Category: GECs

  • Big Magic to launch new mythological show ‘Baal Krishna’

    Big Magic to launch new mythological show ‘Baal Krishna’

    MUMBAI: Taking a cue from the popularity of mythological shows on Indian television, the light-hearted family entertainment channel from Reliance Broadcast Network Limited (RBNL) Big Magic is gearing up to launch a new show called Baal Krishna.

    Riding on the channel’s extended reach with its presence on the DD Free Dish DTH platform, Big Magic will launch Baal Krishnafrom 14 March in a bid to amplify its content bouquet for a wider set of audience. The show will be telecast from Monday to Friday at 6:30 pm.

    Baal Krishna will delve into the observations and divine life of Lord Krishna’s childhood, from his perspective. Produced by Swastik Productions, Baal Krishna is Big Magic’s second mythological show after Narayan Narayan. The show will take viewers back to the grandeur and royalty of dwapar yug, bringing age-old stories back to life.

    Big Magic creative director Bimal Unnikrishnan said, “While viewers have watched shows related to Lord Krishna on the small screen, Big Magic’s Baal Krishna will not only explore lesser known stories, but also deal with widely popular stories about Lord Krishna in a fresh and engaging manner, something that has not been witnessed before. Moreover, with our presence on DD Free Dish, we are hopeful that our rapidly growing reach will translate to a wider audience embracing the new show.”

    Baal Krishna will see a multi-media promotional plan across key markets.

  • Kapil Sharma set to make a comeback on Sony with comedy show in May

    Kapil Sharma set to make a comeback on Sony with comedy show in May

    MUMBAI: Speculations about actor – comedian Kapil Sharma joining hands with Sony Entertainment Television can finally be laid to rest. It’s official now! Sharma, who had a rather acrimonious fallout with Colors recently, is all set to join hands with Sony to launch a comedy show.

    Confirming the news to Indiantelevision.com, Sony Pictures Networks India CEO NP Singh said, “You will see Kapil soon on Sony TV in a few months’ time.”

    According to information available with Indiantelevision.com, the weekend show is slated to launch in May. 

    A source close to development informed that Sharma’s new show on Sony will be produced by Frames Productions and Sharma’s K9. 

    It may be recalled that before hopping on to Colors with Comedy Nights With Kapil, he was onboard one of Sony’s most popular comedy reality shows – Comedy Circus and has also been a winner of six seasons.

    That apart, in a bid to grab eyeballs, Sony Entertainment Television is also gearing up to regale its audience with the launch of two new shows namely Kuch Rang Pyaar Ke Aise Bhi and EK Duje Ke Vaste on 29 February.  

    Produced by Beyond Dreams Productions, Kuch Rang Pyar Ke Aise Bhi boasts of a talented star cast comprising Supriya Pilgaonkar, Shaheer Sheikh and Erica Fernandes in lead roles. It is a new age love story that deals with modern day intricacies of romantic relationships. The show will be aired at 9:30 pm from Monday – Friday. 

    On the other hand, Ek Duje Ke Vaste produced by Bindu Productions is a story of Shravan played by Namik Paul and Suman played by Nikita Dutta that explores the conflict between love and self-respect. It will be aired at 10 pm from Monday to Friday. 

    Sony Entertainment Television EVP & business head Danish Khan said, “Kuch Rang Pyar Ke Aise Bhi and Ek Duje Ke Vaste are based on real life insights and their soul lies in the story and narration. While Kuch Rang Pyar Ke Aise Bhi boasts of outstanding writers Mitali & Raghuveer, Ek Duje Ke Vasteis is being written by Dilip Jha, who is known for the classic Bade Acche Lagte Hain. We are thrilled to associate with Yash Patnaik & Dilip Jha for these two shows respectively.”

  • Kapil Sharma set to make a comeback on Sony with comedy show in May

    Kapil Sharma set to make a comeback on Sony with comedy show in May

    MUMBAI: Speculations about actor – comedian Kapil Sharma joining hands with Sony Entertainment Television can finally be laid to rest. It’s official now! Sharma, who had a rather acrimonious fallout with Colors recently, is all set to join hands with Sony to launch a comedy show.

