Category: GECs

  • Blossoming of a ‘Sunrise’ industry, with help from a ‘Sunshine’ Budget

    Blossoming of a ‘Sunrise’ industry, with help from a ‘Sunshine’ Budget

    Literary purists will expect an op-ed on the media and entertainment sector’s budget wish-list to begin with a reference to Chanakya’s Arthashastra or Manu’s Manusmriti; and rightly so, for they contain priceless public policy principles that hold good even today. However, as someone who is tasked with navigating an innovative organisation that takes pride in its ability to win the hearts of Indians across the world, I will opt for a more recent, relevant and simpler quotation, with a creative twist:

    ‘Kuch to phool khilaye ‘aapne’, aur kuch phool khilane hai Mushkil yeh hai bag me ab tak, kaante ‘kuch’ purane hai’

    Shri Arun Jaitleyji

    Honourable Finance Minister, Government of India

    28 February, 2015, Union Budget Speech

    Last year, the FM listened to two of our industry’s requests. Withholding tax rates on payment of royalty were reduced to 10 per cent and a new, comprehensive foreign trade policy (SEIS) ensured that service sectors are treated at par with their counterparts in manufacturing. This time we have three sets of requests: those that remain from last year, those that are relatively more recent and those that are apply uniformly to all industries.

    Irrespective of which part of the value chain they might represent, all industry stakeholders will agree that consolidation is a much-needed, ongoing business reality that is critical for our sector to flourish. It is only natural that as this trend gathers steam, the regulation should treat our sector at par with other sectors like telecom and software when it comes to the carrying forward of losses in case of a merger or amalgamation. All this needs is an amendment in Section 72A of the IT Act to include the ‘broadcasting, media and entertainment sector.’ The second issue is an oft-repeated one and refers to the treatment of hire charges for transponders as royalty. This leads to an unnecessary tax burden given that there is no transfer of technology taking place. Moreover, even foreign jurisdictions don’t treat these payments as royalty. A simple clarification from the authorities can help resolve this issue.

    Amongst the more recent requests, the first pertains to how we treat payments for content production. These are not ‘fees for technical services’ (u/s 194J) and should instead be treated as ‘work’ (u/s 194C). This will bring clarity regarding the applicability of withholding taxes and help reduce litigation. The other pertains to the sponsorship of ground events. Currently, despite the recipient of the service paying service tax in entirety, set off of CENVAT credit is not available to the sponsorship service provider. This anomaly needs to be corrected.

    The final category pertains to requests that will help industry at large and not just our sector. However, this very aspect makes them even more critical for the M&E sector given our role as a ‘force-multiplier.’ Around $18 billion of investment proposals have been received in electronics manufacturing under the ambitious ‘Make in India’ programme, driven mainly by mobile handset manufacturers. Without high-quality engaging video content, that device with a 5-inch HD screen, 64GB storage and oodles of computing power has practically no use. Media rights are the single largest contributor to almost all sporting leagues in this country. FMCG companies spend a significant portion of their top-line (~10-15 per cent) on advertising because it contributes significantly to their growth. The moot point here is that we power several ecosystems, beyond our own. In keeping with this philosophy the top four requests are (1) reduction in Minimum Alternate Tax (MAT) rate (2) utilisation of credit of Education Cess and Secondary and Higher Education Cess lying in CENVAT balance (3) allowing CENVAT credit on Swachh Bharat Cess (SBC) and (4) removing restrictions on claiming CENVAT Credit.

    While MAT may eventually have lesser relevance (as corporate tax rates and the number of exemptions available to companies reduce), it is in the transitory period that a reduction in the MAT Rate (ideally coupled with the possibility of claiming MAT Credit over an indefinite period of time) can be extremely beneficial. On the issue of Education Cess and Secondary and Higher Education Cess, a simple clarification will suffice. Finally, the Swachh Bharat mission is a unique, much-needed effort that has several positive externalities. So much so, that many organisations are, in their individual capacity, trying their best to support it. At MTV we’ve launched the Junkyard Project, where we are helping with the cleaning and beautification of junkyards. In its current avatar, it is likely that the burden of the SBC will be passed on to the end consumer, after the effects of cascading. Therefore, it will be helpful if CENVAT Credit is allowed on the Swachh Bharat Cess. The government has placed huge emphasis on the ease of doing business. A smooth, seamless flow of tax credits is a critical aim in this regard. As a precursor to the GST regime, it will be helpful if all restrictions on claiming CENVAT credit are removed, including those related to timelines and specific inputs and input services.

