Category: GECs

  • Subhash Chandra hails GST, seeks new tax system & ease of doing biz

    MUMBAI: Essel Group chairman and Rajya Sabha MP Dr. Subhash Chandra has welcomed the GST Bill while addressing the Upper House of the Parliament for the first time.

    Dr. Chandra is an independent RS member from Haryana. ZEE, as a brand today, has achieved a global recognition, reaching over a billion viewers in 171 countries.

    A compilation of his tweets on GST:

    Today, I gave my maiden speech in Rajya Sabha and participated in the GST Bill debate. 

    I congratulate the govt, Prime Minister Shri @narendramodi ji and FM Shri @arunjaitley ji for bringing this historic GST bill. Since independence we’ve been hearing from almost everyone that we need to work for welfare of common man and uplift the poor class, he said.

    2000 years ago, India’s contribution to the world GDP was 32%, which came down to 4.2% in 1950, when India’s share in world manufacturing went to as low as 1.7% & international trade during the British Raj fell from 20% to 1.4%, he added.

    We understand why this happened, because the British wanted to rule us for a longer time and take away our wealth, he said. But, 70 years after their exit, have our economic conditions improved at the same rate as that of global standards?

    GDP in 1950 – 4.2% – was reduced to 3.2% in 1980, and now in 2017 it has reached around 7.5%. Manufacturing in 1950 was 1.7%, 3.2% in 1980, in 2015 it was 4% while global trade was 1.3% = 1950, 0.5% = 1980 & now 1.7%.

    If we compare these statistics with the growth in India’s population, then we see that since 1950, India’s growth has been negative, he added.

    From 2000-2015 India earned income of 2.23 trillion dollars, of which 81% wealth went to 10% of the population & 19% to the rest 90%. Astonishingly, 58% wealth of the 154 lakh crore went to the top one per cent, which clearly shows that poor became poorer, and the rich became richer.

    GST is of course a great measure but it is just the first step, we need to do lot more to eradicate poverty from India.

    We need to reduce the tax structure that will further motivate people in paying the taxes and govt can then do away with penal provisions. 

    Due to lack of Ease of Doing Business in India, there is lot of indirect tax that is borne out of corruption, we should also address it. In the time to come, we need to think beyond GST, start a new taxation system & not just replicate the global ones.

  • RBNL’s maiden programming move post-acquisition, Zee content in afternoon band

    MUMBAI: Big Magic has introduced an exclusive afternoon time-band with the launch of four shows, dedicated for matinee viewership.

    After the acquisition deal with ZEEL, the channel has taken shows from Zee Channel’s library which includes ‘Kareena Kareena’, ‘Hudd Kar Di’, ‘Hum Sab Baraati’ and ‘Gudgudee’.

    The shows started airing on 20 March. These popular shows of yesteryears based on light-hearted content are being telecast between 1pm & 3pm, Mon-Fri on Big Magic Channel, thus positioning the afternoon time-band as a nostalgia band.

    The exclusive segment with an innovative content strategy of bringing back the golden era that is remembered by the audience, has been formulated after a detailed analysis of the afternoon time-band. ‘Kareena Kareena’, a show with a comic twist, airs at 1pm, followed by family entertainment show ‘Hudd Kar Di’. Viewers are further engaged with a lineup of ‘Hum Sab Baraati’, yet another comedy series, and ‘Gudgudee’, a light-hearted family entertainment show. Each episode of 30 minutes has been introduced with the objective of leveraging viewership trends of 1pm – 3pm slot.

    Speaking about the development, a spokesperson from Big Magic said, “Big Magic caters to audience across age-groups and demographics with its fresh content and innovative show formats. We have drawn insights on the untapped potential of the afternoon time-band through an intricate market analysis and thus introduced these four new shows from Zee Channel’s archive. Our objective is to diversify our offerings for our viewers while adding more value to our brand. We look forward to reaching out to a wider set of audience while engaging them with appealing formats.”

    With the re-introduction of these four popular shows, the channel is reviving the nostalgia associated with the golden era of 2000s in the minds of the viewers. It has also tapped the trend of entertaining and engaging viewers with content from the past and optimising its reach.

    Also Read

    RBNL all set to relaunch Big Magic

    Big Ganga shows now available on ZEEL’s OZee

    Tarun Katial’s big magic with Big Ganga

     

  • Zee to salute ‘Army behind the Army’ at Cine Awards

    MUMBAI: We are protected by the strength of the Indian army. But, have we ever pondered over the source of their strength? Their strength is an army behind them in the form of mothers, wives, sisters, daughters who silently toil day and night making up for their sons, husbands and fathers who are busy protecting the nation. Zee salutes this real Army behind the Army.

