Category: GECs

  • 22 Indian programmes shortlisted for Asian TV Awards 2013

    22 Indian programmes shortlisted for Asian TV Awards 2013

    NEW DELHI: 22 nominations have been shortlisted from India for the Asian Television Awards 2013. Of this, a majority are a part of TV18 group and NDTV bouquet.

     

    The event will be organised by the publication ‘Television Asia Plus’ at Singapore’s Resorts World Sentosa, Compass Ballroom on 5 December.

     

    A total of 238 entries spanning 12 countries have made the cut to compete for glory at the 18th annual presentation of the region’s most prestigious industry awards.

     

    Leading the pack, with multiple nominations across several categories are Discovery Networks Asia-Pacific, FOX International Channels and MediaCorp.

     

    Karan Thapar and Cyrus Broacha are among the presenters who have made it to the nominations.

     

    The Indian entries are:

     

    BEST DOCUMENTARY PROGRAMME (ONE-OFF/ SPECIAL)

     

    Everest: Indian Army Women’s Expedition
    Discovery Networks Asia-Pacific
    Discovery Channel
    Singapore
    Produced by Robin Roy Films

     

    Access 360° World Heritage: Taj Mahal
    FOX International Channels Asia
    National Geographic Channel
    Hong Kong
    Produced by Infocus Asia

     

    CHILDREN’S PROGRAMME
    Mystery Hunters (India Version)
    Discovery Networks Asia-Pacific
    Discovery Kids
    Singapore
    Produced by BBC Worldwide Media

     

    Bhoot Raja aur Ronnie
    Turner International India
    C08, POGO
    Produced by Fireworks Productions

     

    BEST SINGLE NEWS STORY/REPORT (10MINS OR LESS)
    Medical Education for Sale
    TV18 Broadcast
    CNN-IBN

     

    Right To Be Heard You Matter show – With Nafisa Ali
    TV Today Network
    Headlines Today

     

    BEST COMEDY PROGRAMME
    The Week That Wasn’t
    TV 18 Broadcast
    CNN-IBN

     

    BEST GENERAL ENTERTAINMENT PROGRAMME
    India’s Got Talent Season 4
    Fremantle India Television Productions
    Viacom 18, Colors

     

    BEST GAME OR QUIZ PROGRAMME
    Disney Q Family Mastermind
    BBC Worldwide Productions India
    Disney India, Disney Channel

     

    BEST REALITY SHOW
    What Not to Wear (India Version)
    Discovery Networks Asia-Pacific
    TLC
    Singapore
    Produced by BBC Worldwide Media

     

    Mission Covershot
    NGC Network (India)
    National Geographic Channel
    Produced by FremantleMedia India

     

    BEST INFOTAINMENT PROGRAMME
    Bollywood@100
    A+E Networks | TV18
    History TV 18

     

    BEST TALK SHOW
    The Big Fight
    New Delhi Television
    NDTV 24X7

     

    We The People: Every Woman’s Battle (Cinema: A Culture of Misogyny?)
    New Delhi Television
    NDTV 24X7

     

    We The People: Rape: Our National Shame
    New Delhi Television
    NDTV 24X7

     

    BEST ADAPTATION OF AN EXISTING FORMAT
    Jhalak Dikhhla Jaa – Dancing with the Stars
    BBC Worldwide Productions India
    Viacom 18 Media, Colors

     

    BEST CROSS-PLATFORM CONTENT
    The Citizen Journalist Show
    TV 18 Broadcast
    CNN-IBN

     

    BEST CURRENT AFFAIRS PRESENTER BEST CURRENT AFFAIRS PRESENTER
    Karan Thapar
    Devil’s Advocate
    TV 18 Broadcast
    CNN-IBN

     

    BEST SPORTS PRESENTER/COMMENTATOR
    Gaurav Kalra
    Go for Glory
    TV 18 Broadcast
    CNN-IBN

     

    BEST COMEDY PERFORMANCE BY AN ACTOR/ ACTRESS
    Cyrus Broacha
    The Week That Wasn’t
    TV 18 Broadcast
    CNN-IBN

     

    Best Cinematography
    Appurva N. Sinnarkar
    Style In The City
    NGC Network (India)
    FOX Traveller
    Produced by Wizcraft International Entertainment

     

    Nihki Tandon & Varun Dutt
    Life Mein Ek Baar – When Angels Dare
    NGC Network (India)
    FOX Traveller
    Produced by Endemol India

  • Get set for racing adventure with NGCs Supercars

    Get set for racing adventure with NGCs Supercars

    MUMBAI: Car enthusiasts are sure to be driven wild with the stories of flashy motorcars unraveling this season. The third season of Nat Geo’s Supercars based on some of the world’s best machines is going on air from 18 November. The series will be telecast from Monday to Friday at 10.00 pm.