    At Viacom18 we take the value of ‘listening deeply’ very seriously. In addition to some of the points above, my op-ed before the last year’s Budget had also argued for a more ‘innovative’ style of dissemination of the budget speech (‘engaging, multi-lingual, audio-visual with info graphics’). I hear that this time around the Finance Ministry has launched an official YouTube channel. Clearly the prashaasan is listening. Now it’s our turn to switch on the TV sets on and grab the popcorn. We’re all ears for Budget 2016.

    (These are purely personal views of Viacom18 group CEO by Sudhanshu Vats and Indiantelevision.com does not necessarily subscribe to these views.)

  • Colors to launch two shows from Balaji Telefilms’ stable in March

    Colors to launch two shows from Balaji Telefilms’ stable in March

    MUMBAI: Colors is all set to launch two new shows called Kasam and Box Cricket League (BCL) in March from Balaji Telefilms.

    While the reality show BCL will begin from 5 March, the fiction Kasam will kick-start from 7 March.

    As reported earlier by Indiantelevision.com, Balaji’s another popular show Meri Aashiqui Tum Se Hi has paved the way for the new offering Kasam. The show will be aired from Monday to Friday and has been slotted in the 10 pm time band.

    Launched on 24 June, 2014, Meri Aashiqui Tum Se Hi will go off air on 19 February. As a result of this, Colors has extended its other fiction series for one hour  till the time Kasam launches.

    Colors’ other offering in the non-fiction space is BCL season 2 is co-produced by Balaji Telefilms and Marinating Films. It can be recalled that the first season of the property was aired on Sony Entertainment Television in 2014.

    Season 2 of Box Cricket League will be a six-month long reality show with a stellar line up of 200 celebrities in 10 teams. The one and a half hour show will be aired on Colors and Colors HD every Sunday at 4.30 pm with a repeat telecast on Rishtey.

    Additionally, Colors’ flagship talent-based reality show India’s Got Talent is all set for another season. The channel has already started auditioning for its seventh season. While Colors has not yet confirmed an official launch date, the show is slated to launch sometime in April.

  • Colors to launch two shows from Balaji Telefilms’ stable in March

    Colors to launch two shows from Balaji Telefilms’ stable in March

    MUMBAI: Colors is all set to launch two new shows called Kasam and Box Cricket League (BCL) in March from Balaji Telefilms.

    While the reality show BCL will begin from 5 March, the fiction Kasam will kick-start from 7 March.

    As reported earlier by Indiantelevision.com, Balaji’s another popular show Meri Aashiqui Tum Se Hi has paved the way for the new offering Kasam. The show will be aired from Monday to Friday and has been slotted in the 10 pm time band.

    Launched on 24 June, 2014, Meri Aashiqui Tum Se Hi will go off air on 19 February. As a result of this, Colors has extended its other fiction series for one hour  till the time Kasam launches.

    Colors’ other offering in the non-fiction space is BCL season 2 is co-produced by Balaji Telefilms and Marinating Films. It can be recalled that the first season of the property was aired on Sony Entertainment Television in 2014.

    Season 2 of Box Cricket League will be a six-month long reality show with a stellar line up of 200 celebrities in 10 teams. The one and a half hour show will be aired on Colors and Colors HD every Sunday at 4.30 pm with a repeat telecast on Rishtey.

    Additionally, Colors’ flagship talent-based reality show India’s Got Talent is all set for another season. The channel has already started auditioning for its seventh season. While Colors has not yet confirmed an official launch date, the show is slated to launch sometime in April.

