Category: GECs

  • Pogo’s ‘Chhota Bheem’ and ‘Little Singham’ join Zee TV’s Sa ‘Re Ga Ma Pa Li’L Champs’ to celebrate Christmas 

    Pogo’s ‘Chhota Bheem’ and ‘Little Singham’ join Zee TV’s Sa ‘Re Ga Ma Pa Li’L Champs’ to celebrate Christmas 

    Mumbai: Pogo’s homegrown super heroes, Chhota Bheem and Little Singham, will grace the stage of Zee TV’s singing reality show Sa Re Ga Ma Pa Li’l Champs to mark the Christmas celebrations and promote their upcoming festive movie line-up.

    From India’s youngest superhero, Little Singham, dancing to his ‘Aata Majhi Satakli’ moves to Dholakpur’s mighty Chhota Bheem charming the audience with his wit and fun antics, kids and families are in for a magical treat with the Christmas special episode on Sunday, 25 December at 9 p.m. on Zee TV.

    The little contestants will team up with Chhota Bheem and Little Singham to add excitement in the presence of popular comedian and host Bharti Singh and revered judges Anu Malik, Shankar Mahadevan, and Neeti Mohan. Aside from having fun with the kids, Little Singham and Chhota Bheem will also invite the judges to join in the fun by imitating their iconic moves and eating Chhota Bheem’s favourite laddoos.

    Talking about the association, Warner Bros. Discovery – South Asia marketing head (OTT and linear) Azmat Jagmag said, “Pogo’s blockbuster cartoons Little Singham and Chhota Bheem have received enormous love from their fans over the years. It is our constant endeavour to innovate and collaborate with brands, which helps us connect with our audiences in a new way each time. The unique association with Sa Re Ga Ma Pa Li’l Champs is a testament to the popularity of the characters and our marquee IPs and will definitely delight our viewers. In addition, to celebrate the festive season, we have planned an exciting line-up of brand new Little Singham and Chhota Bheem movies.”

    Zee TV business head Aparna Bhosle mentioned, “As India’s most loved singing reality show that grooms the country’s youngest talent to scale their fullest potential, it has been our constant endeavour at Sa Re Ga Ma Pa Li’l Champs to foster the right kind of atmosphere on the sets for our kids to feel truly at home, celebrate ongoing festivals with aplomb, and perform at ease. To add festive cheer to our Christmas celebration, we are happy to collaborate with Pogo and surprise our kids with their favourite toons. The fun-filled exchanges between our host, judges, talent, and toons are bound to make a memorable viewing experience for children across the country and their parents.”

    To continue the celebrations and masti, Little Singham and Chhota Bheem will be telecasted starting 24 December onwards every day at 12.30 p.m. and 7:15 p.m. on Pogo in Hindi, Tamil, Telugu, Malayalam, Kannada, and Marathi.

  • Cello Butterflow announce collaboration with Sony’ ‘KBC-Juniors’

    Cello Butterflow announce collaboration with Sony’ ‘KBC-Juniors’

    Mumbai: BIC Cello announced an exciting collaboration of its flagship Butterflow with Sony Entertainment Television’s game show Kaun Banega Crorepati Juniors (season 14) on Thursday. This partnership was a natural extension of Butterflow’s core proposition of championing the spirit of today’s youth and encouraging them to express themselves by “Write the Change You Want to See.”

    Hosted by actor Amitabh Bachchan, Butterflow hampers will be presented to the young minds at the show by BIC Cello, aiming to foster creativity, expression, and change through the power of the written word.

     

     

    As part of the agreement with Cello Butterflow, KBC Juniors announced a special three-week edition segment dedicated to young minds. Bachchan, the show’s host, related a true-life anecdote in which a single, sincere, handwritten letter from a young boy accelerated the completion of a bridge and ushered in a large-scale impact. Reinforcing the immense power of the voice of today’s youth, he shared the closely symbiotic relationship that the brand has with young minds. “Write the Change You Want to See,” Butterflow’s powerful message, hailed the power of expression brought about by the humble pen and was interspersed throughout each episode telecast.