    Confirming the news to Indiantelevision.com, Sony Pictures Networks India CEO NP Singh said, “You will see Kapil soon on Sony TV in a few months’ time.”

    According to information available with Indiantelevision.com, the weekend show is slated to launch in May. 

    A source close to development informed that Sharma’s new show on Sony will be produced by Frames Productions and Sharma’s K9. 

    It may be recalled that before hopping on to Colors with Comedy Nights With Kapil, he was onboard one of Sony’s most popular comedy reality shows – Comedy Circus and has also been a winner of six seasons.

    That apart, in a bid to grab eyeballs, Sony Entertainment Television is also gearing up to regale its audience with the launch of two new shows namely Kuch Rang Pyaar Ke Aise Bhi and EK Duje Ke Vaste on 29 February.  

    Produced by Beyond Dreams Productions, Kuch Rang Pyar Ke Aise Bhi boasts of a talented star cast comprising Supriya Pilgaonkar, Shaheer Sheikh and Erica Fernandes in lead roles. It is a new age love story that deals with modern day intricacies of romantic relationships. The show will be aired at 9:30 pm from Monday – Friday. 

    On the other hand, Ek Duje Ke Vaste produced by Bindu Productions is a story of Shravan played by Namik Paul and Suman played by Nikita Dutta that explores the conflict between love and self-respect. It will be aired at 10 pm from Monday to Friday. 

    Sony Entertainment Television EVP & business head Danish Khan said, “Kuch Rang Pyar Ke Aise Bhi and Ek Duje Ke Vaste are based on real life insights and their soul lies in the story and narration. While Kuch Rang Pyar Ke Aise Bhi boasts of outstanding writers Mitali & Raghuveer, Ek Duje Ke Vasteis is being written by Dilip Jha, who is known for the classic Bade Acche Lagte Hain. We are thrilled to associate with Yash Patnaik & Dilip Jha for these two shows respectively.”

  • Incorrect and mischievous statements made by Vishwa Deepak

    Incorrect and mischievous statements made by Vishwa Deepak

    MUMBAI: It has come to the notice of Zee Media that Mr. Vishwa Deepak who was working with Zee News, after his resignation dated 19.02.2016, has made certain statements on various social media platforms which are not only incorrect but also defamatory and mischievous. Some of the media houses without proper verification of the facts and going into details of the false, incorrect and mischievous statements made by Mr. Vishwa Deepak, have portrayed the said statements as a statement of fact. It is disheartening to see that other media platforms without even caring to check with Mr. Pawan Nara who was reporting that night from JNU chose to believe and report wild allegations. By this statement ZMCL condemns and deny all the allegations made by Mr. Vishwa Deepak and wishes to highlight the following points appealing to all Media Houses to consider prior to portraying the statements as a statement of fact:
    1.    ZMCL is a large media house and people leaving and recruitments are a normal affair.
    2.    Mr. Vishwa Deepak was neither concerned nor was he involved in any stories related to the JNU issue.
    3.    Mr. Vishwa Deepak had never discussed any of these issues with anybody in the organization, if he had any.
    4.    The news report regarding happenings of events in JNU on 09.02.2016 and shouting of anti-national slogans such as ‘?????????????????’is a true factual event that was not only reported by ZMCL but also other Media houses which have also reported shouting of anti-national slogans.
    5.    It is evident from the raw footage shot by its cameraman that slogans such as ‘?????????????????’wereraisedin JNU on the night of 09.02.2016.
    6.    The raw footage of the happenings on the night of 09.02.2016 has been submitted by ZMCL to the Delhi Police and the Police Authorities are in the process of verifying the correctness and truthfulness of the said footage. ZMCL is confident and sure that the authenticity of the said footage would be once and for all clearly established by the reports of Delhi Police.
    7.    ZMCL is an independent media house which has no affiliations with any of the political parties and as such does not take any sides while reporting any news.
    8.    ZMCL has always endeavored to ensure that the news reported by it meets the standards of being unbiased, neutral and are true facts.

