Category: GECs

  • Non-news temporary uplinking approvals in 15 days

    Non-news temporary uplinking approvals in 15 days

    NEW DELHI: Applications from all non-news (general entertainment) television companies for temporary uplinking permission from the Government should be made at least 15 days prior to the scheduled events.

    In a note put up on its website, the Information and Broadcasting Ministry said such applications would be rejected if they did not follow the norms as mentioned in the application form of temporary uplinking permission.

    The note said: “It may be borne in mind that after permission from this Ministry, the WPC wing under Communications and Information Technology Ministry also requires minimum three days time to process such applications.”

    It said strict compliance with these instructions will ensure timeliness in processing of the requests.

    The note said: “It has been observed in this Ministry that, while applying for permission for uplinking of various events for temporary uplinking permission, some applicants are applying at the very last moment, sometimes just a few days prior to or the day before the scheduled events, thus not allowing this Ministry even the minimum processing time to work on those applications.”

    It had been notified from time to time, the last being on 9 January 2015 on the Ministry’s website, that applications are required to be submitted at least l5 days prior to the proposed date of uplinking of the event.

  • Zindagi expands programming duration; to launch HD, bi-lingual feed

    Zindagi expands programming duration; to launch HD, bi-lingual feed

    MUMBAI: Zee Le Zindagi. Hindi general entertainment channel (GEC) from the Zee Entertainment Enterprises Limited (Zeel), Zindagi, positioned itself as a premium Hindi-Urdu channel.

    Launched in 2014 as the channel for broadcasting short-run programming, it is now expanding the duration of programmes from 26 episodes to 96 episodes. “One of the learnings we had is that people need time to connect with the characters and storyline. Earlier, we tried to the cater audience with less number of episodes but it didn’t work out well, but it will never be three or four years long shows,” says ZEEL chief business officer Sunil Buch.

    The channel has also changed its slogan from ‘Jode Dilo ko’ to ‘Yeh Lamha Hi Hai Zindagi.’

    Starting on 3 October, the channel is introducing a new line-up. The new shows include a light-hearted Turkish drama, Little Lord, three Indian originals that push societal thinking including Sunjoy Wadhwa’s Sphere Origins’ ‘TV Ke Uss Par’, ‘Khwaabon Ki Zamin Par’ by Anupam Kher’s Actor Prepares and ‘Agar Tum Saath Ho’ by Gulshan Sachdeva’s Film & Shots. Bringing different cultures together is a co-production with Geo TV titled, ‘Teri Meri Jodi.’ Also, Zindagi’s blockbuster Turkish drama Fatmagul will continue to entertain viewers.

    Buch adds, “Zindagi was launched with the promise of bringing the best shows from across the world to the Indian television screens. Our compelling content has always been our calling card. A thought-leader in premium entertainment with a distinct character, Zindagi presents finite world stories with bold narratives which unveil universal emotions. The Alpha Club numbers give us resounding encouragement that we are on the right path of providing premium entertainment. What sets the channel apart is its consistent commitment to show real, vibrant, and premium world stories.”

    Hand-picked stories from India, Turkey, Spain, Italy, Pakistan, Latin America and Korea will now be available on Zindagi.

    The channel is also planning to launch the HD feed. “We are waiting for the licensing process to be completed. For our bi-lingual premium audiences, Zindagi will soon be available on a dual feed of Hindi and English,” he informs.

    The channel’s positioning ’Yeh Lamha Hi Hai Zindagi’ mirrors the essence of the word ‘Zindagi.’ Anywhere in the world, life is a finite progression of moments and it’s important that we live each and every one of them. There is no sense in doing rewind – play and lose our today, our moment, in the quest of analyzing / living in the past. That’s the top line of the channel, literally. Again a departure from traditional base lines associated with most brands/channels and true to the thought leader grain of Zindagi,” adds Buch.

