Category: GECs

  • Sony Pal set for a revamp in 2015

    Sony Pal set for a revamp in 2015

    MUMBAI: It was a dream come true for Multi Screen Media (MSM) CEO NP Singh when he announced the launch of the network’s much hyped Hindi general entertainment channel (GEC), Sony Pal. With the tagline – ‘Yeh Pal Hamara Hai’, it targeted the housewives in the age group of 15-34 years in SEC BCDE. However, it seems that his dream of seeing the channel compete with the top general entertainment channels, is far from being achieved.

     

    Reason: failure of few of its shows to connect with the hearts of its target audience. As a result, the newly launched channel decided to cut down a few original hours of content. The status now is that Sony Pal which launched on 1 September 2014 with nine shows, currently is airing only four.

     

    The nine offerings were Simply Baatein produced by GR8 Entertainment and anchored by Raveena Tandon, Dil Hain Chotasa Choti Si Asha, produced by SOL Productions and hosted by Ragini Khanna and Jay Soni, Shashi Productions’ Ek Rishta Aisa Bhi, Miloni Films’ Khushiyon Ki Gullakh Aashi¸ Singhasan Battisi by Creative Eye, Pia Basanti Re by Rashmi Sharma and Pawan Kumar, Tum Sath Ho Jab Apne produced by Sphere Origins, Sister Didi by DJ’s Creative Unit and Yeh Dil Sun Raha Hain by Balaji Telefilms.

     

    Amongst these programmes, the five that have shut their shops include Simply Baatein with Raveena which ended at week 49 of TAM TV ratings with 109 TVTs, Khushiyon Ki Gullakh Aashi in week 50 at 206 TVTs, Pia Basanti Re and Tum Sath Ho Jab Apne in week 50 at 247 TVTs and 314 TVTs respectively and Dil Hain Chotasa Choti Si Asha in week 51 at 189 TVTs.

     

    Amongst the five, two reality shows like Simply Baatein with Raveena and Dil Hain Chhotasa Chhoti Si Asha came to a natural end as they were commissioned for 13 episodes.

     

    One of the producers informs that a month back the channel had sent out notices to the above mentioned production houses to stop shooting and shut down their respective shows. For the other production houses, the channel has not sent out any notices yet.

     

    From 3.5 hours of original content, Pal has slashed 1.5 hours of content and is now showcasing only 2.0 hours of original content starting from primetime 7.30 pm to 9.30 pm.

     

    When contacted Sony Pal and Sab SVP and business head Anooj Kapoor says, “When we went out checking with our core TG (women GEC viewers) to what they found right and not right with the channel in terms of content, the consumers came up with very interesting answers which threw some pointers on what core corrections were required.”

     

    “We are soon going to come back in the same slots which have been shut down with new programmes in terms of dailies and with consumer feedback on-board. Hopefully, this time around we will go to the next level. We are going to come back with exact consumer expectations as they have articulated after viewing the channel.”

  • ID to telecast ‘I’d Kill For You’

    ID to telecast ‘I’d Kill For You’

    MUMBAI: ID- Investigation Discovery presents dangerous love stories in its brand new series ‘I’d Kill For You’. The series will showcase how lust and jealousy can change a happy and romantic love story into a fatal one.

    ‘I’d Kill For You’ will premiere on 5 January and will air every Monday to Saturday at 10 pm.

    ‘I’d Kill For You’ exposes chilling crimes committed by men and women with twisted agendas who use their lovers as murder weapons. Whether they’re after the inheritance of their elderly husband, have their eyes set on a younger model, or are trying to stake claim to their partner’s life insurance, these men and women will stop at nothing to live their own happily ever – even if it means a tragic end for someone else.

    Sharing details about the new series, Discovery Networks Asia-Pacific executive vice president and general manager – south Asia & southeast Asia Rahul Johri said, “In a short span of time, ID has seized the viewers’ attention with its unique and engaging programmes. ‘I’d Kill For You’ will further enhance ID’s offerings in the Hindi entertainment space and viewers will enjoy the surprising twists and turns in the series.”

