Category: GECs

  • Star India’s ent. prog costs & De-Mon impact 21st CF even as revenue beats expectations

    MUMBAI: Even in the absence of Fox News’ star Bill O’Reilly, 21st Century Fox earnings for the year and quarter ended 30 June, 2017, have beaten expectations, narrowly missing revenues, however.

    International affiliate revenue increased seven per cent driven by strong local currency growth at both FNG International channels and STAR, partially offset by a four per cent adverse impact from the strengthened U.S. dollar. International advertising revenue decreased three per cent due to the effect of the Indian government demonetisation initiatives on the general advertising market, a lower volume of cricket matches broadcast in the current year at STAR and the negative impact of foreign exchange, partially offset by local currency growth at FNG International. Annual OIBDA at the international cable channels increased four per cent reflecting higher affiliate revenues at both FNG International and STAR and lower sports programming costs at STAR due to lower volume of cricket matches broadcast in the current year.

    The increase in expenses was primarily due to higher domestic sports programming costs driven by higher professional team rights costs at the regional sports networks (“RSNs”) and increased MLB and National Association for Stock Car Auto Racing (“NASCAR”) rights costs at FS1, higher programming and marketing costs at FX Networks and National Geographic and higher entertainment programming costs at Fox Networks Group International (“FNG International”) and STAR India (“STAR”).

    The Company continued the expansion of its video offerings by introducing non-linear packages in Europe, Asia and Latin America under the labels FOX+ and FOX Premium, all tailored for specific markets and offering consumers more choice, and re-launching its domestic suite of authenticated entertainment apps through a unified FOX NOW app, and through further penetration and engagement of its Hotstar platform in India, where watch time has increased over the prior year by 300 per cent.

    The Company reported annual income from continuing operations attributable to 21st Century Fox stockholders of $3.00 billion ($1.61 per share), compared with $2.76 billion ($1.42 per share) in the prior year. Excluding the net income effects of Impairment and restructuring charges, Other, net and adjustments to Equity losses of affiliates1, adjusted annual earnings per share from continuing operations attributable to 21st Century Fox stockholders2 was $1.93, a 12 per cent increase compared to the adjusted year-ago result of $1.73.

    The Company reported annual revenues of $28.50 billion, an increase of $1.17 billion, or four per cent, from the $27.33 billion of revenues reported in the prior year. This revenue growth reflects higher affiliate and advertising revenues at both the Cable Network Programming and Television segments partially offset by lower theatrical and home entertainment revenues at the Filmed Entertainment segment.

    Full Year Highlights

    The Company continued to grow its cable channel and television businesses through eight per cent growth in affiliate revenues and 5 per cent advertising gains while positioning these businesses for the future through the inclusion in the core bundles of new digital MVPD entrants.

    The very successful broadcasts of Super Bowl LI and the Major League Baseball (“MLB”) World Series, which delivered the most watched baseball game in a quarter century, grew Fox Sports broadcast viewership by approximately 25 per cent over the prior year driving a 20 per cent increase in television segment contributions.

    Fox News Channel was the most watched basic cable network over the last twelve months during which it achieved its highest-rated quarter ever in 24-hour viewership.

    The Company strengthened its core domestic cable brands with the successful first seasons of Taboo, Legion, and Feud on FX and the global event series Mars and Genius on National Geographic.

    The Company continued the expansion of its video offerings by introducing non-linear packages in Europe, Asia and Latin America under the labels FOX+ and FOX Premium, all tailored for specific markets and offering consumers more choice, and re-launching its domestic suite of authenticated entertainment apps through a unified FOX NOW app, and through further penetration and engagement of its Hotstar platform in India, where watch time has increased over the prior year by 300 per cent.

    The box office successes of Logan, an extension of the X-Men franchise, and Hidden Figures underscore the range and quality of what the Company’s studio brings to its audiences.

    Twentieth Century Fox Television production studio produced the number one show on five different networks, including Empire on FOX, American Horror Story: Roanoke on FX, Modern Family on ABC, This Is Us on NBC, and American Dad on TBS.

    Fox Television Stations sold broadcast spectrum in the Federal Communications Commission’s completed reverse auction for which the Company received approximately $350 million in proceeds in July 2017.

