Category: GECs

  • &TV pens successful opening story; industry reacts

    &TV pens successful opening story; industry reacts

    MUMBAI: The past one year has seen oodles of action in the general entertainment channel (GEC) space. New programming, new channels, second and third channel launches from existing players – the highly competitive genre saw it all.  Viacom18 was the first off the blocks.  Just as 2014 was being rung in, it launched Rishtey – a channel it had flagged off in the UK earlier.

     

    It was in June 2013 that Subhash Chandra’s Zee Entertainment Enterprises (Zeel) adopted a new brand positioning with ‘Vasudhaiva Kutumbakam – The World is My Family’. It was this message that the network wanted to spread which led to the launch of Zindagi, on 23 June 2014. With the best of content from Pakistan, the channel was for viewers with a progressive mindset.

     

    A couple of months later, 1 September 2014 to be precise, Multi Screen Media (MSM) launched a third GEC – Sony Pal for the traditional, yet modern Indian woman. While Sony Pal appealed to certain quarters, it did not generate the viewership numbers that were expected. The Sony management reacted quickly, put the plug on the money drain, and repositioned it as a re-run channel airing older successful shows.

     

    A further couple of months later, 19 November 2014, to be exact, came another launch – that of Epic TV, which had billionaires Mukesh Ambani and Anand Mahindra as backers.

    Even as Indian audiences were still absorbing the content of Zindagi, Zeel unveiled a third massier appeal GEC on 2 March 2015. And it chose to deviate from the Zee branding for the new launch; opting for the ‘&’ brand instead.  The choice of programming; the glitzy launch,  the depth of distribution, the marketing overdrive – all drew oohs and aahs from industry observers. The cynics, however, cluck-clucked from the sidelines and hurled gibes stating that  Zeel boss and chairman Subhash Chandra’s son Punit Goenka was throwing away good money. (The group has set aside an estimated budget of Rs 500 crore for &TV).

     

    Came the ratings on 12 March 2015, and the doubting Thomases and naysayers had to bite their tongues and swallow their barbed comments. Reason: &TV reported fabulous opening week viewership numbers of 90,612 GVTs, making it the year’s most successful new channel launch – and that too in the hyper-competitive GEC space. What it made more remarkable is the fact that the first week in the channel’s launch consisted of only five and a half days.

     

    As compared to &TV’s numbers the other debutantes during the year did not fare as well. Sony Pal generated opened with only 11,000 GVTs, as per TAM data. Zee Zindagi reported 28,700 GVTs in week one, overtaking even the 14-year old channel, Sahara One. Epic in its debut week garnered 1,240 GVTs (ratings of four days).

     

    A bet that worked

     

    The channel is the first GEC from Zee’s sub-brand ‘&’, after the launch of &Pictures in August 2013.

     

    It was a challenge for the newbie to make its mark in the tough market where other big broadcasters are already ruling the roost. However, one man who took up the challenge and stood strong was Rajesh Iyer who quit Colors in March 2014 to join Zeel as business head, new initiatives, Hindi broadcast. It was after almost a year of brainstorming and  pitches from producers, management and research meetings on creatives, positioning and execution that &TV’s vision document was finally in place. Iyer’s aim was to further develop and strengthen the Zeel brand with a new offering and the bet has paid off well.

     

    Zeel MD and CEO Punit Goenka had pinned high hopes on the new channel and it seems that his targets have been met. Expressing his happiness on Twitter, Goenka tweeted, “Congratulations team @AndTVOfficial for a successful opening week! First time that a GEC channel has opened at 90612 GVTs!”

     

    With the philosophy ‘Jashn Jeene Ka’ (celebrating the spirit of life), &TV stands for binding people, ideologies and philosophies and aims to mirror the thinking and values of an evolved, ‘new age’ India.

     

    Exploring the same lines, the content of the channel, according to the company, turned out to be contemporary and contextual, depicting viewers’ progressiveness. It started with three and a half hours of content on weekdays with the original programming starting at 7.30 pm.

     

    Be it &TV’s flagship show hosted by Shah Rukh Khan, India Poochega – Sabse Shaana Kaun? or the strong fiction line up with shows like Razia Sultan, Bhaghyalakshmi, Gangaa, Begusarai, Bhabi Ji Ghar Par Hai!, and the weekend offerings with Killerr Karaoke and Tujhse Naaraaz Nahi Zindagi; the programming seems to have irked the curiosity of audiences enough to tune in and spend time on the channel’s fare. 