    How far can someone go for the one they love? Can they lie, die or even kill for them? ‘I’d Kill For You’ lifts the lid on unbelievable crimes in which one human’s love, loyalty or devotion is chosen over another’s life. These pre-meditated, highly calculated killings are all orchestrated by a twisted manipulator, who uses their love and power as the ultimate murder weapon.
     
    These are stories of love affairs poisoned by deadly sin, greed and rage. Each episode features in-depth interviews with family, friends and authorities on the case who provide the missing details that patch together pieces of the investigation. Cinematic recreations illuminate the drama, mystery and tragedy of these all too real crimes.

     

  • “More than skill and knowledge, Zee focuses on talent of an individual”: Rajendra Mehta

    “More than skill and knowledge, Zee focuses on talent of an individual”: Rajendra Mehta

    The performance of a company depends largely on how happy its employees are. And this precisely is the reason why one of India’s top most General Entertainment Channel (GEC) Zee Entertainment, has been able to climb the ladder of success at the quickest pace. The Network tests how happy its employees are… It conducts an annual Employee Survey, which measures employee opinions and perceptions, based on the level of trust between management and the employees. Called the Trust Index, Zee has seen an increase in it from a mere 65 per cent in the previous year to 74 per cent this year. The Network is now also listed as ‘The Best Company to work for in the Indian M&E (Media & Entertainment) Industry’ (as per a study conducted by Great Places To Work).

     

    Zee engages with its employees globally through its ‘Samvad’ philosophy, which ensures prosperity both at a micro and macro level and of the individual and the Company.

     

    The one connect between the employees and management is Zee & Essel Group Human Resource Head Rajendra Mehta. With a rich experience of over 17 years, Mehta has worked with various companies representing diverse sectors, ranging from engineering, lighting, mining, retail, commodity trading and media, giving him profound insight into implementing human resource plans.   

     

    In a t?te-?-t?te with Indiantelevision.com’s Seema Singh, Mehta talks about the reason behind the increase in the Trust Index, why one should join Zee, the best employee policies and much more…

     

    Excerpts:

     

     

    What according to you has helped Zee become the ‘Best Company to work for in the Indian M&E Industry’?

     

    Building an environment, which is a great working place, to my mind is a journey. And I believe that we are trying to build upon different pillars of strength, which help the company become a great place to work. Zee is one organisation which gives you an opportunity to do what you enjoy doing. It has all the ingredients of entrepreneurship, has the cheek of innovative culture and provides the opportunity to experiment with ideas. Hence, as a professional, if I have ten ideas, I will have people who support them and do not act as roadblocks.

     

    Even the shareholders are very open to new ideas as they want to experiment with them. The biggest advantage with promoter shareholders is that they don’t want a stagnant status quo and the need to keep evolving is the biggest strength of this workplace.

     

     

    How does the Trust Index work?

     

    In 2012, we came up with a long-term mission objective exercise. It was called the ‘2015 Commitment’. So, we worked on it in 2012 and at that point of time, we were assessing the strengths and weaknesses of the organisation and in our kind of industry, it is the people who make or break it. And therefore, we decided to work around a people-oriented strategy because they are critical to the success of our business. Then, we identified the fact that if we want to know exactly where we are, the only way to find out is to test our Trust Index based on some recognised framework.

     

    We chose the ‘Great Place to Work’ format because it actually does peer comparison; thus, comparing us with others in the media industry and also the top 50 organisations in India. In the first year of our Trust Index, we were at about 63, which is a low from a media perspective. We have worked hard on this since then and now, the scores have jumped to 74 and we are on par with the top media companies.

     

    The plan is to surge ahead and feature amongst the top 50 companies, which include the FMCGs and telecom companies. We want to be right on top because the entry and exit of people doesn’t only happen from the media sector. So, we should be as interesting an organisation for people from other domains to join as well.

     

    We are doing a lot of promos on the social media to vigorously promote Zee as a brand and as a result, there is a decent following that we have created. We have embarked upon a fulfilling journey.

     

     

    What is the strength of the workforce in Zee? What measures have you adopted to retain employees?

     

    Zee Entertainment has about 2,600 employees globally. Our presence is in 169 countries with full-fledged offices in Johannesburg, South Africa; New York, USA; Singapore, Dubai, UAE; China, Mauritius among others.