    Unparalleled creativity and innovation will be a part of the robust marketing campaign designed to deliver across all traditional and digital mediums about Zindagi. The channel’s campaign will be initiated with a simple yet thought-provoking catchphrase ‘#ZindagiKehtiHai’ that is designed to create conversation around our life, our Zindagi.

    #ZindagiKehtiHai will dip in the currency of the world happenings and reflect the sentiments of people as they voice their views on everything that affects their lives. There will be a high impact roadblock across Zee network of 33 channels on 30 September. Engaging campaigns that will empower audiences will be visible across print, TV, DTH, digital, cinema, mobile and OOH. The publicity campaign will build advocacy through unique experiences that evoke the brand proposition and mirror the viewer’ premium lifestyles.

  • Zindagi expands programming duration; to launch HD, bi-lingual feed

    Zindagi expands programming duration; to launch HD, bi-lingual feed

    MUMBAI: Zee Le Zindagi. Hindi general entertainment channel (GEC) from the Zee Entertainment Enterprises Limited (Zeel), Zindagi, positioned itself as a premium Hindi-Urdu channel.

    Launched in 2014 as the channel for broadcasting short-run programming, it is now expanding the duration of programmes from 26 episodes to 96 episodes. “One of the learnings we had is that people need time to connect with the characters and storyline. Earlier, we tried to the cater audience with less number of episodes but it didn’t work out well, but it will never be three or four years long shows,” says ZEEL chief business officer Sunil Buch.

    The channel has also changed its slogan from ‘Jode Dilo ko’ to ‘Yeh Lamha Hi Hai Zindagi.’

    Starting on 3 October, the channel is introducing a new line-up. The new shows include a light-hearted Turkish drama, Little Lord, three Indian originals that push societal thinking including Sunjoy Wadhwa’s Sphere Origins’ ‘TV Ke Uss Par’, ‘Khwaabon Ki Zamin Par’ by Anupam Kher’s Actor Prepares and ‘Agar Tum Saath Ho’ by Gulshan Sachdeva’s Film & Shots. Bringing different cultures together is a co-production with Geo TV titled, ‘Teri Meri Jodi.’ Also, Zindagi’s blockbuster Turkish drama Fatmagul will continue to entertain viewers.

    Buch adds, “Zindagi was launched with the promise of bringing the best shows from across the world to the Indian television screens. Our compelling content has always been our calling card. A thought-leader in premium entertainment with a distinct character, Zindagi presents finite world stories with bold narratives which unveil universal emotions. The Alpha Club numbers give us resounding encouragement that we are on the right path of providing premium entertainment. What sets the channel apart is its consistent commitment to show real, vibrant, and premium world stories.”

    Hand-picked stories from India, Turkey, Spain, Italy, Pakistan, Latin America and Korea will now be available on Zindagi.

    The channel is also planning to launch the HD feed. “We are waiting for the licensing process to be completed. For our bi-lingual premium audiences, Zindagi will soon be available on a dual feed of Hindi and English,” he informs.

    The channel’s positioning ’Yeh Lamha Hi Hai Zindagi’ mirrors the essence of the word ‘Zindagi.’ Anywhere in the world, life is a finite progression of moments and it’s important that we live each and every one of them. There is no sense in doing rewind – play and lose our today, our moment, in the quest of analyzing / living in the past. That’s the top line of the channel, literally. Again a departure from traditional base lines associated with most brands/channels and true to the thought leader grain of Zindagi,” adds Buch.

    Unparalleled creativity and innovation will be a part of the robust marketing campaign designed to deliver across all traditional and digital mediums about Zindagi. The channel’s campaign will be initiated with a simple yet thought-provoking catchphrase ‘#ZindagiKehtiHai’ that is designed to create conversation around our life, our Zindagi.