     

    The show will give viewers exclusive access into the awe-inspiring world of the most envied cars from the Aston Martin to the Ferrari FF, and what goes into making these marvels tick.

     

    This time around, the series will also have special episodes — ‘Speedmakers’ — a series that takes a look at what happens off the track and roads, with people who build, innovate and accomplish feats in engineering.

     

    Commenting on the show, motorsport and moto-tech enthusiast, and face of the campaign, John Abraham said, “The way I see it, a Supercar can be defined as this contraption consisting of wheels and metal, carved as if by the Hand of God, to inspire at least one out of the seven cardinal sins: envy! The head-rush that you experience when you get behind the wheel of a powerful machine, the revving of the engine, the surge in speed – it’s almost a spiritual experience for me. And with the third season of the show, Nat Geo has ensured that despite all the restraint that you might impose on yourself, ‘Supercars’ will have you drooling on these beauties of the four-wheeled variety. I am thrilled to be associated with the show!”

     

    Talking about the third season of the hit series, National Geographic and FOX International Channels VP – marketing Debarpita Banerjee said in a release: “From the word go, the popularity of ‘Supercars’ has been palpable. There is a reason why we strive to bring a new season of ‘Supercars’ each year. Apart from the fact that every episode brilliantly showcases the manufacturing details of these engineering marvels, it is also a great opportunity that we offer our advertisers to associate with the world’s most classy and exclusive line-up of machines, ranging from the Maserati to the Lamborghini Aventador.”

     

    So what are you waiting for! Get ready for the adrenaline-pumping show…

  • Horror weekends with Life OK

    Horror weekends with Life OK

    MUMBAI: The appeal of the evil is driving many. And cashing in on the growing popularity are the Indian television channels. After a series of crime-thrillers that have become immensely popular in the last few years, now the TV channels are experimenting with the horror genre.

    While Sony launched its horror show, Bhoot Aaya a month and a half ago, now it’s Star Plus’s sister channel Life OK that is all set to give you sleepless nights with its new offering – Ringa Ringa Roses…Khauff Begins. The series is slated to go on air by early December at the 11:00 pm slot and will run for an hour every Saturday-Sunday according to a source from the channel.

     

    The show is produced by Majid Azam’s Somersault Productions that also produced the first and second season of Zee TV’s Fear Files. According to the channel sources, the show is aimed at young men aged 15 and above and kids, who are really interested in the genre.

     

    The story revolves around a father, who is a ghost detective and his daughter, who is kidnapped by Rose – the antagonist. The story moves forward as the father works to unravel the mystery of Rose, the ghost, to save his daughter.

     

    The channel has dabbled in the horror genre earlier with a special 16-episode series – Ek Thi Naayika – during the release of the movie Ek Thi Daayan. Now, with this show, an official announcement for which will be made soon, the channel is again set to experiment with the genre.

     

    Life OK has planned a 360-degree marketing activity for the show. “A lot of innovative marketing activities are being planned. At present, we are working on a ring tone (signature tune) for which we have roped in a Pune-based rock band, ‘Agnee’. We are going to have a lot of activities on social media and television as well. The promos of the show will be out in a day or two. This is the first time that we are doing a full-fledged horror series and we are pretty excited about it,” says the source.

     

    While the channel plans to go overboard on the social media platforms to create the right buzz about the show, they don’t plan to create a separate page. The source says, “We are not going to launch any official page, especially for the show, on the social media sites. It is always integrated through the Life OK page.”

     

    The show is going to have stiff competition with other horror shows on like Bhoot Aaya on Sony which airs every Sunday at 11:00 pm and Fear Files on Zee TV which airs on Saturday-Sunday from 10:30-11:30 pm.

