Category: GECs

  • Sumner Redstone pushes for CBS-Viacom merger

    Sumner Redstone pushes for CBS-Viacom merger

    NEW DELHI: The maverick Sumner Redstone, not letting age dim any of his business acumen, is at it again. Earlier this week he sent a strong message to investors and potential takeover tycoons that he favours a merger of American media companies CBS Corp and Viacom Inc.

    Redstone-family controlled National Amusements, the company that owns 80 per cent of voting shares in CBS Corp and Viacom Inc, on Thursday proposed a merger of the two entities saying it would not support the acquisition of either media company by a third party or surrender its control of either firm.

    National Amusements in a letter to both companies’ boards conveyed that a merger would “offer substantial synergies that would allow the combined company to respond even more aggressively and effectively to the challenges of the changing entertainment and media landscape,” a Reuters report, based on information from Bengaluru and New York centres, said, adding both companies acknowledged receipt of the letter.

    Redstone had split CBS from Viacom 10 years ago as investors saw CBS as a slow-moving company catering to an older audience, while Viacom, whose networks include Nickelodeon and MTV, was considered more youthful. But CBS shares have outperformed those of Viacom over the last five years.

    According to the Reuters report, Shari Redstone, Sumner’s daughter and an owner of National Amusements, has favoured recombining CBS and Viacom under the leadership of CBS Chief Executive Officer Leslie Moonves.

    But for a deal to happen, the Redstones will have to assure Moonves he will have full autonomy over the combined entity, Reuters said basing their observations on unnamed sources.

    Industry speculation that the two companies might come together again increased in recent weeks after the Redstones prevailed over a power struggle that resulted in the departure of Viacom Chief Executive Officer Philippe Dauman.

    CBS’s management and independent directors “will take appropriate actions to evaluate what is in the best interest of the company and its shareholders,” a representative told Reuters. Viacom said it expected its board to form a special committee of independent directors to consider this offer.

    In its letter, National Amusements said the optimal deal would be an all-stock transaction giving holders of each company shares in the combined entity of the same class they currently own.

    Any transaction would require the approval of both boards. Sumner and Shari Redstone will not vote on the deal as directors of Viacom and CBS or participate in deliberations, according to the letter. David Andelman, a CBS director, also will not participate in the process, the Reuters report stated.

    It is within National Amusements’ rights to refuse considering any other acquisition of either company, two lawyers familiar with the matter said on Thursday.

    In India, Viacom Inc has a joint venture with Mukesh Ambani-controlled Network18 group christened Viacom18 that oversees TV channels like MTV, Nick and Hindi language entertainment channel Colors.

  • Zee acquires UAE’s Hum 106.2 FM

    Zee acquires UAE’s Hum 106.2 FM

    MUMBAI: Zee Entertainment Enterprises Limited (ZEEL) has forayed into radio with the acquisition of UAE’s first radio station, Hum 106.2 FM. The radio station was previously owned and operated by Shamal Media Services.

    The station is a frequency originating from the emirate of Umm Al Quwain and forms a part of Umm Al Quwain Broadcasting Network (UBN). The frequency was one of the first Hindi and Urdu language frequencies to hit the UAE airwaves in the 1990’s. It redefined drive time and boasted of many celebrity Radio Jockeys. It also went on to popularize live cricket commentary on radio and has a lot of pioneering firsts in the radio business.

    ZEEL International broadcast business CEO Amit Goenka said, “In our journey of over two decades, ZEE has always led the industry in its evolution and transformation. At ZEE, we are always looking at strategic acquisitions across the globe to increase our footprint and market share in the entertainment industry. Radio has been an area of interest for ZEE for quite some time and after extensive planning and studying of the brand values, ratings and revenue generated by various stations, we felt that an investment in Hum FM was the best option. Hum FM has a legacy of almost two decades and with a current market share of 26%, it is the top Hindi radio station in the UAE. ZEE is confident that it can leverage its very strong South-Asian brand connect onto Radio, and offer a synergy of Television, Radio and Digital that could revolutionize the entertainment industry in the UAE.”