    The Company reached an agreement with Sky plc (“Sky”) on the terms of an offer to acquire the Sky shares which the Company does not already own, which the Company believes will result in enhanced capabilities of the combined company, underpinned by a more geographically diverse and stable revenue base, and an improved balance between subscription, affiliate fee, advertising and content revenues. The acquisition of Sky remains subject to certain customary closing conditions, including approval by the UK Secretary of State for Digital, Culture, Media and Sport and the requisite approval of Sky shareholders unaffiliated with the Company.

    Commenting on the results, executive chairmen Rupert and Lachlan Murdoch said: “We delivered strong financial and operational momentum in fiscal 2017 driven by an acceleration in affiliate revenue growth which fueled fourth quarter cable segment OIBDA growth of 19 per cent. The investment we have made in our video brands, and in programming that truly differentiates, is proving to be the right strategy. It is driving the value of our brand portfolio across both established and emerging distribution platforms and reflects our deep commitment to creative excellence across all of our entertainment production businesses. In addition, the outstanding performance of our live news and sports programming drove advertising growth for the year and continues to set our business apart. What we achieved in 2017 sets us up well for this year and beyond.”

    Full Year Company Results

    Full year income from continuing operations before income tax expense of $4.69 billion increased $535 million from the $4.15 billion reported in the prior year. Full year total segment operating income before depreciation and amortization (“OIBDA”)3 of $7.17 billion, was $576 million, or 9 per cent, higher than the amount reported in the prior year. The OIBDA growth was driven by higher contributions from the Company’s Cable Network Programming and Television segments partially offset by lower contributions from the Filmed Entertainment segment. The adverse impact of foreign exchange rates impacted annual OIBDA growth by $105 million, or 2 per cent in total.

    Fourth Quarter Company Results

    The Company reported quarterly income from continuing operations attributable to 21st Century Fox stockholders of $501 million ($0.27 per share), as compared to $567 million ($0.30 per share) reported in the prior year quarter. Excluding the net income effects of Impairment and restructuring charges, Other, net and adjustments to Equity earnings (losses) of affiliates4 adjusted quarterly earnings per share from continuing operations attributable to 21st Century Fox stockholders was $0.36 as compared to $0.45 reported in the same quarter of the prior year. The prior year quarter adjusted earnings per share included a tax benefit of $0.07 per share from the receipt of a favorable tax ruling.

    The Company reported total quarterly revenues of $6.75 billion, a $102 million, or 2 per cent, increase from the $6.65 billion of revenues reported in the prior year quarter. This revenue growth reflects higher affiliate and advertising revenue at the Cable Network Programming segment partially offset by lower content revenues at the Filmed Entertainment segment and lower advertising revenues at the Television segment.

    Quarterly income from continuing operations before income tax (expense) benefit of $815 million increased $269 million from the $546 million reported in the prior year quarter. Quarterly total segment OIBDA of $1.45 billion was consistent with the amount reported in the prior year quarter. Higher contributions from the Company’s Cable Network Programming segment were offset by lower contributions from the Filmed Entertainment and Television segments.

    CABLE NETWORK PROGRAMMING

    Full Year Segment Results

    Cable Network Programming annual segment OIBDA increased nine per cent to $5.60 billion, driven by a 7 per cent revenue increase led by continued growth in both affiliate and advertising revenues partially offset by a 7 per cent increase in expenses.

    Domestic affiliate revenue increased 8 per cent reflecting continued contractual rate increases, led by Fox News, FS1 and FX Networks. Domestic advertising revenue grew 6 per cent over the prior year led by higher ratings and pricing at Fox News and higher postseason baseball ratings at FS1. Domestic OIBDA contributions increased 10 per cent over the prior year led by higher contributions from Fox News, FS1 and FX Networks.

    Fourth Quarter Segment Results

    Cable Network Programming quarterly segment OIBDA increased 19 per cent to $1.44 billion, driven by 10 per cent higher revenue from strong affiliate, content and advertising growth, partially offset by a 7 per cent increase in expenses. The increase in expenses was primarily due to the broadcast of the International Cricket Council (“ICC”) Champions Trophy in the current quarter and higher programming and marketing costs at National Geographic.

