Category: GECs

  • SAB TV unveils new issues of SAB ke Comics at Comic Con

    SAB TV unveils new issues of SAB ke Comics at Comic Con

    MUMBAI: SAB TV, India’s most loved family entertainment channel is geared up to be a quintessential part of a Comicon this Christmas season at Bombay Exhibition Center Nesco Compound, Goregaon East. SAB TV has taken an innovative step to launch SAB Ke Comics a comic illustration of SAB TV characters and popular shows in the vastly popular annual comic convention happening in Mumbai. SAB Ke Comics is published by Pepper Script Publishing and would now be available on ground and online sale as well.

     

    SAB TV believes in wholesome family entertainment and bringing a smile to the face of every member in the family. With this special initiative along with Pepper Script Publishing SAB TV is going to be a part of Comic Con the entire weekend with an attractive stall that shall display the range of comics on offer for connoisseurs.  The new issues 1.1, 1.2, 1.3 of SAB Ke Comics Books are all set to be unveiled at 1:30 PM on 19th December, 2014. Present on this exciting occasion would be children’s favorite Rani Pari – Sudeepa Singh and Dev Joshi aka Baal Veer, children’s favorite superhero that will also be a part of the unveiling of the SAB Ke Comic Books. The new issues of SAB Ke Comic books are attractively priced at Rs. 100 each.

     

    Comic Con is India’s biggest comic fare which is held across multiple cities in India. SAB TV & Pepper Script publishing felt this would be the perfect platform to bring across the comic book to the comic book readers and fans. Further to the inauguration of the comics by Sudeepa Singh and Dev Joshi, they will also offer autographed copies of the comics to the fans visiting the convention. The SAB ke Comics shall be available at Comic Con for all the 3 days wherein the stall shall also be visited by other SAB TV actors on the other days. The culmination of SAB ke comics is another facet of SAB TV’s philosophy “Asli Mazaa SAB Ke Saath Hai”.

     

    Get ready to be a part of this magical expedition this weekend with multiple SAB TV stars who would be present on this occasion to give out signed copies of these new comics to their fans!

     

  • BCCC meets to discuss action against complaints received

    BCCC meets to discuss action against complaints received

    MUMBAI: In its 41st meeting, it was business as usual for the Broadcasting Content Complaints Council (BCCC). The executives met to discuss complaints received against the various channels. A couple of these complaints did include the latest season of Bigg Boss and an action against all the complaints received will be taken in the coming week.

    However, what is noteworthy is the interactive session held after the meeting. The council along with former BCCC member and the National Commission for Protection of Child Rights (NCPCR) member Dipa Dixit, broadcasters even from the south and a special guest, Neela TeleFilms producer Asit Modi discussed the portrayal of children on the small screen.

    The reason behind getting Modi as the special guest was his successful running show, Taarak Mehta Ka Ooltah Chashmah, informs a BCCC official. “The show has been on for seven years and we haven’t received a single complaint against it. Also, the show features a lot of children so we thought who else would be better than him to discuss on the topic,” he adds.

    The interactive session, after last year’s session on women portrayal, focused on three main issues. One, taking care of children behind the screen as a number of children act as well as participate in shows. The channels need to make sure that they are not only well fed but also shouldn’t miss schools.

    Second, depiction of children, as some need to perform dangerous acts, dance on item songs etc which can hurt as well as impact their psyche. And lastly, as TV is the biggest medium of communication, channels need to think of what they should see and shouldn’t see on TV.

    “Kids are hooked on to TV these days and some of the animation especially foreign one on kids’ channels receive a lot of complaints from parents. They feel that dubbing in Hindi is not done well for cartoons like Doraemon and it can negatively impact children,” explains the official.

    The interactive session gave a room for the channels to put forth their point of view in front of the BCCC as they all agreed upon the fact that since the Council’s formation in 2011, there has been a drastic change in the content on television which is a very positive move.

    “The broadcasters said that they are aware of dos and don’ts as they want to work in children’s best interest,” says the official.