     

    Innovative ad strategies

     

    The network strategized its ad sales differently for &TV. Rather than choosing to sell spots, the team roped in advertisers as “presenting” or “powered by” or “associate sponsors” for almost all of the new shows and allocated all the FCT to them, depending on the show. A media planner reveals that 40 per cent of ad inventory per episode was reserved for associate sponsors while the rest was for the title sponsor.

     

    For instance, Unilever India’s Rin was signed on as  the presenting sponsor for its flagship property, India Poochega- Sabse Shaana Kaun, while,  Pan Vilas and DHFL opted to become  ‘powered by’ sponsors. Then for  Raziya Sultan, the channel got on board Venus as the presenting sponsor and Clean and Dry as the ‘powered by’ sponsor. Begusarai, meanwhile, is presented by Pan Bahar and powered by Quickheal and Ghadi Detergent. Vicco is the presenting sponsor for Gangaa and the show is powered by Libero and Ghadi.

     

    On the social media front, the &TV team left no stones unturned to create the buzz. The &TV Facebook page had got over 133,253 likes, while its twitter handle @AndTVofficial had more than 11,000 followers, at the time of writing this article. The YouTube landing page had &TV splashed all over it; as did indiantelevision.com on 2 March.
     

    Promos for its shows have been hitting sister channels &Pictures and Zee TV with high regularity. A high decibel out of home campaign across Hindi speaking markets has been working as a strong reminder medium for potential viewers.

    With a distribution and marketing budget of around Rs 100 crore, Zeel managed to get great placement on almost all the major distribution platforms: DEN Networks, Siti Cable, Hathway, Incable, Tata Sky, Videocon d2h and Dish TV. In fact, on most networks it was placed even before Star Plus and Zee TV.

     

     

     

    Industry reacts

     

    Helios Media managing director Divya Radhakrishnan believes that &TV has got a decent combination of reality shows, mythology, regular fiction and comedy shows. “&TV ratings have been exactly what I forecasted. The channel managed to do well and the distribution was excellent. They launched a great marketing campaign and had a key differentiator in the Shah Rukh Khan show. For a person who is going to sample a new channel, there has to be something, which is compelling enough to switch on the TV and watch the new channel. Such experiments obviously bring them initial eyeballs,” Radhakrishnan says.

     

    She further explains that in week 10 of TAM TV in 2015, the viewership ratings in the GEC space have grown by five per cent. According to Radhakrishnan, the channel has clocked around 42 GRPs on a five and a half day basis, which is roughly about 55 GRPs over a seven day prorata basis.

     

     

    “That is exactly the same amount of GRPs the genre has grown by. GECs have grown by 55 GRPs. This doesn’t mean that people switched from one channel to another. It means they also have included 42 GRPs into the consumption and it is quiet acceptable in the GEC space, because the people who watch GECs are the ones who watch a lot of TV and they will happily include something new to their TV mix if the content interests them.”

     

    A senior executive from a rival channel believes that 42 GRPs is a good number to open with. “This shows that there is more elasticity in the sector and it also opens it up  to newer players and gives them hope that the GEC space has legs,” the executive says.

     

    It may be recalled that during the launch Goenka was confident that the channel would break even in three years if it does exceptionally well and five years if it does reasonably well. On the same lines, a senior executive from a rival channel feels that if the channel continues at the same pace it might break even in the next three years.

     

    Going by its opening numbers, it looks like a success story is beginning to be penned in the  Indian television space. And as Colors CEO Raj Nayak puts it, that while the channel has had a decent launch, it is imperative that it builds from here on and carves a continuous mindspace for itself in the cluttered Hindi GEC space.

    Well, that will be team &TV’s next big challenge! Watch this space!

  • Zee TV launches second part of ‘Maharakshak’ trilogy

    Zee TV launches second part of ‘Maharakshak’ trilogy

    MUMBAI: Evil might have taken on different contemporary forms but their origins can be traced back to ancient mythology. Fantasy, as a genre, had little or no representation on Indian television until Zee TV introduced the ‘Maharakshak’ trilogy in November 2014.

     

    Experiencing a fantasy world brought alive through cutting-edge visual effects, state-of-the-art graphics technology and stunt choreography of international standards for the very first time on Indian television, viewers instantly connected with the first part of the trilogy – Aryan

     

    Having raised the bar for action thrillers and the fantasy genre on Indian television with Aryan, Zee TV has now launched the second part of the ‘Maharakshak’ trilogy – Devi, which tells the story of a girl who discovers superpowers within her and sets out on a mission to combat contemporary social evils.