    After being a pioneer with the launch of India’s renowned Hindi satellite channel, Zee TV in 1992, Zee Entertainment was the first to launch a Bollywood TV channel, Zee Aflam in 2008 for the Arab audience as well introduce the Arab world to Hindi programs dubbed in Arabic with Zee Alwan in 2012.

    “We are excited about our new business ventures. Radio comes immediately after our foray into film production and distribution where movies like ‘Rustom’ and ‘The Flying Jatt’ have done extremely well globally and specifically in the UAE and Middle East markets. The acquisition of Hum FM in UAE is a step in that direction and we are upbeat about its prospect in the coming years;” Amit further added.

    ZEEL MENA and APAC CEO Mukund Cairae added, “This move is a diversification to our entertainment business portfolio, adding to the numero uno position we possess in Television among South Asians in the Middle East. This investment also shows our commitment to the region and its business landscape. Now we can offer media across Television, Radio and Digital platforms, leading to a great synergy between content and mediums. With an extensive library of music content that includes singing reality shows like ‘The Voice India’, ‘SaReGaMaPa’, ‘Antakshari’ and ‘Asia’s Singing Superstar’ which have produced great singers in Bollywood, an on-going relationship with the big names in the industry and with one of the biggest music labels in Bollywood, Zee Music Company as a part of its portfolio, the new venture has all the ingredients needed to redefine the Radio industry in this market.”

    UBN general manager Ali Jasim Ahmed said,“We are proud to partner with Zee Entertainment, the leading global company in the media industry with a strong presence in the UAE and across the Middle East. Zee Entertainment will provide new content and concepts in the world of entertainment and marketing, and will provide the station the required media expertise of a highly effective and competitive value. Further, we will give all the facilities and backing for ZEE to achieve its strategic station goals and we will work together to support the qualitative superiority of the programs in order to meet the wishes and aspirations of the esteemed listeners.”

    Shamal Media Services founder and MD Shahid Jamal said, “Hum FM pioneered FM Radio in UAE and over the years, we have made it the No. 1 Radio Station. It is now a great opportunity for us to hand over our successful radio legacy to a media network that has been a pioneer of South Asian entertainment globally and in the region. Zee Entertainment, who themselves have had a great legacy in the media business will only take the success of Hum FM to the next level.”

    More announcements are expected in the coming weeks on the future channel programming and its positioning.

  • Zee acquires UAE’s Hum 106.2 FM

    Zee acquires UAE’s Hum 106.2 FM

    MUMBAI: Zee Entertainment Enterprises Limited (ZEEL) has forayed into radio with the acquisition of UAE’s first radio station, Hum 106.2 FM. The radio station was previously owned and operated by Shamal Media Services.

    The station is a frequency originating from the emirate of Umm Al Quwain and forms a part of Umm Al Quwain Broadcasting Network (UBN). The frequency was one of the first Hindi and Urdu language frequencies to hit the UAE airwaves in the 1990’s. It redefined drive time and boasted of many celebrity Radio Jockeys. It also went on to popularize live cricket commentary on radio and has a lot of pioneering firsts in the radio business.

    ZEEL International broadcast business CEO Amit Goenka said, “In our journey of over two decades, ZEE has always led the industry in its evolution and transformation. At ZEE, we are always looking at strategic acquisitions across the globe to increase our footprint and market share in the entertainment industry. Radio has been an area of interest for ZEE for quite some time and after extensive planning and studying of the brand values, ratings and revenue generated by various stations, we felt that an investment in Hum FM was the best option. Hum FM has a legacy of almost two decades and with a current market share of 26%, it is the top Hindi radio station in the UAE. ZEE is confident that it can leverage its very strong South-Asian brand connect onto Radio, and offer a synergy of Television, Radio and Digital that could revolutionize the entertainment industry in the UAE.”