     

  • Incorrect and mischievous statements made by Vishwa Deepak

    Incorrect and mischievous statements made by Vishwa Deepak

    MUMBAI: It has come to the notice of Zee Media that Mr. Vishwa Deepak who was working with Zee News, after his resignation dated 19.02.2016, has made certain statements on various social media platforms which are not only incorrect but also defamatory and mischievous. Some of the media houses without proper verification of the facts and going into details of the false, incorrect and mischievous statements made by Mr. Vishwa Deepak, have portrayed the said statements as a statement of fact. It is disheartening to see that other media platforms without even caring to check with Mr. Pawan Nara who was reporting that night from JNU chose to believe and report wild allegations. By this statement ZMCL condemns and deny all the allegations made by Mr. Vishwa Deepak and wishes to highlight the following points appealing to all Media Houses to consider prior to portraying the statements as a statement of fact:
    1.    ZMCL is a large media house and people leaving and recruitments are a normal affair.
    2.    Mr. Vishwa Deepak was neither concerned nor was he involved in any stories related to the JNU issue.
    3.    Mr. Vishwa Deepak had never discussed any of these issues with anybody in the organization, if he had any.
    4.    The news report regarding happenings of events in JNU on 09.02.2016 and shouting of anti-national slogans such as ‘?????????????????’is a true factual event that was not only reported by ZMCL but also other Media houses which have also reported shouting of anti-national slogans.
    5.    It is evident from the raw footage shot by its cameraman that slogans such as ‘?????????????????’wereraisedin JNU on the night of 09.02.2016.
    6.    The raw footage of the happenings on the night of 09.02.2016 has been submitted by ZMCL to the Delhi Police and the Police Authorities are in the process of verifying the correctness and truthfulness of the said footage. ZMCL is confident and sure that the authenticity of the said footage would be once and for all clearly established by the reports of Delhi Police.
    7.    ZMCL is an independent media house which has no affiliations with any of the political parties and as such does not take any sides while reporting any news.
    8.    ZMCL has always endeavored to ensure that the news reported by it meets the standards of being unbiased, neutral and are true facts.

     

  • Zee Entertainment acquires TOIFA 2016 global telecast rights, except India

    Zee Entertainment acquires TOIFA 2016 global telecast rights, except India

    MUMBAI: Zee Entertainment Group has bagged the exclusive telecast partners across the world, excluding India of The Times of India Film Awards (TOIFA) 2016.

    The partnership is aimed at promoting TOIFA’s grandeur, to reach out to viewers across the globe, which will include some of these regions like Middle East, Pakistan, Asia Pacific, America, Africa and Europe.  

    TOIFA 2016 Dubai presented by Gulf Air and Splash will be held on 17 & 18 March at the Dubai International Stadium and also will see performances by Shah Rukh Khan, Varun Dhawan, Kareena Kapoor Khan, Jacqueline Fernandez, YoYo Honey Singh and others.

    Zee Entertainment Middle East CEO Mukund Cairae says, “It’s a privilege to associate with TOIFA as an exclusive broadcast partner, as Zee is also the global leader in providing entertaining content for global viewers at present. This partnership goes beyond the Middle East region, as we have acquired International telecast rights. With Zee’s global reach and viewership, we are sure to entertain the audience with Indian and Bollywood content.”

    TOIFA is going to be promoted across India, Bahrain, KSA, Qatar, Oman and UK. TOIFA has already partnered with Thomas Cook in India and Dadabhai Travels in the Gulf Cooperation Council (GCC) as its Travel Partners.

    Zee Entertainment Middle East chief content & creative officer Manoj Mathew added, “At Zee, our simple mantra is to continuously entertain and bring new content to our viewers. We continue to do this with our association with TOIFA and this year the awards have special significance since it is hosted in Dubai.” 

    He further added, “The event offers great entertainment with performances by some of the biggest Bollywood icons; we are thrilled to partner with the event, which will further delight our viewers not only on-ground but also broadcasting it on Zee Cinema and Zee Aflam for the region.”

    For the South Asians audience in Middle East TOIFA will be showcased exclusively on Zee Cinema and for the Arabic audience it will be showcased on Zee’s Arabic Bollywood channel Zee Aflam.

