Category: English Entertainment

  • Simon Cowell becomes Britain’s highest paid TV star

    Simon Cowell becomes Britain’s highest paid TV star

    MUMBAI: Simon Cowell is going from strength to strength. The acerbic judge of American Idol has signed a £20 million-a-year deal with UK broadcaster ITV to continue hosting the music based reality show The X Factor.

    Cowell will host the show for three years. He says, “After two and a half years of The X Factor, I’d pondered whether we were going to carry on. But this series has been fantastic… I think there is even more we can do with The X Factor. I couldn’t be happier.”

    Media reports add that Cowell will also produce and star in a series of prime-time ventures. His company, Syco Tv, has finalised an extended five-year deal to appear on American Idol.

    Cowell also stipulates in his contract that his record company, Sony BMG, is allowed to release records by the winning contestants.

  • NGC, Warner to push ‘Happy Feet’ film

    NGC, Warner to push ‘Happy Feet’ film

    MUMBAI: This holiday season, National Geographic Channel (NGC) celebrates Warner Bros’. animated family adventure Happy Feet.

    The film releases in cinema halls in India on 22 December. NGC has partnered with the studio to promote the film in India through on-air and off-air activities.

    In the film into the world of the Emperor Penguins, who find their soul mates through song, a penguin is born who cannot sing. But he can tap dance something fierce. The film has the voices of Australian actors Nicole Kidman, Hugh Jackman and Hugo Weaving among others. As part of the initiative, the channel has planned a Happy Feet Week. This is a week of programming featuring selections from Nat Geo’s acclaimed library of films on and about penguins, starting on Christmas Day 25 December at 4 pm.

    There is also a Happy Feet themed contest for viewers who tune in to Nat Geo to participate. The grand prize is a trip for two to witness the world famous Penguin Parade in Phillip Island, Australia.

    NGC India VP marketing Rajesh Sheshadri, said, “Happy Feet is about breaking free from the crowd, recognising your uniqueness and making it your strength. Through this unique association with Warner Bros. Pictures we look forward to further our reach and enhance the connection with our audience.”

    Warner Bros. Pictures (India) marketing manager Sanjay Narayanan says, “National Geographic Channel – which is devoted to deepening and enriching India’s understanding and appreciation of our natural world – is an ideal partner for us on Happy Feet, which through storytelling shines a light on the very special world of Emperor Penguins”

    The series will feature films like Emperor Penguins, Game for It, Fairy Penguins: The Secret of Sydney Harbour and Penguin Death Zone.

  • Fox to release dubbed film in India

    Fox to release dubbed film in India

    MUMBAI: On 29 December, Twentieth Century Fox International will be releasing Museum Ke Andar Phas Gaya Sikandar in India.

    This is the first time ever in the history of Indian cinema that Twentieth Century Fox is releasing a film only in the dubbed versions all over India. The English comedy, featuring Ben Stiller , Robin Williams and Owen Wilson, is called Night At The Musuem.

    Fox will be releasing Museum Ke Andar Phas Gaya Sikandar only in Hindi all India. The film will also be released in Tamil and Telegu in Tamil Nadu and Andhra Pradesh respectively. It will be released in metros, mini metros, B & C grade towns in over 300 screens across India.

    Fox marketing manager George John says, “Over the past three years, we have seen tremendous potential for Hollywood films in India. It is our endeavor to expand the market for Hollywood in India and to provide the best entertainment available to the family audiences in a language that cuts across all audiences!.”

    The Hindi script has been written by Kiran Kotrial and is voiced by Damandeep Singh, Anil Datt and Saurabh Agarawal for Ben Stiller, Robin Williams and Owen Wilson respectively. The script has been written keeping in mind Indian sensibilities interspersed with local wit and humour.

    John adds, “Museum Ke Andar Phas Gaya Sikandar is a comedy adventure film with state of the art special effects of the scale that’s not available in Indian films! It is our intention to give the movie audience for Museum Ke Andar Phas Gaya Sikandar the right kind of screens to enjoy the movie. As a result, the ambience will be right, language will not be a hindrance and the whole movie experience will be more enjoyable.”

  • France looks to partner entertainment sector in India

    France looks to partner entertainment sector in India

    MUMBAI: The French are coming. And in a manner never seen before. That too in the Indian entertainment sector with a focus on cinema.

    Says French Ambassador in India Dominique Girard: “We are quite serious about India. We believe the timing is right. India is no longer an exotic place alone, it is culturally integrated with the rest of the world, it has also emerged as a nation of economic power. And a country which has lots of technical expertise and skills.”