    With the session done, the focus of the BCCC will go back to the complaints received and to pen down the action needed to be taken to make television more suitable for all age groups.

     

  • DTH could push HD penetration in next one year: MPA

    DTH could push HD penetration in next one year: MPA

    MUMBAI: As the year comes to an end, the multi system operators (MSOs) have finally come out with their packages and the pricing module for the Star India channels, after the broadcaster decided to give its channels only on Reference Interconnect Offer (RIO) basis.

     

    But according to Media Partners Asia (MPA) while Star has the right intent, it has to remain flexible on the incentives offered for better ground adoption. From the operator’s viewpoint, the Star scheme needs to address the following issues:

     

    1. Despite availing of the maximum discount on the scheme, the content cost for operators remains higher than previous CPS deals, exacerbated as operators are not receiving any carriage fees.

     

    2. The scheme does not factor in volume discounts on the basis of an absolute number of subscribers offered through a given operator network.

     

    3. Channel pricing is based on filed RIO rates. These are not reflective of consumer preferences. For instance, Star Plus which enjoys 2x the viewership of Life OK, has a lower price than Life OK.

     

    4. To generate higher discounts, the scheme demands carrying maximum channels with 90 per cent penetration. This will result in a rich basic pack offering which will disincentivise future upselling to an operator’s high value packages.

     

    5. Even if operators are able to pass through content costs to subscribers, MSOs face the risk of paying more and collecting less as the current backend systems for operators are not robust and transparent enough to collect and pass on revenues for channels on an a-la carte basis.

     

    6. The scheme does not factor in HD channels. MSO action plan and execution risk Star has been transparent on rates and discounts for its channels. Some national MSOs have accordingly started to work on their blueprint of tiering channels through a broad revenue share arrangement with local cable operators (LCOs). On the backend, according to MPA, the operators now critically need to have their technology systems in sync with consumer preferences, collected through KYC (Know Your Customer) forms. They will also need to decentralise control by extending their consumer databases to respective LCOs to enable the upgrading and downgrading of packages as per consumer choice. As backend systems get re-engineered, MSOs will need to concurrently conduct roadshows and training programmes for LCOs. MSOs will also need to undertake marketing campaigns to create awareness on a consumer’s need to make choices on revised cable packages.

     

    MPA also feels that MSOs intend to pass their increase in net content cost to consumers by undertaking an average price hike of Rs 40-60 ($0.7-1) per month. Even if consumers accept the price increase, the risk to MSOs lies in collecting their legitimate share of incremental revenues from LCOs. In order to offset this, MSOs plan to shift to trade prepaid services, which should have positive consequences.

     

    Long term implications for the Pay TV industry

     

    Broadcasters: Currently, all broadcasters are looking to reduce carriage fees and bring it to parity with DTH in terms of total payout. A number of broadcast networks are taking a wait-and-see approach. Having already eliminated carriage in DAS markets, if Star manages to obtain reasonable viewership for its driver channels with a nominal growth in subscription revenues, MPA believes that others too will broadly follow Star’s approach.

     

    According to MPA, non-carriage discounted rate schemes could become the template for future content deals. This will have direct implications on several advertisement-skewed and reach-dependent genres, such as news and music. Channels in such genres might then remain feasible by converting to free-to-air. Launching new channels will become difficult and as a result, the industry could see rebranding and a frequent change in the programming mix of existing channels.

     

    MSOs: As carriage and placement revenues start to dry up, the priority for MSOs for the next 12 months will be to shift to establishing robust back-end systems for better subscription monetisation in phases I and II. Consequently, voluntary digitisation and reach expansion in phases III and IV could take a back seat. MPA in its report also points out that national MSOs have already invested and outsourced backend systems to renowned IT vendors, which need to now streamline the secondary point network in order to attain authenticated customer information and deliver strong customer support services.

     

    “Critical is the increasingly important need to successfully rollout trade prepaid services and rationalising content cost by identifying active paying subscribers which will address the current cash flow crisis and determine the future feasibility of an MSOs business model.