     

    Produced by Essel Vision Productions, it will occupy the weekend slot and will air every Saturday and Sunday at 7 pm. Where on one hand, Aryan appealed especially to children and men, adding great value to Zee TV’s weekend ‘family unifier’, Devi aims to provide entertainment for each member of the family inclusive women this time. 

     

    Six months of brain storming

     

    Devi has been a part of the plan ever since the channel launched its first part in trilogy series – Maharakshak Aryan. Zee TV programming head Namit Sharma said that the channel was sure that it wanted to tell a story on the super-heroine.

     

    Sharma revealed that extensive research had been done for the show. The channel had researched about the well-known epic battle in Hindu mythology, about good vs evil that occurred between Brihaspati and Shukracharya. “We used that as a point to start writing

    the story and even before Aryan went on-air, we had started penning the second series.”

     

    Essel Vision Productions business head and also the producer of the show Akash Chawla states that shows like these, which involve a little bit more of research take anywhere around six months and sometimes even more considering the special effects and graphics behind the show. 

     

    While Umang Jain will essay the title role of Devi, popular actor Rohit Bakshi will essay the role of her guru Brihaspati. The evil Shukracharya will be played by actor Indraneil Sengupta.

     

    Chawla further reveals that the actors first got trained for martial arts before the show went on-floors. “It is just not research. It is also how that research has to be converted into something which is more entertainment led, rather than just a ‘gyan’ led show,” he added.

     

    Chawla believes that this kind of show caters to a worldwide audience. “If you look at any kind of audience world over, you will see that unless it is factual content being made for a factual based channel, you will need to doctor the script and modulate it in a manner which can become more entertaining for the audiences,” said Chawla. 

     

    According to Chawla, for an audience what matters is the kind of content running on the channel. “For them it is not about research or training; for audiences it is what they basically watch. I can talk about what went behind the research but it has no meaning for the audience.”

     

    Unlike fiction shows, which takes an entire day to shoot a single episode, fantasy shows have a different story to tell. Some episodes will have more of VFX and some will have less. The action sequences take much longer time to shoot. “If you have action sequences, you cannot give out content more than seven to eight minutes a day. But if you have a linear story-telling, the content that you take out in a day will be far more,” explained Chawla.

     

    A panel of four-five writers are working on the show. The second part of the series will run for 13 weeks with 26 episodes planned. The show will open with a bank of four-five episodes. The shoot location is based out of Madh Island in Mumbai and a lot of the shoot is outdoors. 

     

    The Maharakshak Devi promo VFX has been done by Hardik Gajjar’s Vertex Volt.

     

    Chawla feels that with regards to such shows, quality of execution is not an issue. “It always depends upon the kind of time, production planning and how much is it that you want to simplify or complicate the story,” Chawla said. 

     

    He believes that as a story-teller, the above factors should be taken into account; otherwise it may fall into the loop of complex story-telling which is not going to work. “That is the basic requirement. For audiences, it is the execution which matters,” he explained.

     

     

    Fantasy as a genre works for a certain set of audiences like kids, but not the entire family. “Channel’s experiment with a new story is always welcome but in the end, content is king. Let’s see if the channel is able to entertain the audiences and grab the attention of a new set of people,” opined a media planner. 

  • GiMA 2015 enthrall audiences

    GiMA 2015 enthrall audiences

    MUMBAI: The fifth Gionee Star Global Indian Music Awards witnessed some stellar performances by some of the most celebrated names in the music industry. The hosts , Mikha Singh and Manish Paul elevated the mood with high levels of zest and humor. The two entertained the crowd as they indulged friendly banter much to the amusement of the films and music industry seated in the audience.

     

    The audience was in splits as the duo spot Daler Mehendi in the audience and proceeded to exclaim at the brotherhood between Mika and Daler. Shankar Mahadevan performed a soul stirring piece from Taare Zameen Par with kids from his own music academy while Pritam on the other hand enthralled the audience  with some of his popular hits.