    #ZindagiKehtiHai will dip in the currency of the world happenings and reflect the sentiments of people as they voice their views on everything that affects their lives. There will be a high impact roadblock across Zee network of 33 channels on 30 September. Engaging campaigns that will empower audiences will be visible across print, TV, DTH, digital, cinema, mobile and OOH. The publicity campaign will build advocacy through unique experiences that evoke the brand proposition and mirror the viewer’ premium lifestyles.

  • ZEEL Cignals deal for Filipino channel Zee Sine

    ZEEL Cignals deal for Filipino channel Zee Sine

    MUMBAI: Zee Entertainment Enterprises Limited has signalled a deal with Cignal TV for Filipino channel Zee Sine.

    Earlier this year, ZEEL had announced its foray into the Philippines with its Tagalog and Taglish language Bollywood movie channel Zee Sine in partnership with the local cable TV distributor Cable Boss. Since then, it has been expanding its reach. An agreement with the cable TV MSO Cable Link followed which gave it access to subscribers in parts of Manila.

    Then, last week, it announced a carriage deal with local satellite platform and DTH operator Cignal TV.

    Cignal, launched in 2009, transmits 102 channels including free-to-air, SD and HD channels to household and commercial venues nationwide. It also offers a mix of 12 audio channels and on-demand service through pay-per-view channels. It is owned by MediaQuest Holdings, the media partner of PLDT Group.

    The entertainment major launched the Zee Sine on pay TV and DTH operator Cignal TV which boasts a subscriber base in excess of 1 million. After launching channels in Latin America, Germany, Indonesia, the US, Malaysia, Thailand (not necessarily in that order), it was now the turn of the south-east Asian nation to see another offering from the Punit Goenka-led company.

    Available on Channel 19 with Cignal Postpaid plan 290 and up and Cignal Prepaid Premium 300 and up, Zee Sine is backed by ZEEL’s Bollywood movie library, the world’s largest with over 3500 titles.

    The tag line of the channel is Bollywood Na Tayo! (Let’s Go Bollywood) and viewers have three Bollywood movies on offer daily with the 8pm movie band being themed as unli tawa Mondays (comedy), lab na lab on Tuesdays (romance), Bollywood divas on Wednesdays, Hari ng Aksyon Huwebes (action), star of the month on Fridays, blockbuster movies on Saturday and special monthly thematic films on Sundays.

    Cignal VP/Head of Channels Management, Sienna Olaso, said that the partnership with ZEEL was a strong affirmation of Cignal’s commitment to provide the best Pay TV service to their loyal subscribers by providing them with world class shows and channels that catered to their diverse tastes in TV viewing.

    Zee Entertainment CEO, Middle East and Asia Pacific, Mukund Cairae, said that Fillipinos had love in abundance for music and dance that Bollywood represents. Cairae added that he anticipated Fillipnos to connect with the Bollywood masala as the core values across Asia were similar. The strategy was to put Zee TV’s movies and shows on free to air channels while also running the 24×7 pay TV channel Zee Sine.

    Cairae said the company was seeking to to do Filipino productions in phase II of the launch.

  • ZEEL Cignals deal for Filipino channel Zee Sine

    ZEEL Cignals deal for Filipino channel Zee Sine

    MUMBAI: Zee Entertainment Enterprises Limited has signalled a deal with Cignal TV for Filipino channel Zee Sine.

    Earlier this year, ZEEL had announced its foray into the Philippines with its Tagalog and Taglish language Bollywood movie channel Zee Sine in partnership with the local cable TV distributor Cable Boss. Since then, it has been expanding its reach. An agreement with the cable TV MSO Cable Link followed which gave it access to subscribers in parts of Manila.

    Then, last week, it announced a carriage deal with local satellite platform and DTH operator Cignal TV.

    Cignal, launched in 2009, transmits 102 channels including free-to-air, SD and HD channels to household and commercial venues nationwide. It also offers a mix of 12 audio channels and on-demand service through pay-per-view channels. It is owned by MediaQuest Holdings, the media partner of PLDT Group.