  • Channel [V] refreshes itself; new shows, new packaging

    Channel [V] refreshes itself; new shows, new packaging

    MUMBAI: When things are going well, change to take them to another level, is a leitmotif that many an innovator follows. The Star India network owned Channel [V] seems to be going the same route. In July 2012, it revamped itself as a youth general entertainment channel with a focus on reality. That worked reasonably well for it. 17 months later it is all ready for another rejig: there’s a new cool logo with the tagline “Correct Hai”, new packaging and even a new programming line up.

    Channel [V] has undergone many a revamp over the past few years, probably such is the requirement of the audience which is its core viewer – the youth. The purpose of the current reinvention: engage even better with them.

    The logo has the same [V] brand but on a band-aid like patch being peeled off with “All New” above it. The tag line is even more interesting: one of the ‘Rs’ in the Correct is reversed while the Hai is in the Hindi script. Obviously, the idea is to speak the language of the youth and there is a hint of irreverence in its approach even while keeping middle class sensibilities in mind.

    Says Channel [V] EVP & general manager Prem Kamath: “The baseline reflects us – what we call the brand character. It also states, ‘Politically incorrect and emotionally correct. The new shows that we have created reflect the baseline and have been developed around the same theme.”

    Slated to air from 25 November, the four new shows Kamath is referring to will have limited runs and straddle the programming genres of comedy, drama, thriller and reality.

    Sadda Haq produced by Yash Patnaik’s Beyond Dreams is slated to air six days a week at 6.30 pm and is the story of Sanyukta Agrawal, a young Delhi girl who challenges the patriarchal world and breaks the stereotypes!

    Sudhir and Seema Sharma’s Sunshine Productions is the producer of Paanch: Don’t Get Mad Get Even and It’s Complicated. The first is the story 18-year-old Roshni, a shy girl who enters a college in Mumbai to ‘right some wrongs’ and airs Wednesday and Thursday from 6 to 6.30 pm while the second is about three young couples who deal with their relationship problems and will air on Friday-Saturday at the same time slot.

    Confessions of an Indian Teenager, from the Balaji Telefilms stable, features the young Vaibhav Sharma who shares the day to day concerns of the youth – once again from 6 to 6.30 pm on Mondays and Tuesdays.

    The new shows are slated to replace Crazy Super Ishq and Suvreen Guggal – Topper of the year – both of which had quite some traction with Channel [V] viewers but had probably reached their end of life.

    Prem Kamath is taking Channel [V] to another youth GEC level.

    “We firmly believe that both variety and periodic change are very essential if you have to stay connected to the youngsters,” explains Kamath. “The change in logo and introduction of new programmes are reflective of that. Over the years, we have realised that youngsters need variety, refreshment and change. The need for it is significantly higher for a youth-centric channel than for regular GECs or other channels.”

    Kamath says there is a great deal of emphasis in Channel [V] to get the right shows, right stories in; it’s not just about coming up with new packaging alone. “Even before the first shot, we had the complete story penned down,” he points out. “Nobody watches your channel just because of packaging and its graphics. People watch a channel when it has a lot of content and variety. It adds freshness and newness to the channel.”

    “We are talking to young audiences and we are creating a youth general entertainment channel. We firmly believe that there is a huge market for youth centric shows and that most of the GECs lack variety. We are trying to create a viable option,” he adds.

    Estimates are that around Rs 5 crore has been kept aside to communicate the all new Channel [V] to viewers. Television, some outdoors, some print and a heck of a lot of online activity is being brought into play. It’s official facebook page has been buzzing with teaser activity since earlier this month. Promos of the new shows and teasers around the revamp, have been keeping the comments and likes coming. With 3.1 million likes, that’s a large audience that’s been engaged. Then probing social issues have been raised which have got this community interacting.

    Questions like:
    * Young children made to do hard labour for long hours. Kya yeh Correct Hai ?
    * Some people marry and get to know their partners. Or some want to know their partners and then marry. Hence they “LIVE IN CorrectHai?
    * Katrina Hindi bole toh cool. Main Hindi bolu to uncool. Kya yeh CorrectHai?

    Divya Radhakrishnan feels that the channel has taken the right move.

    Eight films of 15 seconds each have been created and “we will be uploading them only after launching the new look on 25 November. We believe that once people see the brand films, they should switch on to Channel V and see a completely refreshed channel,” reveals Kamath.