    Commenting on the partnership, BIC Cello general manager Manos Nikolakis said, “Through our products, we offer students the necessary tools to express themselves and reach their highest potential. Our partnership with Kaun Banega Crorepati spoke to Butterflow’s purpose and brought it to life. We were ecstatic about working with like-minded organisations that aim to help the upcoming generation as they write the change they want to see.”

    Expressing his delight, Sony Pictures Networks India & Culver Max Entertainment head of ad sales, network channels Sandeep Mehrotra said, “KBC Juniors was a perfect fit for brand BIC Cello as it directly targets the young India who are drivers of the generations to come. We feel delighted to associate with the brand and deliver the right message and highlight the core brand value to our trusted partners. We at Sony Pictures Networks India look forward to a long-term association in the years to come.

  • MTV India celebrates the titans of the FIFA World Cup through graffiti artwork

    MTV India celebrates the titans of the FIFA World Cup through graffiti artwork

    Mumbai: To bring FIFA World Cup excitement to its fans in an innovative and artistic way, MTV India has collaborated with Mooz Graffiti to honour the GOATs, i.e., the greatest of all time from the current generation of players, with exceptional graffiti artwork.

    The artwork, which can be seen at youth hub Carter Road, Bandra, reflects MTV’s unrivalled connection with FIFA fans and celebrates football titans Lionel Messi, Cristiano Ronaldo, Neymar Jr., and Kylian Mbappé. The artwork, designed and painted by Mooz Graffiti, who has carved a niche in such an art form, pays homage to the legends in the backdrop of the ongoing FIFA World Cup 2022 in Qatar.

    Speaking on the innovation, Viacom18 marketing head of youth, music, and English entertainment Utsav Chaudhuri said, “MTV has received a heart-warming response from sports fans over the last year, imparting a desi flavour while showcasing some of the marquee global sports to Indian youth. We’ve strived to engage with our sports-loving audience in the most creative and emotional ways. This initiative not only celebrates the current trailblazers of the game but also tugs at our heartstrings in this emotionally-charged World Cup edition. As this World Cup leaves behind cherished memories, hopefully, this graffiti will serve as an indelible ode from the fan community to this generation of greats.”

  • Red Arrow Studios International inks deals for new formats

    Red Arrow Studios International inks deals for new formats

    Mumbai: Red Arrow Studios International has signed a wave of international deals for titles in its latest format slate, including the relationship format Love for the Ages, the new social experiment series Old People’s Home for Teenagers, and the new factual entertainment format Hold the Front Page.

    Love for the Ages, a new take on the relationship format originally produced by Kinetic Content for Tplus (US), has been optioned by ZPR Media (Poland) and Banijay in a multi-territory deal covering the Nordics, Portugal, Italy, the Netherlands, and France. The show sees three middle-aged married couples, each at a crossroads in their relationships, attempt to inject some youthful energy back into their lives by swapping their spouses for partners 20 years younger. Love for the Ages premieres on Tplus on 15 December, 2022.

    Additionally, the format of Old People’s Home for Teenagers, the new social experiment series originally produced by Endemol Shine Australia for ABC Australia, has been optioned by Banijay for Spain and by Klima Media for Poland. The series, one of the most successful factual entertainment series for the ABC in Australia this year, is a spinoff of the multi-award-winning series, Old People’s Home for 4 Year Olds, a CPL Productions format that has already been adapted by Banijay companies in territories including Spain and Australia and has just received a commission in Poland, where it will be produced by Klima Media for PULS TV.

    The fun new factual entertainment format, Hold the Front Page has also been optioned by Aller for Finland and Nexiko for Sweden. Originally produced by CPL Productions for Sky Max and NOW (UK), the format sees two celebrities set off around the country in search of scoops, scandals, and surprising stories as they explore the unique and often sensational world of local news. Hold the Front Page will premiere in the UK in 2023.