    After being a pioneer with the launch of India’s renowned Hindi satellite channel, Zee TV in 1992, Zee Entertainment was the first to launch a Bollywood TV channel, Zee Aflam in 2008 for the Arab audience as well introduce the Arab world to Hindi programs dubbed in Arabic with Zee Alwan in 2012.

    “We are excited about our new business ventures. Radio comes immediately after our foray into film production and distribution where movies like ‘Rustom’ and ‘The Flying Jatt’ have done extremely well globally and specifically in the UAE and Middle East markets. The acquisition of Hum FM in UAE is a step in that direction and we are upbeat about its prospect in the coming years;” Amit further added.

    ZEEL MENA and APAC CEO Mukund Cairae added, “This move is a diversification to our entertainment business portfolio, adding to the numero uno position we possess in Television among South Asians in the Middle East. This investment also shows our commitment to the region and its business landscape. Now we can offer media across Television, Radio and Digital platforms, leading to a great synergy between content and mediums. With an extensive library of music content that includes singing reality shows like ‘The Voice India’, ‘SaReGaMaPa’, ‘Antakshari’ and ‘Asia’s Singing Superstar’ which have produced great singers in Bollywood, an on-going relationship with the big names in the industry and with one of the biggest music labels in Bollywood, Zee Music Company as a part of its portfolio, the new venture has all the ingredients needed to redefine the Radio industry in this market.”

    UBN general manager Ali Jasim Ahmed said,“We are proud to partner with Zee Entertainment, the leading global company in the media industry with a strong presence in the UAE and across the Middle East. Zee Entertainment will provide new content and concepts in the world of entertainment and marketing, and will provide the station the required media expertise of a highly effective and competitive value. Further, we will give all the facilities and backing for ZEE to achieve its strategic station goals and we will work together to support the qualitative superiority of the programs in order to meet the wishes and aspirations of the esteemed listeners.”

    Shamal Media Services founder and MD Shahid Jamal said, “Hum FM pioneered FM Radio in UAE and over the years, we have made it the No. 1 Radio Station. It is now a great opportunity for us to hand over our successful radio legacy to a media network that has been a pioneer of South Asian entertainment globally and in the region. Zee Entertainment, who themselves have had a great legacy in the media business will only take the success of Hum FM to the next level.”

    More announcements are expected in the coming weeks on the future channel programming and its positioning.

  • Zee Classic refreshes in attempt to attract mass audiences

    Zee Classic refreshes in attempt to attract mass audiences

    MUMBAI: The Punit Goenka-led Zee Entertainment Enterprises Ltd (ZEEL) has got into a hyper-refresh mood, revamping its channels, one after the other. First, it announced the relaunch of Zindagi, and now it’s the turn of Zee Classic.

    Known for showcasing movies from the sixties, seventies and eighties and nineties era, the channel is being revamped on 3 October with a new positioning and programming line-up. The reason: it has ambitious plans to expand its target audience, and thus its viewership.

    The management says it has come up with a disruptive programming idea: catalogue movies from each era into a separate time band. The channel claims that the Zee Classic is the first Indian Hindi movie channel to initiate this, and has roped in the Bollywood heartthrob Arjun Kapoor to be the channel’s ambassador.

    “At Zee, we have the largest library of movies, and now Zee Classic is adopting a strategic time-band approach instead of the the routine FPC approach,” say Zee Hindi movie cluster business head Ruchir Tiwari. “This strategy is a result of meticulous planning, acquisition and programming for an entire year which will ensure that Zee Classic caters to all kinds of viewers.”

    The library that Tiwari is referring to is 500-plus strong and includes movies over four decades – possibly catering to three generations – and hence, the channel’s proposition “Woh Zamaana, Kare Deewana”, and the revamp campaign theme “Aaj Ka Classic.”

    The time bands that have been introduced include:

    The ‘Best of 80s and 90s’ that will showcase hits from decades that saw the emergence of more than 10 superstars ranging from Jackie Shroff, Sunny Deol, Mithun Chakraborty, Anil Kapoor to the three Khans, Govinda and Akshay Kumar.