    For starters, the French Embassy has set up an office in Mumbai right in the heart of Bollywood with the head of the film and TV department Mohammed Bendjebbour leading the charge of the French film brigade. Earlier, Bendjebbour was stationed in Delhi with a couple of people under him. The Mumbai office will have a similar component of people under him.

    “Bendejebbour and his team will assist Indian film producers in every way they can to help them should they want to do anything relating to cinema in France,” says Girard.

    Girard points out that additionally, a new film cooperating treaty between India and France is being penned right now. “The French film authorities met with the Information & Ministry officials at the Goa Film festival and agreed to rejuvenate the 1985 treaty on cinema. It is currently being drafted and will be signed at the Cannes film Festival this May with India celebrating its 60th year of independence,” says Girard.

    Girard believes it is about time Indian film makers move away from their traditional overseas locations like Switzerland, New Zealand, Malayasia and use France’s “magnifique locales” for filming just as Don had its opening sequence shot in Paris.

    “We have fabulous monuments – the Eiffel Tower, the Notre Dame de Paris, the Champs Elysees – which can serve as interesting backdrops,” says he. “The French are not too finicky about permitting filming in them. You remember Mittal and the Chateau de Versailles. In fact, we had organized a visit for Yash Chopra earlier this year to the Chateau in the wee hours of the morning and he was quite excited by it.”

    The French Embassy is taking steps to ensure that Indian film producers wanting to film in France are given preferential treatment in terms of visas. “Unlike IT and other professions, film professionals will only need a business visa to film in France. And the head of the TV and film department will help making life easier for them.”

    He points out that a step in that direction was taken when the Accor group of hotels and the French Tourism Promotion Board signed an agreement permitting Indian film crews to fly in their cooks with them and use the kitchens on the premises to rustle up Indian vegetarian fare for them. “This should be really beneficial to those who are vegetarian, we were told it is a major issue with many film people.”

    Girard reveals that he has ambitions to make French cinema popular in India. “The multiplex culture has made it viable for distributors and exhibitors to screen French movies. The feedback we have received from Indian youth is that they would love to watch the new wave of French cinema,” says Girard.

    Thus there are plans are to have festivals of French cinema; and dub French films into various Indian languages. For starters Skyfighters – a Top Gun kind of French film – which is being distributed by the PVR group is to be released with a Tamil, Telugu, Hindi and English dub. “The French Embassy is setting aside funds for dubs if distributors are willing to distribute French films,” reveals Girard.

    That’s some red carpet treatment. Now it’s up to the Indian film trade to take the bait.

  • Fox, Ciwen, Fortune Star to co-produce Chinese martial arts film

    Fox, Ciwen, Fortune Star to co-produce Chinese martial arts film

    MUMBAI: MFox, Beijing Ciwen Digital Oriental Film & TV Production (Ciwen) and Fortune Star have entered into an agreement to co-produce a costume martial arts film in China – Gold Bandits (working title) – with an anticipated production start date of June 2007.

    Hong Kong filmmaker Andrew Lau (Infernal Affairs, Initial D) will produce and direct the film and writer/director Gordon Chan is currently working on the script. The film will also be produced by Ciwen GM Ma Zhong-Jun and Fortune Star GM Peter E. Poon.

    Under the agreement, Ciwen will be responsible for the film’s distribution in mainland China (excluding home video). Fortune Star will oversee distribution in India, Hong Kong, Taiwan, Southeast Asia, Japan, South Korea. Fox will distribute the film to the rest of the world and also holds home video distribution rights for mainland China.

    Twentieth Century Fox Home Entertainment president Mike Dunn says, “Last month, we commemorated a momentous milestone for the studio with the establishment of a Fox representative office in China and a newly formed distribution partnership with Zoke Culture Group.

    “Following up on our promise to contribute to China’s growing consumer market and to support development of the country’s film industry, we are thrilled to announce our first Chinese language co-production deal. This project represents an exciting opportunity for Fox to work with China’s own creative community and to meet the ongoing consumer demand in China for high-quality entertainment choices.”

    Twentieth Century Fox senior VP film acquisitions Tony Safford says, “Co-financing Gold Bandits is part of the studio’s country-by-country strategy to align ourselves with credible third party producers — in this case Ciwen and Fortune Star — to create distribution partnerships that begin locally, spread regionally, and ultimately reach film audiences worldwide.”