    The entertainment major launched the Zee Sine on pay TV and DTH operator Cignal TV which boasts a subscriber base in excess of 1 million. After launching channels in Latin America, Germany, Indonesia, the US, Malaysia, Thailand (not necessarily in that order), it was now the turn of the south-east Asian nation to see another offering from the Punit Goenka-led company.

    Available on Channel 19 with Cignal Postpaid plan 290 and up and Cignal Prepaid Premium 300 and up, Zee Sine is backed by ZEEL’s Bollywood movie library, the world’s largest with over 3500 titles.

    The tag line of the channel is Bollywood Na Tayo! (Let’s Go Bollywood) and viewers have three Bollywood movies on offer daily with the 8pm movie band being themed as unli tawa Mondays (comedy), lab na lab on Tuesdays (romance), Bollywood divas on Wednesdays, Hari ng Aksyon Huwebes (action), star of the month on Fridays, blockbuster movies on Saturday and special monthly thematic films on Sundays.

    Cignal VP/Head of Channels Management, Sienna Olaso, said that the partnership with ZEEL was a strong affirmation of Cignal’s commitment to provide the best Pay TV service to their loyal subscribers by providing them with world class shows and channels that catered to their diverse tastes in TV viewing.

    Zee Entertainment CEO, Middle East and Asia Pacific, Mukund Cairae, said that Fillipinos had love in abundance for music and dance that Bollywood represents. Cairae added that he anticipated Fillipnos to connect with the Bollywood masala as the core values across Asia were similar. The strategy was to put Zee TV’s movies and shows on free to air channels while also running the 24×7 pay TV channel Zee Sine.

    Cairae said the company was seeking to to do Filipino productions in phase II of the launch.

  • For DD, it’s time to introspect not celebrate

    For DD, it’s time to introspect not celebrate

    NEW DELHI: There were evenings in the 1960s to mid ’70s when India, at least those homes fortunate to have TV sets, set their alarm clock in the evening to around 6 pm. It was that time the TV sets came alive with a signature tune and colour bands heralding something exciting.

    Those were the days when Indian pubcaster Doordarshan brought the world and entertainment — in a rationed manner typical of those pre-liberalization days — to Indian homes via production values that would be considered shoddy by today’s standards.

    Cut to circa 2016. TV sets today beam audio and video round the clock by DD, as Doordarshan came to be popularly known as, and a swathe of private sector TV channels.

    However, at a time when DD celebrated its Foundation Day (or birthday) on September 15, a question that rankles everybody is: Why does Doordarshan not function like some other pubcasters — the BBC, NHK, DW, PBS, etc —- in terms of functioning and quality of programming?

    Clearly, it is linked to another question: was Doordarshan doing better off when it was a direct wing of the Ministry of Information and Broadcasting (MIB), or has it benefitted by become ‘autonomous’ under Prasar Bharati?

    Doordarshan since 1959 beamed for half an hour educational programmes three days a week. However, as its programming timing grew, so did the control by the government, which found in DD a perfect tool for propaganda.

    Whether the Emergency days during Prime Minister Indira Gandhi or other governments, the government of the day realized the importance of DD’s widening networks and its role in pushing the government agenda.

    The Prasar Bharati Bill, paving the way for an autonomous DD and sibling All India Radio, was only notified and formalized in 1997.

    Interestingly, DD saw its hey days in the eighties with programmes like ‘Hum Log’; ‘Buniyaad’, ‘Ramayana’, ‘Mahabharat’, ‘Tamas’ and ‘Nukkad’, among many others, which not only highlighted India’s cultural traditions but also the ongoing societal changes. In fact, one wonders, whether a serial like `Tamas’, based on India’s partition, could be made today without somebody’s sentiments getting hurt and, in the bargain, getting canned.

