Category: GECs

  • ZEEL to acquire Reliance entertainment TV business

    ZEEL to acquire Reliance entertainment TV business

    MUMBAI: After selling its sports telecast business to Sony, the Subhash Chandra-led Zee group is on an acquisition spree. Two separate developments today saw Zee, through two different corporate entities, take full control of the general entertainment TV business and 49 per cent stake in the radio business of the Anil Ambani-led Reliance ADA group.

    With these developments, speculation too has been proved correct that Anil Ambani’s Reliance is fast reducing its exposure in the media sector. Some other group companies of Ambani also control a DTH operation run under the brand name Reliance BIG TV. Reliance Capital informed the stock exchanges that by shedding its radio and TV assets it will reduce its debt by approximately Rs. 1,900 crore (US$ 283 million) upon final completion of stake sale transactions.

    The board of directors of Zee Entertainment Enterprises Limited (ZEEL) today approved the acquisition of the general entertainment broadcasting business of Reliance Big Broadcasting Private Limited, Big Magic Limited and Azalia Broadcast Private Limited, all part of Anil Ambani-led Reliance Group Entities.

    The acquisition has been facilitated through a scheme of demerger and execution of definitive agreements in relation to such proposed acquisition. The general entertainment TV broadcasting business undertaking, along with its assets, liabilities, licenses, trademarks etc., shall get demerged from BIG Magic Ltd, Reliance Big Broadcasting Private Ltd and Azalia Broadcast Private Ltd into ZEEL through a court-approved scheme.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/RBNL.jpg?itok=MVg3QKK1

    The TV broadcasting business of Reliance Group entities currently comprises two operational general entertainment channels — Hindi comedy channel BIG Magic and Bhojpuri-language GEC BIG Ganga — and four other TV licenses.

    ZEEL MD & CEO Punit Goenka, in a statement said, “We are pleased to announce this acquisition which further adds to our expanding universe of general entertainment channels. BIG Magic gives us access to comedy genre enhancing our customer offerings. BIG Ganga syncs with our strategy of expanding into the regional markets, which offer attractive growth potential.”

    According to Reliance Capital ED and Group CEO Sam Ghosh, “We are happy to divest 100 per cent of our general entertainment TV business to Zee Entertainment. This transaction is part of our strategy to reduce exposure in non-core businesses and work towards further reducing debt under Reliance Capital.”

    The final acquisitions are subject to regulatory approvals and could take a year to be completed.

  • Tourism Australia tells Balaji ‘Ye Hai Mohabbatein’

    Tourism Australia tells Balaji ‘Ye Hai Mohabbatein’

    MUMBAI: Tourism Australia and South Australian Tourism Commission (SATC) have collaborated with India’s leading production house, Balaji Telefilms, to inspire Indian travel enthusiasts to book their next holiday Down Under. Balaji Telefilms’ top rated television show ‘Ye Hai Mohabbatein’, which airs at 7.30 pm and 11 pm, Monday to Sunday , on India’s top Hindi General Entertainment Channel (GEC), Star Plus, recently shot 10 episodes in South Australia.

    Shot at iconic locations in Adelaide and surrounds, the story track based in Australia is definitely set to grip the viewers’ attention with interesting twists. India’s leading online travel company, MakeMyTrip, has further strengthened this initiative by tying up with Tourism Australia and SATC as the preferred travel partner for the project. As part of this partnership, a special travel package to Australia for the viewers of Ye Hai Mohabbatein is being advertised during the show and on MakeMyTrip’s web and social media platforms.

    Ye Hai Mohabbatein features popular Indian television actors Divyanka Tripathi, Karan Patel and Anita Hassanandani. The lead actors along with Ruhanika Dhawan who portrays the character of Pihu, Aditi Bhatia who plays Ruhi and Siddharth Makkar, who is introduced in the latest track as Vidyut, had flown down to Australia for the shoot. Viewers can see iconic locations such as the Rundle Street Mall, vineyards of Barossa Valley, scenic Kangaroo Island and the iconic cricket stadium Adelaide Oval on the show.

    Tourism Australia has a decade long association with Balaji Telefilms, with popular shows such as Kyunki Saas Bhi Kabhi Bahu Thi, Kahaani Ghar Ghar Ki and Bade Ache Lagte Hai being shot in Australia for a series of special episodes.

    “We are pleased to have collaborated with Balaji Telefilms and Star Plus to showcase Australia on Ye Hai Mohabbatein. India is a rapidly growing market for Australia. It is currently the ninth largest source market for the destination and is well positioned to achieve goals set out in the India 2020 strategy. To sustain the momentum of increasing visitor arrivals from India, impactful distribution and media partnerships such as this not only showcases the destination, but also provides attractive tactical deals to potential travellers,” said Tourism Australia Country Manager – India & Gulf Nishant Kashikar.