     

    The ceremony also saw a proud A R Rahman gleaming with joy as he watched his band NAFS make their debut on the GIMA stage. Speaking on the occasion, Rahman said, “The ultimate goal of NAFS is to spread joy. The band will strive not only to entertain musically but will also be a visual treat for its audiences in India and abroad”

     

    The award winning Nooran sisters steered their way into hearts as Zakir Hussain, Atif Aslam, Arijit Singh, Kanika Kapoor, Sulaiman Merchant, Daboo Malik, A R Rahman, Ramesh Sippy , and Mika among others cheered them as they crooned a few lines from their well acclaimed track ‘Patakha Guddi.’

     

    The Music Awards is powered by Hungama.com and Kelloggs Chocos and will telecast on 15 March at 8 pm.

  • Greymind Communication looks at launching Sourav Ganguly as quiz master on TV

    Greymind Communication looks at launching Sourav Ganguly as quiz master on TV

    KOLKATA: City-based Greymind Communication is looking to launch Sourav Ganguly on a suitable national channel as a quiz master, after its Zee Bangla venture in Kolkata.

     

    Greymind Communication is an entertainment and sports production company skilled in programming, making documentaries and telecasting live sports.

     

    Additionally, the company which has come up with original formats for the television sports and entertainment channels, is planning to launch food shows in the near future.

     

    “In the entertainment field, we are now planning to launch Sourav Ganguly on a national channel as quiz master, as we did it before for Zee Bangla,” informs Greymind Communication director Anilava Chatterjee. 

     

    Greymind Communication was the creator and producer for Zee Bangla’s Dadagiri Unlimited in the first year of its journey. “We have conceived and produced the show in the first year,” said Chatterjee. 

     

    The company is already in talks with a few channels. However Chatterjee refused to divulge details, saying things are not yet finalised, and it is difficult to mention the details of the format and name of the channel at the present moment.

     

    The flamboyant former Indian cricket captain Sourav Ganguly was back to his charming best in the year 2010 as a quiz master on the popular Bengali TV show Dadagiri Unlimited and enthralled West Bengal. 

     

    Ganguly’s witty questions and sharp repartee were on display on Zee Bangla and won accolades all over. “Now if he works for a national TV channel, it would be a proud moment for the people of Bengal,” said Pranab Gangauly, an independent corporate film director and editor.

     

    Ganguly as an anchor has been accepted wholeheartedly. Dada’s witty posers, along with his intelligent humour and pranks, will no doubt charm national audience as well, experts said.

     

    On the other hand Abhishek Sengupta, editor-in-chief-Demagogue Unzip Your Mind, a media and publishing company, said that Sourav’s pan India popularity is unchallenged. “But one thing we must not forget is that Sourav’s success as an anchor in regional television is more because of his iconic status here. To recreate the same for a national audience, the programme producers will need to take some serious efforts,” he said.

     

    Talking about other production work, Chatterjee added, “Previously we produced Ke Hobe Biggest Fan for Zee Bangla, which was anchored by noted film director Anurag Basu. We have also got some food show in the pipeline as we are very much into food sector as a group.”

     

    “Our publication wing Greymind Publication is now publishing one of the most successful Bengali magazine of recent times Hangla Hneshel for Bengali readers. We are also arranging lots of on ground events on sports and food as well, Our monthly Bengali food magazine Hangla Hneshel is the one of the highest selling Bengali magazines now.” he said.

  • Star India snaps up Screen; News Corp to acquire VCCircle

    Star India snaps up Screen; News Corp to acquire VCCircle

    MUMBAI: Its maw appears to be insatiable.  Close on the heels of acquiring Telugu network Maa Television for around Rs 700 crore-1000 crore (media reports place the transaction at Rs 2,000 crore though), Star India has now gone on to gobble up entertainment broadsheet Screen from the Indian Express group.  The 51-year old weekly, which was once a tremendous force to reckon with in the world of entertainment,  has been grappling to find a position with readers over the last decade.

     

    A Star India release says that the “acquisition will create a definitive multimedia film and entertainment franchise.”

     

    The deal allows it to exclusively own the Screen franchise, covering the weekly, and its Screen Awards,  all the archival material and key employees. Editor Priyanka Sinha Jha – who is wedded to film-maker turned author Piyush Jha – will continue to lead the Screen editorial team.

     

    Certain reports have indicated that Screen will stop coming out in its print avatar from next week and it will be integrated with its hotstar.com app which has been witnessing a lot of traction over the past few months with its programming fare of TV shows, and sports related content. Screen has a circulation of around 12,000 copies each week.  