    ‘The ’70s Mix’ will showcase blockbusters from the 1970s, an era that reflected the nuances of the society, but turned out to be preeminently a decade of the ‘angry young man’, action movies and melodious music.

    ‘Shaandar Sixties’ will present movies of the 1960s, a decade that saw the rise of the popular romantic genre. The golden era of ‘Black and White’ that set the foundation of the Hindi film industry will include masterpieces that will transport spectators back in time.

    Highlighting this shift, will be exclusively curated movie festivals like Jhakaas Kapoor Festival, Har Din Bachchan, Shah Rukh Khan B’day Special, among many others and specials like ‘Timeless Asha.’

    Earlier, Zee Classic was targeted at mature adults – which served as a niche – but it attracted younger audiences too. The channel has now dissected its viewers into the connoisseurs of golden cinema, the middle-aged adults, the new-age classic as well as contemporary young adults. “From the channel’s perspective, the core, however, will be the 25- 45 years age group,” says Tiwari. “UP is the biggest market, and for us the northern belt is a priority.”

    From 2004 to 2010, Zee Classic recorded a two per cent viewership share in the Hindi movie genre. This, according to Tiwari, has risen to six per cent over the past year. The idea is to now take that up to 10 per cent. “We see the channel catering to mass audiences in its specific space. It has the potential to compete with the top rated channels in the genre. It’s a strategic call that we took,” explains Tiwari. “We have to buy the films accordingly, and also plan (in that manner).”

    Zee Unimedia chief operating officer Ashish Sehgal reveals, “Zee Classic contributes a massive 15 per cent revenue share in the Zee Hindi movies cluster among the SD channels – Zee Cinema, &pictures, Zee Classic, Zee Action and Zee Anmol Cinema. In the last three to four years, Zee Classic’s revenue has grown more than four times, and as it’s evolving; currently it commands a premium rate even at its existing ratings.”

    The introduction of time bands is also expected to appeal to FMCG and other advertisers automobiles, mobile handsets, telecom and take revenues up further. “The Zee Classic viewer is comparatively more involved than on any other Hindi movie channel. For the brand campaign ‘Aaj Ka Classic,’ we have locked in three channel partners including SC Johnson, Hindustan Unilever and Dabur across all the time bands,” says Sehgal.

    The look and property of the Zee Classic logo has been designed by Zee TV’s in-house team, while the entire Aaj Ka Classic marketing and promotional campaign has been executed by FCB Ulka. Print, TV, digital and outdoor media are to be used in an aggressive manner. The TVC has been created keeping in mind the grandeur of the Indian cinema as well as the taste of the movie buff. Iconic memorabilia comprising the friend cap, musical instruments like accordion, classic movie posters, collection of books, DVDs and many more have been used to relive the various decades of cinema.

    Rights owner and film distributor Goldmines Telefilms director Manish Shah is all praise for Zee Classic. Says he: “Right now there are only two channels Zee Classic and Max 2, which are looking towards old movies. Zee Classic has a good library of classic movies. However, sometimes it resorts to airing Zee Cinema type movies to get viewership numbers.”

    And, he cautions that the tack of airing too many repeats and expanding audiences through the revamp may not really work. “We need to understand that Classic reaches to a niche audience, it is not mass audience, and if you keep repeating those movies, the viewership eventually will fall.,” he explains. “Also, if it is looking for 90s and NFDC films, then these are the kinds of movies which Classic audience doesn’t want to watch.”

    Be that as it may, the ZEEL team is pretty enthusiastic about Zee Classic’s shift. As is the brand ambassador Arjun Kapoor. Says he: “I am thrilled to be a part of ‘Aaj Ka Classic’. I have grown up loving cinema and classics have defined my choices as a viewer as well as an actor. My grandfather, father, and uncle have contributed to Hindi films for years, and I have fond memories of going on the sets and film trial shows. These movies will always be a reference point, always at the back of my mind. I am happy that Zee Classic gave me the opportunity to be a part of this campaign and I appreciate their initiative of introducing such time-band-led programming on their channel.”

