subscription and premium niche news channels in the medium to long term. Of course the transition will throw up its own challenges.”

        
    Amongst those slated to attend and speak include: MIB Joint-Secretary Supriya Sahu, ABP News India CEO Ashok Venkatramani, BAG Media Network chairperson Anuradha Prasad, DEN CEO S.N. Sharma, Puthiya Thalaimurai TV news director S. Srinivasan, Legal expert Anish Dayal, India TV advisor Paritosh Joshi, Castle Media Director Vynsley Fernandes, Ericsson content and media head Supriyo Mookherjee, Quantel Q-Tube expert Chrisophe Messe, NDTV CTO Dinesh Singh, Cellcast Asia founder & CEO Pankaj Thakar, BBC Global News COO India Preet Dhupar, NDTV Group Editor Barkha Dutt, CNN-IBN host and veteran newscaster and analyst Karan Thapar, Bloomberg India Editor Vivek Law, Headlines Today Managing Editor Rahul Kanwal, DD’s Sanjeev Srivastava and finally India News Editor-in-Chief Deepak Chaurasia.

     

    The conference is to be followed by Indiantelevision.com’s The NT Awards, which received more than 1,000 entries for 43 categories from 45 TV news channels operating in English, Hindi, Telugu and Marathi. More than 110 jury members from news TV practitioners to print and magazine journalists to costume designers to marketers to agency professionals to former police officials to entrepreneurs helped judge the entries over two weeks of judging in Mumbai, Hyderabad and Delhi. Ernst & Young had the responsibility of being the official tabulator of the jury results.

     

    Information & Broadcasting minister Manish Tewari has consented to be the chief guest for The NT Awards. CEOs of media companies and TV channels, Editors, Reporters, Technicians, Celebrities and Sportsmen are expected to attend the function, which is being anchored by TV anchor and political satirist Cyrus Broacha and TV actor Kavita Kaushik.

     

    The print partners include Cable Quest, Satellite@Internet India, and Aavishkar Dish Antenna while Tellychakkar.com and Radioandmusic.com are online partners. The event has been executed and produced by Indiantelevision.com’s ITV 2.0 Productions.

  • ‘We can monetise more in a digitised environment’ : Business Head of Sab Anooj Kapoor

    ‘We can monetise more in a digitised environment’ : Business Head of Sab Anooj Kapoor

    A product manager at Colgate Palmolive, a copywriter at JWT, an ad producer, a sitcom writer and director, and finally a television channel head. Anooj Kapoor has successfully worn different hats in his career spread over two decades. And why not? He follows what is dear to his heart, so much so that he quit Colgate to join JWT at half the salary that he used to earn at the FMCG major. Reason: he could pursue his creative instincts.

     

    His urge to write and direct ads made him launch his own production house called Creative Compass in 1999, which he ran successfully for three years.

     

    Kapoor joined UTV to head its comedy cell in 2004 and made shows like Sharaarat for Star Plus. He went on to write many shows for Indian television. In 2007, he moved to Sab and what followed was a change in positioning to a family entertainment channel. Since then, Sab has shown remarkable growth. 

     

    In an interview with Indiantelevision.com‘s Prachi Srivastava, the business head of Sab talks about the channel‘s growth and how it can benefit from digitisation.

     

    Excerpts:

    How has Sab performed after the first phase of digitisation?

    Sab has grown from 130 GRPs pre-digitisation to around the 150 GRP mark on a consistent basis. Two factors have contributed to this growth. The shows that we had launched in the digitisation phase have been received well, be it Balveer, Jennie Juju or Waah Waah Kya Baat Hai. We had set a target of 151 GRPs for March 2014 which we have achieved in January. So we are more than a year ahead in achieving our targets.

     

    Apart from content, what has also worked for us is the fact that we are now placed in the Hindi GEC cluster on the Electronic Programming Guide (EPG) in Mumbai and Delhi market because of which the sampling of the channel has gone up. With increased sampling, the time spent on the channel has also increased and, therefore, the growth in viewership.

    Do you see any change in viewership patterns?

    There is no such change. Our channel is for the entire family and is fairly divided between Males, Females and Kids. The representation of viewership has remained unaltered. It’s just that more families have sampled the channel; the composition remains the same.

    The 6-8 pm slot is generally for youth TV viewers. Are you looking at cracking this time slot?

    Our focus remains the family, and not just youth. Previously, we were a youth entertainment channel with shows like Left Right Left and Love Story. At that time we could collect only 20-22 GRPs. So we realised that the youth positioning is not really helping us. We, thus, changed the positioning to a family-led comedy channel.

    There was a time when Hindi GECs were having original programming on the afternoon slot. Do you have any plans to revive this slot?

    Despite our budgetary limits, we have extended our prime time programming to seven days now. We don’t have the bandwidth or interest to revive the afternoon slot as our primary TG is family and not just the female audience. Our channel has a male skew and 51 per cent of this segment constitute our audience profile.