    Red Arrow Studios International MD Tim Gerhartz said, “As we continue bringing noisy, edgy, and unique content to the market, it’s fantastic to have secured new homes with leading broadcasters and partners for some of our latest titles. We’re looking forward to seeing new local partners bring their own versions of our buzzy format Love for the Ages, the compelling social experiment Old People’s Home for Teenagers, and the fun new factual entertainment format Hold the Front Page to viewers around the world.

    Banijay global head of content development James Townley said, “We are eager to bring Love for the Ages to the Nordics, Portugal, Italy, France, and the Netherlands, with each of our talented local teams able to add their own feel to this format, as they explore intergenerational relationships and offer fresh insight into relationships at all stages. It is also great to see our territories, such as Spain, build on the success of Old People’s Home for 4 Year Olds with its teenage spinoff.”

  • Addressable TV and Beyond summit: Scalability is the biggest issue facing CTV

    Addressable TV and Beyond summit: Scalability is the biggest issue facing CTV

    Mumbai: While CTV has potential for advertisers, it is still at a nascent stage in the country. Scale is the biggest issue it faces. Transparency is an issue in measurement, as is the fact that the industry is facing fragmentation. There are lots of players. But if the stakeholders work together, magic can happen.

    These points were made on a panel discussion during GroupM’s division Finecast India and Kantar’s “Addressable TV and Beyond” summit. The discussion looked at the issue of measurement in CTV. While the moderator was GroupM chief strategy officer South Asia Parthasarathy M A, the speakers were Sensara Technologies India CEO Bharath Kumar Mohan, Airtel Ads head of business Vignesh Narayanan, Mondelez director of consumer experience Anjali (Krishnan) Madan, and Pubmatic country manager India Amit Kumar Yadav.

    Madan noted that Mondelez obviously looks for new ways to connect with its consumers. If that is where the consumer is going, there is opportunity. But the company is sitting on very low numbers when it comes to connected TV. “We are using it experimentally across our brands, which are premium and cater to a much younger audience. While we are doing test and learn, it is pretty much at a nascent stage, which is where digital used to be when it first started out. It is ‘wait and watch.’ We are learning from what is working and not working.”

    Narayanan said that the problem on the consumer’s side is serving the right ads with the right content. On the publisher’s side, it’s about getting a better ROI. Right now, the industry is on the cusp of something big. On one side are advertisers who are looking at OTT. But the challenge is that the CTV industry is very fragmented. On the other side, linear TV is huge, but the right tools are not available to make it addressable. His company is looking at how to capture a large part of the media and make it addressable. That way, there is a high ROI for everybody. “That is the challenge that we are looking to solve. On the publisher’s side, broadcasters need to be aware of how CTV is working, how it can be scaled up, and how they can make their offerings more addressable. On the consumer side, people wonder if CTV will be as good as digital. It could be. How do we make that happen? If everybody from broadcasters to distribution partners to technology companies and brands comes together, I think we can make magic happen.”

    The space is interesting, as many partners need to come together to make the movement come alive. Yadav agreed with Madan that CTV is still at a very nascent stage. Scale is an issue. Transparency is an issue, and the media buyer may want the same transparency that one gets on linear TV. RTechnologies is coming up to help in this area. Flexibility in running ads is also coming up, but it is not as prevalent as a media planner and buyer would like it to be. Having said that, he also noted that his company has been part of CTV across various markets. Addressability in other markets is not yet solved but is more advanced compared to what is going on in India. He gave the example of Australia. There are multiple things being tried, like Finecast ID. Then KSR is done by OEMs. More and more adoption will happen across the industry. Another point made was that TV is getting distributed across many mediums like YouTube and Firestick, and the issue is that there is no one medium for measurement. This is a fundamental challenge. TV is available in many places, and if each partner brings their own measurement system, it will be a challenge. The question is, “How do you have one measurement system to measure TV wherever it is being consumed?” Currently, we are not set up for it. The measurement is in place for traditional TV, but it does not take into account the other ways in which TV is consumed.