     

    Zee has one of the least attrition rates. The environment is conducive to people freely experimenting with ideas. We also ensure that the issues that employees face are resolved immediately so that it doesn’t keep them from working efficiently.

     

     

    Do you think enough people are looking to enter the media industry? What kind of promotional activities does Zee use to inform people about the industry and the company?

     

    I think people don’t have much awareness about the media and entertainment (M&E) industry. That’s why we do a number of campus sessions, activities online as well as engage on social media to create visibility about Zee. We are trying to attract people from other domains as well. I feel people don’t really understand the subsets of media.

     

    The domain is far more forward-thinking than meets the eye and is looking good and glamorous to boot. We therefore, try to talk about the positives as this domain has tremendous growth potential and is here to stay.

     

    What we also do is create case studies about Zee, which is then studied across premier institutions in India and abroad. We take campus sessions, where we talk about media, because more often than not, we are on the lookout for fresh blood, who we can then groom and they later become long-term assets to the company.

     

     

    How often do you hire? What do you look for in a person while hiring?

     

    It is an ongoing process. Say our attrition is 10 per cent, then there is still a churn of 200 people and hence, we need those many employees. On top of that, business is growing, new segments are getting added as well as new channels are coming in place; digital is taking shape and so we keep adding on people in these departments. There is a significant hiring spree. We hire about 50 – 55 people from good reputed B Schools every year and fortunately, we find people who end up being long-term resources for us. Generally, the professional lifespan of a management trainee extends over 10 years here. This implies good retention.

     

    More than skill and knowledge, we focus on the talent of an individual. We spend maximum time in identifying the talent suitable for a respective post.

     

     

    How different are your HR policies in comparison to other organisations?

     

    My belief is that Zee is far more forward looking in terms of its HR practices. I can safely say that from an HR person’s perspective, we are far ahead of others.

     

     

    What are the incentives and perks given to employees? Do they help to retain people in the organisation?

     

    I think the people-oriented practices that we have such as learning skills and development, capability building and so on. We want to build our learning skills as an organisation. Talent acquisition is focused upon while hiring personnel on the basis of strengths. We have a ‘Samvad’ philosophy, which we follow in this regard.

     

    For Performance Management System, I think we have the best tools. We believe in nine-blocker Performance Management System, and we have turned our organisational structure in such a way that it would be doing far more justice to people and their performances post this method.

     

    We have moved away from grade to band structure, which is far more forward looking and we believe that will bring some cultural changes.  Earlier, we had 10 grades and now we have moved to five band structure. The spirit behind this is far deeper and so, it is not a simple shift from a grade to band structure, but it is with the intent of real change in attitude, in the thought processes of people and what growth means for them and the organisation. The spirit behind it is what counts the most while implementing it.

     

     

    How do you keep your employees suitably engaged?

     

    We look at not only engaging employees conducive with the environment of the organisation, but also keeping in mind his or her role. Both are critical to us and we keep assessing the happiness quotient around these two broad objectives. If there is a conflict of interest, we resolve it faster. If there is a mismatch of talent and the respective role, then we try and change the role as soon as possible. We keep changing the scenario to make this place a happier one.

     

    We have trainings which we run through a practice called ‘Zenith’, which is our capability development initiative. Last year, we trained more than 1,700 employees through this programme. Our focus is not only on skills, but also behavioural transformation areas.

     

     

    What is Samvad?

     

    It is a people-oriented philosophy and it is all about the effectiveness of leaders. Talent is the basic foundation of Samvad.

     

     

    Zee is an organisation, where it is said that people can become business heads after spending 7 – 8 years in the company. Is that so?

     

    We believe that taking up a post is not about having a wealth of experience, but it is a matter of talent that people possess. And if people have the necessary talent, we don’t hesitate in pushing them up the ladder. This also helps them gain in maturity and confidence.

     

     

    How are people motivated to experiment? Don’t they face flak for their failures? 

     

    This organisation is supportive of failures after experimenting. Even if certain ideas fail, we do not take punitive action. On the contrary, we keep pushing people to experiment with ideas, because we believe that of the 10 experiments, even if two or three are implemented well, it will give you a humongous impetus in business performance. Failure is an integral part of growth and the organisation is supportive of that.

     

     

    What are the highlights of Zee’s employment policies?