  • Zee Media crosses 150 million viewers

    Zee Media crosses 150 million viewers

    MUMBAI:  Zee Media achieves another milestone on an average weekly basis Zee Media crosses 150+ million viewers mark.

    Zee Media Corporation Limited (formerly Zee News Ltd.) is India’s one of the Largest News Network with 10 channels, Mumbai edition of DNA newspaper and digital properties like zeenews.com and dnaindia.com.

    The network comprises of two national channels Zee News (Hindi News), Zee Business (Hindi Business News) and India 24×7(Hindi News). In addition it has regional news channels, Zee Madhya Pradesh Chhattisgarh (Madhya Pradesh & Chhattisgarh), Zee 24 Taas (Marathi), Zee Rajasthan News (Rajasthan), Zee Punjab Haryana Himachal and Zee Kalinga News (Odisha). Additionally the company operates 2 regional news channels through its subsidiaries viz. 24 Ghanta (Bengali) through Zee Akaash News Pvt Ltd and Maurya TV (Bihar & Jharkhand) through Maurya TV Private Limited.

    “It’s rare to be able to touch so many people’s lives and we take pride in adhering to our proposition of delivering in-depth analysis, varied perspective and inspirational stories!”, says ZMCL marketing head Pooja Gupta. This journey though exhilarating, sometimes tumultuous times, has been an enriching and enlightening one. 

    While ZMCL have remained intact over the years and have gained credibility for our strong foothold and news coverage, ZMCL is impatient like any innovators. It seeks potential everywhere and every problem is an opportunity for growth. As the largest news network ZMCL believe our work must be integral to our mission of nurturing more informed and aware citizens, inspiring moments of optimism and happiness, creating value and making a difference to their viewer’s lives, opines ZMCL CEO R. K. Arora.

    This achievement would never have been possible without the continued and relentless support from all our viewers and business associates who have played an intensive role to unlock the collaborative power of the news business, making a much greater collective impact.  

    “The attempt is to achieve a new pinnacle in terms of revenue and market share. So let the revelry continue from a million to a zillion!” signs off ZMCL group CEO Dr. Bhaskar Das.

  • Zee Media crosses 150 million viewers

    Zee Media crosses 150 million viewers

    MUMBAI:  Zee Media achieves another milestone on an average weekly basis Zee Media crosses 150+ million viewers mark.

    Zee Media Corporation Limited (formerly Zee News Ltd.) is India’s one of the Largest News Network with 10 channels, Mumbai edition of DNA newspaper and digital properties like zeenews.com and dnaindia.com.

    The network comprises of two national channels Zee News (Hindi News), Zee Business (Hindi Business News) and India 24×7(Hindi News). In addition it has regional news channels, Zee Madhya Pradesh Chhattisgarh (Madhya Pradesh & Chhattisgarh), Zee 24 Taas (Marathi), Zee Rajasthan News (Rajasthan), Zee Punjab Haryana Himachal and Zee Kalinga News (Odisha). Additionally the company operates 2 regional news channels through its subsidiaries viz. 24 Ghanta (Bengali) through Zee Akaash News Pvt Ltd and Maurya TV (Bihar & Jharkhand) through Maurya TV Private Limited.

    “It’s rare to be able to touch so many people’s lives and we take pride in adhering to our proposition of delivering in-depth analysis, varied perspective and inspirational stories!”, says ZMCL marketing head Pooja Gupta. This journey though exhilarating, sometimes tumultuous times, has been an enriching and enlightening one. 

    While ZMCL have remained intact over the years and have gained credibility for our strong foothold and news coverage, ZMCL is impatient like any innovators. It seeks potential everywhere and every problem is an opportunity for growth. As the largest news network ZMCL believe our work must be integral to our mission of nurturing more informed and aware citizens, inspiring moments of optimism and happiness, creating value and making a difference to their viewer’s lives, opines ZMCL CEO R. K. Arora.

    This achievement would never have been possible without the continued and relentless support from all our viewers and business associates who have played an intensive role to unlock the collaborative power of the news business, making a much greater collective impact.  

    “The attempt is to achieve a new pinnacle in terms of revenue and market share. So let the revelry continue from a million to a zillion!” signs off ZMCL group CEO Dr. Bhaskar Das.