    It is not with medals and trumpets but with respect and recognition, Zee acknowledges their huge contribution and sacrifice.

    Zee Entertainment Enterprises is a global content company which has always focused on Women Empowerment, either through its content offerings or social initiatives. In this journey of empowering women, Zee has launched a special initiative called ArmybehindtheArmy, which aims at recognizing the selfless women behind our brave soldiers and who are the true source of their inspiration.

    Tune into Zee Cinema on 1 April at 7 pm to catch the launch of this special initiative at the Zee Cine Awards by Anushka Sharma.

    #ArmyBehindTheArmy has been created and conceptualised by Zee’s creative agency – FCB Ulka Advertising. Going beyond a mere advertising idea, this initiative is rooted in real life and aims to give army wives and mothers the honor they truly deserve for their role in nurturing families, building strong communities and a healthy nation. It also brings to light the epic work which this real army behind the brave soldiers does, to support its families.

    For the past 25 years, Zee has supported and given Indian women a voice onscreen through its content as well as sought betterment for them through on-ground social initiatives. #ArmyBehindTheArmy is another major step taken by Zee in this direction.

    Zee MD & CEO Punit Goenka said, “I’m extremely thrilled to launch this initiative which salutes the real army behind our brave soldiers. In our journey of 25 years, Zee has always stood for Women, and we’ll continue to do so forever.”

    FCB Ulka Advertising chief creative officer Swati Bhattacharya says, “When we think of the word ‘soldier’ we always think of a man. When we hear the word ‘patriotism’ we think of loud slogans, louder gunshots and again men.

    For me this idea is about two important words, ‘respect’ and ‘recognition’. For me the mothers, wives and daughters of the army are the stronger army. They are our Paramvirs and our Mahavirs. Let’s celebrate their strength and their nationalism. Let’s salute the #ArmyBehindTheArmy. I’m grateful to Zee for their support in launching this initiative.”

    This special initiative will be launched at the Zee Cine Awards on 1 April 2017. A 2-minute salutation anthem video capturing the idea will be presented by Anushka Sharma who herself hails from an army family.

    Zee Live & Zee Talent head – corporate brand & communications and CEO Sunil Buch said, “While our brave soldiers Respect & Recognize, the women behind their bravery, it is time that every citizen of our nation salutes them and applauds their contribution.”

    The salutation anthem film shot by director Ken Rolston from Story Tellers, a leading film production house brings alive the grit and inner struggle of these women through a powerful and emotive narrative – Hum Hain. The film is a montage of portraits of real wives, widows and mothers of the forces. We see them in the fields, in their homes, with their children, with the wedding album, going through life… alone.

    The strong visual cue – a unique visual identity designed by FCB Ulka for the initiative – is inspired by army fatigues, with a camouflage design that is derived from women in various acts of nurturing and caring. This lends a strong visual and emotive character to the communication.

    Subsequently a multimedia campaign will be launched that will include social media, mass media, and across the leading channels of Zee backed with on-ground activities. The campaign will culminate in a grand salute on Republic Day next year.

  • Star India producer: Incredible to know about art and evolution of storytelling

    MUMBAI: “It was insightful to know about the conscious and subconscious mind, and it was incredible to know about the art and evolution of storytelling,” said Star India senior producer Avni Bhatija. She was among a gathering of creative heads at Qench Studioz at Lower Parel, Mumbai, recently.

    On 23 March, creativity abounded at Qench with a gathering of several notables of the advertising fraternity. It was a first-of-its-kind initiative to bring people from this industry together in one room, to create an idea sharing a collaborative learning platform – a platform where one can showcase one’s work and meet people from the industry, not for business, but to share creativity and knowledge in a convivial atmosphere.

    Ogilvy ECD South Asia Sumanto Chattopadhyay, a firm believer in collaborative learning, was the star speaker and his thought on the psychology of the brain that mostly thinks in stories was an eye opener for many. This initiative is the brainchild of Avadhut Hembade, an award-winning photographer, a 25 year veteran of the industry and the CMD of Qench Studioz.