    “We are extremely thrilled to be collaborating with ‘Ye Hai Mohabbatein’. The popularity of the show and its beloved stars make for an ideal platform to reach out to our target audience. We are excited about broadcasting the many sights and attractions of South Australia to millions of Indian viewers. This is a huge step forward in increasing the number of Indian tourists to Adelaide and the surrounding cities,” said South Australian Tourism Commission regional director southeast Asia & India Dana Urmonas.

    South Australia was recently awarded the fifth best region in the world by Lonely Planet – the only Australian destination to be included in the prestigious ‘Best in Travel’ list. With a vibrant capital city, crowd-free beaches, up close wildlife encounters and world-class food and drinks, visitors get the complete Australian experience within one State.

  • Tourism Australia tells Balaji ‘Ye Hai Mohabbatein’

    Tourism Australia tells Balaji ‘Ye Hai Mohabbatein’

    MUMBAI: Tourism Australia and South Australian Tourism Commission (SATC) have collaborated with India’s leading production house, Balaji Telefilms, to inspire Indian travel enthusiasts to book their next holiday Down Under. Balaji Telefilms’ top rated television show ‘Ye Hai Mohabbatein’, which airs at 7.30 pm and 11 pm, Monday to Sunday , on India’s top Hindi General Entertainment Channel (GEC), Star Plus, recently shot 10 episodes in South Australia.

    Shot at iconic locations in Adelaide and surrounds, the story track based in Australia is definitely set to grip the viewers’ attention with interesting twists. India’s leading online travel company, MakeMyTrip, has further strengthened this initiative by tying up with Tourism Australia and SATC as the preferred travel partner for the project. As part of this partnership, a special travel package to Australia for the viewers of Ye Hai Mohabbatein is being advertised during the show and on MakeMyTrip’s web and social media platforms.

    Ye Hai Mohabbatein features popular Indian television actors Divyanka Tripathi, Karan Patel and Anita Hassanandani. The lead actors along with Ruhanika Dhawan who portrays the character of Pihu, Aditi Bhatia who plays Ruhi and Siddharth Makkar, who is introduced in the latest track as Vidyut, had flown down to Australia for the shoot. Viewers can see iconic locations such as the Rundle Street Mall, vineyards of Barossa Valley, scenic Kangaroo Island and the iconic cricket stadium Adelaide Oval on the show.

    Tourism Australia has a decade long association with Balaji Telefilms, with popular shows such as Kyunki Saas Bhi Kabhi Bahu Thi, Kahaani Ghar Ghar Ki and Bade Ache Lagte Hai being shot in Australia for a series of special episodes.

    “We are pleased to have collaborated with Balaji Telefilms and Star Plus to showcase Australia on Ye Hai Mohabbatein. India is a rapidly growing market for Australia. It is currently the ninth largest source market for the destination and is well positioned to achieve goals set out in the India 2020 strategy. To sustain the momentum of increasing visitor arrivals from India, impactful distribution and media partnerships such as this not only showcases the destination, but also provides attractive tactical deals to potential travellers,” said Tourism Australia Country Manager – India & Gulf Nishant Kashikar.

    “We are extremely thrilled to be collaborating with ‘Ye Hai Mohabbatein’. The popularity of the show and its beloved stars make for an ideal platform to reach out to our target audience. We are excited about broadcasting the many sights and attractions of South Australia to millions of Indian viewers. This is a huge step forward in increasing the number of Indian tourists to Adelaide and the surrounding cities,” said South Australian Tourism Commission regional director southeast Asia & India Dana Urmonas.

    South Australia was recently awarded the fifth best region in the world by Lonely Planet – the only Australian destination to be included in the prestigious ‘Best in Travel’ list. With a vibrant capital city, crowd-free beaches, up close wildlife encounters and world-class food and drinks, visitors get the complete Australian experience within one State.

  • Subhash Chandra files defamation case against Delhi CM

    Subhash Chandra files defamation case against Delhi CM

    NEW DELHI: Subhash Chandra, Chairman of Essel Group and Zee, has filed a criminal defamation case in a Delhi court last week against Delhi’s Chief Minister Arvind Kejriwal.

    The plea, filed in Patiala House Court, said that while addressing a press conference on 11 November, 2016 — four days after PM Modi announced demonetisation of Rs 500 and 1000 notes to arrest the rising menace of black money — Kejriwal made “false, fabricated and defamatory allegations” against Chandra alluding that he had amassed black money.

    According to the complaint, the Delhi Chief Minister had “defamed the complainant (Chandra) by making inherently defamatory statements and caused serious harm to his reputation by imputing behaviour incompatible with proper conduct and suggestions of involvement in illegal activity.”