    Though DD (and AIR) are modeled on the BBC — as famously described the then MIB Minister Jaipal Reddy in 1997 — DD’s case is different. Despite being dependent on government funding, it is running low on financial resources with each successive government insisting that Prasar Bharati start generating its own resources, but not letting go of the control. But this is difficult when the network has to compete against more than 800 private channels that are not impeded in terms of programming and other initiatives like DD is.

    No wonder the present Prasar Bharati CEO Jawhar Sircar said on DD’s birthday, “We need to look forward…renew our tryst with destiny.”

    Lines by a Canadian author, who penned ‘Morningstar’, aptly sum up the confused state of Prasar Bharati: “If you think you know what your purpose is, but can never seem to gain satisfaction from it, then it’s probably not the purpose you’re destined for.”

  • For DD, it’s time to introspect not celebrate

    For DD, it’s time to introspect not celebrate

    NEW DELHI: There were evenings in the 1960s to mid ’70s when India, at least those homes fortunate to have TV sets, set their alarm clock in the evening to around 6 pm. It was that time the TV sets came alive with a signature tune and colour bands heralding something exciting.

    Those were the days when Indian pubcaster Doordarshan brought the world and entertainment — in a rationed manner typical of those pre-liberalization days — to Indian homes via production values that would be considered shoddy by today’s standards.

    Cut to circa 2016. TV sets today beam audio and video round the clock by DD, as Doordarshan came to be popularly known as, and a swathe of private sector TV channels.

    However, at a time when DD celebrated its Foundation Day (or birthday) on September 15, a question that rankles everybody is: Why does Doordarshan not function like some other pubcasters — the BBC, NHK, DW, PBS, etc —- in terms of functioning and quality of programming?

    Clearly, it is linked to another question: was Doordarshan doing better off when it was a direct wing of the Ministry of Information and Broadcasting (MIB), or has it benefitted by become ‘autonomous’ under Prasar Bharati?

    Doordarshan since 1959 beamed for half an hour educational programmes three days a week. However, as its programming timing grew, so did the control by the government, which found in DD a perfect tool for propaganda.

    Whether the Emergency days during Prime Minister Indira Gandhi or other governments, the government of the day realized the importance of DD’s widening networks and its role in pushing the government agenda.

    The Prasar Bharati Bill, paving the way for an autonomous DD and sibling All India Radio, was only notified and formalized in 1997.

    Interestingly, DD saw its hey days in the eighties with programmes like ‘Hum Log’; ‘Buniyaad’, ‘Ramayana’, ‘Mahabharat’, ‘Tamas’ and ‘Nukkad’, among many others, which not only highlighted India’s cultural traditions but also the ongoing societal changes. In fact, one wonders, whether a serial like `Tamas’, based on India’s partition, could be made today without somebody’s sentiments getting hurt and, in the bargain, getting canned.

    Though DD (and AIR) are modeled on the BBC — as famously described the then MIB Minister Jaipal Reddy in 1997 — DD’s case is different. Despite being dependent on government funding, it is running low on financial resources with each successive government insisting that Prasar Bharati start generating its own resources, but not letting go of the control. But this is difficult when the network has to compete against more than 800 private channels that are not impeded in terms of programming and other initiatives like DD is.

    No wonder the present Prasar Bharati CEO Jawhar Sircar said on DD’s birthday, “We need to look forward…renew our tryst with destiny.”

    Lines by a Canadian author, who penned ‘Morningstar’, aptly sum up the confused state of Prasar Bharati: “If you think you know what your purpose is, but can never seem to gain satisfaction from it, then it’s probably not the purpose you’re destined for.”

  • Alchemy borrows household name ‘Naagin’ to create ‘Ichhapyaari’ series

    Alchemy borrows household name ‘Naagin’ to create ‘Ichhapyaari’ series

    MUMBAI: Some get inspired, others hop on to the success bandwagon and there are those who create spoofs. Whether some would want just their foot into the door using a namesake is a moot question.