    Avadhut believes that in the daily routine and grind of our jobs, we lose out on sharing ideas and discovering the treasure-trove of hidden personal talent in the advertising fraternity. He has now created a space for these creative souls, to share not only their talent in advertising but also as artists, writers, poets, photographers, actors, dancers or musicians. The intention is to share work, learn from others, inspire and be inspired to produce brilliant pieces of creativity.

    Chattopadhyay is a gem in the advertising industry and an inspiration to many. He is accustomed to wearing several hats and is an actor, writer and photographer. He also holds the prestigious title of ECD at Ogilvy & Mather, the renowned ad agency. A firm believer in collaborative learning, his main thrust was on the psychology of the brain. He stated, “The brain cannot not think of a story,” sums it all up. In his talk, he goes on to explain with examples, how the advertising industry too could make use of this fact in its creative output.

    The first event received an overwhelming response and was attended by several top leaders of various media agencies as well as the eminent Sandeep Kulkarni, of Shwaas and Dombivili Fast fame. One of the attendees, Sushant Gaikwad of Paarami Digital, said, “Such initiatives will help drive the creativity of the industry to higher levels and everybody using the learnings of Sumanto will surely contribute great work to the industry.”

    Other participants included Star India associate VP Santosh Patil, Leo Burnett ECD Sachin Kamble, DDB Mudra ECD Ashish Phatak, and Lowe Lintas creative director Purwa Sali.

    Abhijit Karandikar, Kunal Sawant, Rajeshwari Rao, Sushil Chintak, Durga Bangade and Minal Phatak, senior creative directors of Ogilvy & Mather, applauded the initiative.

  • Zee Entertainment certified ‘Great Place to Work’

    MUMBAI: Leading Indian content company, Zee Entertainment Enterprises Limited (ZEEL), today announced that it has achieved the certification as a Great Place to Work® by the Great Place to Work® Institute, India. The Great Place to Work framework assesses an organization on employee perception through Trust Index© dimensions namely, credibility, respect, camaraderie, pride and fairness. It further evaluates and benchmarks people practices through culture audit.

    Based on this framework, it was revealed that Zee Entertainment had significantly positive employee perception and robust people practices, which identified it as an organisation with a great culture.

    ZEEL MD & CEO Punit Goenka said, “At Zee, we consider our employees as our most valued asset and this certification only goes to reinforce the fact that we are taking focused and proactive steps in nurturing our talent.”

    ZEEL chief people officer Praveer Priyadarshi said, “With the Group philosophy of “Vasudhaiva Kutumbakam – The World Is My Family” woven into the fabric of Zee culture, we believe in fostering the growth and development of every member of the Zee family.” Great Place to Work Institute CEO Prasenjit Bhattacharya said, “This certification showcases Zee’s dedication to winning its employees’ trust and creating a great workplace.”

    Every year, over 8000 companies from across 50 countries participate in the certification program conducted by the Great Place to Work® Institute.

  • Sony Pictures Network builds team for kids channel, appoints two execs

    MUMBAI: Celebration at Sony Pictures Network India (SPNI) seems to be continuing. The network recently launched its factual entertainment channel Sony BBC Earth with BBC Earth. Now, the network is gearing up to launch another channel, Sony kids channel. The channel is slated for an April launch.

    This upcoming channel will be the second kids channel from the SPNI stable. At present, Sony runs Animax, which was launched on 5 July 2004. “The kids channel will be organic, local and everything will be produced in India,” SPNI CEO N P Singh said in an interview.

    The channel will be headed by Leena Lele Dutta, Singh confirmed to Indiantelevision.com. Dutta is already associated with Sony Pictures Television. She was hired to establish and set up content distribution & licensing division of Sony Pictures Television in India in 2007, and expand its footprint thereafter into the South Asian markets.

    Dutta’s career spans over 20 years in the M&E industry. From an advertising sales executive to her current role of executive director – distribution for Sony Pictures Entertainment content licensing & syndication arm SPT, Dutta’s forte is working in startup companies / functions.

    Apart from Dutta, the network has appointed Sujoy RoyBardhan as the AVP and marketing head for the channel. Prior to joining SPNI, RoyBardhan was working with Viacom18 as the director – marketing.

    The channel has been working to expand its portfolio by adding 10 channels this year. The channels include five sports channels, and the rest will be divided between kids, music, infotainment and others. SPNI already launched two channels in the beginning of the year, and announced sports channels as well.

    A new kids channel is on its way. Now, it will be interesting to see what more SPNI has in its magic box for India.