  • Balaji Telefilms’ ‘Naagin,’ a slithering success for Colors

    Balaji Telefilms’ ‘Naagin,’ a slithering success for Colors

    MUMBAI: Balaji Telefilms’ fiction show Naagin has swiftly slithered above competition with its special effects, storyline and star cast. Just 30 episodes old, Naagin has left behind all the saas-bahu dramas and has been the number one show with maximum ratings proving to be a game changer for Colors.

    In the first week of launch itself, the weekend fiction show Naagin overtook the top five programmes on Hindi general entertainment channels (GECs). Additionally, Naagin also became one of the first weekend shows, which totted more ratings than top rated weekdays shows.

    A source close to the development informs Indiantelevision.com that the per episode expenditure of the show is between Rs 20 – 25 lakh. On the ad rates front, Naagin commands Rs 1.5 lakh for a 10 second slot.

    Colors has roped in Chutki as the presenting sponsor for the show.

    A media planning expert on condition of anonymity said, “Fifty per cent of the ad inventory must have been allotted to the sponsors and the remaining 50 per cent is what Colors is selling at around Rs 1.5 lakh per 10 second. My assessment suggests that from the 50 per cent, Colors could easily be raking in around Rs 50 lakh, which is a great number and that is why we are seeing multiple channels bringing in the same concept in different ways.”

    Though the concept is not new to the audience, Balaji Telefilms’ portrayal of the story is commendable, which is what sets it apart from the others. The show is loaded with outstanding VFX effects, offering an authentic film-like experience, which only means more cost.

    Another senior media planner opined, “Just because one show is working, we cannot generalise. Different genres are working so the content has to be strong, interesting and has to be told in a different manner. That said, if Naagin is working, it doesn’t mean that the supernatural trend is working on Indian television. It has a supernatural element but it’s all about the presentation and storyline, hence everything has to work together.”

    As was earlier reported by Indiantelevision.com, Naagin glided to the numero uno position in the Top 5 programs on Hindi GECs with 15676 (‘000s) in its launch (week 44 of 2015) beating Star Plus’ prime time show Saath Nibhaana Saathiya, Zee TV’s Kumkum Bhagya, Colors’ weekday prime time show Sasural Simar Ka and Zee Anmol’s Ek Se Bhale Do. Naagin show saw a rise in ratings in its first day telecast in its second week (week 45) with 16,741 (‘000s) while on the second day telecast, the ratings fell to 12,761 (‘00os).

    That said, according to the latest week BARC India ratings data (week 6 of 2016), Naagin is still comfortably coiled on top of the chart with 20680 (‘000s).

  • Balaji Telefilms’ ‘Naagin,’ a slithering success for Colors

    Balaji Telefilms’ ‘Naagin,’ a slithering success for Colors

    MUMBAI: Balaji Telefilms’ fiction show Naagin has swiftly slithered above competition with its special effects, storyline and star cast. Just 30 episodes old, Naagin has left behind all the saas-bahu dramas and has been the number one show with maximum ratings proving to be a game changer for Colors.

    In the first week of launch itself, the weekend fiction show Naagin overtook the top five programmes on Hindi general entertainment channels (GECs). Additionally, Naagin also became one of the first weekend shows, which totted more ratings than top rated weekdays shows.

    A source close to the development informs Indiantelevision.com that the per episode expenditure of the show is between Rs 20 – 25 lakh. On the ad rates front, Naagin commands Rs 1.5 lakh for a 10 second slot.

    Colors has roped in Chutki as the presenting sponsor for the show.

    A media planning expert on condition of anonymity said, “Fifty per cent of the ad inventory must have been allotted to the sponsors and the remaining 50 per cent is what Colors is selling at around Rs 1.5 lakh per 10 second. My assessment suggests that from the 50 per cent, Colors could easily be raking in around Rs 50 lakh, which is a great number and that is why we are seeing multiple channels bringing in the same concept in different ways.”

