Category: GECs

  • Diva’ni – India’s first Bollywood inspired fashion label unveils its logo

    Diva’ni – India’s first Bollywood inspired fashion label unveils its logo

    Mumbai: Yash Raj Films (YRF) in association with Karol Bagh Saree House (KBSH), unveils the logo of – Diva'ni, where fashion romances Bollywood. The purple coloured logo completely defines the essence of glamour and charisma associated with the brand.

    Ms. Sanya Dhir, Brand Director, KBSH says, "The colour we have chosen for Diva'ni is purple. Purple symbolizes feminineness, aspiration, inspiration, mystery, magic, fantasy and royalty – all attributes that are at the core of our brand."

    "Mr Rohit Sobti, Vice President – Licensing & Merchandising, YRF says, "The bindi is the epitome of womanhood in our culture and encapsulates the respect that Yash Chopra had for his divas. It is only befitting that this be chosen for the logo identity of Diva'ni, a brand dedicated to the Indian woman and a humble tribute to the legend and his ethos."

    The graphic D is encased in a circle, which represents a bindi, signifying Indian-ness &our heritage. Also, the white colour of the bindi denotes purity, innocence and virtuosity of every Indian woman. The circle also subliminally suggests the feeling of being the cynosure of all eyes – something each Diva'ni woman will definitely relate to and identify with.

  • MSM appoints Neville Bastawalla as SONY PIX marketing head

    MSM appoints Neville Bastawalla as SONY PIX marketing head

    MUMBAI: Multi Screen Media (MSM) today announced the appointment of Neville Bastawalla as its new marketing head for its premium Hollywood movie channel SONY PIX.

    Neville Bastawalla with his experience and understanding of the business will help to consolidate Pix’s position in the genre

     

    A marketing professional with over 14 years of multi-brand experience, Bastawalla’s previous stint was with Star India where he joined in January 2011 as marketing head for its English channels and was most recently head – marketing for STAR’s Hindi movies channels since February 2013.

     

    Prior to joining Star India, Bastawalla was head marketing at Mid-Day Infomedia where he spent about four years. He joined Mid-Day in 2007 after a brief stint with Nickelodeon as senior marketing manager. A management graduate in marketing, Bastawalla also has worked with HSBC, Walt Disney Company, Contract Advertising and Mudra Communications.

     

    Announcing Bastawalla’s appointment SONY PIX EVP & business head Saurabh Yagnik said, “We are delighted to have Neville join the team and we are certain that his experience and understanding of the business and our audience will help us consolidate our position in the genre. We look forward to a long and fruitful working association with him.”

     

    “I am delighted to begin my association with Sony PIX.  The channel has always uniquely positioned itself in the English movie genre, with a strong content library and innovative campaigns for its premieres and other properties. The channel showcases the best of Hollywood movies. I look forward to taking up this role and delivering on the business objectives for the channel,” said Bastawalla.

  • Netflix loads up on kids shows yet again with Scholastic deal

    Netflix loads up on kids shows yet again with Scholastic deal

    MUMBAI: Netflix has been positioning itself as an online babysitter of sorts with a slew of deals for children’s content, thus it has sanctioned even more episodes of the kids’ genre.

     

    The streaming-video service said it has expanded an agreement with Scholastic Media, an arm of publisher Scholastic, to offer more of its TV series and video content, such as the shows based on the tween babysitting series, The Magic School Bus and Goosebumps. Most of the new content is available to Netflix members in the US, Canada, UK, Ireland and Latin America.

     

    Both Netflix and Amazon’s Prime Instant Video service have been buying content for children. The idea is twofold: Go after a type of programming that – after sports – can be the most decisive sway factor when a consumer is choosing what entertainment to pay for. Then get children cozy with the format and style of internet-delivered content to create a new generation of subscribers.

     

    Netflix’s Scholastic deal marks the first time many of the episodes have been available in the streaming format, and Netflix has an exclusive hold on select programs like The Magic School Bus. However, most of the content is years old.

