Category: English Entertainment

  • HBO to exclusively premier ‘Show Me A Hero’ in India

    HBO to exclusively premier ‘Show Me A Hero’ in India

    MUMBAI: Show Me A Hero is a six-part miniseries which will explore the concepts of home, race and community while following the lives of elected officials, bureaucrats and citizens in Yonkers, N.Y. The show stars James Belushi, Winona Ryder, Clarke Peters, Jon Bernthal, LaTanya Richardson-Jackson, Daniel Stern, Bob Balaban, Alfred Molina, Catherine Keener, Oscar Isaac, Carla Quevedo, Ilfenesh Hadera, Natalie Paul, Dominique Fishback, Terry Kinney and Michael Stahl-David.

    In episode 1, Nick Wasicsko becomes the youngest big-city mayor in America, but at what cost? Even before he is inaugurated, the obligation to build public housing in the white neighborhoods of Yonkers looms over his newadministration

    In episode 2, all hell breaks loose as the Yonkers mayor and City Council are given an ultimatum by a federal judgeweary of further delay.  Meanwhile, public housing residents trapped in the deteriorating projects of West Yonkerswatch and wait as the white residents of East Yonkers make clear just how opposed they are.

    Show Me a Hero first and second episodes air in India on Monday, August 17. The subsequent four parts of the miniseries will debut on Monday, August 24 & Monday, August 31, with two episodes back-to-back from 10 p.m. onwards on HBO Defined, 100% ad- free.

  • Zee Café to air ‘Look Who’s Talking With Niranjan’ season 2

    Zee Café to air ‘Look Who’s Talking With Niranjan’ season 2

    MUMBAI: After the overwhelming response to the first season of the candid celebrity chat show, Zee Café is now back with season 2 of Look Who’s Talking With Niranjan. Watch him #CatchUp with his old celebrity friends over new conversations, starting 23 August, 2015, Sundays at 9:00pm

     

    The second season will present a new set of Niranjan’s friends, and each episode is sure to make you feel a little closer to the celebrities, as they reveal a side of them you haven’t seen before! The conversations will revolve around their lives, relationships, regrets and work.

     

    Speaking on the launch, Ali Zaidi, Deputy Business Head, Zee Café & Zee Studio, says, “Look Who’s Talking With Niranjan is one of our flagship properties, which  has helped our viewers establish a connection with their favourite celebrities. With this show we have entered original programming complementing our line-up of shows. We are all set to bring in the new season and are confident that our viewers will enjoy it thoroughly.”

     

    Commenting on the new season, host Niranjan Iyengar says, “Catching up with old friends is like reopening your favourite gift. I am very excited to present this gift to my fans. I would like to thank Zee Café and my friends who are part of this season for being extremely passionate towards making this show interesting. I am going to get my friends to share some stories and anecdotes, like never heard before.”  

  • MN+ releases August lineup

    MN+ releases August lineup

    MUMBAI: In keeping with its promise to provide the Gold Class of HD English Movie entertainment to the cr?me de la cr?me of the nation’s TV audiences, MN+, the leading HD English movie channel and the most premium offering from Times Network, has announced a formidable line-up of English movie entertainment for August 2015.

     

    The English movie viewers can look forward to an engrossing bouquet of some of the biggest films that received blockbuster success and critical acclaim plus a very special Independence Day lineup, while brands and advertisers can draw immense value from unique and strategically properties like Centre-stage, Opening Night, Great Adaptations, the one-off Classifiled, and more.

     

    Centre Stage: Among the top attractions in August, the property Centre Stage will feature, for the first time on MN+,  The Bucket List (on Sunday, 9 August  at 9 pm), the acclaimed A-list movie on the ultimate road trip of two terminally ill men with a wish list of things to do before they ‘kick the bucket’. The unique concept of the film along with the brilliant performances of Jack Nicholson and Morgan Freeman make it truly unforgettable, and a film not to be missed.

     

    Opening Night (Sunday, 23rd August at 9 pm) will feature J Edgar, the Clint Eastwood-directed Leonardo Di Caprio-starring powerful biographical-drama epic on the life and times of one of the most controversial and feared crime-fighters of America. Apart from the powerful performances and top notch direction, the film, airing for the first time on MN+, is a must-watch also for the way in which Hoover himself recalls his career for the biography.