    Domestic affiliate revenue increased 10 per cent reflecting higher pricing across all of our domestic cable brands, led by Fox News, RSNs, FX Networks and FS1. Domestic advertising revenue increased 6 per cent over the prior year period as the impact of higher ratings at Fox News and increases at National Geographic were partially offset by the absence of the prior year quarter broadcast of the Copa America soccer tournament at FS1 as well as a lower number of National Basketball Association and National Hockey League playoff games broadcast on the RSNs compared to the prior year quarter. Domestic OIBDA contributions increased 22 per cent over the prior year quarter led by higher contributions from Fox News, the RSNs and FS1.

    International affiliate revenue increased nine per cent driven by higher rates and subscribers. International advertising revenue increased 9 per cent from high double digit advertising increases at STAR, led by the current quarter broadcast of the ICC Champions Trophy. Quarterly OIBDA at the international cable channels increased 6 per cent from the prior year quarter primarily reflecting higher contributions from FNG International partially offset by lower contributions from STAR.

    TELEVISION

    Full Year Segment Results

    The Television segment generated annual OIBDA of $894 million, a $150 million, or 20 per cent, increase over the $744 million reported in the prior year. Annual segment revenues were 11 per cent higher than the prior year due primarily to strong sports advertising revenue growth led by the broadcast of Super Bowl LI, the MLB World Series, which benefited from strong ratings and two additional games versus last year, and the inclusion of one additional National Football League divisional playoff game. Higher local political advertising spending at the television stations and continued growth of retransmission consent revenues also contributed to the segment revenue growth. These revenue increases were partially offset by lower network entertainment advertising revenues reflecting lower general entertainment ratings.

    Fourth Quarter Segment Results

    Television reported quarterly segment OIBDA of $137 million, a $7 million decrease compared to the prior year quarter. Quarterly segment revenues declined as lower national and local advertising revenues from lower general entertainment ratings were partially offset by higher retransmission consent revenues. Total segment expenses were 3 per cent lower than the prior year quarter due to lower entertainment programming costs.

    FILMED ENTERTAINMENT

    Full Year Segment Results

    Full year Filmed Entertainment segment OIBDA of $1.05 billion decreased $34 million from the prior year primarily due to a 4 per cent adverse impact from foreign exchange rate fluctuations. Higher revenue from the television studio was more than offset by lower revenue at the film studio. The television studio’s revenue increased due to higher subscription video-on-demand licensing led by Homeland and The People v. O.J. Simpson: American Crime Story. The film studio’s revenue decline was attributable to difficult theatrical and home entertainment revenue comparisons to the prior year slate which included Deadpool and The Martian.

    Fourth Quarter Segment Results

    Filmed Entertainment generated a quarterly segment OIBDA loss of $22 million, a $186 million decrease from the $164 million contribution reported in the same period a year ago. The OIBDA decrease in the current quarter was principally driven by lower revenues at both the film and television studios. Quarterly segment revenues decreased $235 million to $1.80 billion, primarily reflecting lower home entertainment revenues due to the strong performance of Deadpool in the prior year quarter and lower pay and free television revenues due to the timing of feature film availabilities and fewer deliveries of returning television series.

    Full Year Results

    Annual equity losses of affiliates were $41 million as compared to $34 million of equity losses of affiliates in the prior year. The $7 million increase in losses primarily reflects higher equity losses from Hulu and lower equity earnings from Sky partially offset by lower equity losses from Endemol Shine Group.

    Fourth Quarter Results

    Quarterly equity earnings of affiliates were $16 million as compared to $72 million of equity losses of affiliates reported in the same period a year ago. The $88 million improvement in equity results primarily reflects lower equity losses reported at Endemol Shine Group and higher equity earnings reported at Sky.

    OTHER ITEMS

    Dividends

    The Company has declared a dividend of $0.18 per Class A and Class B share. This dividend is payable on October 18, 2017 with a record date for determining dividend entitlements of September 13, 2017.

    Pending Acquisition of the Remaining Shares of Sky

    The Company’s pending acquisition of the public shares of Sky has been cleared on public interest and plurality grounds in all of the markets in which Sky operates except the UK, including Austria, Germany, Italy and the Republic of Ireland. The acquisition has also received unconditional clearance by all competent competition authorities. The transaction is subject to certain other customary closing conditions and the requisite approval of Sky shareholders unaffiliated with the Company. In the event that the UK Secretary of State for Digital, Culture, Media and Sport makes a final decision to refer to the Competition and Markets Authority for a phase two review, the transaction is expected to close by June 30, 2018.