    Kejriwal had been slapped with a similar complaint in Delhi High Court by Finance Minister Arun Jaitley who had said that allegations were made against him without any basis and which amounted to character assassination.“There are many decisions in life that you don’t want to take initially, but you’re left with no other option except that. Personally, I didn’t find any happiness in doing what I have done; in fact it pained me a lot,” in a Facebook post on Sunday Chandra said, adding, “I have had differences of opinion with him (Kejriwal) on numerous occasions but never have I stooped so low and passed any personal remarks on him.”

    public://FullSizeRender.jpg

    Sometime back Chandra had created a stir in the media with his support to the government-imposed one-day ban on NDTV India news channel for breaching content code related to national security issues that was subsequently withdrawn. He has also openly favoured the government’s move on demonetisation — criticised by many as an ill-thought and badly implemented move that has hobbled a large swathe of Indians — saying in the long run the initiative would benefit the country.

    Pointing out that he had supported the Delhi CM’s various initiatives, including the odd-even number formula to check vehicular pollution in Delhi area when many had ridiculed the move, Chandra said, “I was one amongst the few and the first to have appreciated his move. Not because of any ulterior motive like his, but for the interest of Delhi-ites. Was I having `black money’ even then?”

    “What if I say that the Delhi CM had indulged in malpractices to win the Delhi election and he had taken bribe from the Congress Party to contest against Prime Minister Modi in Varanasi and he had paid and hired people to assault him in public and so on. I know all of this is false and so I will never question his integrity and make such personal and baseless remarks. Similarly, what gives him the right to do so?” quipped Chandra, a Member of Parliament of Rajya Sabha or Upper House.

    He further went on to ask: “Just because I run a news organization with which he (Kejriwal) is not in good terms or because I, like the whole nation, welcomed the Prime Minister’s demonetization masterstroke or because now I’ve been elected to the Rajya Sabha (public servant), gives him the right to hurl personal abuses?

    “And if he or his social media warriors or other AAP (Aam Aadmi Party) cadres, who have always found some pleasure in abusing me, are reading this then I want to humbly tell them that kindly convey it to the Hon’ble Delhi CM who enjoys your support that I never have and never will take any attack on me lightly. It wasn’t an attack just on me but the 10,000 colleagues of mine and the billion hearts and lives that we have touched. Come what may, any further baseless and allegation and remark will be dealt under the provision of law, of which I am a firm believer, unlike the Honourable Chief Minister.”

    Chandra’s parting advise to Kejriwal in Hindustani that translates into English as: People who live in glass houses shouldn’t throw stones.

     

  • Subhash Chandra files defamation case against Delhi CM

    Subhash Chandra files defamation case against Delhi CM

    NEW DELHI: Subhash Chandra, Chairman of Essel Group and Zee, has filed a criminal defamation case in a Delhi court last week against Delhi’s Chief Minister Arvind Kejriwal.

    The plea, filed in Patiala House Court, said that while addressing a press conference on 11 November, 2016 — four days after PM Modi announced demonetisation of Rs 500 and 1000 notes to arrest the rising menace of black money — Kejriwal made “false, fabricated and defamatory allegations” against Chandra alluding that he had amassed black money.

    According to the complaint, the Delhi Chief Minister had “defamed the complainant (Chandra) by making inherently defamatory statements and caused serious harm to his reputation by imputing behaviour incompatible with proper conduct and suggestions of involvement in illegal activity.”

    Kejriwal had been slapped with a similar complaint in Delhi High Court by Finance Minister Arun Jaitley who had said that allegations were made against him without any basis and which amounted to character assassination.“There are many decisions in life that you don’t want to take initially, but you’re left with no other option except that. Personally, I didn’t find any happiness in doing what I have done; in fact it pained me a lot,” in a Facebook post on Sunday Chandra said, adding, “I have had differences of opinion with him (Kejriwal) on numerous occasions but never have I stooped so low and passed any personal remarks on him.”

    public://FullSizeRender.jpg

    Sometime back Chandra had created a stir in the media with his support to the government-imposed one-day ban on NDTV India news channel for breaching content code related to national security issues that was subsequently withdrawn. He has also openly favoured the government’s move on demonetisation — criticised by many as an ill-thought and badly implemented move that has hobbled a large swathe of Indians — saying in the long run the initiative would benefit the country.

    Pointing out that he had supported the Delhi CM’s various initiatives, including the odd-even number formula to check vehicular pollution in Delhi area when many had ridiculed the move, Chandra said, “I was one amongst the few and the first to have appreciated his move. Not because of any ulterior motive like his, but for the interest of Delhi-ites. Was I having `black money’ even then?”