     

    As the industry shifts gears, we may see more consolidation of cable players which fail to invest and execute on establishing B2C processes,” says MPA.

     

    DTH: Over the last 30 months, the DTH industry had implemented a 53 per cent increase in its base pack pricing. Just when it seemed that rate hikes on base packs had hit a ceiling, the price hikes implemented by MSOs provided the DTH industry with additional headroom to undertake further price increases. In addition, with tiering of channels on cable, the value gap in the form of realisation per channel between cable and DTH operators will narrow, feels MPA.

     

    As per MPA, a lighter base pack for both cable and DTH will gradually result in the upselling of subscribers to high value packs, thereby boosting ARPU growth.

     

    Moreover, Star’s entertainment and sports channels have been key drivers for HD in India.

     

    MPA in its concluding remarks points out that acquiring Star’s HD channels on RIO makes it unfeasible for cable and thus enables DTH operators to push HD penetration aggressively for the next one year. Through attractive pricing and marketing, DTH operators could leverage HD to win some subscribers from cable.

  • Aamir Khan all praise for Star India CEO Uday Shankar

    Aamir Khan all praise for Star India CEO Uday Shankar

    MUMBAI: Film star Aamir Khan has been passionate about Satyamev Jayate, and it was thanks to his passion and the great platform and tremendous support he received from Star India, that today, his show has turned out to be India’s most meaningful and impactful TV show for positive social change.

    So it was understandable that Aamir Khan was delighted when Star India CEO Uday Shankar was named the Impact Person of The Decade – an award he received from the Governor of Maharashtra, C V Rao, in Mumbai.

    The prestigious award recognizes the one individual who has made maximum and far-reaching impact on and influenced and helped shape the media, marketing and advertising industry tremendously over the last 10 years. And obviously, amongst the many initiatives that Star India leader Uday Shankar has rolled out over the past decade, one of the most significant, with tremendous positive social impact, has been Satyamev Jayate with Aamir Khan.

    “I’ve known Uday for about five years now — his razor-sharp mind, his intelligence, his courage, his boldness to take difficult decisions…” Aamir Khan told a galaxy of top professionals through a recorded message at the award ceremony, adding, “Uday believes in the impossible! That is why he achieves the impossible!”

    An initiative of the scale of Satyamev Jayate could never have been executed to perfection unless both leaders of the show – Aamir Khan and Uday Shankar – did not have the same kind of passionate belief in and commitment to working for social good through the show.

    This shared passion and commitment was obvious when Uday Shankar, who believes strongly in collaboration,  told the audience in his acceptance speech, that “The willingness to collaborate has been built on solid conviction to do the right thing – not just for Star but for the entire industry and society.  The conviction to not do regressive content, the conviction to not compromise the larger interest of community and the conviction to be not bogged down by fear of failure.”

    Referring to three other top, acclaimed Bollywood film directors whom Star India brought to television, Uday Shankar said, “If at Star we have been able to change the content landscape, that’s happened largely because Star has shown a better ability to attract and work with an eclectic spectrum of talent – be it the likes of Aamir Khan or Karan Johar or Ashutosh Gowarikar or Sanjay Leela Bhansali.  Together we have all raised the bar for content at Star.”

  • Viacom releases annual Viacommunity social responsibility report

    Viacom releases annual Viacommunity social responsibility report

    BENGALURU:  Viacom Inc (Viacom) today released its annual corporate social responsibility report, ‘Viacommunity 2014 Review: Impact Creating Value.’ The report showcases the company’s investment in some of today’s most pressing issues, and its work to inspire and activate audiences to bring about positive social change. In conjunction with the report’s release, Viacom launched a powerful new series of NO MORE PSAs to raise awareness for the NO MORE movement to end domestic violence and sexual assault.

     A few highlights from the Viacommunity report include:

     Viacom committed US$ 116 million in in-kind goods and services to campaigns and non-profit partners in 2013, the same amount that would purchase 464 seats on Virgin Galactic’s commercial trips to space – or 5 copies of the Magna Carta.