     

    You can aspire to be the business head in the quickest possible time frame. It is an entrepreneur-friendly organisation, where you can experiment with novel ideas, and this place keeps you happy. The HR here supports people in both their personal and professional aspirations. We as HR have a far more inclusive approach in the business and are not sitting at arm’s length.

     

     

    What are the policies with regard to women employees?

     

    We have a forum on the internet called the ‘Zee Connect’. People can come up and if they have any grievance or feedback they can write to the forum. We also have a formal structure of addressing various concerns of women and are very sensitive to them. Also, we have a lawyer onboard to ensure there is an impartial investigation with regard to complaints. There are senior women from the organisation in the Committee, who are free to take decisions. We have even sacked employees and have also found that at times, complaints have been malicious in nature. There is absolute impartiality.

     

     

    What are the trends in the media and entertainment (M&E) industry, which would attract fresh blood?

     

    I think digital is a changing trend, which will attract. Secondly, digitisation will create multiple space for a very niche genre, and that will give individual geeks that opportunity to do what they enjoy doing in their characteristic manner. From content consumption, that will continue to grow. It will have its own niche and people can experiment and do well in the segment.  This whole space is growing rapidly in terms of size and volume. That will give rise to opportunities of employment and being associated with this domain.

     

     

    What keeps you busy?

     

    I think complete focus on growth areas and therefore, thinking about new opportunities and how we can deploy our people. What keeps me busy is also learning and development. If we have to be focused on the future, then we will have to keep building skills. Engagement is a big domain. My foremost aspiration will be that we don’t lose productivity of a single employee, just because he is now disengaged. It is our grave concern and so we keep addressing that issue. We keep building a conducive environment, which is positive so that people feel part of this business, and this helps us to hire with ease. Creating a bigger pool of talent that aspires to be here, is the biggest challenge.

  • Broadcasters’ New Year gift to its viewers

    Broadcasters’ New Year gift to its viewers

    MUMBAI: If you haven’t decided on your New Year plan, don’t fret. Your all time source of entertainment, ‘the Idiot Box’ will be your medium of happiness. With so many stories in the television basket, broadcasters are gearing to encapsulate them all through a slew of special programmes for the New Year’s Eve.

    Star Plus brings in the New Year with its fifth edition of Big Star Entertainment Awards, a TV and Bollywood awards show on 31 December, 8 pm onwards till 12 midnight. It honours personalities from the field of entertainment across movies, music, television, sports, theatre and dance.

    Audiences will get to witness B’town celebs right from Salman-Jacqueline Fernandez to Sonakshi Sinha-Arjun Kapoor setting up the stage on-fire with their spectacular performances. The awards function will be hosted by personalities of different nationalities – Gutthi aka Sunil Grover from India and Pakistani actor Imran Abbas.

    Rival channel Colors has a special treat planned for its viewers. Got Talent World Stage Live, hosted by the charming Shah Rukh Khan and suave Manish Paul, will entertain viewers as they prepare for the final goodbye to 2014 and welcome 2015 with open arms.

    The ‘Got Talent’ franchise owned by Simon Cowell’s Syco Entertainment, takes entertainment a notch higher as the event brings together outstanding talent not only from India but also impactful global ones. The stage, designed by Omung Kumar, will look stunning as the performances compliment his work of art.

    The talent from across the world will captivate the audience with their special demonstrations involving magic, stunts, dance and acrobatics. Amongst superlative and bright Indian talent whose brilliant and inspiring performances will awe the audience will be of the Prince Dance Group, chhota packet bada dhamaka Akshat Singh, Hip hop sensations Suresh and Vernon Group, aerial performers – Mukesh and Tanya, painter extraordinaire Vilas Naik and many more.

    From the International talent circuit, troupes like Aerosphere will present an aerial Balloon Show, Crystal and Ring Dancer Hu Qi Zhi from China who will fascinate people with her skill, Russian Brothers and Kalutskih Danila and Kirill Brothers will showcase Acrobats and the Craz_E_Crew will perform some incredible stunts. The cherry on the cake, however, will be Magician Aldo Nicolini and Illusionist James Mores who will hypnotize the audience with shocking tricks which will further create an aura of excitement and intrigue.