    He points out that online promotions are a big part of the marketing campaign. “The idea is to get as many video views of the promos as we can. Once the viewers sample the change being offered, they will understand that it is very different from the kind of shows they have been watching. We are hoping some of our videos to go viral as well. Our objective is to try and introduce the maximum number of people to the new offerings through the audio-visual medium.”

    Many a brand has hopped on board as advertisers on Channel [V] since the relaunch last year: Pepsi, Coco-Cola, Airtel, Nokia, Blackberry, Deodorants, two-wheelers and among others.

    Media veterans are already offering kudos to Kamath and his team on the new look. Says Helios Media’s boss Divya Radhakrishnan: “Every channel has to re-establish itself to look vibrant and young. For a youth channel, it needs to be done more often and they have done the right thing. You need to keep re-orienting yourself time and again so that the viewers don’t get bored.”

    Now it’s over to the fickle and rapidly evolving youth to prove her right.

  • Indian animation needs a global outlook

    Indian animation needs a global outlook

    MUMBAI: Among the key issues addressed by the recently concluded FICCI MEBC (Media and Entertainment Business Conclave) (South) in Bengaluru on 29 and 30 October was the state of the animation industry in India and what can be done to improve its lot.

     

    The second day of the conclave saw a dedicated session titled ‘Emerging trends of Indian IP in animation and their exploitation’ with Turner International India senior director and network head for kids in south Asia Krishna Desai, Graphic India co-founder and CEO Sharad Devarajan, Shemaroo Entertainment director Jai Maroo, Krayon Pictures co-founder Nisith Takia and Greengold Animation founder and MD Rajiv Chilaka and Reliance Animation CEO Ashish Kulkarni as moderator.
    Devarajan began by highlighting the need for a cohesive ecosystem favouring the country’s animation industry.

     

    “Indian consumers today are used to seeing the best of the world and so, we need to transcend the national market and go to the international market,” he said, stressing the need to create content like that made by Stan Lee or Steven Spielberg. “Multi platform and global is how you have to think of stories today,” he said, pointing out how a version of Mahabharat was launched as 18 days, a re-imaging of the original by Graphic India at the San Diego Comic Con and went straight to Youtube.

     

    Chilaka made a special reference to Chhota Bheem as a kids’ icon while speaking of Greengold’s huge success in the field of animation. “We have grown from just four to over 300 in 12 years. No one knows which show will work, so we have to just give it a shot. Chhota Bheem started off as just 10 products and now it is available in more than 3000 across 30 country stores. We didn’t realize that it would be a phenomenon but now we are confident about making a movie every year,” he said, pointing out that while IP monetisation was happening, it was equally important to build good infrastructure around it to help harness IP better.

     

    Maroo said Shemaroo would help in distribution and marketing even though it wasn’t actively involved in the creation of animation. “There are people with great production and artistic capacity for whom we can work on aspects like music, distribution and marketing. The reason why characters like Bal Ganesh and Chhota Bheem work well is because of their sheer stickiness. We should have IP with an Indian soul but an international story. What the west has is sharp screenplay that translates across boundaries. That is what we lack,” he said.

     

    Desai opined there wasn’t enough investment in animation and pointed out the difficulties in creating animated content. “There is less advertising revenue for a kids channel (Turner), so we also have less money to invest in new content,” he said.

     

    Kulkarni said, “In India, animation is positioned as a kids’ genre,” to which, Devarajan gave an example of the Japanese, who have moved Anime from kids to a sophisticated audience. “Their characters have elasticity and a soul that appeals to various demographics. Why aren’t we creating any Clash of the Titans or Lord of the Rings?” asked Devarajan.

     

    Chilaka said they needed to come up with interesting ways of promotion to grab eyeballs, citing the example of Raju. “We timed Raju to release three weeks before the football world cup and on TV, we did a premiere during the semi-final,” he said.

     

    Maroo pointed out that very few screens were available across the country for animated movies, thereby restricting viewership. “This industry is the best when commerce meets creativity,” he said. Takia felt not many people understood the business even if they were superlative on the creative front. “We can call ourselves successful only when we galvanise the creative population,” added Devarajan. Maroo rounded off saying: “The future will be about how many different revenue platforms you build.”

  • DD to telecast a rare tale of Indian compassion for Europeans during World War II

    DD to telecast a rare tale of Indian compassion for Europeans during World War II

    NEW DELHI: A Little Poland in India a poignant story of around one thousand orphaned children from Poland, who found a sanctuary in India at the height of Nazi German Dictator Hitler’s atrocities in Poland, will be telecast by Doordarshan tomorrow.