    As an audience, we have seen several supernatural characters on the Indian television. In recent times, from ‘Naagin’ to ‘Makhi’ and ‘Gorilla’ to wolfs, these were among the supernatural characters that trended on the Idiot Box. Among these, ‘Naagin’ ruled the Hindi general entertainment channels scripts for months together.

    Though the concept has now grown old, Colors is among the few broadcasters who reignited this trend. After launching Naagin in 2015, broadcasters and production houses had gone gaga over supernatural series of their own.

    The image of a snake in stories relayed on the Indian television is stereotypical and symbolises a negative character akin to Shakti Kapoor’s image in Bollywood. But, has one ever thought what is it being to be a snake? Do they always intend to harm human beings?

    Using the character of ‘Naagin’ but in a different story line, Alchemy Productions co-founder Siddharth Malhotra, who had co-founded Cinevista, brings the friendly version of snakes in “Ichhapyaari Naagin’ which will be telecast on Sab TV. Starting from 27 September, the show will be aired at 8pm from Monday- Friday.

    “The idea struck me after watching ‘Naagin’ and 20 other shows,” Malhotra said. “What would a snake think if it ever watches the show. And, what if a snake appears in front of you and says, “Hey, don’t run away. I am not that bad” are some of the ideas that germinated in our minds,” he added. “And so, we thought somebody needs to change this image. It’s a positive take on snakes!. It’s a story from the snake’s perspective,” informs Malhotra.

    The story is about a ‘Ichhapyaari Naagin’, who stays in Naagistan (Naagland) and comes down to earth to change the perspective of people about snakes. According to the information available withIndiantelevision.com, the show’s production cost per episode was between 7-8 lakhs.

    The show, written by Raghuvir Shekhawat, has been directed by the creative genius who directed Balaji Telefilms’ ‘Naagin’ — Santram Verma. Bunty Rathore has penned its dialogues and Jitu Verma was the VFX wizard.

    Speaking about the comparison, Malhotra said, “Our show is not at all similar to ‘Naagin’ which is a genre of drama, revenge and love. ‘Ichhapyaari Naagin’ is a slice of life, sweet show.”

    The channel has been aggressively promoting the show through mass media and campaign. The marketing campaign is to build excitement on basis of its new avatar. Outside the home network, the channel will be focusing on youth music, movies and kids. In print, they will be focusing on leading national and regional dailies. In radio, it is trying to market the show through 30 radio stations across key states.

  • Alchemy borrows household name ‘Naagin’ to create ‘Ichhapyaari’ series

    Alchemy borrows household name ‘Naagin’ to create ‘Ichhapyaari’ series

    MUMBAI: Some get inspired, others hop on to the success bandwagon and there are those who create spoofs. Whether some would want just their foot into the door using a namesake is a moot question.

    As an audience, we have seen several supernatural characters on the Indian television. In recent times, from ‘Naagin’ to ‘Makhi’ and ‘Gorilla’ to wolfs, these were among the supernatural characters that trended on the Idiot Box. Among these, ‘Naagin’ ruled the Hindi general entertainment channels scripts for months together.

    Though the concept has now grown old, Colors is among the few broadcasters who reignited this trend. After launching Naagin in 2015, broadcasters and production houses had gone gaga over supernatural series of their own.

    The image of a snake in stories relayed on the Indian television is stereotypical and symbolises a negative character akin to Shakti Kapoor’s image in Bollywood. But, has one ever thought what is it being to be a snake? Do they always intend to harm human beings?

    Using the character of ‘Naagin’ but in a different story line, Alchemy Productions co-founder Siddharth Malhotra, who had co-founded Cinevista, brings the friendly version of snakes in “Ichhapyaari Naagin’ which will be telecast on Sab TV. Starting from 27 September, the show will be aired at 8pm from Monday- Friday.