  • Zee Entertainment acquires TOIFA 2016 global telecast rights, except India

    Zee Entertainment acquires TOIFA 2016 global telecast rights, except India

    MUMBAI: Zee Entertainment Group has bagged the exclusive telecast partners across the world, excluding India of The Times of India Film Awards (TOIFA) 2016.

    The partnership is aimed at promoting TOIFA’s grandeur, to reach out to viewers across the globe, which will include some of these regions like Middle East, Pakistan, Asia Pacific, America, Africa and Europe.  

    TOIFA 2016 Dubai presented by Gulf Air and Splash will be held on 17 & 18 March at the Dubai International Stadium and also will see performances by Shah Rukh Khan, Varun Dhawan, Kareena Kapoor Khan, Jacqueline Fernandez, YoYo Honey Singh and others.

    Zee Entertainment Middle East CEO Mukund Cairae says, “It’s a privilege to associate with TOIFA as an exclusive broadcast partner, as Zee is also the global leader in providing entertaining content for global viewers at present. This partnership goes beyond the Middle East region, as we have acquired International telecast rights. With Zee’s global reach and viewership, we are sure to entertain the audience with Indian and Bollywood content.”

    TOIFA is going to be promoted across India, Bahrain, KSA, Qatar, Oman and UK. TOIFA has already partnered with Thomas Cook in India and Dadabhai Travels in the Gulf Cooperation Council (GCC) as its Travel Partners.

    Zee Entertainment Middle East chief content & creative officer Manoj Mathew added, “At Zee, our simple mantra is to continuously entertain and bring new content to our viewers. We continue to do this with our association with TOIFA and this year the awards have special significance since it is hosted in Dubai.” 

    He further added, “The event offers great entertainment with performances by some of the biggest Bollywood icons; we are thrilled to partner with the event, which will further delight our viewers not only on-ground but also broadcasting it on Zee Cinema and Zee Aflam for the region.”

    For the South Asians audience in Middle East TOIFA will be showcased exclusively on Zee Cinema and for the Arabic audience it will be showcased on Zee’s Arabic Bollywood channel Zee Aflam.

  • How to get your story on screen?

    How to get your story on screen?

    MUMBAI: The key to survival in the cut-throat world of television programming is creativity and conviction. At a time when writers and good ones at that, are available nineteen to a dozen, television channels are picky-choosy about the scripts and scriptwriting talent that they hire. In such a scenario, many a scriptwriters with fire in their belly and the desire to be successful are left with no choice but to taken the route of becoming a producer by roping in investors.

    With a focus on how new age writers also have to don the hat of a producer not out of choice but out of compulsion, The Content Hub 2016’s session ‘The Age of Creative Producers’ set the ball rolling by focussing on issues of show-runners, C driving creativity as well as writers and directors turning producers.

    The session was attended by writers, producers, directors and broadcasters alike from the television industry. The session was chaired by Bodhi Tree Multimedia co-owner Sukesh Motwani and the panellists included Neela Telefilms owner Asit Modi, The House of Originals director Nivedita Basu, Sony SAB programming head Saeed Akhtar and Swastik Pictures founder Siddharth Tewary.

    Shedding light on the issue of writers and directors becoming producers, Tewary said, “Writers have no other option than to become producers because many a times, production houses don’t agree to produce their stories. So writers are left with no choice but to manage their funds and produce it on their own.”

    Basu opined, “The concept of writers and directors collaborating with production houses is nothing new. It already existed in the industry. Moreover, the collaboration between writer and production house as well as between the production house and channel has become a key factor.”

    For the smooth shooting for any television show, a ‘show-runner’ is a must. The show-runner is responsible for the show’s creative and financial aspects and also looks after the overall creative authority and management responsibility for television programs. Emphasising the importance of having an able ‘show-runner’ to helm the television show, Basu added, “Nowadays having a good concept is nothing. It’s all about how you build the characters. It is good to have a very experienced person as a show-runner by a channel.”

    Elaborating on the concept of show-runner, Modi opined, “It is important to have somebody who has knowledge about all aspects of creation rather than writing. Thus it is important to have a show-runner who has a better idea, vision and understanding about what the audience wants.”