    Also Read:

    Sony BBC Earth to air 19 hrs of content every week, local programming on the cards

    Sony to add 10 channels in 2017

  • Child prodigies on Colors’ ‘Chhote Miyan Dhaakad’ from 25 Mar

    MUMBAI: Bringing double bonanza of endless laughter and giggles is Colors’ newest offering, Chhote Miyan Dhaakad.

    Putting spotlight on the little laughter-whizzes of our country, this fresh take on comedy, laden with innocence, will lighten up the primetime viewing of the audiences over the weekend. Guiding these little wonders while they brighten your mood with their guileless humor will be comedy connoisseurs and judges, Neha Dhupia and Sohail Khan and anchored by Bharti Singh.

    Produced by Endemol Shine India, Chhote Miyan Dhaakad will witness the young brigade team up to generate fresh waves of laughter starting 25 March, every Saturday and Sunday at 6pm and 10pm on Colors.

    Colors programming head Manisha Sharma said, “At Colors, we have attempted different formats within the comedy genre. This time we decided to let the children take the centerstage and show their alacrity in the art of comedy. Neha and Sohail are great with kids and we found them to be a perfect fit for the show with Bharti guiding them with her enthusiasm as an anchor.”

    Chhote Miyan Dhaakad, a battlefield of comic jibes, will be waged by 12 budding laughter gurus. Using stand-up comedy as their weapon of choice, these contestants, handpicked from across the country, will show audiences why they are superior than, if not as good as, any adult comedian. Divided into three groups of four each, these young powerhouses will not only showcase group performances but also solo acts that will prove their mettle on the laughter stage. Joining the budding group of talent will be their partner-in-crime and host Bharti Singh, who will encourage the contestants to push the envelope with their performances.

    The most daunting job, though, will be that of comic buffs Neha Dhupia and Sohail Khan who will be tasked with the role of the Principals of the comedy arena as they judge the tiny tots’ attempts to set the laughter ball rolling across the country.

    Commenting on his role as judge, actor Sohail Khan said, “Chhote Miyan Dhaakad goes where no other comedy show has gone in the past; it recognizes the talent of the younger generation and gives them the platform to entertain the entire country with their antics. The rib-tickling moments that these young crusaders have been creating during the course of the shoot makes us believe that they’re the next big thing on television. I am extremely proud to be able to partake in their journey, and commend Colors for putting the spotlight on their comic prowess. These little wonders will spin their magic and take the nation by storm!”

    Adding further, Dhupia said, “Chhote Miyan Dhaakad is a format that tugs at the innocence and simplicity in humour, delivered with utmost confidence by young talent. Colors has a strong legacy in delivering interesting comic formats and content, and I am happy to be associated with this show. I especially love the fact that I got an opportunity to witness the budding talent that hold the potential to emerge as tomorrow’s comic stalwarts.”

    Ranging between 4 & 14 years of age, the up and coming comedy brigade who will compete on the Chhote Miyan Dhaakad laughter playground include Kavya Ramani (Mumbai), Agrima Dogra (Noida), Vedansh Pagare (Indore), Parth Dhamija (New Delhi), Ridhima Taneja (Ludhiana), Manav Khyali (Rajasthan), Sargam Khurana (New Delhi), Keyan Gadia (Indore), Preetjyot Singh (Ranchi), Tamanna Dipak (Assam), Divyansh Dwivedi (Ludhiana), and Tasheen Shah (Mumbai).

    Endemol Shine India MD & CEO Deepak Dhar said, “Talent comes in many forms, shapes and sizes. The most appealing one, though is that which resides in children. Chhote MIyan Dhaakad puts together 12 rip-roaringly hilarious children who only strive to entertain the viewers and the judges with their performances. They are the true USP of the show; their unexploited and unadulterated talent forming the foothold for a true-blue family entertainer. With Chhote Miyan Dhaakad, we hope to create an unparalleled viewing experience which will grab audience attention and bring a smile to their faces every weekend.”

    To promote Chhote Miyan Dhaakad, Colors has devised an extensive 360-degree integrated marketing and digital campaign whose outreach extends to various touchpoints across conventional and social media platforms.

  • Censorship and extremism worry content creator even as tech helps: Uday Shankar

    MUMBAI: Star India chief Uday Shankar today said while the distance that India has travelled in just one year in adopting internet based behavior is nothing short of remarkable, he was sad that ‘our censor authorities seem to be getting more and more conservative’ as the world gets bolder.