    Mohan said that there is no better measurement if it can be done on the glass itself. That is the final frontier before it meets a viewer’s eye. The next best way is the set-top box. His company looked at measurement from the point of view of it being perfect. That means that everything the consumer does with the TV should be measured. Also, every moment should be measured, including when a viewer switches away from an ad. Working with OEMs is a great way to do this, and his company works with Airtel, whom he called a thought leader. There has been a lot of learning. Linear and OTT apps can both be measured.

    “Technically, we know how to measure what is being watched inside OTT. We know if certain ads are being played because they can be measured at different levels of technical difficulty. Various forms of measurement can be done, like fingerprinting or something on the cloud. It is all getting there. There are 20 million homes coming up. A good number of them will be with Airtel, Jio, and Tata Sky. All of them are bullish on the hybrid box. It means that you can get viewership patterns for both linear and OTT as well. This has been a minefield. The patterns we have unveiled in terms of how people switch from linear to OTT and back are just mind-boggling.”

    He noted that Barc’s unit of measurement is one minute, but a lot can happen in a minute. An ad can be skipped, for instance. “A lot happens inside a minute. We know how the dropoff happens every second the ad moves on. We also know where the dropoff happens. People do so many things and then come back. Nobody knew what was happening because measurement was not happening at that granular scale. There are fantastic patterns that we have seen in terms of how traffic goes in and out and comes back. We are also coming up with new strategies. Should I start doing new content placements? What is the ROI for that? Is there a link between an in-content placement and switching to something else if the first ad shown is for the same brand? We have fascinating data. It is a playground.”

    Narayanan said that more granularity in the data is available. So if somebody is watching in a household, traditionally you would target them based on who owns the box, and that is not enough. There are five individuals in a home. So viewing goes from a kids channel in the afternoon to a news or sports channel in the evening. “There are five different user personas in the household. That itself is something we can segment and target. Being a telco, we understand our users in terms of affluence, age, and gender, and their interactions within our ecosystem help us deliver a much, much richer cohort of data that we can cross-tabulate between different mediums. This is something that we have never done before, but it is definitely possible now. The phone number is the unique identity number for all of us.”

    Madan noted that scale is a very important thing because this is not just in terms of getting to the sizeable number that her company wants to target. It is also a fact that there aren’t enough audience insights for Mondelez to target to the extent that it can drive personalisation. “For brands, driving personalisation is very, very important.” When CTV reaches scale, the company can look at addressable audiences that can be divided into cohorts that make sense for its brands and businesses. That is the trade-off. She concluded by saying that, as more clients begin to collect their own data, they will consider how connected TV can supplement that in terms of audience insights.

  • Zindagi unveils fresh line-up of shows for December

    Zindagi unveils fresh line-up of shows for December

    Mumbai: Zindagi is set to premiere an intriguing suspense/mystery drama film, Saari Raat on 11 December at 8:00 p.m. Directed by award winning filmmaker Aparna Sen, the film stars versatile actors Konkona Sen Sharma, Rittwik Chakraborty and Anjan Dutt in titular roles. 

    Talking about the film, actor Konkona Sen Sharma said, “Saari Raat is a beautifully curated film with nuances of its own. The realism and authenticity of the story have the power to keep the audience gripped until the end. I enjoyed portraying a thoroughly layered yet simplistic character, and I hope audiences enjoy watching me in this role too. Moreover, it was an incredible experience to collaborate with my mother, director Aparna Sen, and bring her vision to reality. I hope audiences enjoy watching the film on Zindagi’s services this December.”

    Additionally, with the festive month of December kicking in, Zindagi accounts for an interesting line-up with shows like Sadqay Tumhare, Ranjha Ranjha Kardi, and Numm, amongst others. This month, Zindagi brings to audiences path-breaking shows and a range of versatile performances across its DTH platforms: Tata Play, Dish TV, D2H and Airtel.