    Will Zee Classic viewers too show similar appreciation?

  • Zee Classic refreshes in attempt to attract mass audiences

    Zee Classic refreshes in attempt to attract mass audiences

    MUMBAI: The Punit Goenka-led Zee Entertainment Enterprises Ltd (ZEEL) has got into a hyper-refresh mood, revamping its channels, one after the other. First, it announced the relaunch of Zindagi, and now it’s the turn of Zee Classic.

    Known for showcasing movies from the sixties, seventies and eighties and nineties era, the channel is being revamped on 3 October with a new positioning and programming line-up. The reason: it has ambitious plans to expand its target audience, and thus its viewership.

    The management says it has come up with a disruptive programming idea: catalogue movies from each era into a separate time band. The channel claims that the Zee Classic is the first Indian Hindi movie channel to initiate this, and has roped in the Bollywood heartthrob Arjun Kapoor to be the channel’s ambassador.

    “At Zee, we have the largest library of movies, and now Zee Classic is adopting a strategic time-band approach instead of the the routine FPC approach,” say Zee Hindi movie cluster business head Ruchir Tiwari. “This strategy is a result of meticulous planning, acquisition and programming for an entire year which will ensure that Zee Classic caters to all kinds of viewers.”

    The library that Tiwari is referring to is 500-plus strong and includes movies over four decades – possibly catering to three generations – and hence, the channel’s proposition “Woh Zamaana, Kare Deewana”, and the revamp campaign theme “Aaj Ka Classic.”

    The time bands that have been introduced include:

    The ‘Best of 80s and 90s’ that will showcase hits from decades that saw the emergence of more than 10 superstars ranging from Jackie Shroff, Sunny Deol, Mithun Chakraborty, Anil Kapoor to the three Khans, Govinda and Akshay Kumar.

    ‘The ’70s Mix’ will showcase blockbusters from the 1970s, an era that reflected the nuances of the society, but turned out to be preeminently a decade of the ‘angry young man’, action movies and melodious music.

    ‘Shaandar Sixties’ will present movies of the 1960s, a decade that saw the rise of the popular romantic genre. The golden era of ‘Black and White’ that set the foundation of the Hindi film industry will include masterpieces that will transport spectators back in time.

    Highlighting this shift, will be exclusively curated movie festivals like Jhakaas Kapoor Festival, Har Din Bachchan, Shah Rukh Khan B’day Special, among many others and specials like ‘Timeless Asha.’

    Earlier, Zee Classic was targeted at mature adults – which served as a niche – but it attracted younger audiences too. The channel has now dissected its viewers into the connoisseurs of golden cinema, the middle-aged adults, the new-age classic as well as contemporary young adults. “From the channel’s perspective, the core, however, will be the 25- 45 years age group,” says Tiwari. “UP is the biggest market, and for us the northern belt is a priority.”

    From 2004 to 2010, Zee Classic recorded a two per cent viewership share in the Hindi movie genre. This, according to Tiwari, has risen to six per cent over the past year. The idea is to now take that up to 10 per cent. “We see the channel catering to mass audiences in its specific space. It has the potential to compete with the top rated channels in the genre. It’s a strategic call that we took,” explains Tiwari. “We have to buy the films accordingly, and also plan (in that manner).”

    Zee Unimedia chief operating officer Ashish Sehgal reveals, “Zee Classic contributes a massive 15 per cent revenue share in the Zee Hindi movies cluster among the SD channels – Zee Cinema, &pictures, Zee Classic, Zee Action and Zee Anmol Cinema. In the last three to four years, Zee Classic’s revenue has grown more than four times, and as it’s evolving; currently it commands a premium rate even at its existing ratings.”