    Speaking at the inauguration of the three-day FICCI FRAMES, Shankar said that “the openness of the internet was supposed to lead to greater plurality of opinions, instead it has created a violent polarity” and a “forced extremism on every matter that has made gray the least acceptable colour in all discourse. As a society we have raised the stakes of every argument to narrowly legal and brutally physical consequences. There seems to be no room left to have civil debates and no place for those who disagree.”

    Clearly expressing a viewpoint that pained the creator of content, he asked: “But can we lay all the blame on the Censor Board itself? In my view the Board generally reflects the dominant consensus of our society and there are increasingly more bodies, mostly self-appointed, who have taken upon themselves the task of censoring media content. The refrain seems to be – I don’t like the legend or the myth on which your story is based, so I will burn down your sets. I don’t like a character, so I will not let you release your film. If you say you are going to do a show of busting fake godmen and gangsters, there is pre-emptive action. And what is becoming alarming now is that sometimes even the forums that you would seek redressal at are more inclined to bless the streetside censorship than speak for the freedom of expression.”

    Extending his argument, he said: “Punishment for disagreement seems to have become the norm. The institutions tasked with protecting expression and plurality, seem to be at loggerheads with the objective itself. By creating elaborate formal ceremonies around it, are we taking the joy out of one of the most loved and celebrated lyrics in our country i.e. our National Anthem? What’s frightening is that the court order has just become yet another weapon in the hands of any goon who is keen to stamp his authority. We are rapidly descending into a mindset where the most critical objective of a work of art is to make sure that it offends nobody no matter how many thematic or creative compromises it has to make.”

    He regretted that the “most worrying part” was that creative minds have begun to self-censor their thoughts and have started killing ideas before they germinate so as to avoid any conflict. “And that is really frightening. The advocates of this vandalism claim that unique measures must be taken to protect our unique culture.”

    However, Shankar said India appeared to be moving fast towards a digital dividend rather than a digital divide. “Personally I find predicting the future to be a tricky business -especially when it involves adoption of new technology. Just a year ago, at this very venue, there was a lively discussion on digital adoption. In less than a year, we are past that tipping point in this country. The distance that India has travelled in adopting internet based behaviour is nothing short of remarkable.”

    From buying goods and services to ordering in, India is now one of the largest markets for mobile applications – be it by volumes of downloads, consumption of video or e-commerce, for which it has already emerged as the next frontier.

    On the other hand, he said the conversation last year was about how many more unicorn start-ups will we see; this year it is about how many lame horses will have to be put down. “Fortunately, the digital story for the M&E sector continues to look exciting and it is already the next big destination for the global digital giants like Netflix and Amazon Prime. The stories of bottomless war-chests may or may not be hyperbole, but, it does give us a sense of the competition that they see from home-grown digital enterprises like Hotstar, Voot and the others.”

    He was confident that there will be a lot more lively activity on this front. The technology that has been introduced in this country is as good if not better than the best in the world. Combined with the reset in costs and quality benchmarks led by Reliance Jio, this has driven the adoption by the Indian consumer at a breathtaking pace.

    But while we celebrate this rapid growth, he said that in 2015-16 the Central Board of Film Certification refused certification to 77 movies. This number was 47 in 2014-15 and only 23 in the year before.

    As an example, he said the movie ‘Jolly LLB – 2’ had to be screened for a group of lawyers and medical professionals who were to decide whether the scenes were appropriate or whether they insulted any profession or institution. “This was despite the fact that the movie had been certified for universal release by the censor board.”

    He said there was a long list of instances “where the creative community has been bullied into changing its output to suit the needs of someone or the other in India. It seems that there are always people lurking in the shadows. Their sole job is to stretch and explore every piece of content that could be potentially offensive to someone.”

    He said the openness of the internet was supposed to lead to greater plurality of opinions, instead it has created a violent polarity.

    Referring to extremist reactions to creative works, he said: “We seem to be following the script that Hollywood had written almost 100 years ago. In the early part of the 20th century, Hollywood had decided to self-regulate itself. It adopted a production code and insisted on its enforcement for almost 25 years. The code covered the use of profanity like hell and damn, any suggestive nudity, wilful offense of any nation, race or creed and any ridicule of the clergy among other things. Doesn’t it sound familiar? The similarity with our own moral code is striking to say the least. Interestingly, television that was just arriving in American homes then, emerged as the challenger to this regime. Along with European cinema that came into the US, television buried this regressive moral code. The question today is – will digital play the same role for our generation and our country? The role of a progressive challenger, the role of providing a bigger canvas to creativity and creating a space for dissenting points of view. This new medium has the ability to truly democratize broadcasting. It offers the creative community the rare opportunity to rethink from scratch their art and how it is communicated. Only when modern technology and contemporary creativity truly come together, will we create a compelling and powerful media and entertainment offering.