    “What if I say that the Delhi CM had indulged in malpractices to win the Delhi election and he had taken bribe from the Congress Party to contest against Prime Minister Modi in Varanasi and he had paid and hired people to assault him in public and so on. I know all of this is false and so I will never question his integrity and make such personal and baseless remarks. Similarly, what gives him the right to do so?” quipped Chandra, a Member of Parliament of Rajya Sabha or Upper House.

    He further went on to ask: “Just because I run a news organization with which he (Kejriwal) is not in good terms or because I, like the whole nation, welcomed the Prime Minister’s demonetization masterstroke or because now I’ve been elected to the Rajya Sabha (public servant), gives him the right to hurl personal abuses?

    “And if he or his social media warriors or other AAP (Aam Aadmi Party) cadres, who have always found some pleasure in abusing me, are reading this then I want to humbly tell them that kindly convey it to the Hon’ble Delhi CM who enjoys your support that I never have and never will take any attack on me lightly. It wasn’t an attack just on me but the 10,000 colleagues of mine and the billion hearts and lives that we have touched. Come what may, any further baseless and allegation and remark will be dealt under the provision of law, of which I am a firm believer, unlike the Honourable Chief Minister.”

    Chandra’s parting advise to Kejriwal in Hindustani that translates into English as: People who live in glass houses shouldn’t throw stones.

     

  • Colors retains GEC reign; Sony Pal overtakes Zee Anmol in rural

    Colors retains GEC reign; Sony Pal overtakes Zee Anmol in rural

    MUMBAI: Continuing its reign over the HSM market four weeks in a row, Colors lead Hindi GEC genre across urban and rural markets combined. It also topped the urban-only list.On the other hand, Sony Pal overtook Zee Anmol and became the number one watched Hindi GEC channel in rural India.

    Hindi GEC

    Colors maintained its leadership position with 638344 Impressions (000s) followed by Star Plus on second position with 597790 Impressions (000s). Sony Pal has climbed up to the third spot with 470891 Impressions(000s) as Zee TV slipped to fourth in the list with 435915 Impressions (000s)

    Zee Anmol retained  fifth position with 435662 Impressions (000s). Sony Entertainment Television takes over the sixth spot earlier occupied by its sister channel Sony Sab. SET has scored 409301 Impressions (000s), while Star Utsav, which follows it at 7th spot has recorded 398716 Impressions (000s).

    Rishtey retained its eighth spot with 380487 Impressions (000s). Life Ok upped one spot to ninth with 376803 Impressions (000s) while Sony Sab dropped drastically to tenth spot with 365226 Impressions (000s).

    Hindi GEC Rural

    Viewers have crowned Sony Pal as the leader in the rural market with 343280 Impressions (000s) followed by Zee Anmol with 331554 Impressions (000s). Star Utsav regained third spot with 305659 Impressions (000s) as Rishtey dropped to fourth position with 290181 Impressions (000s).

    Colors bagged fifth spot with 207719 Impressions (000s).  Star Plus stood at sixth spot in Rural HSM with 196443 Impressions (000s) followed by Zee TV at number seven with 182881 Impressions (000s). Like OK climbed one spot at eighth spot with 137922 Impressions (000s)as Big Magic dropped to ninth with 124137 Impressions (000s). Sony Entertainment stayed at tenth spot with 121574 Impressions (000s).

    Hindi GEC Urban

    Colors was yet again the number one channel in Urban Hindi GECs genre with 433668 Impressions (000’s) followed by Star Plus on second with 401346 Impressions (000’s). Sony Entertainment Television jumped to third spot  with 287727 impressions (000s) and Zee TV stood at number four with 253034 Impressions (000s).

    Sony Sab was at fifth spot with 252499 Impressions (000s). Life Ok  took over the sixth spot with 238881 Impressions (000s) as &Tv retained its number seven spot with 144128  Impressions (000s).

    Sony Pal,  Zee Anmol and STAR Utsav grabbed the last three spots with 127610 Impressions (000s),104107 Impressions (000s) and 93057 Impressions (000s) respectively.

  • Colors retains GEC reign; Sony Pal overtakes Zee Anmol in rural

    Colors retains GEC reign; Sony Pal overtakes Zee Anmol in rural

    MUMBAI: Continuing its reign over the HSM market four weeks in a row, Colors lead Hindi GEC genre across urban and rural markets combined. It also topped the urban-only list.On the other hand, Sony Pal overtook Zee Anmol and became the number one watched Hindi GEC channel in rural India.

    Hindi GEC

    Colors maintained its leadership position with 638344 Impressions (000s) followed by Star Plus on second position with 597790 Impressions (000s). Sony Pal has climbed up to the third spot with 470891 Impressions(000s) as Zee TV slipped to fourth in the list with 435915 Impressions (000s)

    Zee Anmol retained  fifth position with 435662 Impressions (000s). Sony Entertainment Television takes over the sixth spot earlier occupied by its sister channel Sony Sab. SET has scored 409301 Impressions (000s), while Star Utsav, which follows it at 7th spot has recorded 398716 Impressions (000s).