    The line-up for December includes Sadqay Tumhare, starting 8 December at 7 p.m, starring Mahira Khan. Based on the writer’s (Khalil-Ur-Rehman Qamar) own real life love story, the series revolves around the romantic relationship between Shano (Mahira Khan) and Khalil (Adnan Malik) and their family dynamics. Following Sadqay Tumhare, audiences are in for a treat as Fawad Khan’s Numm is all set to air starting 13 December at 8:30 p.m. The series tells us the story of the strict customs and rituals of feudal times and their impact on society. The plot revolves around the lives of Wali Bakht Khan (Fawad Khan), Mahjabeen (Sania Saeed), and Neelum (Kanza Wayne) and the conflicts that transpire between them.

    To entertain the viewer further, Zindagi brings to audiences the popular series Ranjha Ranjha Kardi, starting 27 December at 7 p.m, starring the gorgeous Iqra Aziz in the lead role of Noori. The series sheds light on the story of a slum girl, Noori, and the harsh reality of the society she lives in.

  • Finecast to host India’s First Addressable TV Summit

    Finecast to host India’s First Addressable TV Summit

    Mumbai: On 7 December 2022, GroupM’s addressable TV company Finecast will host India’s first addressable TV summit, “Addressable TV and Beyond,” in Mumbai.

    The event will highlight how the TV industry is undergoing a transformation, with India on track to become the third largest TV market in the next three years. It will aid distributors, advertisers, and broadcasters in comprehending the evolving media landscape.

    At the summit, GroupM’s Finecast, in collaboration with Kantar, will also unveil the report “The Changing Landscape of Indian Television,” which will highlight the rapidly changing media consumption habits that will make it more difficult for broadcasters and brands to accurately predict the future of TV viewing in India.

    The report will highlight TV viewing trends and provide insight into how Indian consumers engage with and consume TV content.

    GroupM South Asia CEO Prasanth Kumar said, “Changing landscape possibilities have opened new possibilities for TV advertisers. Brands need futuristic spaces to reach their target audience as TV consumption patterns continue to evolve. Our report with Kantar is designed to be a guide that will help in exploring what current and new capabilities exist for TV advertisers.”

    GroupM India president of data, performance & digital products Atique Kazi said, “Television advertising in India continues to grow both on linear and even faster on connected TVs. At our inaugural event, “Addressable TV & Beyond,” we are enriching conversations on what holds in the future of TV advertising, the use of data, and technology with the TV ecosystem to make TV advertising more welcomed for brands and viewers.”

    The day-long event will feature multiple sessions that will discuss the changing landscape of television in India and showcase some ground-breaking research to take leaps forward in measurement to what’s next in the Finecast roadmap: Leading the charge in addressable TV.

    The sessions will look at the current and new capabilities available to TV advertisers in India, as well as how a prominent advertiser uses media to drive measurable business growth.

  • Sony Sab to launch new show ‘Dil Diyan Gallaan’

    Sony Sab to launch new show ‘Dil Diyan Gallaan’

    Mumbai: Sony Sab is set to launch a new show titled Dil Diyan Gallaan. The show highlights the predicament of many families in India who are distanced from their loved ones due to migration, misunderstandings and unspoken words. Dil Diyan Gallaan will premiere on Sony Sab on 12 December at 7:30 p.m.

    Sony Sab business head Neeraj Vyas said, “We are strongly focused on continuously evolving as a brand and bringing new shows with unique perspectives to entertain and engage our audience. As we enter this new phase, we want to connect with the viewers through stories that matter to them and are a reflection of their own life, their problems and their hopes. Dil Diyan Gallaan is a very special show for us as it embodies our new proposition and deals with a subject that many Indian families grapple with, which is distances caused by migration and misunderstanding. Sony SAB will give its own unique, hopeful take to a heart-wrenching subject.”

    Dil Diyan Gallaan is the story of three generations with Punjabi ancestors, and it stars veteran actor Pankaj Berry as well as an ensemble cast that includes Kaveri Priyam, Jasjeet Babbar, Sandeep Baswana, Ravi Gossain, and Hema Sood, among others. The new show depicts a Punjabi family dealing with the effects of migration as well as many unspoken feelings among family members. The channel hopes to capture a new perspective on estrangement and misunderstanding, providing people with a new perspective and hope.