     1.8 million kids, educators and parents visited the Get Schooled website during the 2013-14 school year, enough to fill every Major League Baseball stadium, and then Yankee Stadium another 11 times.

    40,000 volunteer hours were donated by Viacom employees in 2013. In that time you could watch the entire film Titanic 11,428 times.

    “Our partnership with the NO MORE movement is a prime example of Viacom’s commitment to shining a spotlight on the most important issues of the day,” said Viacom president and CEO Philippe Dauman. “I am proud to showcase this work and all of the company’s initiatives in the Viacommunity 2014 Review.”

     The new “Speechless” NO MORE PSAs, produced by Viacom Velocity and the Joyful Heart Foundation, highlight the difficulty and critical need of starting conversations around domestic violence and sexual assault.

     The NO MORE PSA campaign initially launched in September 2013 and was designed to help dispel many of the most common and pervasive myths about sexual assault and domestic violence, and to engage the public in an open dialogue about these important issues. The three-year PSA campaign, developed in partnership with Y&R, director Mariska Hargitay and world-renowned photographer Timothy White, has been rolling out across the country in local and national markets via print, broadcast, online and outdoor advertising, in movie theatres nationwide, and in major airports and medical facilities.

     

  • Cuddle up with Romedy Now this December

    Cuddle up with Romedy Now this December

    MUMBAI: This Christmas season, Romedy Now brings viewers stockings full of surprises with the adorable Love Santa, who as temperatures drop across the country, invites people to cuddle up with Romedy Now – the exclusive Indian destination for Love and Laughter on television.

     

    Through various promotions across on air and digital, Love Santa will be seen inviting viewers to stay warm and toasty this winter with their favorite destination for Love and Laugher in India. The campaign includes on air promos, graphics and activities on social media where viewers will be invited to share the best way to feel warmth this winter by using the hashtag #LoveSantaSays. In addition, as a special winter treat, Love Santa will also be sharing tips on the channel’s social media pages on how to stay cozy this season and spread the love through Love Santa Photobombs and adorable quotes.

     

    Speaking on the December activities, Anup Vishwanathan, Head Marketing – English Entertainment Cluster, TTN said “Winter is the season of huddle and cuddle and Romedy NOW with its fine choice of movies is a great destination for viewers to cuddle up this December.”

     

    Gather your loved ones close this season and enjoy incredible must-watch movies like Mamma Mia, My Big Fat Greek Wedding, Garfield, Rumor Has It, All About Steve, The Lake House and The Holiday premiering for the first time on the channel in Romedy at First Sight. Catch the sweetest family movies every weeknight at 9pm with Romedy at 9.  

     

    And the Christmas cheer doesn’t end there. Start the holidays on a high note and cuddle up with Romedy NOW as they showcase two heart-warming loves stories in the Romedy of the Month – The Holiday. Catch Kate Winslet, Jack Black, Cameron Diaz and Jude Law in an endearing Christmas movie about finding oneself when you move away on Saturday 27th December at 9pm.

     

    There’s no better way to celebrate this festive season than at home with your loved ones. Celebrate the most wonderful time of the year with Romedy Bells – a splendid Christmas Day line-up featuring some of the best family movies like The Family Stone, A Very Harold & Kumar 3D Christmas, What Happens in Vegas, My Big Fat Greek Wedding and many more.

     

    Make merry with the best of the old and welcoming the new with characteristic movies like New Year’s Eve, Mamma Mia!, Before Sunrise, Nights In Rodanthe, The Romantics and much more in a special New Year’s marathon – Joysome New Year – from 31 December 2014 at 9PM until 9PM on 1 January 2015.

     

    Don’t miss the shimmering Christmas celebrations, a sparkling New Year and a whole lot more only on Romedy NOW. From a heartwarming Christmas special to wonderful must-watch premieres, Romedy fans have every reason to smile this December.