    Though the concept is not new to the audience, Balaji Telefilms’ portrayal of the story is commendable, which is what sets it apart from the others. The show is loaded with outstanding VFX effects, offering an authentic film-like experience, which only means more cost.

    Another senior media planner opined, “Just because one show is working, we cannot generalise. Different genres are working so the content has to be strong, interesting and has to be told in a different manner. That said, if Naagin is working, it doesn’t mean that the supernatural trend is working on Indian television. It has a supernatural element but it’s all about the presentation and storyline, hence everything has to work together.”

    As was earlier reported by Indiantelevision.com, Naagin glided to the numero uno position in the Top 5 programs on Hindi GECs with 15676 (‘000s) in its launch (week 44 of 2015) beating Star Plus’ prime time show Saath Nibhaana Saathiya, Zee TV’s Kumkum Bhagya, Colors’ weekday prime time show Sasural Simar Ka and Zee Anmol’s Ek Se Bhale Do. Naagin show saw a rise in ratings in its first day telecast in its second week (week 45) with 16,741 (‘000s) while on the second day telecast, the ratings fell to 12,761 (‘00os).

    That said, according to the latest week BARC India ratings data (week 6 of 2016), Naagin is still comfortably coiled on top of the chart with 20680 (‘000s).

  • Zee Melt’s second edition scheduled for 11-12 March

    Zee Melt’s second edition scheduled for 11-12 March

    MUMBAI: Zee Melt 2016, a festival that brings together advertising, digital, marketing, emerging technologies, the media & PR industry, will be held on 11 and 12 March in New Delhi.

    The two day festival by Kyoorius is in partnership with Zee Entertainment, Hindustan Times, GroupM, and D&AD.

    The festival will host a range of conferences, seminars, exhibitions, showcases, workshops and networking sessions for delegates from advertising, digital, media and PR, marketing and emerging technologies by industry experts. Attendees include: Forsman and Bodenfors, Sweden art director Ted Mellström, Heineken Amsterdam director global Mark van Iterson, Fjord Net, London founder and chief client officer Mark Curtis, Financial Times, London chief data officer Tom Betts, Conde Nast, Mumbai digital director Gaurav Mishra and Stimulant, San Francisco CEO Darren David.

    The content for Melt 2016 is divided across four key pillars namely: Learning, Showcase and Gallery, Networking and Celebration. Each of these pillars are driven by content partners and participating brands and will give delegates an opportunity to gain real insights into the creative communication industry from the industry specialists.

    Zee Entertainment Enterprises MD and CEO Punit Goenka said, “As we pursue our vision 2020 of being ranked amongst the leading global media companies, there has been a conscious effort invested in creating and partnering brand IPs. Zee Melt will enable stakeholders from media, marketing and communications to meet at a common platform and exchange experiences, knowledge and insights. This is the second edition of Melt and I firmly believe that it grow and be accepted as a premier Industry event in the years to come.”

    HT Media chief marketing officer Rajan Bhalla added, “HT is delighted to associate with Melt, which brings together doyens from the world of branding, advertising & media, creating an excellent opportunity to interact and engage with them through intellectually stimulating sessions. I am especially excited about ‘HT Osmosis’ at Melt, which will provide creativity new wings.”

    GroupM South Asia CEO CVL Srinivas said, “We are delighted to continue our association with Melt. It is a platform where leaders from technology, content, data and digital interact with young talent to help shape the future of our industry. Like last year, GroupM agencies and specialist units will help curate content for the event in addition to holding workshops.”

    Kyoorius CEO and founder Rajesh Kejriwal added, “We are delighted to announce the second edition of Zee Melt. This two day gathering of the best speakers and presenters from the industry with the addition of experience zones and workshops is definitely going to set us apart. It is heartening that our founder partners, Zee, Hindustan Times and GroupM, have increased their involvement, bringing more compelling content for delegates to enrich themselves.”

  • Zee Melt’s second edition scheduled for 11-12 March

    Zee Melt’s second edition scheduled for 11-12 March

    MUMBAI: Zee Melt 2016, a festival that brings together advertising, digital, marketing, emerging technologies, the media & PR industry, will be held on 11 and 12 March in New Delhi.