    The introduction of time bands is also expected to appeal to FMCG and other advertisers automobiles, mobile handsets, telecom and take revenues up further. “The Zee Classic viewer is comparatively more involved than on any other Hindi movie channel. For the brand campaign ‘Aaj Ka Classic,’ we have locked in three channel partners including SC Johnson, Hindustan Unilever and Dabur across all the time bands,” says Sehgal.

    The look and property of the Zee Classic logo has been designed by Zee TV’s in-house team, while the entire Aaj Ka Classic marketing and promotional campaign has been executed by FCB Ulka. Print, TV, digital and outdoor media are to be used in an aggressive manner. The TVC has been created keeping in mind the grandeur of the Indian cinema as well as the taste of the movie buff. Iconic memorabilia comprising the friend cap, musical instruments like accordion, classic movie posters, collection of books, DVDs and many more have been used to relive the various decades of cinema.

    Rights owner and film distributor Goldmines Telefilms director Manish Shah is all praise for Zee Classic. Says he: “Right now there are only two channels Zee Classic and Max 2, which are looking towards old movies. Zee Classic has a good library of classic movies. However, sometimes it resorts to airing Zee Cinema type movies to get viewership numbers.”

    And, he cautions that the tack of airing too many repeats and expanding audiences through the revamp may not really work. “We need to understand that Classic reaches to a niche audience, it is not mass audience, and if you keep repeating those movies, the viewership eventually will fall.,” he explains. “Also, if it is looking for 90s and NFDC films, then these are the kinds of movies which Classic audience doesn’t want to watch.”

    Be that as it may, the ZEEL team is pretty enthusiastic about Zee Classic’s shift. As is the brand ambassador Arjun Kapoor. Says he: “I am thrilled to be a part of ‘Aaj Ka Classic’. I have grown up loving cinema and classics have defined my choices as a viewer as well as an actor. My grandfather, father, and uncle have contributed to Hindi films for years, and I have fond memories of going on the sets and film trial shows. These movies will always be a reference point, always at the back of my mind. I am happy that Zee Classic gave me the opportunity to be a part of this campaign and I appreciate their initiative of introducing such time-band-led programming on their channel.”

    Will Zee Classic viewers too show similar appreciation?

  • Engaging content: Akbar Birbal folklore completes 500 episodes

    Engaging content: Akbar Birbal folklore completes 500 episodes

    MUMBAI: Big Magic is all set to create a new benchmark with the completion of 500 episodes of its marquee show Har Mushkil Ka Hal Akbar Birbal.

    The flagship show which features famous actors Kiku Sharda and Vishal Kotian in the titular roles of Akbar and Birbal, respectively, gained popularity within a short span of time and won the hearts of millions. India’s first-ever historical comedy aired its 500 episode on 26 September 2016.

    The show, launched in 2014, presents the folklore of Akbar and Birbal in the most humorous way. Through its interesting and engaging content, the show has not only redefined the comedy genre, but also pioneered a new genre in itself – historical comedy.

    On the successful completion of 500 episodes, a Big Magic spokesperson said, “It is a moment of pride for the entire Big Magic family, as we thank the audience for showing so much love and appreciation towards Har Mushkil Ka Hal Akbar Birbal and its characters. The achievement is a result of the combination of great teamwork, and more importantly great content. With every passing episode and season, we strive to formulate engaging content which ensures an enjoyable experience for the viewers. Through ‘Har Mushkil Ka Hal Akbar Birbal’, we hope to continue catering to the entertainment needs of a large and steadily growing audience base in future as well.”

  • Engaging content: Akbar Birbal folklore completes 500 episodes

    Engaging content: Akbar Birbal folklore completes 500 episodes

    MUMBAI: Big Magic is all set to create a new benchmark with the completion of 500 episodes of its marquee show Har Mushkil Ka Hal Akbar Birbal.

    The flagship show which features famous actors Kiku Sharda and Vishal Kotian in the titular roles of Akbar and Birbal, respectively, gained popularity within a short span of time and won the hearts of millions. India’s first-ever historical comedy aired its 500 episode on 26 September 2016.