    Also joining the celebration will be Bollywood bigwigs Priyanka Chopra, Varun Dhawan and Jacqueline Fernandes who will perform with much vigour to popular numbers while creating jaw-dropping and wondrous moments. The choreographer extraordinaire who will add zing to the evening is dancing legend Shiamak Davar. The event will be aired at 10 pm on Colors.
    Stringing together loads of fun and excitement for its viewers this New Year’s eve, Zee TV is planning a two-hour special telefilm – New Year Dhamaka on 31 January at 11 pm. It will star Riddhi Dogra, Raqesh Vashisth, Anurag Sharma, Ravi Dubey, Pooja Bose and various other actors who will be seen playing key roles.

    The two-hour film will take the audience through the world of glitz and glamour and the secrets that lie shielded between the buzz of parties and the dazzle of the flashbulbs. It is set against a glamorous backdrop of a calendar girl pageant.

    The channel has roped in Cadbury Oreo as its presenting sponsor and Vaseline Total moisture and Maggi as the powered-by sponsors.

    With most channels airing stage shows, Life OK has something different to offer. The channel is ready to bring in the New Year with a fun-filled joyous ride with Comedy Classes. It aims to make it a memorable one this year as Bharti Singh, Krushna Abhishek, Siddharth Sagar, Bruna Abdullah, Madhura Naik and all other Comedy Classes actors get set to entertain viewers with their own talent.  

    Actors will turn their ‘Achhe Din Institute’ into a News channel making it a unique concept on the show, as they talk about this year’s biggest news headlines.

    Bharti and Krushna will play the news anchors and take the audience through the big headlines related to Bollywood, politics, TV, sports and more playing on ‘The Year that was’. Television viewers will also get to see a dhamakaa performance by the girls of Comedy Classes.

    Last but not the least, Sony Entertainment Television (SET) will air the repeat telecast of Umang Police Awards from 11 pm to 2.00 am.

    Media analysts believe that television viewing is high on the New Year’s eve. Channels showcase special programmes which not only cater to the existing base but also helps to draw some additional numbers. “Events like these bring Bollywood closer to the television audiences and are also highly rated in the entertainment space,” says a media analyst.

     

  • Sab to launch ‘The Great Indian Family Drama’

    Sab to launch ‘The Great Indian Family Drama’

    MUMBAI: Continuing its promise of delivering light-hearted comedy to the viewers, Sab is all set to launch a new weekend comedy show – The Great Indian Family Drama. Inspired from the daily adventures in the life of a Nawaab, the series is a hearty humorous family entertainer and shall hit the tube on 3 January 2015 at 9 pm.

    It features a Nawaab, a living soul that has never worked a day in his life and lives in a world of fantastical imaginative ideas, a distinctive individual who believes working is meant for general public not himself as he is of the firm ideology that Nawaabs are not meant to work as it’s against their pride and public image.

    The new weekend series is produced by Contiloe Productions and is a distinctive take and a light hearted comedy based on the splendid lifestyle of a typical Nawaab. The story revolves around the concept of how Nawaab Saab and the love of his life Begum Paro deal with day-to-day circumstances with quarrels and disagreement between them on a humorous note as a part of their marital life.

    In addition to the lovely couple they also house another family member Sikandar living with them and working for them for years. Sikandar is an integral part of this family and his pranks often lead to hilarious situations in Nawab’s life. He also aspires to become a superstar singer but is never able to leave the family due to his love for them. Together they live under one roof as a family and share love and happiness collectively sprinkled with funny misunderstandings that lead to whacky and humorous situations.

    Sab SVP and business head Anooj Kapoor said: “Sab has constantly offered the best to its viewers in the genre of comedy by presenting various formats and unique content within its space. The Great Indian Family Drama presents yet another interesting plot about the glamorous yet hilarious lifestyle of a Nawaab. The show is a part of our weekend programming and also is along the lines of our belief in ‘Differentiation through Innovation’ as it shows the erstwhile nawabi set-up with bits of contemporary humour seamlessly woven into the story. The concept of the show is completely fresh and we are positive that our audiences will be thoroughly entertained.”