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  • Sony to simulcast Sachin film across 7 channels in 5 languages on I-Day

    MUMBAI: This Independence Day, Sony Pictures Networks (SPN) will simulcast the inspirational tale of India’s greatest ever sports icon, Sachin Tendulkar with the film ‘Sachin: A Billion Dreams’.

    In an endeavour to truly go beyond the ordinary, the film will be a multi-lingual telecast across seven channels of the network in five languages, so that viewers can connect with the film in their preferred language.

    Hitting airwaves on 15 August at 8:00 p.m. viewers can watch the film on Sony MAX and Sony MAX HD in Hindi, Tamil & Telugu, Sony MAX2 in Marathi, Sony PIX, Sony PIX HD, Sony SIX and Sony SIX HD in English.

    Reaching out to over 700 million viewers in India, SPN will bring the country together on Independence Day by striking an emotional chord with fans of SPN’s ambassador for sports Sachin Tendulkar.

    Directed by Emmy-nominated British filmmaker James Erskine and produced by Ravi Bhagchandka, this is a biographical film which captures Tendulkar’s cricket and personal life in detail, as well as reveals few aspects of his life which have never been heard of or seen before.

    The movie features real footage, including clips from his matches and interviews with colleagues and family and present day stars including Virat Kohli and Mahendra Singh Dhoni. The biopic also marks the acting debut of the master blaster.

    Tendulkar said: “The viewers have lived every moment of my 24 years on the field with me but no one knew what was going on in my head. They might know my scores and recall every ball but this movie will help them get inside my brain and know what I was feeling during the lows and highs. The movie will reveal my relationship with my family and also give the fans a glimpse into my personal life through my real-life family footages.”

  • Contiloe helped us with Vighnaharta’s new avatar, says Sony’s Danish Khan

    MUMBAI: Sony Entertainment Television will soon be home to the story of the most loved god, Ganesha. Going by its history of showcasing path breaking content, SET along with Contiloe Picture Pvt Ltd have come together to redefine the experience of mythological shows with, its latest, ‘Vighnaharta Ganesh’.

    Showcasing the journey of the deity Ganesha, the makers have brought in top notch Motion Capture technology and animatronics which will be used for the first time on Indian Television, after being extensively used in Hollywood. This technology will replace the age old depiction of Lord Ganesha with an inert mask and bring alive the detailed life-like movements and facial expressions to the fore giving the viewers a delightful visual treat.

    This technology will make the emotional journey of how Ganesha from being an ostracized child to “Prathamesh” amongst Gods more endearing and realistic experience.

    ‘Vighnaharta Ganesh’ will present a magical visual extravaganza on Indian television with impeccable production design, celestial costumes and ingenious audio-visual experience through Motion Capture technology.

    This magnum opus is supported by a stellar star-cast that includes Uzair Basar playing Ganesha, Akanksha Puri as Parvati, Malkhan Singh as Shiv, Basant Bhatt as Kartikeya and Anand Garodia as Narada Muni.

    Sony Entertainment Television EVP and business head Danish Khan said: “Story of Lord Ganesh was, is and will always be relevant to our viewers across the globe. The only challenge was to present it in a never seen before avatar. We are delighted with the way our creative partner Contiloe has imagined this show visually. We are sure our viewers will enjoy both, the editorial authenticity as well as visual delight”

    Contiloe Pictures CEO Abhimanyu Singh: “At Contiloe we have always believed in using technology to enhance the visual experience for our audiences. This is the first time that Motion Capture technology has been used on Indian television. Vighnaharta Ganesh promises to be a milestone in use of visual effects in the Indian television industry.” Vighnaharta Ganesh premieres on 22 August, 2017, Monday to Friday at 8:00 PM only on Sony Entertainment Television.