    Rishtey retained its eighth spot with 380487 Impressions (000s). Life Ok upped one spot to ninth with 376803 Impressions (000s) while Sony Sab dropped drastically to tenth spot with 365226 Impressions (000s).

    Hindi GEC Rural

    Viewers have crowned Sony Pal as the leader in the rural market with 343280 Impressions (000s) followed by Zee Anmol with 331554 Impressions (000s). Star Utsav regained third spot with 305659 Impressions (000s) as Rishtey dropped to fourth position with 290181 Impressions (000s).

    Colors bagged fifth spot with 207719 Impressions (000s).  Star Plus stood at sixth spot in Rural HSM with 196443 Impressions (000s) followed by Zee TV at number seven with 182881 Impressions (000s). Like OK climbed one spot at eighth spot with 137922 Impressions (000s)as Big Magic dropped to ninth with 124137 Impressions (000s). Sony Entertainment stayed at tenth spot with 121574 Impressions (000s).

    Hindi GEC Urban

    Colors was yet again the number one channel in Urban Hindi GECs genre with 433668 Impressions (000’s) followed by Star Plus on second with 401346 Impressions (000’s). Sony Entertainment Television jumped to third spot  with 287727 impressions (000s) and Zee TV stood at number four with 253034 Impressions (000s).

    Sony Sab was at fifth spot with 252499 Impressions (000s). Life Ok  took over the sixth spot with 238881 Impressions (000s) as &Tv retained its number seven spot with 144128  Impressions (000s).

    Sony Pal,  Zee Anmol and STAR Utsav grabbed the last three spots with 127610 Impressions (000s),104107 Impressions (000s) and 93057 Impressions (000s) respectively.

  • Shani to bless rural & urban audience

    Shani to bless rural & urban audience

    MUMBAI: Colors tends to bring in universally appealing shows that uniquely manage to bridge the gap between urban and rural audience. After Ashoka Samrat’s success, it had been planning to spruce up its fiction line-up with a larger than life concept. Hence, ‘Karmphal Data Shani’ took shape.

    After Naagin season 2 and Devanshi, Viacom 18’s Hindi general entertainment channel is geared up to launch its new offering. The channel which always addressed the entertainment needs of urban audience now seems to be expanding its viewership with its latest offering.

    Colors is now presenting the narrative of one of the most misconstrued Lords from the Hindu Scripture who was born to balance one’s karmas so that one counted his/her blessings and thus be grateful to the universe for one’s existence. He was conceived for righteousness. Born to Surya Dev and blessed by the Trinity of Lords — Brahma, Vishnu and Shiva, the nature his deliverance of justice remains unchallenged.

    “We have always maintained that Colors is a premium Hindi general entertainment channel with our content addressing the entertainment needs of the urban audience. Some shows such as Naagin and Shani have a universal appeal. The content’s appeal to rural audience is, in fact, a spillover effect. Our research shows us that our offerings continue to uniquely manage to bridge the gap between urban and rural with some of our shows,” said Colors programming head Manisha Sharma.

    She further added, “At Colors, we are always looking forward to presenting differentiated and disruptive content that will pique viewer interest. After Chakravartin Ashoka Samrat’s success, we had been toying with the idea of sprucing our fiction line-up with a larger than life concept. The new show Karmphal Data Shani is in keeping with our mantra of maintaining cohesive viewing through varied content options.”

    Produced by Siddharth Kumar Tewary’s Swastik Production, the week-day show starts today at 9pm.

    A source close to the development informed Indiantelevision.com that the approximate production cost per episode is close to Rs 25 lakh, and the show’s 10-sec ad slot rate is around Rs 3-3.5 lakh.

    Commenting on the launch, Colors CEO Raj Nayak said, “Karmphal Data Shani is our dream project. The rationale behind investing in a show of such magnitude is the fact that it augments the core vision of our channel, i.e., to indulge all kinds of audience through variety content. The other vital reason is that shows such as Ashoka and Shani promote cohesive viewing. It imparts knowledge and spreads awareness. It’s a differentiator from the family dramas dominating primetime.”

    Nayak further added, “With an engaging narrative like Karmphal Data Shani, we believe, our weekday primetime is going to consolidate even further. Naagin has proven to be a game-changer, and is ruling the charts, and the unique love story of a eunuch has found its own fan following with Shakti – Astitva Ke Ehsaas Kii standing tall at the number 2 position. We are hopeful that the new discerning storyline will surely make an impact in 9pm primetime.”

    Speaking to Indiantelevision.com, Sharma informed, “Shani is unlike anything that has been seen on the Indian television in the past. The biggest selling point, for us, is that the concept is based on misconceptions about Lord Shani, and revealing his true nature to those who have grown up fearing him. Further, Swastik Productions has an impeccable track record when it comes to executing such stories and giving scale to the vision.”