    The show, launched in 2014, presents the folklore of Akbar and Birbal in the most humorous way. Through its interesting and engaging content, the show has not only redefined the comedy genre, but also pioneered a new genre in itself – historical comedy.

    On the successful completion of 500 episodes, a Big Magic spokesperson said, “It is a moment of pride for the entire Big Magic family, as we thank the audience for showing so much love and appreciation towards Har Mushkil Ka Hal Akbar Birbal and its characters. The achievement is a result of the combination of great teamwork, and more importantly great content. With every passing episode and season, we strive to formulate engaging content which ensures an enjoyable experience for the viewers. Through ‘Har Mushkil Ka Hal Akbar Birbal’, we hope to continue catering to the entertainment needs of a large and steadily growing audience base in future as well.”

  • Uri reaction: Zee considers dropping Pak shows from Zindagi

    Uri reaction: Zee considers dropping Pak shows from Zindagi

    MUMBAI: It makes sense, nationalism-wise. But, does it make sense, business-wise? An unexpected yet ideal tweet by media baron Subhash Chandra has catalysed a hot debate whether film actors from a hostile country should be allowed to earn millions working in the Indian film industry. His tweet follows in the footsteps of a political party sloganeering that Pakistan artistes working in India had better look for greener pastures elsewhere.

    In his tweet, Chandra says, “Unfortunate stance of Mia Sharif at UN. Zee is considering stopping Zindagi programs from Pak, as well as artistes from there should leave.” Chandra’s reaction comes in the wake of a recent attack on the Indian forces by Pakistan-trained terrorists in Uri (Jammu and Kashmir) that left 18 army men dead. He is the chairman of India’s leading entertainment company as well as a member of the upper house of parliament, the Rajya Sabha.

    Chandra has all along been making attempts to act as a bridge between India and Pakistan by himself or through his media empire. He even had meetings with the Pakistan prime minister Nawaz Shariff around two years ago when he launched Zindagi. At that stage, his son as well as Zeel MD & CEO Punit Goenka had tweeted: “Jodey Dilon Ko: Chairman Sh Subhash Chandra in conversation with Pakistan PM NawazSharif at the launch of @ZeeZindagiTV”

    Zee Zindagi was positioned as a channel differentiated from the rest of the GECs as it offered a bunch of popular Pakistani TV shows which it had acquired from channels in the green flag nation. The purpose: give a ‘hungry for variety’ Indian audience a chance to engage with finite TV shows, shot with a focus on scripting and different dramatization.

    Some of the Pakistani artistes who rose to fame and got work in the film industry figure are: Fawad Khan, Mahira Khan, Ali Zafar, Imran Abbas, Atif Aslam, and Rahat Fateh Ali Khan.

    Zeel had earlier announced a revamp of the channel from 3 October and changed its slogan from ‘Jode Dilo ko’ to ‘Yeh Lamha Hi Hai Zindagi.’

    Earlier this year, Chandra had taken another step towards promoting Indo-Pak unity with an initiative called Zeal For Unity (ZFU). Through ZFU, ZEEL brought together 12 filmmakers, six each from India and Pakistan, and funded their one-hour shorts, which were showcased across platforms like film festivals, television, theatre and digital under the ZFU initiative.

    Questions that are being asked include whether Chandra will back his tweet with decisive action by pulling off all of Zindagi’s Pakistani content. Or, whether he was just posting his tweet at an emotional moment? Or, whether he had already decided to drop shows provided to it commercially by producers and broadcasters in the neighbouring state earlier, and was just latching on to the being-nationalistic opportunity.

    Other questions that are being raised include whether other media houses will follow suit? Will they yank Pakistani content and artistes off their programmes? Will they air trailers featuring them? One can only wait and watch how this unravels.