  • Two Zeel channels top Hindi GECs in Across Genre list

    BENGALURU: Two Hindi GEC channels from the Zee Entertainment Enterprises Limited (Zeel) Network topped the ratings among the six Hindi GEC channels that were present in the latest Broadcast Audience Research Council of India (BARC) top 10 channels Across Genre list (All India (U+R) : 2+ Individuals). Zeel’s flagship Hindi GEC Zee TV (pay TV) and its free to air (FTA) channel Zee Anmol scored 704.522 million impressions and 693.027 million impressions respectively for week 30 of 2017 (Saturday, 22 July 2017 to Friday, 28 July 2017). The channels were ranked second and third, just after the Sun TV Network’s Tamil GEC flagship channel – Sun TV which scored 989.709 million impressions and retained its pole position.

    As mentioned above – one Tamil GEC, six Hindi GECs’, two Telugu GECs’ and one Hindi Movies channel made it to the top 10 channels across genre list in week 30. From the network’s perspective – two channels each from 5 networks – The Sun TV Network, Zeel, Star India, Network 18 (Viacom 18) and Sony Pictures Network India (SPN) made up the top 10 channels across genre list.

    Star India’s flagship Hindi GEC Star Plus was ranked fourth with 647.026 million impressions followed by Viacom 18’s flagship Hindi GEC Colors with 614.528 million impressions. Star India’s associate Telugu GEC channel Star Maa with 603.792 million impressions was sixth followed by Viacom 18’s FTA Hindi GEC Rishtey with 596.039 million impressions at seventh place.

    SPN’s women centric shows channel Sony Pal was eighth with 538.710 million impressions. Its network sister and Hindi Movies channel Sony Max was ninth in the list with 529.383 million impressions with the Sun Network’s flagship Telugu GEC Gemini TV at tenth place with 515.418 million impressions.

  • Sony Ent extends Kapil Sharma’s contract by a year

    MUMBAI: Speculation has been rife for several months now that Sony Pictures Networks India’s Sony Entertainment Television was going to dump the comedy man Kapil Sharma and his show. The reason: the viewership and following was consistently dropping, and the price that it was forking out for it was really high.

    But, the gossip has been put to rest now with SET announcing that it has renewed its partnership with Kapil and his team at K9 Productions. The extended contract between the two is valid for another year. The channel says it decided to go ahead with Kapil as his show continues to reinvent itself as the benchmark in comedy entertainment.

    Adds  SET EVP & head Danish Khan: “The Kapil Sharma Show bring smiles to millions of viewer every weekend nights across the globe. Kapil is an extraordinary talent and we are delighted to have further cemented our relationship with extension of this contract. We are confident that the show and its talented cast will continue to enthrall the audiences across the globe.”

    Sources indicate that the renewed contract has some caveats attached to it. For starters, they say, that its budget has been shaved by close to 25 per cent; in keeping with the shows downward trend in ratings.  The  cast of the show is also reportedly being pruned in keeping with the lower budget. Reports had suggested that the earlier contract was for Rs 110 crore.

    However, that was at  a time when Kapil was still ruling the ratings, and he  had parted ways with Colors. At that time, Kapil was being paid close to Rs 1.25 crore per episode, which catapulted him into the highest paid TV star list. Forbes had stated that his earnings totted up to Rs 30 crore in 2016.

    SET has expanded its weekend programming since by bringing in another comedy show called The Drama Company.

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  • Hat-trick: Sony Pictures Distribution among best Indian media companies

    MUMBAI: Sony Pictures Networks Distribution India Pvt. Ltd. (SPND), the distribution arm and wholly owned subsidiary of Sony Pictures Networks India (SPN), has been ranked as one of the best company to work for in the media industry by the Great Place to Work® Institute, for 2017. Sony Pictures Networks Distribution has been recognized as INDIA’s GREAT MID – SIZE WORKPLACES 2017 and ranked at the 5th position, amongst the TOP 50 companies. SPND is the only media company to be featured on this list for the third time in a row. This award was presented by the global research organisation – Great Place To Work® Institute, India in association with Mint.

    The Great Place to Work® Institute is a firm that assists organisations to identify, create and sustain great workplaces through the development of high-trust cultures. In its 14th edition, India’s Best Companies to Work For study attracted participation from 219 organisations, ranging across industries, including a 7% participation from the media industry alone. This study was done with the most rigorous, credible and comprehensive methodologies to identify organizations in achievement of their goals.