     

    “When we first added ‘The Magic School Bus’ and ‘Goosebumps’ for our members in the US and Canada earlier this summer we knew they would perform well, but after seeing just how popular they were we decided to expand our relationship with Scholastic and bring these great shows to more of our markets,” Netflix chief content officer Ted Sarandos said in a release.

     

    Three of the first five programs Amazon will produce as part of its original content push are children’s programs, and last month the company ordered up kids’ content solely for its next round of five pilots.

     

    Netflix is also working to fill a kids’ content void. The site declined high-demand Nickelodeon content earlier this year because parent Viacom wanted to bundle it together with less popular programs in a hulking deal. Amazon later snatched up the forsaken Viacom content.

     

    The latest deal with Scholastic however doesn’t include video content related to Scholastic’s most blockbuster brand, the Harry Potter series.

  • Ratan Thiyam appointed chairperson of the National School of Drama

    Ratan Thiyam appointed chairperson of the National School of Drama

    MUMBAI: Ratan Thiyam has been appointed the chairperson of the National School of Drama Society.

     

    He will hold office for a period of four years according to the relevant Rules and Regulations of the Society.

     

    An alma mater from this institution in 1974, the 65-year-old takes over from theatre director, Amal Allana, who demitted office as NSD chairperson in June this year after serving two consecutive terms.

     

    He was also briefly the Director of the NSD.

     

    Thiyam (born 20 January 1948) is one of the leading figures of the “theatre of roots” movement in Indian theatre, which started in 1970s.  Also known as Thiyam Nemai, Thiyam is known for writing and staging plays that use ancient Indian theater traditions and forms in a contemporary context. A former painter, and proficient in direction, design, script and music, Thiyam is often considered one of leading contemporary theatre gurus.

     

    He is also the founder-director of ‘Chorus Repertory Theatre’, formed on the outskirts of Imphal, Manipur in 1976. He was awarded the Sangeet Natak Akademi Award in Direction in 1987, and the Padma Shri given by the government in 1989.

    He was awarded the 2012 Sangeet Natak Akademi Fellowship, the highest honour in the performing arts conferred by the Akademi.

  • Postpone 12-minute ad cap deadline to Dec 2014: I&B minister Manish Tewari

    Postpone 12-minute ad cap deadline to Dec 2014: I&B minister Manish Tewari

    MUMBAI: He could well be labeled the messiah of the broadcasting industry if his suggestion is heeded. Minister of Information & Broadcasting Manish Tewari has recommended that the 12 minute per clock hour advertising cap deadline be moved ahead to December 2014 from 1 October 2013 suggested by the Telecom Regulatory Authority of India. (TRAI)

     

    “The final phase of India’s cable TV digitization is likely to be over by September 2014,” he is reported to have said. “And the broadcast industry would be in a position to generate a substantial dividend from the digitized cable TV ecosystem which could well compensate them for the loss of air time revenues on account of the reduction in advertising air time. We, at the I&B, have hence suggested to the TRAI that ad air time reduction should follow the completion of digitization.”

     

    TRAI had in May 2013 mandated that general entertainment TV channels (GECs) and news TV channels should reduce their advertising air time per hour to 16 minutes and 20 minutes respectively from 1 July 2013 and to 12 minutes by 1 October 2013. The reason: GECs were booking and telecasting around 18-20 of ads per hour while for news channels the figure was 25-30 minutes. The advertising clutter was resulting in a poor viewing experience for TV watchers; hence TRAI had ordered the broadcast ecosystem to cut back around a year ago, but had delayed enacting the order until to May 2013.

     

    Broadcasters – specially news TV channels – had immediately protested this move, saying it could impact their financial viability. The news channels had also asked the Telecom Disputes Appellate Tribunal (TDSAT) to intervene a month or so ago after the headless body found itself a chief.

     

    However, both GECs and news channels had – for the large part – complied with the TRAI ad cap mandate and reduced their air time to 16 minutes and 20 minutes from 1 July 2013. The major Indian GECs had managed to increase their advertising air-time rates between 12-30 per cent, but news channels have said this has been difficult for them. They have also complained that high cable TV carriage fees have been a drain on their resources.