    Dil Diyan Gallaan, the story of a Hoshiarpur family, will explore the journey of a family where the first two generations refuse to forgive and forget but are forced to confront and hopefully heal their past when the third generation steps in.

    Sony Sab hopes to connect with the audience through more relatable stories about ordinary people’s lives.

  • Shemaroo crosses the 60-year landmark in style

    Shemaroo crosses the 60-year landmark in style

    Mumbai: Shemaroo is celebrating 60 years of entertaining the country’s consumers and the entertainment ecosystem. And it’s been a journey full of dynamism and agility.

    Shemaroo said they have been the entertainment industry’s favourite muse for over six decades, and by catering to various types of audiences, it has consistently exceeded its consumers’ content expectations.

    The company has an array of experienced professional talent and a reframed organisational structure, ushering in a new and exciting chapter. Shemaroo has stayed true to its youth essence with newer offerings, foraying into new-age advances like OTT, focusing on rapidly-growing digital video platforms like YouTube, and making huge strides into Bollywood as well as new regional content. The robust broadcast network now includes three TV channels, which have attracted exceptional viewership in a short period of time.

    Speaking on the milestone, Shemaroo CEO Hiren Gada says, “60 years in the entertainment industry is a watershed moment for us, and we are grateful to all our customers who have consistently showered us with love. Through our innovative and agile approach, we will continue to enhance the experience of entertainment consumption in India by providing tremendous value to our customers.”

    Talking about the exciting road ahead, Shemaroo COO Arghya Chakravarty said, “Shemaroo’s legacy and trust are built upon the ability to embrace change and entertain India in the most innovative ways. We are set to embark upon the new path by taking giant strides in the consumer facing market with a seasoned team of professionals and an ever-increasing arsenal of impressive content.”

    Staying true to its promise and tagline of “India Khush Hua,” the 60-year-old company Shemaroo has already cemented a significant presence in the OTT, broadcast, and digital video spaces and further aims to strengthen its roots by being at the forefront of all entertainment revolutions in the future.

  • Ministry of Culture marks ‘Azadi Ka Amrit Mahotsav’ on National Geographic for Independence Day

    Ministry of Culture marks ‘Azadi Ka Amrit Mahotsav’ on National Geographic for Independence Day

    Mumbai: This Independence Day, the ministry of culture, in collaboration with National Geographic, celebrates ‘Azadi Ka Amrit Mahotsav’ with two patriotic and captivating short films, ‘India On a Mission’ and ‘India: The Land Of Timeless Culture.’ Premiering on 13 August at 8.30 pm, the films aim to take the viewers on an inspiring journey highlighting the marvels of our beloved country.  

    The two ten-minute films bring to light the remarkable journey of us as a nation, with ‘India On a Mission’ exploring the most rapid and striking advancements in creating intricate technology ecosystems within the country. It narrates the stories of innovation in space technology, deep ocean exploration and defence technology and its manufacturing. While the film ‘India: The Land Of Timeless Culture’ traces the ancient roots of many iconic Indian living traditions like classical music and dance, modern medicine, and geo-surveying methodologies. Together, the stories highlight our nation’s contributions to the world through several branches of science as well as architectural and engineering marvels.

    “At National Geographic, we harness the power of insightful storytelling that can inspire, inform, and educate viewers. It is a matter of pride to witness the remarkable growth of our nation, which is emerging as a prominent player in the world economy today. Through these films, we are celebrating the uniqueness of India across multiple spheres, which is bound to instill a sense of pride among Indians across the world,” said a spokesperson from National Geographic.   

    “We take immense pride in India’s remarkable progress, embracing its diverse culture and unparalleled accomplishments in space, defence, and wellness. We are elated to have collaborated with a credible brand like National Geographic, which has beautifully captured the very essence of the achievements and growth since Independence. Through this, the masses will witness our extraordinary journey and gain a profound appreciation for what it truly means to be Indian”, said a ministry official.

    Azadi ka Amrit Mahotsav films will premiere on National Geographic in India at 8:30 PM on 13 August 2023.