    Sony Pictures Networks Distribution India Pvt. Ltd. undertook the Trust Index Survey & Culture Audit People Practices assessment – a two lens model that measure employees’ perception and assesses management practices. Once again SPND surpassed the average industry percentage of positive responses measured through five parameters – credibility, respect, fairness, pride and camaraderie and raised the bar of their people practices over last year

    According to the Institute’s research, a Great Place to Work® is one where the company’s framework is employee-centric and inculcates a sense of trust, pride and camaraderie amongst the employees. It is an indisputable fact today that creating a great workplace is an integral part of an organisation’s strategy. SPND believes in empowering its employees to achieve dynamic results which comes with the commitment towards the social, economic and intellectual growth of its diverse employees in an evolving ecosystem.

    Sony Pictures Networks India CEO NP Singh: “Every organization is shaped by its employees and for us to be recognised as a Great Place To Work is as best as it can get. This award is of immense significance to us as it resonates with our goal to Go-Beyond the ordinary and script the future that we want to belong to. Our values are co-shared by our employees and it reflects in our performance as well. I am extremely humbled by our employees’ commitment to our goals and determination to excel in every sphere.”

    SPNI president – distribution and sports business Rajesh Kaul: “Being among the great places to work in India for a third time in a row is both, an honour and a responsibility. Our endeavour has always been to make Sony Pictures Networks Distribution an organization which nurtures employees as family and expresses its care for them not only via friendly policies but also by fulfilling their career expectations. We are privileged to receive this award and will continue to go-beyond in our endeavour to excel our own standards.”

    SPNI director – HR Hema Malhotra: “Great minds make SPND a Great Place to Work where our employees are the biggest asset of our organization, coupled with effective leadership, compelling employer brand and a high-performance culture. Our initiatives around learning and development, wellbeing, diversity and Inclusion are progressive and note-worthy, which are some of the tools to engage, motivate and retain employees. All this coupled with employee friendly practices create agility through innovation and help the organisation Go-beyond the ordinary.”

  • Zee TV continues to dominate urban weekend ratings

    BENGALURU: Over the past few weeks Zee Entertainment Enterprises Limited (Zeel) flagship Hindi GEC Zee TV has been dominating urban viewership during weekends. Programmes such as the world television premier (WTP) of the Aamir Khan starring biographical sports drama ‘Dangal’ and anti-prohibition film Raees; the airing of Zeel’s reality shows ‘Sa Re Ga Ma Pa Little Champs’ and the launch of ‘India’s Best Judwaah’ and ‘Fear Factor’, have drawn more urban eyeballs for it than other channels in the genre on weekends.

    Please refer to the figure below for Zee TV and its peer Hindi GECs’ weekend performance  for the past 10 weeks (between weeks 21 to 30 of 2017). Data in this report has been sourced from Broadcast Audience Research Council of India (BARC), TG: HSM (Urban), 2+

    public://F1_17.jpg

    Dangal was a big draw when it was aired in week 21 and then again in week 22 of 2017 as was Raees when its WTP was aired in week 26 followed by a re-telecast in week 28 of 2017. Dangal rated 11.009 million impressions in the three hours 45 minutes slot and the repeat airing on 28 May evening 5:00pm rated 2.963 million impressions, according to BARC data.  Aired on 25 June at 12:00 noon, Raees rated 3.850  million Impressions in the three-hours slot, whereas the second airing on 9 July evening 18:00hrs rated 1.714 million impressions in the same duration.

    Further, the fresh airing of ‘Sa Re Ga Ma Pa Little Champs’ has beendoing well in the urban space andhas been on an increasing trend.As compared to week 21 of 2017 the non-fiction singing reality show has seen a 50 percent increase in viewership in the latest week for which BARC data is available – (Week 30 of 2017).There has been a big jump in ‘Sa Re Ga Ma Pa Little Champs’ from week 26 as the channel increased number of repeat airings of the show. Please refer to the chart below:

    public://F2_8.jpg

    Another broadcast – that of an event which witnessed good viewership was the telecast of the Zee Gold Awards that honour the best performers in the Indian television industry. These were first awarded in the year 2007 and Emami’s Boroplus has been the title sponsor for the first nine editions of the show. The awards were first aired in 2017 in week 29 followed by a re-run in week 30. The Red Carpet part of the show on 16 July at 17:00 hours rated 1.082 million impressions followed by the main event at 17:30 hours which rated 2.968 million impressions. The repeat telecast of the Zee Gold Awards was on 22 July (Week 30) at 16:30 hours which rated 1.425 million impressions.