     

    The ball is now in TRAI’s court. Will it concur with the minister and his ministry’s recommendation? Will it do so for only the news TV channels or for all genres? Will the other genres of TV channels accept the largesse being doled out to the news channels alone? Will they also join the chorus and implore the government to help them out too? Questions that beg answers!

  • Who will be India’s Junior MasterChef?

    Who will be India’s Junior MasterChef?

    MUMBAI: If you thought children’s reality shows on the small screen were only about singing, dancing or acting, think again. Riding on the success of MasterChef India, Star Plus is gearing up for a brand new show that will see kids aged eight to twelve years cooking up a storm in the kitchen. Indeed, the show titled Junior MasterChef – Swaad Ke Ustaad and produced by Colosceum Media, will be the first such in the history of Indian television.

    It is not a singing or dancing show. Nobody has ever seen kids cooking, I am sure in my head and heart that the show will do well, says Ashish Golwalkar

    But why children? clarifies Star India senior VP – marketing Nikhil Madhok: “Kids have a universal appeal. Everybody, including adults and kids themselves, will be interested in what these small wonders cook up. Most importantly, we are giving young cooking enthusiasts a platform.”

    While the format is modeled on the lines of Junior MasterChef Australia, which has already completed one season, the show will adapt to Indian sensibilities. Explains Star India senior vice president – programming, Ashish Golwalkar: “What they cook there, we cannot cook here because many of the ingredients are not available. The basic essence will be similar to Junior Masterchef Australia, but we have changed it a lot to suit the Indian palate.”

    Auditions have been conducted in three cities including Mumbai, Delhi and Kolkata and ten kids have been finalised. What’s more, four to five episodes have already been shot at RK Studios in Chembur.

    Chefs Jolly, Kunal and Vikas will expect nothing less than perfect, well-executed and delicious dishes

    Talking about the response at the auditions, Golwalkar says: “To be frank, before conducting the auditions, we were not sure whether the kids would be able to do this or not. And if so, then what kind of kids we were going to take. But the response we received was overwhelming. Around 8,000 kids turned up for the auditions. Some even travelled from smaller towns to showcase their skills.”

    But will it work? Madhok sounds confident: “We want to capture the innocence of the children and showcase their skills in an area usually associated with adults. Eight to twelve years is perfect for us because the kids are cute, eager to learn and the way they will demonstrate their talent will amaze people worldwide.”

    Adds Golwalkar: “It is not a singing or dancing show. Nobody has ever seen kids cooking, I am sure in my head and heart that the show will do well. So, by the sheer nature of its content, it will be different from the others. It’s prime time and we are ready to take a fight, and as a channel, we are ready to take up any challenge. As leaders, if we don’t take risks and push the envelope, then who else will.”

    The first season of Junior MasterChef – Swaad Ke Ustaad will be begin to air from today, for 12 weeks every Saturday and Sunday at 9 p.m.

    And it’s not just about giving other reality shows a run for their money.

    We are giving young cooking enthusiasts a reality show platform but in a whole new avatar says Nikhil Madhok

    “One child will win, that is the nature of the competition, but our attitude and endeavour is to encourage all the children who participate in the show,” says Madhok.
    Chefs Vikas Khanna, Kunal Kapoor and Surjan Singh Jolly will be the celebrity judges on the show. With kids involved, won’t they be lenient as compared to the adults’ version?

    Nothing will be made easy for the li’l chefs, clarifies Golwalkar. Every week, different tasks will be assigned to them and they will have to live up to the judges’ expectations.
    What about the kids’ safety?

    Four contestant managers will take care of the children while they chop or cook, says Golwalkar, adding: “Nobody needs to worry about safety. We have followed enough precautions as per the international format.”

    The show will be replacing the dance reality show India’s Dancing Superstar on Star Plus. Amul is the presenting sponsor and Pigeon, Fiona and Yippee noodles are its associate sponsors.

    Marketing and promotions

    Star Plus has adopted a three-pronged approach toward promoting Junior MasterChef – Swaad Ke Ustaad; television, digital and on-ground.