    Ma Zhong-Jun said, “We are excited to work together with Fox and Fortune Star on the production of this Chinese major motion picture. This groundbreaking collaboration ensures the creation of a world-class quality production which will spur local box office sales, while also putting in place the capacity for worldwide distribution even before shooting begins.”

    Poon says, “We are delighted to work with Fox and Ciwen, as well as with renowned filmmakers Andrew Lau and Gordon Chan, all of which are synonymous with high quality, award-winning films. I am confident that we have a compelling story to tell here and that this film will engross audiences in Asia as well as in the rest of the world.”

  • National Geographic TV Intl inks deal for kid’s show with broadcasters

    National Geographic TV Intl inks deal for kid’s show with broadcasters

    MUMBAI: National Geographic Television International (NGTI) has announced a raft of new deals for its festive family special – Toot & Puddle: I’ll Be Home for Christmas.

    Based on the Holly Hobbie book of the same name, the show has been licensed to broadcasters including ARD and Ki.Ka in Germany, Nickelodeon in the UK and Australia, YLE Finland, TV2 Norway, DR1 Denmark and ATV Hong Kong.

    NGTI head of kids’ sales Karen Vermeulen comments, “In Toot & Puddle, Holly Hobbie has created very charming characters – and they definitely succeeded in charming a number of buyers at their first outing at Mipcom this year!

    “This is the first programme out of the four in production from National Geographic Kids’ Entertainment to deliver, and has been tremendously well received. Kids is a relatively new area of business for NGTI but the strong heritage of the National Geographic brand means that buyers know to expect top quality kids’ programming that both entertains and excites kids to explore the world around them.”

    Toot & Puddle: I’ll Be Home for Christmas tells the tale of two piglet pals who must overcome severe winter weather, cancelled flights and other unexpected delays in order to spend Christmas together. Targeted at families and kids aged 3-8 it is produced by National Geographic Kids’ Entertainment, in association Warner Home Video.

  • Warner Bros. to buy stake in SCi

    Warner Bros. to buy stake in SCi

    MUMBAI: Warner Bros. Entertainment Inc. will make an investment in SCi Entertainment Group plc, the parent company of publishing label Eidos Interactive Ltd, representing 10.3 percent of the company’s enlarged share capital.

    Additionally, Warner Bros. and SCi have entered into an agreement for licensing and distribution of games based on select Warner Bros. Entertainment properties, asserts an official release.

    A part of the Warner Bros. Home Entertainment Group, Warner Bros. Interactive Entertainment (WBIE) has granted the licenses to SCi for the comic book version of Batman, the Looney Tunes, select titles from the Hanna-Barbera catalog and television properties The OC, Monster Allergy, Loonatics Unleashed and Legion of Super Heroes.

    In addition, Eidos and Warner Bros. have entered into a primary distribution agreement under which Warner Bros. will provide warehousing, logistics, merchandising and media buying services in the United States to Eidos. Eidos will continue to run, through its US publishing office, all other aspects of its US operations including manufacturing, sales, marketing and PR, adds the release.

    Warner Bros. President Kevin Tsujihara said, “Investing in SCi further solidifies our commitment to the rapidly growing interactive and gaming space. This deal is consistent with our core strategy of delivering high quality entertainment based on some of the world’s best-loved brands for all formats and channels. We look forward to working with SCi to build games the fans of these brands will truly enjoy.”

    SCi chief executive Jane Cavanagh said, “These agreements represent a further step in SCi’s development as one of the world’s leading publishers of interactive entertainment. The licensed properties extend and strengthen our product portfolio through globally recognised titles such as Batman, Looney Tunes including brands such as Bugs Bunny and the classic Hanna-Barbera catalogue including brands such as Tom and Jerry.

    “The additional investment provides us with the firepower to accelerate growth initiatives such as increasing our development capacity and our new media and online strategies,” she added.

    Warner Bros Interactive Entertainment has licensed the rights for selected intellectual properties to SCi. SCi’s publishing label Eidos will develop videogames based on the properties. The licenses are:

    – Batman. The license enables Eidos to create games based the on comic book version of the DC Comics’ renowned super hero.

    – Looney Tunes. Eidos will create games using the library of Looney Tunes characters, including Bugs Bunny, Daffy Duck, Road Runner and Speedy Gonzales and more, for handheld platforms.

    – Hanna-Barbera catalog. Eidos will develop up to twelve games based on a number of individual characters in the classic Hanna-Barbera catalogue including Tom and Jerry, The Flintstones, Wacky Races, Yogi Bear and Huckleberry Hound.

    – The OC. The license is for the interactive rights to the long running global TV series The OC, based around the lives of teenagers in Orange County, California.