    Broadcasters play a pivotal role in getting the content out on television and highlighting the criteria that broadcasters look for while choosing a show, Sony SAB programming head Saeed Akhtar opined, “An individual should have a vision on what they are creating. Today, a lot of shows on television are infinite, and thus it is very important to have a vision about the show as for broadcasters, the show is a product, which they need to sell to advertisers as well as the viewers. One should choose the right person internally to drive a particular kind of brand and maintain brand hygiene. If the channel identifies a person who has the capability to drive a particular idea into a good show and everyone’s conviction is on that show, then broadcasters helps in creating an ecosystem so that the essence of the core idea always stays.”

  • How to get your story on screen?

    How to get your story on screen?

    MUMBAI: The key to survival in the cut-throat world of television programming is creativity and conviction. At a time when writers and good ones at that, are available nineteen to a dozen, television channels are picky-choosy about the scripts and scriptwriting talent that they hire. In such a scenario, many a scriptwriters with fire in their belly and the desire to be successful are left with no choice but to taken the route of becoming a producer by roping in investors.

    With a focus on how new age writers also have to don the hat of a producer not out of choice but out of compulsion, The Content Hub 2016’s session ‘The Age of Creative Producers’ set the ball rolling by focussing on issues of show-runners, C driving creativity as well as writers and directors turning producers.

    The session was attended by writers, producers, directors and broadcasters alike from the television industry. The session was chaired by Bodhi Tree Multimedia co-owner Sukesh Motwani and the panellists included Neela Telefilms owner Asit Modi, The House of Originals director Nivedita Basu, Sony SAB programming head Saeed Akhtar and Swastik Pictures founder Siddharth Tewary.

    Shedding light on the issue of writers and directors becoming producers, Tewary said, “Writers have no other option than to become producers because many a times, production houses don’t agree to produce their stories. So writers are left with no choice but to manage their funds and produce it on their own.”

    Basu opined, “The concept of writers and directors collaborating with production houses is nothing new. It already existed in the industry. Moreover, the collaboration between writer and production house as well as between the production house and channel has become a key factor.”

    For the smooth shooting for any television show, a ‘show-runner’ is a must. The show-runner is responsible for the show’s creative and financial aspects and also looks after the overall creative authority and management responsibility for television programs. Emphasising the importance of having an able ‘show-runner’ to helm the television show, Basu added, “Nowadays having a good concept is nothing. It’s all about how you build the characters. It is good to have a very experienced person as a show-runner by a channel.”

    Elaborating on the concept of show-runner, Modi opined, “It is important to have somebody who has knowledge about all aspects of creation rather than writing. Thus it is important to have a show-runner who has a better idea, vision and understanding about what the audience wants.”

    Broadcasters play a pivotal role in getting the content out on television and highlighting the criteria that broadcasters look for while choosing a show, Sony SAB programming head Saeed Akhtar opined, “An individual should have a vision on what they are creating. Today, a lot of shows on television are infinite, and thus it is very important to have a vision about the show as for broadcasters, the show is a product, which they need to sell to advertisers as well as the viewers. One should choose the right person internally to drive a particular kind of brand and maintain brand hygiene. If the channel identifies a person who has the capability to drive a particular idea into a good show and everyone’s conviction is on that show, then broadcasters helps in creating an ecosystem so that the essence of the core idea always stays.”

  • Blossoming of a ‘Sunrise’ industry, with help from a ‘Sunshine’ Budget

    Blossoming of a ‘Sunrise’ industry, with help from a ‘Sunshine’ Budget

    Literary purists will expect an op-ed on the media and entertainment sector’s budget wish-list to begin with a reference to Chanakya’s Arthashastra or Manu’s Manusmriti; and rightly so, for they contain priceless public policy principles that hold good even today. However, as someone who is tasked with navigating an innovative organisation that takes pride in its ability to win the hearts of Indians across the world, I will opt for a more recent, relevant and simpler quotation, with a creative twist:

    ‘Kuch to phool khilaye ‘aapne’, aur kuch phool khilane hai Mushkil yeh hai bag me ab tak, kaante ‘kuch’ purane hai’

    Shri Arun Jaitleyji

    Honourable Finance Minister, Government of India

    28 February, 2015, Union Budget Speech

    Last year, the FM listened to two of our industry’s requests. Withholding tax rates on payment of royalty were reduced to 10 per cent and a new, comprehensive foreign trade policy (SEIS) ensured that service sectors are treated at par with their counterparts in manufacturing. This time we have three sets of requests: those that remain from last year, those that are relatively more recent and those that are apply uniformly to all industries.