     

    Apart from these, movie lovers can enjoy a handpicked selection of the best Hollywood films at 9 pm Mondays to Sundays throughout August, under the property Hollywood Select.

     

    Classifiled is the special property for Independence Day, Saturday, the 15th of August. It will showcase the popular film Underground: The Julian Assange Story at 9 PM, followed, at 11 pm, by We Steal Secrets: The Story Of Wiki Leaks, the documentary that details the creation of the controversial website that facilitated the largest security breach in U.S. history.

     

    Great Adaptations: Movie connoisseurs who are also book lovers and want to enjoy the celluloid retelling of some of the most popular books, can curl up with the celluloid retelling of their favourite books weeknights in the special MN+ property, Great Adaptations, at 11 pm Mondays to Thursdays from the 3rd to the 27th of August. Some of the unforgettable films to look forward to are About Schmidt, Fantastic Mr. Fox, Pride & Prejudice, Runaway Jury, The Time Machine, The Three Musketeers, Woman in Black, PS I Love You, A Time To Kill, Mackenna’s Gold, Fight Club, LA Confidential, Man on Fire, Les Miserables, Journey To Mysterious Island and The Bridges of Madison County.

  • Q2-2015: Warner Bros revenue growth boosts Time Warner revenues by 8.2%

    Q2-2015: Warner Bros revenue growth boosts Time Warner revenues by 8.2%

    BENGALURU: A 14.9 per cent revenue growth in its Warner Bros segment at $3298 million in the quarter ended 30 June, 2015 (Q2-2015) as compared to the $2870 million in Q2-2014 helped boost Time Warner Inc by 8.2 per cent. 

     

    The other two segments – Turner and Home Box Office (HBO) also reported revenue growth to the extent of 2.8 per cent and 1.5 per cent respectively. Time Warner’s revenue in Q2-2015 was $7348 million as compared to the $6788 million in the corresponding year ago quarter. Adjusted Operating Income grew 15 per cent to $1862 million due to increases at Turner and Warner Bros., partially offset by a decline at HBO. Operating Income increased 19 per cent to $1859 million.

     

    Company speak

     

    Time Warner chairman and CEO Jeff Bewkes said, “We had a very strong second quarter, with revenues up 8 per cent and Adjusted Operating Income growing 15 per cent to a quarterly record of $1.9 billion. Our results were led by Turner and Warner Bros and were achieved at a time when we’re investing aggressively to position the company for continued growth, including the successful launch of HBO NOW, our standalone domestic streaming service. HBO and its sister service Cinemax recently received a combined 131 Primetime Emmy nominations, with a record 126 for HBO – the 15th year in a row that HBO has led in nominations. In addition to being nominated for Outstanding Drama Series, Game of Thrones‘ fifth season set a new record for viewers of an HBO series.”

     

    Bewkes continued, “At Turner, TNT and TBS ranked as the #1 and #2 ad-supported cable networks, respectively, in primetime among adults 18-49, and together with Adult Swim claimed the top 3 spots in primetime among adults 18-34. Cartoon Network was again the only top 3 kids network to grow its 6-11 audience during the quarter and claimed the #2 spot for the first time. And CNN grew primetime viewership in its key 25-54 demo 25 per cent with the help of its award-winning original programming. Warner Bros concluded a very successful upfront, with 62 programs slated for the upcoming television season, including 29 on broadcast networks. That includes a record 20 returning shows and makes Warner Bros. the top supplier of broadcast series again this year. In the quarter, Warner Bros games business also shined with releases of Batman: Arkham Knight and Mortal Kombat X helping make it the top videogame publisher for the first half of the year. Reflecting our commitment to provide direct returns to shareholders, we have returned more than $2.6 billion in dividends and share repurchases year-to-date.”