     

    The value of the Screen deal has not been disclosed but estimates are that it could be anywhere between Rs 30 crore to Rs 50 crore.

     

    Says an excited Star India CEO Uday Shankar: “Screen is a strong and reputable franchise and gives us access to the entertainment editorial suite and the tinsel world, where news that shapes trends is made by film stars, directors and producers. The acquisition of Screen will allow us to strengthen and expand the content brand online while taking the awards platform to the next level. There are strong synergies and the combination of the quality content and awards franchise with Star’s presence across television and digital platforms is strategic and scalable.”

     

    The Screen acquisition could yield good results for Star India. The publication owns the premier Screen Awards which have been running for the past 21 years.  The televised version of the property churns out an estimated Rs 30 crore from sponsorship of its telecast and through syndication deals annually. But more than that it gives Star India another hook into the world of Indian cinema, which is riddled with star egos.

     

     

    Star India has in the past acquired the rights  of the Screen Awards for several years since 2000, but surrendered them to Colors for a year before snaring them for Life OK once again this year.

     

    “We are delighted to enter into a transaction with Star India. Screen is one of the most reputed film and entertainment properties in the country. We have built this business with lot of passion and are confident that Star will nurture it and take it to greater heights” said Indian Express group chairman and managing director Viveck Goenka. 

     

    Speaking on the transaction Indian Express CEO George Varghese: “Screen is one of our leading properties on the entertainment side of the business. Our decision was driven by our belief in Star’s focus to grow this business, which we believe would translate into adding value for all stakeholders including employees.”

     

    AZB Partners acted as legal advisors to Star India while BMR Advisors acted as sole financial advisors and BMR Legal acted as legal advisors to the Indian Express Group.

     

    This is not the first time Star India is biting its teeth into an online internet property. In 2001, it had acquired the portal indya.com from Mircoland promoter Pradeep Kar and other investors for Rs 48 crore. The transaction went nowhere and yielded little dividend as the group tried to make sense of the digital ecosystem. It was finally merged with Star India’s online presence as star.indya.com.

     

    Meanwhile News Corp – the sister company of Star India’s parent 21st Century Corp – annnounced earlier today that it has signed a definitive agreement ot acquire the VCCircle Network -consisting of  VCCircle.com, Techcircle.in, VCCEdge, VCCircle Training, in addition to a premium-content driven conference business. The terms of the deal were not disclosed but it was expected to close by this month end. The various verticals come under Mosaic Media Ventures with 100 employees across India and are headed by CEO and founder P.V. Sahad who will now become a part of the News Corp India team. He will report to  News Corp’s senior vice-president, strategy, Raju Narisetti. The VCCircle acquisition is estimated to be in the vicinity of Rs 60 crore.

     

    In November 2014, News Corp had announced the acquisition of Proptiger – a residential real estate platform, and followed that up with an announcement to take over BigDecisions.com  in December 2014.

  • Colors & Ekta Kapoor partner for Television Style Awards

    Colors & Ekta Kapoor partner for Television Style Awards

    MUMBAI: Over the years, there have been many style trends that have put Indian television on the global map. These trends have, often single handedly, added to the soaring popularity of television shows making them an endearing proposition for viewers.

     

    To deliver the same, Colors in association with Marinating Films, a subsidiary of Ekta Kapoor’s Balaji Telefilms is set to launch the first ever Television Style Awards. The event is scheduled to take place in Mumbai on 13 March.

     

    The awards will recognise the trends and the trendsetters of the television industry that have penetrated into the very heartland of the country. It aims at celebrating Indian television’s most stylish and fashionable stars, who have made an impact across the globe. The event will bring together a unique blend of glamour, fun and entertainment. The style-filled evening will pay homage to those style trends which have been created by television stars that have carved a niche in the world of glamour in over 22 categories.

     

    The winners, across categories, have been handpicked by the jury members namely Karan Johar, Shilpa Shetty, Manish Malhotra and Dabboo Ratnani. 

     

    Colors CEO Raj Nayak said, “We hope that these awards encourage costume designers across the spectrum to push the envelope further to create path-breaking trends. The Television Style Awards aims at celebrating the icons who have contributed towards the growth and development of the television entertainment industry. We are happy to have associated with Ekta Kapoor and Balaji Telefilms for this unique offering.”

     

    Moreover, it will bring together the entire television industry as the best trendsetters receive due credit for creating impactful style statements. The awards evening will be hosted by Karan Johar and Manish Paul. It will also witness a volley of incredibly stylized and high-voltage performances by the most prominent faces from the television industry.