    Irrespective of which part of the value chain they might represent, all industry stakeholders will agree that consolidation is a much-needed, ongoing business reality that is critical for our sector to flourish. It is only natural that as this trend gathers steam, the regulation should treat our sector at par with other sectors like telecom and software when it comes to the carrying forward of losses in case of a merger or amalgamation. All this needs is an amendment in Section 72A of the IT Act to include the ‘broadcasting, media and entertainment sector.’ The second issue is an oft-repeated one and refers to the treatment of hire charges for transponders as royalty. This leads to an unnecessary tax burden given that there is no transfer of technology taking place. Moreover, even foreign jurisdictions don’t treat these payments as royalty. A simple clarification from the authorities can help resolve this issue.

    Amongst the more recent requests, the first pertains to how we treat payments for content production. These are not ‘fees for technical services’ (u/s 194J) and should instead be treated as ‘work’ (u/s 194C). This will bring clarity regarding the applicability of withholding taxes and help reduce litigation. The other pertains to the sponsorship of ground events. Currently, despite the recipient of the service paying service tax in entirety, set off of CENVAT credit is not available to the sponsorship service provider. This anomaly needs to be corrected.

    The final category pertains to requests that will help industry at large and not just our sector. However, this very aspect makes them even more critical for the M&E sector given our role as a ‘force-multiplier.’ Around $18 billion of investment proposals have been received in electronics manufacturing under the ambitious ‘Make in India’ programme, driven mainly by mobile handset manufacturers. Without high-quality engaging video content, that device with a 5-inch HD screen, 64GB storage and oodles of computing power has practically no use. Media rights are the single largest contributor to almost all sporting leagues in this country. FMCG companies spend a significant portion of their top-line (~10-15 per cent) on advertising because it contributes significantly to their growth. The moot point here is that we power several ecosystems, beyond our own. In keeping with this philosophy the top four requests are (1) reduction in Minimum Alternate Tax (MAT) rate (2) utilisation of credit of Education Cess and Secondary and Higher Education Cess lying in CENVAT balance (3) allowing CENVAT credit on Swachh Bharat Cess (SBC) and (4) removing restrictions on claiming CENVAT Credit.

    While MAT may eventually have lesser relevance (as corporate tax rates and the number of exemptions available to companies reduce), it is in the transitory period that a reduction in the MAT Rate (ideally coupled with the possibility of claiming MAT Credit over an indefinite period of time) can be extremely beneficial. On the issue of Education Cess and Secondary and Higher Education Cess, a simple clarification will suffice. Finally, the Swachh Bharat mission is a unique, much-needed effort that has several positive externalities. So much so, that many organisations are, in their individual capacity, trying their best to support it. At MTV we’ve launched the Junkyard Project, where we are helping with the cleaning and beautification of junkyards. In its current avatar, it is likely that the burden of the SBC will be passed on to the end consumer, after the effects of cascading. Therefore, it will be helpful if CENVAT Credit is allowed on the Swachh Bharat Cess. The government has placed huge emphasis on the ease of doing business. A smooth, seamless flow of tax credits is a critical aim in this regard. As a precursor to the GST regime, it will be helpful if all restrictions on claiming CENVAT credit are removed, including those related to timelines and specific inputs and input services.

    At Viacom18 we take the value of ‘listening deeply’ very seriously. In addition to some of the points above, my op-ed before the last year’s Budget had also argued for a more ‘innovative’ style of dissemination of the budget speech (‘engaging, multi-lingual, audio-visual with info graphics’). I hear that this time around the Finance Ministry has launched an official YouTube channel. Clearly the prashaasan is listening. Now it’s our turn to switch on the TV sets on and grab the popcorn. We’re all ears for Budget 2016.

    (These are purely personal views of Viacom18 group CEO by Sudhanshu Vats and Indiantelevision.com does not necessarily subscribe to these views.)