     

    Let Love Santa set the mood for romance all through December with the happiest series & movies

     

  • Colosceum and Ormax to launch consumer-created fiction shows

    Colosceum and Ormax to launch consumer-created fiction shows

    MUMBAI: There is no dearth of creativity in the country and to give a new meaning to how content is generated, Colosceum Media and Ormax Media, have come together to introduce consumer-created fiction shows for the Indian television industry.

    Consumer research was conducted over the last six months across more than 15 cities in India to generate original stories and then tested using Ormax True Value, an industry standard that has been used on more than 250 television shows across more than 20 channels since 2008. Together, the two companies will approach leading broadcasters with shows that have tested exceptionally well, with more than 85 per cent probability of success.

    Speaking about the deal, Colosceum Media CEO Lalit Sharma said, “Ormax has used very advanced consumer research techniques to generate original stories for daily fiction shows for Hindi GECs. These concepts are stories that have been both created and validated with the consumers. A story may have originated in Indore, developed in Jalandhar and then fine-tuned by another set of consumers in Amravati. Currently, production houses make large investments in getting concept developed in-house. The broadcasters then make investments to judge their viability. By creating concepts that are sourced from consumers, we are creating a win-win situation for all stakeholders.”

    Ormax Media founder and CEO Shailesh Kapoor said, “It’s been a long but fulfilling process of engaging with the actual consumers in story generation. Having produced shows like Roadies, Splitsvilla and MasterChef India, Colosceum are an established leader in the non-fiction space. We’re excited to partner them in their plans to establish a strong presence in the fiction space.”

    Sharma added, “Having produced shows like Jai Shree Krishna, Bandhan, Shakuntala and Bani Ishq Da Kalma in partnership with boutique creative outfits, we were keen on identifying a differentiated proposition for our next fiction offering. We couldn’t have asked for a better partner than Ormax, who are a leader in providing the industry with market insights for seven years now.”

    “When we meet the broadcasters, we are not just going with a concept but a complete consumer package that has a potent combination of consumer insights, fine storytelling and a very capable creative and producing team.” Kapoor stated.
    Tulsea Pictures conceived this partnership and brought both Colosceum and Ormax together.

    “We believe this partnership will be disruptive and will bring the much need diversification in the themes of shows running on prime time. The business model created by this partnership is very unique and there is no global precedence that we are aware of. It’s content of the consumer, by the consumer, for the consumer,” said Tulsea Datta Dave. “It’s very exciting to bring Colosceum and Ormax together. They are leaders in their respective fields and this innovative partnership has potential implications for the global entertainment industry.”

     

  • Zee TV evolves its core proposition

    Zee TV evolves its core proposition

    MUMBAI: It was in June 2011, when Zee TV announced a new brand identity featuring a new logo with a slogan ‘Ummeed Se Saje Zindagi’, conveying a progressive outlook for the channel. And keeping abreast with time, the channel has added another layer to its core proposition, making it even more relevant to everyday life scenarios that its viewers are faced with.

     

    Zee TV’s new brand slogan ‘Har Lamha Nayi Ummeed’ captures the beauty of rediscovering a new ray of hope with every moment of life.

     

    The new identity was unveiled by ZEEL MD and CEO Punit Goenka at Zee Rishtey Awards 2014.

     

    Speaking on the new packing, Zee TV business head Pradeep Hejmadi said, “Zee TV’s core proposition of ‘Ummeed se saje Zindagi’ was about a celebration and vindication of a woman’s emerging beliefs and a reflection of her changing hopes, dreams and optimism. This essence was embodied by each of our protagonists who emerged as role models and harbingers of hope for the masses. In that sense, Zee TV will always stand for Ummeed. It is the articulation that will change to reflect the changing times. Today, with India poised for growth, there is a feeling of ‘a new hope, every moment’.  Zee TV’s new slogan ‘Har Lamha Nayi Ummeed’ captures this spirit and its brand philosophy as also its content will reflect the same!”