     

    Balaji Telefilms group CEO Sameer Nair believes that television and style are two integral elements, which are consumed by viewers in different forms on a daily basis. “Through the Television Style Awards, we are attempting to recognise the contribution of the various members of the television industry for making small-screen style a global phenomenon. Partnering with the channel on such an endeavour has been fantastic,” added Nair.

  • Colors syndicates ‘Farah Ki Daawat’ to Pakistan’s TV One

    Colors syndicates ‘Farah Ki Daawat’ to Pakistan’s TV One

    MUMBAI: IndiaCast and Hindi general entertainment channel (GEC), Colors have inked a syndication deal for Farah Ki Daawat to Pakistan’s GEC – TV One. With the syndication of this show, 12 Colors programs now air in Pakistan.

     

    Colors CEO Raj Nayak said that entertainment is at the very core of every initiative it undertakes. “The syndication of Farah Ki Daawat to Pakistan boosts our confidence in going beyond the norm to create differentiated content that appeals to viewers not only in India but across the world,” he added.

     

    IndiaCast COO Gaurav Gandhi said, “The content on Colors is a great proposition for international viewers, especially within the Indian sub-continent. It has been our constant endeavor to present the best of Indian entertainment to viewers across the world and this syndication deal with Pakistan’s TV One furthers this promise. We are pleased to present the audience in Pakistan with a unique concept like Farah Ki Daawat for their weekend viewing.”

     

    The show was launched in India on 22 February, 2015 with an episode featuring Abhishek Bachchan and guest Sargun Mehta. The show had received positive feedback from viewers across social media platforms.

     

    Khan said, “I am thrilled by the feedback that viewers have showered Farah Ki Daawat with. The show is gaining popularity and, across various social platforms, viewers are commenting about the ease with which they have been able to replicate the recipes in their own kitchens. Farah Ki Daawat’s syndication to Pakistan’s TV One, gives me the unique opportunity to reach out to Bollywood fans and food lovers across the border.”

  • Q3-2015: Motion Picture segment pulls Sahara One deeper in red; revenue plummets

    Q3-2015: Motion Picture segment pulls Sahara One deeper in red; revenue plummets

    BENGALURU: Sahara One Media and Entertainment Limited (Sahara One) reported less than one ninth (1/9.3 times) Income from operations (TIO) for Q3-2015 at Rs 2.20 crore as compared to the Rs 20.41 crore in the corresponding year ago quarter (Q3-2014) and less than a fourth (1/4.3 times) the Q2-2015 TIO of Rs 9.38 crore. 9M-2015 TIO also fell to 1/3.1 times at Rs 22.76 crore from Rs 70.43 crore in 9M-2014.

     

    Note: 100,00,000 = 100 lakh = 10 million = 1 crore

     

    The company reported higher loss in Q3-2015 at Rs 15.72 crore as compared to a loss of Rs 3.36 crore in Q3-2014 and a loss of Rs 10.36 crore in the previous quarter. Loss in 9M-2015 was Rs 28.39 crore versus a profit of Rs 1.94 crore in 9M-2014.

     

    A major portion of the loss could be attributed to the Sahara One’s Motion Picture segment. This segment reported an operating loss of Rs 14.84 crore against revenue of Rs 0.19 crore in Q3-2015. The company’s Television Broadcasting  segment reported an operating loss of Rs 0.79 crore in the current quarter on revenue of Rs 2.33 crore. However, last quarter, the company’s television segment had reported loss of Rs 9.30 crores and revenue of Rs 9.94 crore.

     

    Sahara One’s Total Expenditure (TE) in in Q3-2015 at Rs 18.99 crore (8.6 times TIO) was 16.3 per cent lower than the Rs 23.54 crore (111.1 per cent of TIO) in Q3-2014 and 6.3 per cent less than the Rs 20.33 crore (216.8 per cent of TIO) in the trailing quarter. TE in 9M-2015 at Rs 54.41 crore (239.1 per cent of TIO) was 25.5 per cent lower than the Rs 75.22 crore (106.8 per cent of TIO) in 9M-2014.