    The two day festival by Kyoorius is in partnership with Zee Entertainment, Hindustan Times, GroupM, and D&AD.

    The festival will host a range of conferences, seminars, exhibitions, showcases, workshops and networking sessions for delegates from advertising, digital, media and PR, marketing and emerging technologies by industry experts. Attendees include: Forsman and Bodenfors, Sweden art director Ted Mellström, Heineken Amsterdam director global Mark van Iterson, Fjord Net, London founder and chief client officer Mark Curtis, Financial Times, London chief data officer Tom Betts, Conde Nast, Mumbai digital director Gaurav Mishra and Stimulant, San Francisco CEO Darren David.

    The content for Melt 2016 is divided across four key pillars namely: Learning, Showcase and Gallery, Networking and Celebration. Each of these pillars are driven by content partners and participating brands and will give delegates an opportunity to gain real insights into the creative communication industry from the industry specialists.

    Zee Entertainment Enterprises MD and CEO Punit Goenka said, “As we pursue our vision 2020 of being ranked amongst the leading global media companies, there has been a conscious effort invested in creating and partnering brand IPs. Zee Melt will enable stakeholders from media, marketing and communications to meet at a common platform and exchange experiences, knowledge and insights. This is the second edition of Melt and I firmly believe that it grow and be accepted as a premier Industry event in the years to come.”

    HT Media chief marketing officer Rajan Bhalla added, “HT is delighted to associate with Melt, which brings together doyens from the world of branding, advertising & media, creating an excellent opportunity to interact and engage with them through intellectually stimulating sessions. I am especially excited about ‘HT Osmosis’ at Melt, which will provide creativity new wings.”

    GroupM South Asia CEO CVL Srinivas said, “We are delighted to continue our association with Melt. It is a platform where leaders from technology, content, data and digital interact with young talent to help shape the future of our industry. Like last year, GroupM agencies and specialist units will help curate content for the event in addition to holding workshops.”

    Kyoorius CEO and founder Rajesh Kejriwal added, “We are delighted to announce the second edition of Zee Melt. This two day gathering of the best speakers and presenters from the industry with the addition of experience zones and workshops is definitely going to set us apart. It is heartening that our founder partners, Zee, Hindustan Times and GroupM, have increased their involvement, bringing more compelling content for delegates to enrich themselves.”

  • Big Magic to launch new seasons of ‘Mahisagar’ & ‘Akbar Birbal’ on 22 February

    Big Magic to launch new seasons of ‘Mahisagar’ & ‘Akbar Birbal’ on 22 February

    MUMBAI: Big Magic will be strengthening its bouquet of shows with the launch of a new season of Mahisagar titled Naya Mahisagar. Starting from 22 February, the show will be aired at 7 pm.

    Additionally, as was previously reported by Indiantelevision.com, the channel is also brining the new season of its popular showAkbar Birbal titled Naya Akbar Birbal, which will also go on air on 22 February in the 7:30 pm time band. 

    Set in the backdrop of Gujarat, Naya Mahisagar produced by Hats Off Productions, is the show with an amalgamation of fun, fantasy and humour. On the other hand, produced by Nikhil Sinha’s Triangle Company Naya Akbar Birbal is inspired by the childhood folk tales of Akbar and Birbal and will see a lot of drama, suspense and thrill with signature spurts of comedy.  

    On the launch of new season, Big Magic creative director Bimal Unnikrishnan said, “Mahisagar was a great family entertainer and we wanted our viewers to enjoy a brand new season of this much loved show. With Naya Mahisagar, our idea is to bring forth a hilarious show with a combination of fun, fantasy and humour, appealing to our target audience. We are confident that the new season will be embraced by viewers with the same love and affection.”

    Akbar Birbal is one of the popular show of Big Magic. The first season did extremely well and on audience demand we are all geared up for one of our biggest launches of 2016,” he added.

    Both the shows will see a robust multi-media promotional plan across key markets, which will include a 360 degree marketing campaign. The radio network will engage with viewers and trade partners locally and nationally through multiple platforms.