    The show has been made on a gargantuan scale with the set spread over 65,000 square feet compared to other fiction offerings the sets of which usually cover less than one-fourth of this area. “We’ve also taken great pains in terms of set design, costumes, jewellery, cinematography and VFX to ensure that we present a stunning proposition to our audience,” informed Sharma.

    Tewary has also directed the show. The story has been developed by Utkarsh Nathani and the dialogues have been penned by Vinod Sharma. Together they worked with the creative team from Colors. The effects have been put together by Colors’ in-house team One Life and Pixillence.

    The show has commissioned 250 episodes. Speaking about the scale and production value of the show, Tewary said, “We have always strived to present compelling content from the Scripture. With Karmphal Data Shani, we aim to clear the misconception about Shani Dev’s intent and origin. Our teams are working tirelessly to present a larger-than-life canvas living up to the divinity of the era, and present an offering which will appeal to the audience’ sensibilities.”

    Dabur Chyawanprash has come on board as the show’s presenting sponsor.

    To promote the show, Colors is planning an elaborate impact and reach-driven marketing blitzkrieg at multiple touchpoints. The marketing team has devised a detailed plan across multiple platforms including OOH, print, electronic, radio and well-planned on-ground activations across various key priority markets.

    “Shani is yet another attempt by Colors after the successful show Ashoka Samrat to continue to bring alive stories from mythological stories keeping the Indian audience rooted. Bringing these stories to small screens also helps story-tellers to explore and push the boundaries of imagination while also experimenting with finite content. The channel is confident about the product as it is creating a strong buzz while also cross-promoting it across its other shows,” a senior media planner told Indiantelevision.com.

    “Initially, there will be a keen interest to understand how the character is evolving and, after a couple of episodes, the traction will depend on how show makers pull the story. After all, content is the king,” said a media planner on condition of anonymity.

  • Shani to bless rural & urban audience

    Shani to bless rural & urban audience

    MUMBAI: Colors tends to bring in universally appealing shows that uniquely manage to bridge the gap between urban and rural audience. After Ashoka Samrat’s success, it had been planning to spruce up its fiction line-up with a larger than life concept. Hence, ‘Karmphal Data Shani’ took shape.

    After Naagin season 2 and Devanshi, Viacom 18’s Hindi general entertainment channel is geared up to launch its new offering. The channel which always addressed the entertainment needs of urban audience now seems to be expanding its viewership with its latest offering.

    Colors is now presenting the narrative of one of the most misconstrued Lords from the Hindu Scripture who was born to balance one’s karmas so that one counted his/her blessings and thus be grateful to the universe for one’s existence. He was conceived for righteousness. Born to Surya Dev and blessed by the Trinity of Lords — Brahma, Vishnu and Shiva, the nature his deliverance of justice remains unchallenged.

    “We have always maintained that Colors is a premium Hindi general entertainment channel with our content addressing the entertainment needs of the urban audience. Some shows such as Naagin and Shani have a universal appeal. The content’s appeal to rural audience is, in fact, a spillover effect. Our research shows us that our offerings continue to uniquely manage to bridge the gap between urban and rural with some of our shows,” said Colors programming head Manisha Sharma.

    She further added, “At Colors, we are always looking forward to presenting differentiated and disruptive content that will pique viewer interest. After Chakravartin Ashoka Samrat’s success, we had been toying with the idea of sprucing our fiction line-up with a larger than life concept. The new show Karmphal Data Shani is in keeping with our mantra of maintaining cohesive viewing through varied content options.”

    Produced by Siddharth Kumar Tewary’s Swastik Production, the week-day show starts today at 9pm.

    A source close to the development informed Indiantelevision.com that the approximate production cost per episode is close to Rs 25 lakh, and the show’s 10-sec ad slot rate is around Rs 3-3.5 lakh.

    Commenting on the launch, Colors CEO Raj Nayak said, “Karmphal Data Shani is our dream project. The rationale behind investing in a show of such magnitude is the fact that it augments the core vision of our channel, i.e., to indulge all kinds of audience through variety content. The other vital reason is that shows such as Ashoka and Shani promote cohesive viewing. It imparts knowledge and spreads awareness. It’s a differentiator from the family dramas dominating primetime.”

    Nayak further added, “With an engaging narrative like Karmphal Data Shani, we believe, our weekday primetime is going to consolidate even further. Naagin has proven to be a game-changer, and is ruling the charts, and the unique love story of a eunuch has found its own fan following with Shakti – Astitva Ke Ehsaas Kii standing tall at the number 2 position. We are hopeful that the new discerning storyline will surely make an impact in 9pm primetime.”