    Zee TV launched two new reality programmes in the 800 pm and 1030pm primetime slots in week 30 – ‘India’s Best Judwaah’ and Fear Files. Both have performed well in the launch week. How they fare in the coming weeks remains to be seen. Here below are the ratings tables of the two shows.

    public://F3_2.jpg

    Zee TV has been performing well. In week 30, the channel was second in BARC’s list of top 10 channels across genre, just behind the Sun TV Networks flagship Tamil GEC Sun TV in terms of rank. In the Hindi GEC (Urban+Rural) market, three of its programmes – two Balaji Telefilms productions – Kumkum Bhagya and its spinoff Kundali Bhagya and Sa Re Ga Ma Pa Little Champs were among BARC’s top five programmes list in week 30 of 2017.

  • Zee promotes freeing of its channels on UK’s Sky TV

    MUMBAI: Three years after it introduced the Sky Asia pack in the UK, the British satellite operator has decided to drop it and put the Asian channels into its basic bouquet.  It was in March 2014, that  Sky had introduced the pack – consisting of Zee TV, Zee Cinema, Zee Punjabi, Sony Entertainment Television, Sony MAX and B4U Movies – at a price of 15 pounds. But Britasians were slow to subscribe to the package. That was even after it was made available at five pounds to viewers, according to online news reports. The reason: content on the paid pack was available on free TV. 

    So when the three year agreement with Sky and the Asian channels came up for renewal earlier this year, it decided to change the status quo and put the channels out for free in  its three packs    – original, variety and box sets. The. original pack is priced at 22 pounds and offers 270 channels; the variety sells at 25 pounds a month for 300 plus channels and the box set pack at  31 pounds a month  for 350 plus channels. The Asian  channels will be giving company to others such as Star Plus, Star Gold, Life OK, Star Utsav, and MTV Beats, which are also available at no cost.

    To promote this change, Zee Entertainment Enterprises, one of the first movers into the UK with its Hindi channels, launched a two week phased  campaign starting with a teaser   – casting a shadow of suspense over the UK with  “Can you keep a ZEECRET” message. The advertising was pushed nationwide accross media,  covering key south Asian pockets. It also undertook an innovative viral announcement by Youtube comedian sensation, Pammi Aunty – who not only lets you in on the secret that Zee TV UK, Zee Cinema, Zee Punjabi are free but also tells you what to do with the saving of the £15 monthly Sky Asia Pack fee!

    Now the promotion has moved into the nexrt phase with the message: “All Zee, No Fee,” Zee Entertainment Enterprises marketing head – UK and Europe Simran Sablok informed indiantelevision.com. The idea: draw eyeballs to the Zee channel group including Zee TV, Zee Cinema, Zing, Zee Punjabi and &TV.  

    Even as the channels have gone free on Sky, Zee’s channels  continue to be available on Virgin  as part of the paid Asian Mela pack.

    Observers are expecting the slugfest between the Indian channels in the UK to intensify for the already shrinking advertising pound following this move.

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  • Zee TV takes Silly Point’s ‘Relationship Agreement’ comedy to Singapore

    MUMBAI: All of us may have come across convoluted pre-nups. But, have you ever imagined a binding document that provides your better half with a set of rules to be followed during the alliance journey? Here is a contemporary story that revolves around the couple who want to avoid the usual trials and tribulations surrounding relationships, by laying out their cards from the beginning.

    Zee TV has planed to bring on 8 September “The Relationship Agreement,” a Zee Theatre acquired Silly Point Productions’ romantic comedy play, to Singapore’s Shine Auditorium. The play has been performed at a number of places in India and has received a very good response from the theatre community. Its contemporary settings, witty dialogues and the cast’s perfect timing have received all-round praise.

    When your life-partner furnishes a batch of likes, dislikes, things s/he approves or disapproves of, does it make your equation with the partner better? ‘The Relationship Agreement’ is a humorous take on modern-day relationships.

    Basically a new age comedy about a couple attracted to social media who draws up a relationship contract to pre-empt the standard traditional trial and error arrangement.