  • Discovery’s ‘American Chopper’ to roar down under

    Discovery’s ‘American Chopper’ to roar down under

    MUMBAI: Tourism Australia and US broadcaster Discovery are partnering to bring Orange County Choppers’ Paul Teutul Sr and his sons Paul Jr and Mikey – the characters from the show American Chopper – to Australia in February 2007 to experience the best Australia has to offer.

    A down under-themed chopper will be designed for a special three-part installment of the series that will air on Discovery in more than 300 million households worldwide in the second quarter of 2007.

    The Teutuls’ two-week visit to Australia is part of Tourism Australia’s Global Programme. This is an initiative that is part of a three-year partnership between Tourism Australia and Discovery. Global Programmes is designed to showcase Australia’s unique lifestyle, people and culture to the world while giving visitors and global travellers a glimpse of what the country has to offer.

    For the uninitiated the show highlights the craft of building intricate, custom-made motorcycles in the Orange County Chopper garage, located about 80 miles from New York City. The series has built a global fan base documenting the real-life tirades and triumphs of the eccentric Teutul family as they manage the shop and struggle to meet seemingly impossible deadlines for building incredible customised choppers

  • HBO in awareness building drive for CAS; looks for further customisation

    HBO in awareness building drive for CAS; looks for further customisation

    MUMBAI: 2006 has not been an easy year for the English movie genre. Firstly there was the order from the Mumbai High Court, which saw HBO and Star Movies off air in a key market. While Star Movies is still off air, HBO recently came back on.

    The second challenge is that viewership share of English film channels has been falling. Then the distribution landscape is changing. DTH is growing. Conditional Access (CAS) comes in next year.

    HBO South Asia country manager Shruti Bajpai says that the key in this period of change is to build brand loyalty.

    “Our first challenge is to make sure that we are in the priority list of channels in homes which will get the set top box. New platforms mean that there is more room for new English entertainment channels. At the same time you have to be on your toes. To educate the viewers on HBO with the advent of CAS, we will be running a campaign, which will kick off in the final week of this month. This will be on air on our channel and possibly across Zee Turner and also in print, radio and outdoors.

    “While the final touches are being given, our campaign talks about the brand and what the channel has to offer for those who take a set top box. Our push will be along the lines of our tagline for next year – bigger and better. Our concern at the moment is not the pricing of Rs 5. It is to see that we get into enough homes. That is why we have a big property King Kong at the start of the year.

    “We are platform neutral and we will wait and see how the new platforms fare. Perhaps two or three years down the line we might have an offering without ads for a platform if the growth of that platform and the customers demand justifies it.”

    In terms of the fall in channel share, she notes that the challenge is that not only does one have to compete with new entrants but also the fact that the viewer is spoilt for choices. “There are games, multiplexes. While there will be volatility with CAS coming in, in the long run it is the strong brands that will survive. I think that HBO has done a good job in building up its brand over the years. If you look at it, the English entertainment genre share has fallen as a whole.

    “While viewers of our channels do watch other genres, what you see on English films is that there is more stickiness. On a genre like infotainment there is dip in and dip out viewing. On the other hand if a viewer likes a film he/she will stay tuned. We also expect new viewers to come in from the mini Metros and small towns that are growing. As the economy booms and more people become affluent more of them will start watching English films.” This, the channel hopes will compensate for the fact that some of its core audience is also watching other genres.

    The other issue is how HBO is working with the Censor Board. To this Bajpai says that the results so far have been good. Films she says have been cleared on a priority basis and as of now there has been no trouble with the scheduling. HBO has so far not encountered the situation where it could not air a film. Some films have been cut and then aired. It also helps that its major films like the upcoming King Kong have aired in cinemas and thus have a certificate.

    Further Customisation: The focus in 2007 for the channel will rest on customisation. The aim is to build up the non-primetime slots. One way of doing this is to have slots that appeal to certain demographics. So there is Time Out at 11:30 in the morning for the housewife. In addition to this the channel has added It’s A Guy Thing for men. This airs at 2 pm on Saturdays. Then there is Whazz up? for youth. This airs on the weekdays before the 9pm film.

    HBO has SMS contests for this block and also a mini site on hboindia.com. Bajpai asserts that HBO will also be more focussed on co-ordinating specials with Indian festivals like Holi. While it has been done in the past, more effort will go into this from next year to make it more cohesive.

    HBO’s next big film is King Kong with Naomi Watts. It airs next month. A microsite will go up where fans can find downloads and basic games. There will also be an on-air contest and the grand prize could involve a trip to a foreign destination. Bajpai adds that HBO will air four to five of its series next year. This year just two had been aired.