    Speaking to Indiantelevision.com, Sharma informed, “Shani is unlike anything that has been seen on the Indian television in the past. The biggest selling point, for us, is that the concept is based on misconceptions about Lord Shani, and revealing his true nature to those who have grown up fearing him. Further, Swastik Productions has an impeccable track record when it comes to executing such stories and giving scale to the vision.”

    The show has been made on a gargantuan scale with the set spread over 65,000 square feet compared to other fiction offerings the sets of which usually cover less than one-fourth of this area. “We’ve also taken great pains in terms of set design, costumes, jewellery, cinematography and VFX to ensure that we present a stunning proposition to our audience,” informed Sharma.

    Tewary has also directed the show. The story has been developed by Utkarsh Nathani and the dialogues have been penned by Vinod Sharma. Together they worked with the creative team from Colors. The effects have been put together by Colors’ in-house team One Life and Pixillence.

    The show has commissioned 250 episodes. Speaking about the scale and production value of the show, Tewary said, “We have always strived to present compelling content from the Scripture. With Karmphal Data Shani, we aim to clear the misconception about Shani Dev’s intent and origin. Our teams are working tirelessly to present a larger-than-life canvas living up to the divinity of the era, and present an offering which will appeal to the audience’ sensibilities.”

    Dabur Chyawanprash has come on board as the show’s presenting sponsor.

    To promote the show, Colors is planning an elaborate impact and reach-driven marketing blitzkrieg at multiple touchpoints. The marketing team has devised a detailed plan across multiple platforms including OOH, print, electronic, radio and well-planned on-ground activations across various key priority markets.

    “Shani is yet another attempt by Colors after the successful show Ashoka Samrat to continue to bring alive stories from mythological stories keeping the Indian audience rooted. Bringing these stories to small screens also helps story-tellers to explore and push the boundaries of imagination while also experimenting with finite content. The channel is confident about the product as it is creating a strong buzz while also cross-promoting it across its other shows,” a senior media planner told Indiantelevision.com.

    “Initially, there will be a keen interest to understand how the character is evolving and, after a couple of episodes, the traction will depend on how show makers pull the story. After all, content is the king,” said a media planner on condition of anonymity.

  • Star India impacts 21st Century Fox Q1-17 numbers

    Star India impacts 21st Century Fox Q1-17 numbers

    BENGALURU: Rupert Murdoch’s Twenty-First Century Fox Inc. (21st Century Fox) reported 7.1 per cent year-on-year (y-o-y) growth in adjusted total revenue (revenue) for its first quarter ended 30 September 2016 (Q1-17, current quarter). Twenty-First Century Fox reported consolidated revenue of $6,506 million in the current quarter as compared to $6,077 million in the corresponding year-ago quarter.

    This revenue growth reflects increase in affiliate fee revenue which was primarily attributable to higher average rates per subscriber across most channels, and the increase in content revenue was led by higher subscription video-on demand (SVOD) revenue from television productions says the company.

    The company’s Operating Income before Depreciation and Amortization (OIBDA) increased 16.7 percent in Q1-17 to $1,791 million from $1,535 million in Q1-16.

    Twenty-First Century has three segments – Cable Network Programming, Television and Filmed Entertainment.

    Cable Network Programming

    Cable Network Programming revenue in the current quarter increased 10 percent y-o-y in the current quarter to $3,810 million from $3,464 million. The segment’s Operating Income before Depreciation and Amortization (OIBDA)increased six per cent y-o-y to $1,384 million from $1,306 million.

    Cable Network Programming has three sub-segments – Affiliate Fees; Advertising; ‘Content and Other’.

    Star India’s contribution

    Twenty-First Century Fox says that International affiliate fee revenue from its segment Cable Network Programming increased as a result of 16 per cent local currency growth, led by additional subscribers, higher rates and new channels in Latin America and Europe at Fox Networks Group International (FNGI) and increases at Star India, partially offset by the adverse impact of the strengthening of the U.S. dollar against local currencies. For Q1-17, international advertising revenue increased as a result of 11 per cent local currency growth, led by the broadcast of the Rio Olympics in fiscal 2017 at FNGI and Star India and higher volume and pricing at Star India’s general entertainment and sports channels, partially offset by the adverse impact of the strengthening of the US dollar against local currencies.

    “Star India’s advertising revenues returned to double digit year-over-year growth on a constant currency basis and we continue to see exceptional growth of our mobile video platform Hotstar,” said James Murdoch during a earnings call on the latest earnings. “Between June and October, average watch time doubled on the platform and minutes viewed is currently more than double, all the mainstream competitors combined and more than 10X the watch time of Netflix, which launched in India earlier this year.”

    The increase in international content and other revenues Q1-17, as compared to the corresponding period of fiscal 2016, was primarily due to higher network and syndication sales in Latin America and Europe at FNGI.