     

    Segment performance

     

    Turner

     

    Revenues increased 2.8 per cent ($77 million) to $2827 million, benefiting from growth of 48 per cent ($69 million) in Content and other revenues and two per cent ($20 million) in Subscription revenues, partially offset by a decline of one per cent ($12 million) in Advertising revenues. The increase in Content and other revenues was due to the licensing of select Turner original programming to Hulu. Subscription revenues grew due to higher domestic rates and local currency growth at Turner’s international networks, partially offset by the impact of foreign exchange rates. Advertising revenues declined due to the impact of foreign exchange rates, partially offset by growth at Turner’s domestic businesses and local currency growth at Turner’s international networks. The increase in domestic advertising was due to growth at Turner’s domestic news businesses and the 2015 NCAA Division I Men’s Basketball Championship tournament, partially offset by lower delivery at certain domestic networks and the absence of NASCAR programming. Advertising revenue growth was also adversely impacted by fewer NBA playoff games in the quarter.

     

    Adjusted Operating Income increased 20 per cent ($190 million) to $1130 million, due to the increase in revenues and lower expenses, including lower programming costs. Programming costs decreased nine per cent primarily due to the absence of NASCAR programming as well as lower syndicated programming expenses as a result of the abandonment of certain programming in 2014. Operating Income increased 22 per cent ($201 million) to $1130 million.

     

    Home Box Office

     

    HBO revenue increased one per cent ($21 million) to $1438 million, due to an increase of four per cent ($40 million) in subscription revenues, partially offset by a decline of seven per cent ($19 million) in Content and other revenues. Subscription revenues grew due to higher domestic rates, partially offset by lower international revenue, which included the impact of the transfer to Turner of the operation of HBO’s basic cable network in India. The decrease in Content and other revenues reflected lower home entertainment revenues.

     

    Adjusted Operating Income decreased eight per cent ($44 million) to $508 million, as the increase in revenues was more than offset by higher marketing and technology costs, primarily related to the launch of HBO NOW, HBO’s stand-alone streaming service. Operating Income decreased seven per cent ($40 million) to $508 million.

     

    Warner Bros

     

    The revenue increase mentioned above reflects higher videogames and television licensing revenues, partially offset by lower theatrical revenues and the impact of foreign exchange rates. The increase in videogames revenues was primarily due to the releases of Batman: Arkham Knight and Mortal Kombat X. Television licensing revenues benefited from the second-cycle syndication of The Big Bang Theory and the subscription video-on-demand licensing ofSeinfeld. Theatrical revenues decreased primarily due to lower worldwide television licensing revenues of theatrical product and a decline in home entertainment revenues due to the comparison against the release of The Hobbit: The Desolation of Smaug in the prior year quarter.

     

    Adjusted Operating Income increased 46 per cent ($108 million) to $344 million, due to the increase in revenues, partially offset by associated film and print and advertising costs, as well as higher theatrical valuation adjustments. Operating Income increased 46 per cent ($107 million) to $341 million.

  • HBO to debut mini-series ‘Show Me a Hero’ on 17 August

    HBO to debut mini-series ‘Show Me a Hero’ on 17 August

    MUMBAI: HBO is all set to premiere its new mini-series drama Show Me a Hero, in India on 17 August at 10 pm.

     

    The series will be aired 100 per cent ad-free on HBO Defined.

     

    Based on the non-fiction book by Lis Belkin of the same name, created by David Simon and directed by Paul Haggis, the six-part miniseries will explore the concepts of home, race and community while following the lives of elected officials, bureaucrats and citizens in Yonkers, N.Y.

     

    Show Me a Hero will premiere on 17 August with the first and second episodes back-to-back. The next four parts of the miniseries will air on 24 August (episodes 3 & 4) and 31 August (episodes 5 & 6) from 10 pm onwards.

     

    Show Me A Hero stars James Belushi, Winona Ryder, Clarke Peters, Jon Bernthal, LaTanya Richardson-Jackson, Daniel Stern, Bob Balaban, Alfred Molina, Catherine Keener, Oscar Isaac, Carla Quevedo, Ilfenesh Hadera, Natalie Paul, Dominique Fishback, Terry Kinney and Michael Stahl-David.

     

    “HBO has always aired a diverse genre of shows. This time round the channel brings Show Me a Hero, a real-life racial drama for an audience who loves political stories as well as for those who are entertainment enthusiasts. The show also comprises an amazing and an extremely talented star cast,” said HBO director, marketing and business development Shonali Bedi.