    A Little Poland in India will be officially telecast 10 November at 3:00 pm and on11 November at 7:30 am on DD National and will there after open the inaugural ‘Kinoteka Polish Film Festval’ on18 November at India Habitat Centre.

    The hour-long documentary is the true and captivating story of the then Jam Saheb (Ruler) Digvijaysinhji Ranjitsinhji Jadeja of Nawanagar,nephew of famous Indian cricketer Ranjitsinhji Vibhaji of the Jadeja clan,a princely state in the Kathiawar Peninsula, off the land of Gujarat. It is the heart-warming story of an enriched historical bond between India and Poland. It is a story that represents people-to people contact in its most humane form, beyond borders and across continents.

    During World War II, about 1000 Polish children from war-torn, occupied Poland and Soviet prison camps in Stalin’s Siberia travelled all the way to India, where Jam Saheb took personal risks to make arrangements at a time when the world was at war and India was struggling for its Independence. He built a camp for them in a place called Balachadi beside his summer palace, 25 km from his capitalcity Jamnagar, and made them feel at home.

     

    This is the first film that has been co-produced between the governments of India and Poland under the Audio-Visual agreement between both countries. The co-producers are Doordarshan and the Gujarat Government in India, and the InA (National Audiovisual Institute) and TVP (Telewizja Polska) in Poland.

    Directed by Anuradha and Sumit Osmand Shaw with research by Anuradha herself, the film took the help of historian Dr. Andrzej Krzysztof KunertSecretary General of the Council for the Protection of Struggle and Martyrdom Sites. The Research Coordinators were Kresy-Siberia Foundation and a Balachadi survivor Wieslaw Stypula.  

    The film contains interviews with several survivors, including two children who met in Balachadi but married 78 years later in Poland.

  • Microsoft to Skype in China later this month

    Microsoft to Skype in China later this month

    NEW DELHI: Microsoft, which had officially acquired Skype in 2011, is taking over Skype’s operations in China from 24 November.

    Skype China is still being run by TOM Online – part of Tom Group – a mobile internet company in the country. Skype describes TOM as a majority joint venture partner that helps to provide access to Skype for Chinese customers, “using a modified version that follows Chinese regulations, called TOM-Skype.”

     

    TOM-Skype’s website says that TOM will be handing over Skype to Microsoft on November 24.

     

    In the announcement, it was also revealed that Skype has currently surpassed 100 million users in China.

     

    When Skype turned 10 earlier this year, it announced that the service has helped connect more than 300 million people around the world, letting them talk for more than 1.4 trillion minutes (2.6 million years of conversations). It is not clear if the 300 million figure refers to registered users, but China’s users stand at one-third of the number of people Skype has ever connected.

    There is growing usage of messaging apps in China including WeChat, China Telecom’s Yixin and Alibaba’s Laiwang. 

  • Nach Baliye 6 partners with Twitter to engage audience

    Nach Baliye 6 partners with Twitter to engage audience

    MUMBAI: Keeping up with its legacy of introducing innovative digital initiatives, Star Plus has got into an exclusive association with Twitter India to introduce the Nach Baliye Twitter Mirror.

    The Twitter Mirror is a high engagement tool which has been used for some of the biggest global television events like the Academy Awards and the Grammys. Now, Nach Baliye will become the first ever TV show for which the Twitter Mirror will be used.

    The Nach Baliye Twitter Mirror is going to be a permanent installation on the sets of Nach Baliye that will be aired from tomorrow on Saturday and Sunday at 9 pm on Star Plus, and will give all the celebrities of the show a chance to get clicked through the Twitter Mirror, and then automatically tweet that picture. 

    With this, the fans will get a chance to sneak in to the lives of the celebrity contestants who are participating in the show. The Mirror will capture some of the candid and interesting moments between the real life celebrity couples and also the judges on the show. In order to make the entire experience seamless and complete, the celebrities will also be shown getting them clicked on the Mirror during few episodes of the show Nach Baliye – Parde Ke Peechey.