    “The idea struck me after watching ‘Naagin’ and 20 other shows,” Malhotra said. “What would a snake think if it ever watches the show. And, what if a snake appears in front of you and says, “Hey, don’t run away. I am not that bad” are some of the ideas that germinated in our minds,” he added. “And so, we thought somebody needs to change this image. It’s a positive take on snakes!. It’s a story from the snake’s perspective,” informs Malhotra.

    The story is about a ‘Ichhapyaari Naagin’, who stays in Naagistan (Naagland) and comes down to earth to change the perspective of people about snakes. According to the information available withIndiantelevision.com, the show’s production cost per episode was between 7-8 lakhs.

    The show, written by Raghuvir Shekhawat, has been directed by the creative genius who directed Balaji Telefilms’ ‘Naagin’ — Santram Verma. Bunty Rathore has penned its dialogues and Jitu Verma was the VFX wizard.

    Speaking about the comparison, Malhotra said, “Our show is not at all similar to ‘Naagin’ which is a genre of drama, revenge and love. ‘Ichhapyaari Naagin’ is a slice of life, sweet show.”

    The channel has been aggressively promoting the show through mass media and campaign. The marketing campaign is to build excitement on basis of its new avatar. Outside the home network, the channel will be focusing on youth music, movies and kids. In print, they will be focusing on leading national and regional dailies. In radio, it is trying to market the show through 30 radio stations across key states.

  • Zee enters US Hispanic market; to conquer second-largest spoken language

    Zee enters US Hispanic market; to conquer second-largest spoken language

    MUMBAI: Zee Entertainment Enterprises Limited (ZEEL) has set a new milestone by becoming the first-ever Indian company to enter the massive Hispanic market with the launch of its Spanish-language Bollywood movie channel, ‘Zee Mundo’.

    Zee Mundo – ¡Te encanta! (‘Mundo’ means ‘World’ and ‘¡Te Encanta!’ means ‘You’ll Love It’ in Spanish) is a premium, major studio-level, HD movie channel presenting the very best of modern Bollywood cinema, dubbed in Spanish.

    Commenting on ZEEL’s entry into the Hispanic market, Amit Goenka, CEO – International Broadcast Business, ZEEL said, “Both the markets share strong cultural similarities in terms of family structure, socio-economic conditions, food, music, art and culture. We are confident that Zee Mundo’s programming will cross frontiers with storylines and themes that are relatable to the Hispanic audiences. With Zee Mundo, we have an exclusive Hollywood-quality product that is designed to attract and captivate Pay-TV subscribers through the best of Bollywood productions.”

    Rajeev Kheror, President – Strategy, International Business, ZEEL said, “With top-rated, worldwide blockbuster masterpieces, our goal is to make Zee Mundo an entertainment destination like nothing the Hispanic market has ever witnessed or imagined before. Zee Mundo will bring ZEE’s entire library of HD movie titles to Latino audiences across the U.S., meticulously dubbed in Spanish, crossing five genres (action, romance, suspense, drama and comedy) and featuring some of the world’s biggest movie stars including Priyanka Chopra, Shah Rukh Khan, Anil Kapoor, and Irrfan Khan.”

    Speaking on the plans for the region, Javier Lopez Casella, Head of Business, US Hispanic & Latin America, ZEEL said, “Showcasing a sensational foreign film genre that is feverishly adored by more than a billion fans, Zee Mundo will premiere global blockbusters and feature the biggest worldwide stars the Americas have yet to fully discover. After successfully capturing the US Spanish market, we will be expanding over the next few months, into other LATAM markets including Mexico, Argentina, Colombia, Peru and Chile. Zee Mundo is available on DISH Latino, the first of several planned distribution deals in the US Hispanic market, which will eventually take the channel to other LATAM countries as well.” Zee Mundo’s head office is located in Miami, Florida.

    Zee Entertainment Enterprises Limited is one of India’s leading television media and entertainment companies. It is among the largest producers and aggregators of Hindi programming in the world.