     

    A major portion of the company’s TE is purchase of content cost (POC). The company’s POC cost fell to less than half (46.8 per cent) in Q3-2015 at Rs 13.60 crore (617.8 per cent of TIO) as compared to the Rs 29.06 crore (142.4 per cent of TIO) in Q3-2014, but was 2.6 times higher than the Rs 5.26 crore (56.1 per cent of TIO) in Q2-2015. POC cost in 9M-2015 was 1/2.4 times at Rs 28.76 crore (126.3 per cent of TIO) as compared Rs 68.29 crore (97 per cent of TIO) in 9M-2014.

  • ‘Balika Vadhu’ becomes the longest running daily drama on Indian television

    ‘Balika Vadhu’ becomes the longest running daily drama on Indian television

    MUMBAI: If there is one thing that everyone wishes for, it is that their children do not go through the hardships that they have faced in their own life. The story will come a full circle on Colors flagship show, Balika Vadhu as an 11-year leap sets the stage for a new era led by Anandi’s daughter, Nimboli whose lost childhood is shrouded by the travails of being a child bride. Leading a chaste life with the only family she has truly known since birth, it is Nimboli’s endearing personality that pulls at the heartstrings of everyone around her.

     

    As the show becomes the longest running daily drama series on Indian television with maximum number of episodes, Nimboli’s journey on Balika Vadhu kicks off starting 4 March, 2015 and will air every Monday to Saturday at 8:00 PM on the channel.

     

    Commenting on the new age dawning in Balika Vadhu, Raj Nayak, CEO – COLORS, said, “The success of Balika Vadhu is synonymous with our success as an entertainment channel because it become a key identifier for our offerings to viewers. Over the years, Balika Vadhu has become a global phenomenon through characters which resonate with viewers across the world. As we now enter a new phase on the show, with the promise to showcase newer entertainment avenues, we are proud to celebrate the milestone of being the longest running fiction drama on Indian television. This landmark achievement could not have been possible without our viewers’ unending love and relentless support and the hardwork of our creative team and our producers”.

    As the story moves forward by 11 years, Balika Vadhu will now highlight the life of Anandi’s daughter Nandini who, unknown to her mother, has been subjected to a thali wedding when kidnapped as an infant. A single mother and widow, Anandi’s heart cries out for her missing daughter. But, she eventually finds solace in becoming a social activist after establishing a gurukul for women who have been wronged in life. Even as Anandi’s yearning for her daughter continues to grow over the years as she prays for her daughter’s welfare, Nandini is rechristened as Nimboli by her tough-to-please in-laws who consider her to be as bitter as the fruit of a neem tree. Nimboli has one dream…to be free and enjoy her life, but her dreams are quashed by her insensitive in-laws and husband.

     

    Growing up in a household where gender bias and inequality are the way of life, Nimboli finds an ally in Mangala Devi who is her guiding light and supporter through every hardship that comes her way.

     

    Commenting on the new era, Manisha Sharma, Programming Head – COLORS, said, “After entertaining viewers through a record-breaking no of episodes, Balika Vadhu is now ready for a brand new chapter to unfurl in the lives of Anandi and her children. The unpredictable journey peppered by sharp twists in Anandi’s journey has enabled us to deliver meaningful content to our viewers every single day. Over the past 7 years, we have not only showcased the story of a child bride, but also touched upon various issues such as adult education, widow remarriage, adoption and many more which have established Anandi as the face of change. And now, as Nimboli’s life as the new Balika Vadhu is about to begin, the story comes a full circle with child marriage being at the helm of a new journey on the show.”

     

    Speaking about the new phase in the show, Toral Rasputra aka Anandi, said, “Balika Vadhu has been all about Anandi for the past 7 years. And now, as Anandi’s daughter finds herself caught in the same situation and history is repeating itself, a new journey is set to begin…from the eyes from Nimboli. Over the years, Anandi’s stature has grown by leaps and bounds, and she has, today, become the voice of reason which the entire country looks up to. Portraying the character of a mother whose child has been snatched from her arms has many emotional nuances which have helped me grow as an actor. I hope that the viewers are supportive of this new undertaking in Balika Vadhu and give as much love to Nimboli as they have to Anandi.”

     

    As the story Balika Vadhu readies to move forward, COLORS has roped in 11-year-old Baroda resident, Gracy Goswami to portray the character of young Nimboli whose life and dreams have been compromised since she was an infant.