    Silly Point, one of the rare groups to have performances in three languages — English, Hindi and Parsi Gujarati, is a theatre production house based in Mumbai. Its plays have an instant connect with the youth and have been into comedy theatre.

    It started with English theatre with plays such as – The Class Act, Like Dat Only, Rusty Screws and Four Square – original comedies written and directed by Meherzad Patel, followed by Black Comedy. It then moved on to Hindi theatre with its critically acclaimed performance of Kalaam – an abstract thriller penned and staged by Meherzad and Danesh.

    Silly Point also conducts theatre workshops – with acting and drama based techniques being taught every year at NCPA’s Summer Fiesta and at yearly activity at various schools in Mumbai and across India.

    The Relationship Agreement — an English comedy reflects a slice of life from the digital age. Relationship has been the inspiration behind several satirical and comedy performances across media. The Relationship Agreement however gives a new spin to this all-time favourite subject. The life partners in the play sign a self-drafted binding document and eventually find out the hard way that it is not easy to contravene. Their pact includes a list of 25 conditions — from prosaic things such as ‘no PDA’ to preposterous things like ‘no snoring while sleeping’.

    Director Meherzad Patel uses creativity to amuse all, mixing contemporary references, politics, pop culture and the nation’s current happenings in his dialogues. Sumona Chakravarti, the stage wife of Kapil Sharma in Comedy Nights, plays the doting lover Danesh Irani’s defiant girlfriend and their chemistry creates comedy.

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  • ZEEL reports steady Q1 FY2018 results

    MUMBAI: It’s been a hectic first quarter of FY 2018 for homegrown media power house — the Essel Group promoted Zee Entertainment Enterprises Ltd (Zeel). The company has gone ahead for some corporate restructuring and has also declared its Q1FY2018  financials which, if not impressive, at least deserve a pat on the back, at a time when industry is coping with the GST transformation that the government has imposed on the industry.

    First, on to the financials. Q1 2018.

    On a consolidated basis, Zeel has notched up total revenues of Rs 1540.3 crore (Rs 15.4 billion),  an EBITDA of Rs 484.4 crore (31.4 per cent margin) and profit after tax (PAT) of Rs 251.6 crore (16.3 per cent margin).

    Advertising revenues for Q1 FY2018 are at Rs 966.5 crore (Rs 9.67 billion), which after adjustment for the acquisition of Reliance Broadcast Network Ltd (RBNL) and the sale of its sports business to Sony Pictures Networks India, was at Rs 868.8 crore.

    Its international advertising revenue was at Rs 57.8 crore for the quarter.

    Subscription revenues for Q1 2018 were at  a healthy Rs 479.1 crore. Domestic revenue from subscription grew a healthy 14.5 per cent to Rs 378.88 crore – showing that the network is starting to bear the fruits of the government-backed Indian television industry’s digitization drive. International subscription revenues were at Rs 100 crore (Rs 1 billion).  Overall, its international revenues (excluding sports business) were at Rs 194.7 crore, including other sales and services of Rs 36.9 crore.  The adverse impact of currency appreciation and region-specific issues have contributed to the decline in revenues, says a Zeel press release.

    Qualifying Zeel’s performance managing director & CEO Punit Goenka said: “It was yet another satisfying quarter with a strong financial and operating performance. During the quarter, we recovered from the impact of demonetization and the growth in the first two months was strong. However, the momentum was disrupted in June in the run-up to GST implementation. The advertisers reduced ad spends on existing brands and launched fewer products as distribution chain was not fully prepared for seamless transition to the new regime. Despite the challenge, our domestic ad revenue grew by 7%. Notwithstanding the short-term impact, we believe that GST will aid the advertising spends in the long-run.”

    Zeel completed the acquisition of the remainder 49 per cent equity stake in Indiaweb Portal which runs a clutch of online sites, apart from Fly By Wire International Pvt Ltd post 30 June 2017. Both have become wholly owned subsidiaries.

    Goenka says the acquisition of India Webportal “which is the third ranked online content publisher in the country, gives us an opportunity to reach and understand digital consumers through its various offerings. The acquisition is part of our strategy to strengthen the digital presence. It operates a suite of websites focusing on different genres including news, sports and entertainment.”

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