    Talking about this initiative, Star India SVP marketing and programming strategy Nikhil Madhok said: “Over the last couple of years one has seen the emergence of the second screen as an important platform for television content. Star Plus realises the great engagement possibilities this offers, and also understands how a differentiated offering for the second screen can help deepen bonds with our viewers. The Nach Baliye Twitter Mirror comes from this philosophy, and we are extremely happy to work with Twitter India to bring this great innovation for the first time for a television show.”

    India market for Twitter head Rishi Jaitly added: “Twitter is the world’s leading real-time information network where users follow, share and experience content that is live, public and conversational. In India, Twitter brings audiences closer to the people and organisations they care about, including television shows, stars and moments. We are pleased to see Star Plus embracing Twitter and the Twitter Mirror during Nach Baliye to engage and grow its audience in authentic ways.”

    Produced by Frames Productions, Nach Baliye 6 is hosted by Gautam Rode and Karan Wahi. It brings together 11 celebrity jodis in a season that is touted to be the boldest and edgiest ever.

  • Zee TV Canada goes HD on Telus

    Zee TV Canada goes HD on Telus

    MUMBAI: Zee TV Canada rolled out its HD version today. The number one south Asian women’s network in partnership with Ethnic Channels Group (ECG), Canada’s largest distributor of third language television services, launched Zee TV Canada in HD on Telus Channel number 2318. 

    Zee TV Canada that was launched in February 2013 and expanded to HD in April 2013 by launching on Rogers, Bell and now goes a step ahead with its launch on Telus.  

     

    The south Asian audience is the fastest growing ethnic segment in Canada today. Zee America’s general manager Sameer Targe said: “As a market leader we have to continuously reinvent and offer more value to our subscribers. Expansion of our HD offering in Canada is in line with the same thought process. Our success in Canada in recent times only reinforces our belief in the Canadian market.”  

    “Zee TV Canada in HD redefines the television viewing experience. It is an experience in itself” added president of ECG Hari Srinivas.

  • DD strengthens its movie library; to screen acclaimed films twice a week

    DD strengthens its movie library; to screen acclaimed films twice a week

    NEW DELHI: The national broadcaster – Doordarshan – is launching a new slot for acclaimed Indian feature films in all languages that have either won national or international honours, featured in the Indian Panorama, or been part of competition sections of 16 renowned international film festivals.

    The films will be screened on Sunday and Monday nights at 11:00 pm from the coming weekend and will be subtitled in English. With revenue earnings of Rs 15 lakh per screening and holding the rights for three years; the pubcaster clarified that the rights were not exclusive.

    In the event of a film being offered for a premiere on DD, the amount to be paid will go up to Rs 25 lakh.

    Doordarshan Director General Tripurari Sharan told indiantelevision.com that the ‘Best of Indian Cinema’ initiative was part of the celebrations on the centenary of Indian cinema.

    Answering a question, he said a similar slot for such films in the eighties and early nineties had fizzled out for various reasons including the fact that the prime time was restricted to around 9:00 pm and viewers generally did not watch television after that. But the entry of the private channels had changed the scenario.

    He claimed that DD was the only channel showing such films. However, Lok Sabha TV also has a similar slot on Sundays, though the window for the kind of films it will take is not as large as the one DD is embarking upon.

    Sharan clarified that as most films had a U/A certification, they could not be shown before 11:00 pm.

    Initially, DD had decided to keep this slot for one year with a total of 104 films. He added that DD had decided to have a cut-off date, and so the slot will only screen films made post the year 2000.

     

    Sharan said that there was need to support these films as they are meant for niche audiences.

    However, this slot will mean that the popular Bioscope slot in which meaningful films are shown in three parts from Monday to Wednesday at 11:00 pm will now be curtailed to Tuesdays and Wednesdays.

    Answering questions at an informal press meet, he said that other time slots could be considered for these films in the event of viewers demand. Furthermore, DD could also consider increasing the frequency of the screening of such films from twice a week to more days. Referring to Sunday afternoons, he added that the slot was already reserved for retrospectives of eminent film personalities.

    On the marketing front, there are already print advertisements that would begin appearing from this weekend, e-flyers to several thousand persons on the list of DD, and social media like Facebook.

    The first four films in this slot are the Malayalam movie Nizhalkkuthu by the famed Adoor Gopalakrishnan on 10 November, the Marathi drama Deeol by Umesh Kulkarni on 11 November, the Konkani film Digant by Dyanesh Moghe on 17 November, and the Bangla Nisshabd by Jahar Kanungo on 18 November.