     

    On the television front, promos are already being aired on the entire Star network as well as 22 channels outside the network to communicate that JMC is not just a show for kids but for the entire family.

    Digitally, Star Plus has tied-up with MSN India and Yahoo! to make available exclusive behind-the-scenes content of the show. A digital application is on the cards which will help download recipes one sees on the show or indulge in a live chat with the judges and kids. A Facebook application has also been created where the young guns will test the audience’s knowledge about food.

    As far as on-ground activity is concerned, various competitions will be held between adults and children in ten cities including Delhi, Mumbai, Ahmedabad, Indore, Pune, Chandigarh and Lucknow. The intent is to demonstrate how talented kids can be, sometimes surpassing adults as well.

    Viewers will witness a perfect amalgamation of great food stirred up with a riot of laughter and fun

    Apart from the three important legs of the campaign, Star Plus has teamed up with Hindustan Times for a novel print idea. On the day of the launch of JMC, HT Cafe and HT City will appear half their usual size as a tribute to the “Junior Master Chefs” debuting the same night.

    Secondly, in a unique contest on Radio City, listeners who believe they have carried the most boring dabba that day will be encouraged to interact with the RJ. If the listener manages to convince the RJ that he/she does have ‘the most boring dabba’, he/she will win a treat from The Junior MasterChef Kitchen – the very same day.

    Thirdly, selected cinema halls will have a special ‘Junior Master Chef seat’. The lucky viewer who happens to get that seat will be treated to a delicious surprise from the JMC kitchen during the interval.

    While season one of the Australian version was won by one Isabella, we eagerly await to see who will win the show’s Indian counterpart.

  • ETV Urdu hopes to score on the programming front

    ETV Urdu hopes to score on the programming front

    Going strong on its expansion plan despite the depressed media scenario, the Ramoji Rao owned Eenadu Television Network on Wednesday added “ETV Urdu” to their kitty of regional channels. The 24-hour free-to-air digital channel was finally launched on 15 August (Independence Day) after a long wait by the chief editor Eenadu group of publications and chairman of the Ramoji Film City (RFC), CH Ramoji Rao, at the RFC complex in Hyderabad.     

    ETV has been building its programming content for the Urdu channel for more than one-and-a-half years now. The target audience will not only be the Urdu-speaking audiences in India but also the Gulf countries. The Urdu spoken on the channel will not be pure Urdu (which not many people understand) but that spoken by common people so as to give it a broader viewership, company officials say.

    The Channel will have a fair mix of entertainment and information with hourly news updates, telefilms, family dramas, daily soaps, devotional and musical programmes. The USP of the channel will be fresh and original programming rather than dubbed or outsourced programmes, say officials.

    Khaas Baat (Urdu News)

    Special efforts have been taken to strengthen the news section. Khaas Baat, a news capsule specially designed to cover Urdu speaking areas. ETV has tied up with Reuters Television, CNN International and Transworld International so as to ensure comprehensive coverage of international news and current affairs, according to a company release.

    Adakaar is a weekly acting competition hosted by well known actor Nirmal Pandey. And for those die-hard fans of Urdu poetry, Mushaira, a monthly mega event of lyrical excitement, will quench their thirst.

    To develop the channel’s indentity, films will not be shown in the initial period. Instead telefilms are being produced that will be telecast exclusively on the channel. Game shows, talk shows and song-based programmes like Mehfil, Gazal Sara, Qawwali are also going to be an intrinsic part of the programming.

    The majority of the programming is being done in-house though there are some programmes which are on commissioned basis. The network’s headquarters is in Hyderabad.

    On the ad rate front, the figures being quoted would appear a tad optimistic and it remains to be seen whether the channel will be able to get buyers for its time slots. Spot rate for prime time (7pm to 10pm) has been kept at Rs 20,000 as per the rate card. Industry sources say as of now no advertiser has been confirmed though talks are going on.