    Contiloe CEP Abhimanyu Singh opined: “Doing comedy has always been very exciting for us; our association with the channel goes a long way. With The Great Indian Family Drama, we get some well-known and talented senior artistes from the industry together to present a unique comedy drama with a Nawaabi twist. We hope the audiences love the concept and show.”

     

  • BCCC directs Sony to run apology scroll on 30 Dec

    BCCC directs Sony to run apology scroll on 30 Dec

    MUMBAI: On 17 December, the Broadcasting Content Complaint Council (BCCC) had held a meeting in Mumbai to discuss the 30 – 40 complaints received against numerous channels and what action should be taken.

    One of the biggest decisions taken from it was for Sony. The channel management has been asked by the council to run an apology scroll on 30 December. The complaint was filed with regards to the display of a board promoting abortion in Madana Khurd village during an episode of Kaun Banega Crorepati (KBC) aired on 19 August.

    However, sources from BCCC said that the issue was raised against the show’s producers a couple of months back on a complaint by the Haryana Health Department. As per reports, the board read “500 rupees me garbhpaat karwao aur 5 lakh ka dahej bachao (Get the abortion done in Rs 500 and save dowry of Rs 5 lakh).”

    As per the directive, the channel has to run an apology scroll in Hindi and English during now-off-air KBC’s time slot i.e. from 8.30 pm to 9 pm on 30 December.

    Of the numerous complaints, the independent council, set up by the Indian Broadcasting Foundation (IBF) to examine complaints about television programmes received to ensure that the programmes are within the self-regulatory content guidelines, also discussed complaints against Zee TV amongst other networks as well.

    “One of the episodes of Zee’s popular programme Qubool Hai showed a woman being tortured and hence, a complaint was filed against it,” informs the source from the council while adding that an explanation has been asked from the channel and the decision on what should be done next will be taken on 20 January.

    Similarly, south India’s Asianet also received complaints against its two programmes out of which one was disposed off while the other’s decision will be taken on 20 January as well.

     

  • Colors to launch ‘Bigg Boss Halla Bol’ series

    Colors to launch ‘Bigg Boss Halla Bol’ series

    MUMBAI: After engaging viewers for 15 weeks, Bigg Boss season eight is ready to take the quotient of entertainment a notch higher.  Come 4 January, it is set to launch Bigg Boss Halla Bol which will not only include the five champions, but also open doors to five challengers namely Rahul Mahajan, Sambhavna Seth, Ajaz Khan, Mahek Chahal and one more from the previous Bigg Boss seasons.

    As the new leg of the game kicks-off, the series will welcome Bigg Boss enthusiast Farah Khan as the host of the show. Following a successful association, the channel has roped in Snapdeal.com as the presenting sponsor for Bigg Boss Halla Bol. It will air everyday at 9pm on the channel.

    According to Colors CEO Raj Nayak, be it in terms of ratings or in terms of entertainment, season eight has lived up to its promise of having a mast safar with zabardast twists.
    “This New Year we bring the Bigg Boss buffs another engrossing series packed with newer twists and interesting characters. This show is our New Year gift to all our Bigg Boss fans. Further, we are happy to announce that we have roped in Snapdeal.com as the presenting sponsor for Bigg Boss Halla Bol following the stupendous response that both – the show and the brand – have received for the eighth season of the show.”

    Confirming her participation, Farah Khan said: “I have loved watching Bigg Boss and enjoy everything about it. The series is unlike anything that regular viewers of the show could have ever perceived. Salman Khan has been truly entertaining as a host with his affable style and quick wit. I am looking forward to building a unique experience for the viewers through this venture and hope they enjoy every bit of it.”

    The special series will have a mix of 10 enigmatic contestants and will bring entertainment to the forefront as competitiveness reaches an all-time high which will make their stay in the Bigg Boss house tougher than ever before. The champions and challengers will engage in a battle of sorts as they strive to stay inside the house and move closer to the grand finale where a contestant from either party could claim the spot of the winner of the show. The effervescent Farah Khan will be the guiding light for the champions and challengers while questioning their actions and decisions as the show races to the end.    

     

  • ‘Code Red’, a darker shade of humanity

    ‘Code Red’, a darker shade of humanity

    MUMBAI: A crime thriller has always been sold like hotcakes. And it stands true to television as well. The genre has been a potboiler for the general entertainment space for a long time now.