     

    The new packing is designed and developed by design studio Les Telecreateurs. Zee TV’s aqua blue logo now makes way for a deeper shade of blue, lending it a stronger, more dynamic edge. The new motif of the packaging is a spinning top, originally derived from the left top portion of the ‘Z’ itself. It spins, taking the form of a beautiful flower-like element. Here, each spine is perceived as a new lamha. “Every show of Zee TV is a new lamha, a new emotion, a new sense of exuberance, a new cherishable moment. And from this thought stems the new brand slogan ‘Har Lamha Nayi Ummeed’. The color scheme of the new packaging is further fine-tuned to a strong blue for weekday fiction shows evoking the faith and trust of our viewers, yellow for weekend fiction signifying warmth and optimism, orange for weekend non-fiction that stands for cheer, confidence and celebration. The red packaging for movies and events represents excitement and youthful energy,” added Hejmadi.

     

    Zee TV has rolled out a 360-degree marketing campaign across Hindi speaking market (HSM) to unveil the new identity. The creative agency, FCB Ulka, has conceptualised a simple yet memorable visual device of ‘fingers crossed’ to bring alive the new proposition. The channel has also brought on board ace music composers, Salim Sulaiman, to compose a very upbeat and memorable audio pneumonic to bring alive the essence of the new brand proposition.   

     

    In the wake of this brand refresh exercise, the channel will call out to its viewers to share their ummeed stories – slices of their life that will go on to inspire content on Zee TV as well as be showcased on digital platforms. Some of the most impressive, crowd-sourced stories will even be curated into a book by a best-selling author. Zee TV also plans to encourage its viewers to begin contributing videos of their acting, dancing or singing to an online talent repository, with gratification for the best entries every single month.

     

  • Brand Kapil Sharma, a success on twitter too

    Brand Kapil Sharma, a success on twitter too

    MUMBAI: He has managed to charm Indian audiences with his sense of humour and timing. Brand Kapil Sharma though, is not just limited to television but the funnyman is a hit on micro blogging site twitter too. He features at the top of the most followed among TV celebrities on twitter with 17, 17,777 followers, followed by anchor Mandira Bedi with 4, 93,190. Fashionista Anusha Dandekar, is third in the list with 3, 28,262 followers. Television actor Ram Kapoor completes the list with 1,27,717.

    Indian channels too have been seeing increasing engagement on the micro blogging site, to woo fans and audiences. The channel Colors comes at the number one spot toppling other GEC’s like Zee TV and Star Plus which have come at the second and third spot respectively. Zoom, a Bollywood dedicated channel has beaten Sony for the fourth spot, which came in fifth.

    Former lead vocalist of the now disbanded electro rock band Pentagram and part of the duo Vishal-Shekhar, Vishal Dadlani tops the most mentioned musicians list. He’s known to be candid and openly voice his support and his opinions on current affairs and music. Although way more popular for his trendy lyrics and music production, Yo Yo Honey Singh, surprisingly comes in at number three. Female vocalist Shreya Goshal comes second while Academy award winner AR Rahman comes in fourth.

    The most spoken moment on the platform among entertainment vertical, was when Rajinikanth joined twitter, with over 2, 00,000 followers in the first 24 hours and now over 1.1 million in total.

    Popular on TV and also popular on twitter, Kapil Sharma has not just topped this list but is also one of the fastest growing TV personalities too. He is closely followed by Chef Vikas Khanna who is also popular for his charm and sharp looks. The other three most mentioned TV personalities are Karan Kundra, Karan Wahi and Kritika Sharma.

    In a news dominant nation, journalists make for influencers as well as change agents.  Harsha Bhogle known for his commentary as well as his opinion and contributory article in leading publications and magazines made it to the list. It is also intriguing to note that all mentioned are related to the TV medium than the print, Harsha being the exception. Rajdeep Sardesai tops the list while wife Sagarika Ghose comes in fourth. NDTV’s Barkha Dutt is second in line, while Rahul Kanwal is placed at number three.

    The list of some of the most followed Indians from the entertainment industry is not a tricky one to guess. Shahenshah Amitabh Bachchan is ranked number one with 11,881,345 followers, followed by the three Khan’s; Shah Rukh, Aamir and Salman with 1,02,96,567,  9,925,022,  9,475,555 followers respectively. Female actor Deepika Padukone comes in fifth with 83,99,197  followers.