    A still from the serial Tumhara Intezar Hai

    Even on the distribution front, the channel is likely to face a long haul. According to industry sources, cable connectivity is going to be a major issue the channel will face. In this direction, channel executives have been contacting cable operators in Mumbai and also distributing set top boxes.

    That apart, looking at the past record of the group and the amount of homework done by ETV Urdu as far as its programming goes, the channel is certainly expected to make a difference in today’s cluttered scenario.

    ETV already has Telugu, Bengali, Marathi and Kannada channels. Next in the pipeline from the ETV stable are Gujarati and Oriya channels.

    Technical Specification :

    ETV Urdu:
    Satellite – APR-I (INSAT-2E) at 83.5 degree East
    Downlink frequency – 4005 MHz
    Downlink Polarisartion – Vertical
    Symbol rate – 27000 Kg Symbol/sec
    FEC – 3/4
    Downlink EIRP – 38 dbW
    Signal type Digital,MPEG 2/clear
    Free-To-Air.

  • Doordarshan, MTV to telecast Coke Studio Season 3

    Doordarshan, MTV to telecast Coke Studio Season 3

    NEW DELHI: Doordarshan is to telecast eight episodes of Coke Studio Season 3 from this weekend on its national channel.

     

    The telecast of the first episode on Doordarshan will be on 18 August from 9.00 pm to 10.00 pm. Coke Studio is being shared by MTV, where it will be aired one day earlier from this evening.

     

    As a concept, Coke Studio is a confluence of diverse music genres, both vocal and instrumental, from traditional eastern to modern western and from regional to folk. It embodies a musical fusion of exciting elements and diverse influences. Bringing alive the magic of live recordings and performances.

     

    Coke Studio will focus on showcasing diversity and innovation through eight unique episodes, with different producers and incredible musicians.

     

    The season will among others feature Amit Trivedi, Clinton Cerejo, Hitesh Sonik and Papon, Ram Sampat, Salim- Sulaiman, Aman- Ayan and Devika, RDB, GV Prakash, Vijay Prakash, Maati Bani, and the legendary A R Rahman.

     

    Coke Studio promises to bring alive a magical experience for the music lovers by dwelling on “PURE” Innovation to offer a musical concoction.

     

    The new season was launched by Sukhwinder Singh, lyricist Prasoon Joshi, Papon, Salim-Sulaiman, AR Rahman, Clinton Cerejo, Hishesh Soni, and Bollywood actors Alia Bhatt, Varun Dhawan and Sidhartha Malhotra.

     

    Rahman unveiled his Song “Zariya”, a Coke Studio anthem, which will be available on Coke Studio’s website. A song from this season, “Bismillah” also became available on the website on the occasion of Eid. The song has been composed by Salim-Sulaiman.

     

    “Jagaao Mere Des” by Rahman and written by Prasoon Joshi, went live on Independence Day.

  • Star Pravah announces ‘MaharashtrachaDancing Superstar – Chhote Masters’

    Star Pravah announces ‘MaharashtrachaDancing Superstar – Chhote Masters’

    Mumbai, August 13, 2013: Star Pravah today announced the launch of their new dance reality show ‘Maharashtra cha Dancing Superstar – Chhote Masters’ . Theshow aims to tap and add glamour to the dancing potential amongst children in the 6 to 14 years age group across Maharashtra and crown the best as ‘Maharashtra cha Dancing Superstar’. ‘Maharashtra cha Dancing Superstar – Chhote Masters’, to be hosted by Chinmay Udgirkar, is a unique platform where young dancers will be given to opportunity to perform any dance form of their choice across Indian and Western dance style. The contest is open for solo, couple and group performances and will be judged a team of leading performers and choreographers from the industry. Auditions for ‘MaharashtrachaDancing Superstar – Chhote Masters’ will be held in Pune and Kolhapur on Sunday, August 18th, 2013 with other cities in following weeks. Watch this space for more information on the audition cities and dates, show format and the names of the judges who will feature in Star Pravah’MaharashtrachaDancing Superstar – Chhote Masters’.