  • Uri reaction: Zee considers dropping Pak shows from Zindagi

    Uri reaction: Zee considers dropping Pak shows from Zindagi

    MUMBAI: It makes sense, nationalism-wise. But, does it make sense, business-wise? An unexpected yet ideal tweet by media baron Subhash Chandra has catalysed a hot debate whether film actors from a hostile country should be allowed to earn millions working in the Indian film industry. His tweet follows in the footsteps of a political party sloganeering that Pakistan artistes working in India had better look for greener pastures elsewhere.

    In his tweet, Chandra says, “Unfortunate stance of Mia Sharif at UN. Zee is considering stopping Zindagi programs from Pak, as well as artistes from there should leave.” Chandra’s reaction comes in the wake of a recent attack on the Indian forces by Pakistan-trained terrorists in Uri (Jammu and Kashmir) that left 18 army men dead. He is the chairman of India’s leading entertainment company as well as a member of the upper house of parliament, the Rajya Sabha.

    Chandra has all along been making attempts to act as a bridge between India and Pakistan by himself or through his media empire. He even had meetings with the Pakistan prime minister Nawaz Shariff around two years ago when he launched Zindagi. At that stage, his son as well as Zeel MD & CEO Punit Goenka had tweeted: “Jodey Dilon Ko: Chairman Sh Subhash Chandra in conversation with Pakistan PM NawazSharif at the launch of @ZeeZindagiTV”

    Zee Zindagi was positioned as a channel differentiated from the rest of the GECs as it offered a bunch of popular Pakistani TV shows which it had acquired from channels in the green flag nation. The purpose: give a ‘hungry for variety’ Indian audience a chance to engage with finite TV shows, shot with a focus on scripting and different dramatization.

    Some of the Pakistani artistes who rose to fame and got work in the film industry figure are: Fawad Khan, Mahira Khan, Ali Zafar, Imran Abbas, Atif Aslam, and Rahat Fateh Ali Khan.

    Zeel had earlier announced a revamp of the channel from 3 October and changed its slogan from ‘Jode Dilo ko’ to ‘Yeh Lamha Hi Hai Zindagi.’

    Earlier this year, Chandra had taken another step towards promoting Indo-Pak unity with an initiative called Zeal For Unity (ZFU). Through ZFU, ZEEL brought together 12 filmmakers, six each from India and Pakistan, and funded their one-hour shorts, which were showcased across platforms like film festivals, television, theatre and digital under the ZFU initiative.

    Questions that are being asked include whether Chandra will back his tweet with decisive action by pulling off all of Zindagi’s Pakistani content. Or, whether he was just posting his tweet at an emotional moment? Or, whether he had already decided to drop shows provided to it commercially by producers and broadcasters in the neighbouring state earlier, and was just latching on to the being-nationalistic opportunity.

    Other questions that are being raised include whether other media houses will follow suit? Will they yank Pakistani content and artistes off their programmes? Will they air trailers featuring them? One can only wait and watch how this unravels.

  • Non-news temporary uplinking approvals in 15 days

    Non-news temporary uplinking approvals in 15 days

    NEW DELHI: Applications from all non-news (general entertainment) television companies for temporary uplinking permission from the Government should be made at least 15 days prior to the scheduled events.

    In a note put up on its website, the Information and Broadcasting Ministry said such applications would be rejected if they did not follow the norms as mentioned in the application form of temporary uplinking permission.

    The note said: “It may be borne in mind that after permission from this Ministry, the WPC wing under Communications and Information Technology Ministry also requires minimum three days time to process such applications.”

    It said strict compliance with these instructions will ensure timeliness in processing of the requests.

    The note said: “It has been observed in this Ministry that, while applying for permission for uplinking of various events for temporary uplinking permission, some applicants are applying at the very last moment, sometimes just a few days prior to or the day before the scheduled events, thus not allowing this Ministry even the minimum processing time to work on those applications.”

    It had been notified from time to time, the last being on 9 January 2015 on the Ministry’s website, that applications are required to be submitted at least l5 days prior to the proposed date of uplinking of the event.