    The big names who joined the platform this year are Rajinikanth, Arjun Kapoor, Kajol, Twinkle Khanna, Kirron Kher, Alok Nath, Armaan Jain, Amit Trivedi and Prakash Jha.

    The top 10 hashtags for the year were ManwaLaage (Manwa Laage,  a song from the movie Happy  New Year), Happy Birthday Hrithik Roshan, Hrithik The Most Handsome Indian, I  Stand With Deepika Padukone (Users support actor Deepika Padukone for her stance against a national newspaper), Jai Ho Thunder Storms In 11 Days (the hashtag refers to fans waiting for Jai Ho movie 11 days prior its release) among others.

     

  • Star’s RIO approach should form template for other broadcasters: MPA

    Star’s RIO approach should form template for other broadcasters: MPA

    MUMBAI: Leading broadcaster Star India’s move towards a more transparent and uniform template for distribution deals with cable multi-system operators (MSOs) should form a template for other major broadcast groups (i.e. Zee, Network 18 / IndiaCast, Discovery) to follow over 2015.

    According to a report released by Media Partners Asia (MPA), over the next few months, all eyes will be on the MSO’s readiness to rollout channel packages and related consumer acceptance of price increases as well as potential churn to DTH.
    Also critical will be the rollout of prepaid services for legitimate pass through of subscription revenues to MSOs and broadcasters. “If executed successfully, these new mechanisms will help bring in long-awaited addressability across the cable industry, reduce dependence on carriage fees while also drive ARPU growth to improve economics for all industry stakeholders,” the MPA reports says.

    Star’s decision of providing channels on Reference Interconnect Offer (RIO) came after the Telecom Regulatory Authority of India (TRAI) came up with its regulation to unbundle channel aggregators, which further raised the prospect of a level playing field between broadcasters and distributors.

    The unbundling of aggregators, according to MPA, exposed platforms favoured by vertically aligned broadcasters, thereby bringing to the fore the disparity of content costs amongst operators.

    In the midst of the dissolution of top channel aggregator MediaPro in April 2014, major MSO Hathway levied a charge of disparate pricing by MediaPro in DAS (Digital Addressable System) markets, offering favourable channel rates to Den, which had an effective 25 per cent stake in MediaPro, as well as Siti Cable, a sister concern of the Zee group. “Hathway, despite having more digital subscribers in DAS markets than both Den and Siti Cable was asked to pay a ~15 per cent higher cost per sub or CPS (at Rs 35 per sub per month) for MediaPro channels,” the report reveals.

    Hathway referred the matter to Telecom Disputes Settlement and Appellate Tribunal (TDSAT), claiming a refund of Rs 700 million from MediaPro.

    It was In November that Hathway, which had been receiving channels from Zee on a RIO basis, settled with Zee and signed a CPS-based agreement.

    Star, however, to bridge the divide on disparate pricing for operators, subsequently filed an affidavit making all its channels (including sports channels) available only at RIO rates. And since 10 November, all Star channels have been available, on a RIO basis, for cable operators.

    Implications of Star’s distribution strategy for DAS markets

    According to MPA, Star’s filed RIO rates are steep and are not reflective of the actual fees collected from subscribers. As a result of this Star rolled out an incentive scheme (based on number of channels carried, logical channel number and channel penetration) for MSOs. “The existing DAS markets remain characterised by an absence of tiers and limited addressability to monetise on subscription income; therefore, MSO dependence on carriage in these markets remains high,” says the report.

    As per MPA, Star’s “RIO-only but incentivised distribution approach” is a bold step as it deprives cable operators of carriage fees. “In addition, we expect Star’s content cost for all MSOs to increase by at least 15-20 per cent, at a minimum. Therefore, in order to absorb the increase in net content costs and benefit from available price incentives, MSOs have been forced to introduce tiering and implement rate hikes in DAS markets,” highlights the report.