    Those present included High Commissioner Nadir Patel and Mayor John Tory, Information and Broadcasting Secretary Ajay Mittal, and Department of Commerce Joint Secretary Sudhanshu Pandey,

  • Tashan-e-Ishq premiering at 8:30pm on Zee Anmol today

    MUMBAI: Zee Anmol, India’s leading FTA (Free to Air) television channel, brings its viewers a special treat. The channel is all set to air the dramatic love story ‘Tashan e Ishq’ starting 20 March at 8:30PM. They say all is fair in love and war but what if there is love while you are at war? Set against the vibrant backdrop of upscale, upwardly mobile Punjab, Tashan-e-ishq is the story of Twinkle’s search for true love whose power has the ability to overcome all adversities.

    An excited Jasmine Bhasin said, “This is great news for all the fans of our show because they were missing the show since it went off air. I am also looking forward to watching the show again. This was my first show and it will always have a special place in my heart. I have beautiful memories attached with the show. The entire cast and crew are like my extended family and I am sure they are as thrilled as me that they show is coming back.”

    Twinkle (Jasmine Bhasin) is a typically adorable Punjabi kudi and a complete drama queen who is head over heels in love with Yuvraj (Zain Imam). The mothers of these two love birds are ambitious and competitive businesswomen Anita Luthra and Leela Taneja. As luck would have it, both the mothers are rivals who have scores to settle both personally and professionally. Twinkle’s love story takes an interesting turn when Leela Taneja selects Kunj (Siddhant Gupta) as a suitable match for her.

    Will Twinkle’s love endure the complications presented by her mother being at loggerheads with Yuvraj’s or will Leela Taneja be successful in sowing the seeds of a new romance in Twinkle’s heart? Join Twinkle on her journey of Ummeed – her search for true love and happiness!

  • &TV’s Agnifera — a tale of 2 ‘dabangg’ wives, from Mon

    MUMBAI: Agra till now was known for its unprecedented beauty, love, romance and Taj… but from 20 March, it will also be known for two Dabangg Dulhans – Shrishti and Ragini who will set your television screens ablaze. With a quirky family drama of two unconventional brides and one helpless groom entangled in a marital quandary, &TV launches its new fiction show – Agnifera, Monday-Friday at 8.00 pm.

    The show that draws inspiration from the heartland of Uttar Pradesh in terms of the flavour and dialect brings together actors Ankit Gera, Yukti Kapoor and Simran Kaur in lead roles.

    Produced by Roshan Lal & Ravi Raj Creations, the show highlights the lives of Anurag Singh (Ankit Gera), Ragini Singh (Yukti Kapoor) and Shristi Singh (Simran Kaur) as their paths cross in an unusual manner. Anurag, a highly qualified MBA graduate from London, is the most eligible bachelor in town is caught in the cross fire of two marriage proposals. His bridal candidates are the Dabangg Dulhans – the daring Ragini who is known for her bandook ki goli and the virtuous Shristi who swears by kanoon ki boli. Both, courageous, brave, and strong-headed wish to become Anurag’s wife but who will end up as his bride?

    Speaking about the show, the good-looking Ankit Gera shares, “The concept of Agnifera is unusual, and different from what we have seen on television so far. It’s an offbeat family drama where I play Anurag, an NRI who is extremely pampered by his family. He is stubborn by nature and used to having his own way in most situations. The show follows his plight of choosing the right bride for the sake of his family. I am confident the viewers will like me in my latest avatar.”

    Yukti Kapoor who plays Ragini says, “I have always played shy and girl-next-door characters till now but Ragini is a complete make-over from all those roles. She is a firebrand who has her own way of getting out of situations, sometimes which involves using guns. She is rough and tough by nature but has her own quirks which makes her lovable.”

    Speaking about her character of Srishti, Simran Kaur said, “Agnifera is my debut show and I am really excited to play a strong character like Shristi’s. She is the perfect combination of traditional values and ethics who uses her education to ensure justice for everyone around. Since she is a lawyer, she goes by the rule. In many ways I identify with my character and I hope I am able to do complete justice to it.”