    International channels OIBDA decreased seven per cent, as compared to the corresponding period of fiscal 2016, primarily due to the local currency revenue increases noted above being more than offset by higher expenses an the adverse impact of the strengthening of the US dollar against local currencies. Operating expenses increased by approximately $110 million, for Q1-17, as compared Q1-16, primarily due to the broadcast of the Rio Olympics in fiscal 2017 and increased sports programming rights amortization, including soccer rights at FNGI and cricket rights at Star India.

    James Murdoch responded to a question during the investor call about the IPL rights and other sports properties that the Star Network is developing in India by saying: “..on the IPL, I think it is well known that there’s a – it’s well known that it’s very unclear when those rights will come to market. There has been a delay in that process. But I would say, look with respect to the Indian business we obviously look at different rights packages as they come up, we have really grown the breadth of that business in terms of sports with BCCI domestic cricket contract as well as the growth in Kabbadi and the Indian Super League, so it is really a broad business there and new rights come up where we always will have a look at. There is nothing at this point I can see in the outcome of those things that would deter it from the medium term target that we have laid out for profit growth at Star which were pacing towards pretty well, so we feel confident about that.”

    Domestic (US) Channels

    For Q1-17, Cable Network Programming’s domestic affiliate fee revenue increased primarily due to higher average rates per subscriber led by the

    Regional Sports Networks (RSNs), FX Networks and Fox News Channel (Fox News) partially offset by lower average subscribers.

    For Q1-7, domestic advertising revenue increased primarily due to higher pricing and ratings at Fox News. The increase in domestic content and other revenues for the Q1-17, as compared to the corresponding period of fiscal
    2016, was primarily due to the effect of the acquisition of the NGS Media Business.

    Domestic channels OIBDA increased nine per cent, as compared to the corresponding period of fiscal 2016, primarily due to the revenue increases noted above partially offset by higher expenses which were due to primarily due to the acquisition of the NGS Media Business and higher programming costs, including increased Major League Baseball(MLB) rights amortization at the RSNs and higher entertainment programming amortization at FX Networks.

    Television

    For Q1-17, revenues at the Television segment remained relatively constant, as compared Q1-16 (down one per cent y-o-y in Q1-17 at $1,038 million from $1,049 million), primarily due to higher affiliate fee and content revenues offset by lower advertising revenue. Affiliate fee revenue increased 18 per cent in Q1-17, as compared
    Q1-16, as a result of higher retransmission consent rates. Content and other revenues increased 55 per cent for Q1-17 as compared to Q1-16, primarily as a result of higher SVOD revenue at FOX.

    Television Advertising revenue decreased 11 per cent in Q1-7, as compared to Q1-16, primarily due to lower local advertising resulting from the broadcast of the Rio Olympics on a competitor network, the absence of the Emmy Awards and the Fédération Internationale de Football Association (FIFA) Women’s World Cup events and lower general entertainment ratings at FOX. Partially offsetting these decreases was higher political advertising revenue primarily related to the 2016 presidential election in the US.

    Television segment OIBDA in Q1-7 decreased 2.7 per cent y-o-y to $191 million from $196 million.

    Filmed Entertainment

    Filmed Entertainment revenues increased 6.8 per cent in Q1-17 as compared to Q2-16 to $1,907 million from $1,785 million primarily due to higher SVOD revenue from television productions, led by the licensing of Homeland to Hulu, and higher worldwide theatrical revenue partially offset by lower home entertainment revenue from motion picture productions. For Q1-17, revenues included the worldwide theatrical performance of Ice Age: Collision Course and Independence Day: Resurgence, *as compared to Q1-16, which included the worldwide theatrical releases of Maze Runner: The Scorch Trials and Fantastic Four and the home entertainment release of *Home*.

    In Q1-15, segment OIBDA at the Filmed Entertainment segment more than double (increased $162 million by 2.09 times) to $311 million from $149 million due to the revenue increases noted above and lower expenses of $40 million, or two per cent, as compared to Q1-16. Operating expenses decreased by approximately $20 million for the three months ended September 30, 2016, as compared to the corresponding period of fiscal 2016, primarily due to lower marketing costs due to the mix of theatrical and home entertainment releases in the current quarter compared to the prior year partially offset by higher production amortization and participation costs related to television productions.

    Company speak

    Commenting on the results, Century Fox executive chairmen Rupert and Lachlan Murdoch said, “We delivered a strong quarter, growing our earnings by double digits on solid revenue gains. Whether it was Fox News rating # in basic cable, the 27 primetime Emmy Awards between FX Networks and FOX Broadcasting, producing three of the top five
    scripted shows on television, or our robust international growth, we demonstrated strong operational momentum across our global businesses.”