    While serials like Byomkesh Bakshi (1993), Karamchand (1980s) and Tehkikat (1994) on Doordarshan laid the ground for fictional crime shows, a more advanced form appeared in the reproduction of real life crime incidents in shows like India’s Most Wanted (Zee TV, 1999) and Crime Patrol (Sony, 2003).

    Along with a plethora of fictional crime series, a dramatised real life crime depiction has also gained traction over the years; CID’s run on Sony for 17 years justifies the popularity of the genre.

    Following the trend set by the Hindi general entertainment channels (GECs), youth channels too took the same route. Channel V got Gumraah to focus on youth-based crime incidents in 2012.

    The only channel which hadn’t dabbled in the genre was Colors. Realising the importance, after six years of existence, it is finally launching a finite reality series christened Code Red with a tagline ‘Andhere me Umeed Ki Ek Nayi Kiran’.

    The first promo hit the television screens on 13 December and showed popular actress Sakshi Tanwar advising people to raise voice rather than suffer in silence.

    The show will focus on social issues like suicide and crime against women and children. Sources close to the development say, “The motto of the show is to spread awareness and bring to forefront the crime against women and children in the society.”

    Though the channel tags it as not a crime series, sources say that it will give a broader outlook that would deal with crime and its different components. “It is going to be a very different show than what viewers have seen on television till now. It is a reality show where every episode is going to give out a message of not giving up and to fight back,” says a source from the channel.

    The show is a joint venture of Fremantle India, Optimystix and Shlok Entertainment, a production house helmed by three eminent people – directors of Crime Patrol, Subramanian S Iyer and Neeraj Naik along with prominent actor and anchor Anup Soni.

    Launched as a daily format, it will air for six days a week. The three production houses will helm two episodes each every week.

    Penned for a limited number of episodes, it is set to launch in January 2015.

     

  • Content differentiation has been the clear winner for Zindagi: Punit Goenka

    Content differentiation has been the clear winner for Zindagi: Punit Goenka

    MUMBAI: A result of ZEEL MD and CEO Punit Goenka’s gut feeling, Zindagi, the premium mass Hindi entertainment channel from the network, was meant to be a breath of fresh air in the cluttered market space.

    Launched six months ago on 23 June, the channel promised to break out of the usual set framework and melodrama with the shows never seen on Indian small screens. Keeping true to its philosophy and tagline Vasudhaiva Kutumbakam, shows from across the border were handpicked to meet the Indian sensibilities.

    With 32 GVTs in week 51 of TAM TV ratings, the channel targeting at the CS4+ AB in Hindi speaking markets (HSM) is happy with its performance, so far. “Extremely delighted with the launch and the subsequent response we are getting from the viewers. The channel has been received very well and has a rapidly growing loyal base,” says Goenka who believes that Zindagi has managed to create a new category in the Hindi entertainment space and is the only premium Hindi channel in India.

    The stories, when compared to the over-the-top (OTT) Hindi melodrama, have a realistic outlook. The natural settings and pragmatic acting make the shows like Humsafar, Maat, Kitni Girhain Baaki Hain stand true to its tagline ‘jodey dilon ko’. To top it all, it has made Pakistani actors household names so much so that many have entered Bollywood after the popularity gained here. “Zindagi has introduced many firsts on Indian televisions in the Hindi entertainment space today, be it finite nature of dramas or original soundtrack in every drama and many more,” pinpoints Goenka.

    “Content is king and since launch, all that has been shown on Zindagi has appealed to audiences (males and females) of all ages,” adds the channel business head Priyanka Datta.

    “The way we wanted to establish our channel, we have been able to achieve so,” says Zeel chief sales officer Ashish Sehgal. Butting the critics, who say that for a channel which wants to compete with the GECs hasn’t achieved the numbers needed to survive in the highly volatile market, Sehgal says, “TAM doesn’t have the ample sample size and most niche channels – English as well as infotainment – face the same number wrath.”

    He goes on to explain that in the country, when it comes to compartmentalisation of genres, English means niche and Hindi means mass, which doesn’t stand correct for a channel like Zindagi. Catering to the “evolved” viewers who have the disposable income, the channel wants to tell the brands that it is a perfect platform to cater to the premium TG.