     

    Stepping into the shoes of Anandi’s daughter, Gracy Goswami aka Nimboli said, “For more than a year now, I have watched Balika Vadhu with my mother and wondered it is like for young girls who find themselves trapped in this situation. Nimboli is much like me – a mischievous young girl with a whole lot of questions in her mind. Balika Vadhu is an educative show highlighting the wrongs that happen in our society, and I feel extremely lucky to be playing the daughter of an inspirational character like Anandi. I hope that fans of the show enjoy watching me on screen and support my character.”

     

    Speaking about the leap, producer Sunjoy Waddhwa from Sphere Origins said, “When we launched Balika Vadhu, little did we know that the show will become the phenomenon that changed the face of Indian television to what it is today. It is extremely satisfying for us to see the show’s popularity continue soar as Balika Vadhu becomes the longest running drama on television. Balika Vadhu has been a beacon of change in the society and we hope that the fresh perspective through the eyes of Nimboli will continue to find mass appeal amongst viewers across the country.”

  • TV channels celebrate the colourful festival

    TV channels celebrate the colourful festival

    MUMBAI: It’s that time of the year when you say, ‘Bura na maano, holi hai’ and smear your friends’ faces with vibrant colours. It’s that time of the year when you drop your inhibitions and get drenched in the colours of the season. 

    TV channels, over the years, have been a reflection of the type of content the audiences can relate to. From the popular saas-bahu on Hindi general entertainment channels (GECs) to your cartoon characters, all have celebrated festivals in tandem with Indian audiences.  

    On Holi, several channels in the entertainment space have rolled out special shows to spread the festive vibe. 

    One of the leaders in the GEC market, Zee TV celebrated the colourful festival this year with Holi Bemisaal- Jamai Raja Special. Bringing together the entire Zee family, the Holi special showcased television’s favorite on-screen couples frolicking in the spirit of Holi on 1 March at 5 pm. 

    Amidst the dramatic twists and turns and action, television’s favorite couples enthralled the audiences as they performed to some memorable Holi numbers in this entertainment extravaganza.

    As for Colors, it was a double treat for the viewers as the channel showcased an hour long holi special maha sangam episode of Shastri Sisters and Sasural Simar Ka on 2 March at 7 pm. 

    On the other hand, Star Plus’ sister channel Life OK will showcase an evening filled with extravagant celebration. Adding a sprinkle of stardust to the viewers celebration this year, Life Ok’s Holi Hai… Life OK hai brings you breathtaking performances by actor Arjun Kapoor and the Baby Doll singer Kanika Singh. The duo along with the star studded cast of Life OK will be seen burning the dance floor.

    Hosting the festival of colours along with a dash of music, dance and comedy, will be Karan Veer Grover. The stage will be set on fire by Elli Avram and her special water act. The event will air on 6 March at 8 pm. 

    Sony Entertainment Television (SET) too is integrating the festival of colours in one of its popular show – Itna Karo Na Mujhe Pyar.

    Kids channels are also not shying away from the festival. With Holi around the corner, Pogo is showering kids with loads of colour, prizes, movies and excitement. The channel has lined-up the Filmy Holi Aayi Re stunt from 5 to 8 March featuring the best of Chhota Bheem movies and specials to entertain kids throughout the festive weekend.

    The celebrations begin with a four-day line-up featuring Chhota Bheem with Bollywood celebrities. Tune-in to Bang Bang with Bheem, Dholakpur ka Singham, Bade Dilwale Bheem aur Indiawale and Bheem aur Salman ki Kick from 5 to 8 March at 11 am.

    Last but not the least, kids stand a chance to win exciting Holi-themed prizes like Inflatable Pools, Water Sprayers, Digital Cameras and much more by participating in the Filmy Holi Aayi Re contest.

    To top it all, Zoom celebrates Holi with the stars. The channel will be hosting the annual festivities on the day itself (6 March), in the presence of well-known television celebrities and Sunny Leone.

    In an on-going contest, viewers are encouraged to tune in to the channel between 9 am to 12 noon and 4 pm to 7 pm daily and ‘Guess the Celeb’ to win exclusive passes for Zoom’s Holi Party 2015.

    Moreover, viewers will need to keep a close eye on the channel during the timeslots and identify the celebrities which will be shown on the screen. The face of the celebrity will be coloured and a new face will be shown every 15 – 20 minutes. 

    Once identified, participants will have to give a missed call on 088205 88205. Participants with the highest number of correct answers get a chance to win passes to the Zoom Holi Party 2015. Hundred such lucky winners will be able to celebrate one of the biggest festivals in India with their favourite celebrities.