  • Two Big CBS channels face penalty by BCCC for violation of programme code

    Two Big CBS channels face penalty by BCCC for violation of programme code

    NEW DELHI: Two separate channels of the Big CBS bouquet have been levied financial penalties by the Broadcast Content Complaints Council (BCCC) for “transgression of programming codes and ethics”.

     

    The action was taken against Big CBS Love and Big CBS Spark following a complaint by the Information and Broadcasting Ministry.

     

    The industry regulator headed by former Delhi High Court Chief Justice A.P. Shah said the rap song ‘No lie’ by rappers Drake and No Change on Big CBS Spark contains ‘highly inappropriate language and are grossly offensive to good taste and decency.’

     

    After issuing a show-cause notice and hearing the channel, the BCCC decided to impose a financial penalty of Rs 2,50,000 on the Channel. The Channel had been directed to deposit the amount of financial penalty with the Indian Broadcasting Foundation (IBF) on or before 15 September.

     

    The Council also directed the channel to run an apology scroll in English, in large and legible bold fonts at normal speed, every two hours over a period of three days from 12 p.m. on 25 August 2013 to 10 a.m. on Wednesday 28 August 2003. The scroll will read: “In compliance with BCCC’s Order passed on 14 August 2013, Big CBS Spark apologises for the telecast of rap song ‘No Lie’ by rappers No Chainz and Drake on 2 May 2013. This programme was found to be in violation of Indian Broadcasting Foundation’s (IBF) Self-Regulatory Guidelines.”

     

    The song had been telecast on 2 May this year and the channel was issued a show cause notice and heard on 10 July and 12 August. BCCC found the defence of the channel about it being a niche channel or restructuring its Standards and Practices Department were untenable.

     

    The Council found that the programme in question is violating Clauses (a), (d) and (k) of the ‘Programme Code’. In addition to this, the programmes are also violating Guidelines 1 and 2 of ‘Theme 2: Sex, Obscenity and Nudity’ of the IBF Self-Regulatory Guidelines. Furthermore, the Programme is also violating Clause a) of Category ‘G’ Programmes for unrestricted viewing and/or under parental guidance as well as Clause a) of Category ‘R’ Programmes.

     

    In the complaint relating to Big CBS Love, the BCCC considered a series of complaints against Big CBS Love Channel for its three Programmes ‘Sex and the City’ (7, 9, 10, 11, 17, 21, 23 & 29 April 2013), ‘America’s Next Top Model’ (20 March 2013) and ‘Britain’s Next Top Model’ (15 April 2013).

     

    The BCCC after hearing the channel in reply to the show cause notice decided to impose a consolidated financial penalty of Rs 10,00,000. The Channel was directed to deposit the mount of Financial Penalty with the Indian Broadcasting Foundation on or before 15 September 2013.

     

    The Council also directed the channel to run an Apology Scroll, in English, in large and legible bold fonts at normal speed, every Two hours, over a period of seven days, from 12 Noon on 24 August 2013 to 10 AM on 31 August 2013. The scroll will read:

     

    “In compliance with BCCC’s Order passed on 14 August 2013, Big CBS Love apologizes for the telecast of its Programmes ‘Sex and the City’, ‘America’s Next Top Model’ and ‘Britain’s Next Top Model’ in March-April 2013. These programmes were found to be in violation of Indian Broadcasting Foundation’s (IBF) Self-Regulatory Guidelines.”

     

    The Council found that the shows in question are violative of Clauses (a), (d) and (k) of the ‘Programme Code’. In addition to this, the shows are also violative of ‘Theme 2: Sex, Obscenity and Nudity’ of IBF’s Self-Regulatory Guidelines. Furthermore, the shows are also violative of Clauses a) to e) of Category ‘G’ Programmes for unrestricted viewing and/or under parental guidance as well as Clauses a) to e) of Category ‘R’ Programmes. Repeated complaints have been received about the gross contents of these shows in the past.

     

    It was brought to the Council’s notice that on 19 July 2013, the IBF Board of Directors has conferred powers on BCCC to levy Financial Penalty on a Channel, subject to a maximum of Rs 30 lakh.