    Started with only 20-25 clients, the channel now boasts of 100 clients. “We haven’t compromised on our pricing and are still getting new clients as well as repeat ones, which is a very good signal,” says Sehgal. The channel has jewellery brands, premium FMCG brands like P&G, Nestle amongst many others as its clientele. A 10 second ad rate at the core primetime demands from Rs 20,000 to Rs 25,000 while non primetime varies from Rs 8,000 to Rs 10,000.

    “The market is slowly accepting the channel as well as understanding its TG,” says Sehgal and adds, “One must understand that the channel was launched midyear and by then most media agencies had formed their key performance indicators (KPI) for their clients. Therefore, they either advised clients to come to us on their own or asked them to keep out. We are optimistic that things will change next year as agencies will support us and help us take our business higher.”

    With marketing budget being 25 per cent of the entire pie, the channel aims to double its clientele as well as make it more acceptable to brands in the coming year. “The year 2015, will see us escalating our charge as we will build on marketing campaigns and continue to get newer faces and stories,” highlights Sehgal.

    The channel isn’t affected by the two more channels, Sony Pal and Epic, which were launched after it. “Pal caters to SEC CD and Epic still has a long way to get people’s acceptance,” opines Sehgal while adding that Zindagi on the other hand has been able to tap into the audience’s mindset. “Unlike other established GECs also we have a very high, almost 90 per cent, engagement level with the fans on social media.” At the time of writing the article, the channel has 10.5k followers on Twitter while 314,971 likes on Facebook.

    With storyline as its hero and an agenda of generating beyond Rs 100 crore revenue in 2015, the channel hopes to breakeven by 2016.  “Clearly and most definitely content and the content differentiation from what has been seen on television in the Indian sub continent till Zindagi was launched, has proved to be the clear winner,” opines Goenka on what makes the channel stand out.

    On plans for the channel in the coming year, Datta says, “In the coming year, we will also start producing original content for Zindagi.”

    “After the phenomenally encouraging response to the channel, we will definitely stay the course where Zindagi is concerned and will create and source stories from different demographics that will appeal to the sensibilities of discerning audience and bring freshness to storytelling style in India,” concludes Goenka.

     

  • Big Magic goes seasonal

    Big Magic goes seasonal

    MUMBAI: In a country where daily soaps rule, Big Magic, the flagship general entertainment channel of Reliance Broadcast Network, is all set to adopt a new seasonal format.

    Starting 29 December, the channel with its core positioning of being chatpata har pal, will introduce seasonal formats across its popular shows like Har Mushkil Ka Hal Akbar Birbal, Uff Yeh Nadaniyaan, Ajab Ghajab Ghar Jamai and MahiSagar. With this format, the channel aims to emphasise on freshness in characters, more comedy twists in plots, new themes in a four week long season format.

    New seasons for the shows kicks off as below:

    Uff Yeh Nadaniyan – 29 Dec

    Har Mushkil ka Hal Akbar Birbal – 15 Jan

    Ajab Ghajab Ghar Jamai – 12 Jan

    Mahisaagar – 19 Jan

    With the seasonal format kicking in, the channel will see transformation in existing characters, new character introductions new high points – with an unpredictable climax at the end. It will continue its episodic formats but will bring in more comedy, quirky and over the top elements to garner a higher space in the comedy genre. The season will be divided into – premieres, mid-season and season finale.

    Talking about the new season format, Reliance Broadcast Network creative director Uditanshu Mehta said, “At Big Magic, we regularly aim to bring in innovation and newness across our shows. Our regular innovation and programming spikes have ensured time spent on our channel has increased excellently over the past few months, and alongside has audience expectations. This move is part of our endeavor to ensure we deliver to our discerning viewers a truly chatpata experience through our programming.”

    The channel emphasises that the move will also allow marketers an effective window which can be perfectly timed to their campaigns, since they can now partner seasons, which are shorter and ensure high audience engagement.

    As a part of the larger programming strategy, Big Magic will be incorporating interesting storylines in their leading shows.

    The spikes will be marketed heavily across television, radio and digital, ensuring excellent promotions and reach with a 360 degree marketing plan.