    ‘Comedy is a very nascent genre but is bound to grow. If there are five channels that are showing the same kind of shows and there is just one channel which is showing comedy, it is obvious that people will watch us‘

    Max has a vast library. Do you plan to air movies from their library?

    Over the last four years, we have been able to build the slot of classic titles on our channel because these are the films that people are not able to watch on regular basis and there is a definite audience that we have managed to create over the last four years. They don’t get to see those titles on any other Hindi GEC. So we get undiluted audience coming to watch the classic films.

    Which are the weak slots that you would like to strengthen?

    We recently launched two shows, Hum Aapke Hain in Laws (HAHIL) and Tota Aur Maina at the 10-11 pm slot. Tota Aur Maina, which airs at 10.30 pm, is struggling a bit. We would like to strengthen that slot.

    Are there any new shows that you are planning to launch?

    We have nothing pre-IPL. We have just launched Safar Filmy Comedy Ka, which is a tribute to 100 years of cinema in India.

    How do you plan to expand geographically?

    We don’t make shows for a particular market. However, characterisation can be from a certain state. For example, HAHIL and Tota Aur Maina are both based in UP.

    Was 2012 a forgettable year for Hindi GECs as few of the new shows worked with audiences?

    The industry is indulging and over-indulging in permutations and combinations of the Saas-Bahu formula. Either the people have run out of formulas or the audience has run out of patience. The year 2012 was no different. They have the same Saas-Bahu drama and the same reality shows.

    The digital media has been growing in leaps and bounds. Any plans there?

    We are launching an app- Sab Ke Comics for iOS and Android with over a 100 Comic Strips of six shows to entertain fans on the go (on smartphones and Tablets) with short jokes from Sab shows and characters. This app is an adaptation of the successful print ads in comic strip formats in leading newspapers. These are for shows like Jeannie aur Juju, Chidiya Ghar, FIR, Lapataganj, R.K. Laxman and Golmaal.

     

    We have also launched Sab’s popular characters: Gadha, Gopi, Mama, and Gulgule as 3D animated talking character which repeats whatever the user speaks. The characters also react to gestures like tickling and punches.

     

    There is also an augmented reality app where one can scan images on a Sab TV Dairy or Calendar and see the character coming to life in a video format. Besides, one can also have their pictures clicked with popular Sab characters.

     

    We recently launched SABurbia which has been extended to apps. Here players can visit and interact with different show worlds and characters in a quest to help the Sab characters and become the mayor of SABurbia.

    Will Sab be able to monetise more in the digitised environment?

    Yes, the point is that we have moved into the EPG and we are in the vicinity of the other Hindi GECs, which was not the case earlier. Earlier, it was difficult for consumers to come across our channel on a consistent basis in various areas. Now the availability of Sab will be easier and, hence, there will be more trial and sampling for the channel. We believe that once the sampling increases, the retention of the audience will also increase. If there is more retention, there is more ratings. This increases the monetization scope.

    What is the future of comedy as a genre on Indian television?

    It is a very nascent genre but is bound to grow. If there are five channels that are showing the same kind of shows and there is just one channel which is showing comedy, it is obvious that people will watch us.

  • MipTV: ITVS to launch two factual series

    MipTV: ITVS to launch two factual series

    MUMBAI: ITVS Global Entertainment (ITVS GE) will debut two new factual series from The Garden at next month’s television trade event MipTV as part of their distribution agreement with the UK-based Indie.

     

    ‘Keeping Britain Alive’ and ‘Baby Makers’ will launch at the market as both finished shows and format.

     

    Keeping Britain Alive is a medical ob doc that tells the story of 24 Hours in the life of the world’s biggest free health care system – the NHS. Using over a hundred camera crews to shoot across Britain in hospitals, doctor’s surgeries, ambulances and helicopters – all captured at and connected by, a specific moment in time. With nothing off limits, it takes a fresh look at everything from life or death emergencies, to controversial topics like plastic surgery and weight loss.

     

    ITVS GE will launch this ob doc as a format titled ‘Keeping Your Nation Alive’ at MipTV. ‘Keeping Britain Alive’ is produced by The Garden for BBC TWO.

     

    ‘Baby Makers: The Fertility Clinic’ is a look at the fertility frontline. With exclusive access to The Hewitt Centre – one of the largest IVF clinics in Britain, the patients are met. Through candid accounts from staff that deal with the endless sperm and egg collections, to patients facing low sperm counts and ticking biological clocks, this documentary reveals the moral minefield of IVF.Baby Makers: The Fertility Clinic is produced by The Garden for BBC FOUR.

     

    ITV Studios Global Entertainment director of global acquisitions and co-productions Ruth Clarke said, “Hot on the heels of The Audience, we are delighted to be unveiling two new shows from The Garden at MIPTV. Known for their ground-breaking and thought-provoking series, we look forward to continuing our partnership with them to represent both of these new factual offerings at the international marketplace.”