    While declining to divulge further details Bajpai says that one show will look at men’s lives in a big city.

    This could well be a counter point to Sex And the City, which had looked at the lives of single women.

    As has already been reported by Indiantelevision.com, HBO will air Tsunami: The Aftermath on 26 December without any commercial breaks. In terms of its original movies, the situation at the moment is a little uncertain, as titles have to be cleared. HBO also gets involved with the theatrical releases of films from its studio partners. It will push the animation film Happy Feet as well as the Denzel Washington film Deja Vu. There will be features like The Big Preview as well as public screenings.

  • HBO to premiere “Tsunami: The Aftermath” in Asia

    HBO to premiere “Tsunami: The Aftermath” in Asia

    NEW DELHI: HBO channel today announced the Asia premiere of its latest original mini-series, Tsunami: The Aftermath, a film based on the experiences some tourists had on the two islands of Phuket and Khao Lak in Thailand on the fateful day of 26 December 2004.

    It is a film about how human beings faced personal tragedy and then fought back and rebuilt their lives.

    The film is being released to mark the second anniversary of the catastrophe that had shattered the lives of millions and shaken the world. Suitably, the show will not carry a single commercial, announced HBO country head Shruti Bajpai.

    Bajpai also said that HBO had had a very successful sixth year in India and that the theme for the year 2007 would be “bigger and better”, which she asserted, sans, of course, the revenue figures.

    The mini-series, based on the book of the same name by Morgan Abi, is directed by Bharat Nalluri, originally from Andhra Pradesh, and will have a lot of big names in the cast, including several Academy Award nominees like Tim Roth, Sophie Okonedo, Hugh Bonneville, Gina McKee and others.

    Though the subject had been extensively researched with interviews of survivors, government officials and rescue agencies, the film rotates around a fictional group of tourists. It also a central Thai character, a waiter at the hotel which is the scene of this film, whose own family entirely perishes but who works with the survivors helping them reach higher ground.

    Bajpai was on the defensive regarding no Indians being there in the film, but said that the film transcends national boundaries and represented the true genre of HBO Originals, which are quality productions that provoke thought.

    “One reason we are not running commercials is, we decided that thought this would be a big hit yet, you cannot have a commercial just after a scene of someone dying. There are things we do where we do not look for money. We have enough and more blockbusters and other programmes which get us the money,” she said.

    The key characters include a young couple of African origin searching for their little girl; the Thai waiter who later fights against realtors trying to take over his devastated village; a young journalist (who often gets the wrong end of the stick from survivors); a British official whose faith in the system breaks down, and a Thai meteorologist who had earlier predicted the disaster but had been ignored.

    Tsunami: The Aftermath, has been produced in association with BBC, Bajpai said.

    She also explained that the film was in line with similar, life-based programmes like Band of Brothers on World War II and other quality productions. She said that though this cannot be termed a docudrama, the style is as true to life as possible.

    Terming the channel’s run in India this year as “great”, she said that HBO’s motto for the next year would be “bigger and better.”

    “Bigger,” she explained, “because there would be many more blockbusters. And better because there would be many more such quality productions than in the past.”

    Among the blockbusters coming up on HBO in the first three months of 2007 are King Kong, Da Vinci Code, to be followed later by Batman, Pride and Prejudice, Constantine, a Julia Roberts festival, and Constant Gardner, a moving film on how drug companies exploit African people doing illegal human testing.

    She defended the noticeable reduction of classics from the channel, saying that research showed that there wasn’t too much viewership for that. “Still, we show such films under various themes, like war movies, romances, etc., and that trend shall continue,” she assured.

    There will be, as in every year past, special programmes on Holi, Diwali and other major Indian festivals.

    Refusing to discuss revenue, she said that the growth is about 20 to 25 per cent year-on-year.

    Regarding CAS and fixing of the price pr channel at Rs 5, she said: “We shall go by the orders of the government. The issue is that the whole system will create an environment of choice for the viewers. Our position is that when that when that choice is made, we should be part of that choice… people should say, ‘give us HBO, we shall pay for it’.”On the issue of which is the number one entertainment channel, Bajpai said that this never really works out, because on some occasions one channel is on top, the others are not, and then over the next few hours, the situation can reverse.

    “We can assert that we are among the top English entertainment channels, but if I say that we are always higher rated than our rivals, that may not be true all the time. But yes, in the English entertainment category, it is among the top two. The others are way behind.”