  • Colors Infinity goes for Twitter trends to gain traction

    Colors Infinity goes for Twitter trends to gain traction

    MUMBAI: The social media boom has been a boon to all businesses and the entertainment business too has been no stranger to its advantages. Such is the power of the medium that the newest entrant in the English entertainment genre Viacom 18’s Colors Infinity was trending on Twitter even before it was launched. While some were paid trends, some were also organic in nature.

    The channel’s strategy of airing episodes back-to-back has been garnering a lot of appreciation from consumers on Twitter. Colors Infinity relays three back-to-back episodes of every show from 9 pm to 12 pm everyday and all the shows so far have been a trending topic in India.

    Recognising the importance of the all-pervasive social media, a designated team was created to draw out digital media marketing strategies for the channel. “The digital media marketing team looks after social media platforms, web and mobile initiatives. The team is completely in house and all initiatives are conceptualized, executed and evaluated by this team,” says a channel spokesperson.   

    Colors started the social media campaign by promoting the launch of Colors Infinity through a paid trend. Describing the strategy behind it, the spokesperson says, “A paid trend is a very effective way to put out your message to a large base of audience on a crowded platform like Twitter. For a new brand, it allows for all conversations, discussions, queries and concerns to be grouped under one umbrella.”

    The paid promotion was followed by organic success galore on the same platform where the channel trended organically for four days in the launch week itself with hashtags like #ColorsInfinity, #BetterCallSaul, #FargoAT9, #TheFLASHAt9.

    “We managed to do so by having meaningful conversations, providing information about the show and host a contest specific to the shows on their premiere day. In short, a paid trend ensures visibility with your TG but trending on Twitter ideally is something we would try and achieve organically,” the spokesperson opines.

    The channel took a two-pronged approach to the message it wanted to send out. “To the existing viewers of English entertainment, we wanted to convey that we have the best of shows from across the world coming to your TV screen. For the new viewers, we wanted to build relevance and familiarity with this kind of content and our co-curators (Karan Johar and Alia Bhatt) helped us in reaching those audiences. So effectively, our communication objective is being served by two unique campaigns going on at the same time,” says the spokesperson. 

    However, notwithstanding its merits, the fact is that trending topics trend for a day or so and eventually perishes into oblivion. A new day brings forth new trends thereby questioning the sustainability of social media marketing. Speaking about the same, the spokesperson says, “Social media for us is not a launch initiative. It is the start of building a platform for the content hungry new Indian who is always seeking to know more and be up to date with the world. Our long-term social media strategy is to be known across platforms as a brand that conveys ‘Stories about Stories.’ The storylines of our shows are so strong that they evoke responses, reactions, debates and disappointments. We intend to provide an all-encompassing digital experience to be able to host all these conversations across our social media assets. The digital journey of this channel has just begun and there is a lot more from where this came from.”

    As of now, Colors Infinity has over 17,000 followers on Twitter while on Facebook it has 1,90,000 followers.

    While Colors Infinity has successfully managed to make its presence felt amongst the English entertainment viewers, it remains to be seen if it manages to sustain it in the long run and achieve its goal of redefining the space.

  • HBO and Russell Simmons ink production and development deal

    HBO and Russell Simmons ink production and development deal

    MUMBAI: HBO has made an overall first-look deal for premium television with multi-platform producer Russell Simmons’ new media company All Def Digital (ADD).

     

    Under the terms of the agreement, the Def Jam Records co-founder and his team will create and develop a wide range of television projects for HBO.

     

    Simmons has five active projects with HBO, three of which are being developed through his media company ADD.

     

    The two will be collaborating on:

     

    * A new series that curates the best acts from ADD’s weekly live comedy night. Every week, ADD produces a live event in Hollywood featuring the best new comedians in the country.

     

    * HBO and ADD are also developing These Are My Friends, a new comedy series created by independent filmmaker Shaka King that takes an original and authentic look at hip-hop culture. The series follows four real-life rap and hip-hop artists as they struggle to keep their dream alive. Real friends, real rappers, real comedy, real life.

     

    * A comedy series through ADD with the Broken Lizard comedy troupe, which brought audiences cult classics like Super Troopers and BeerfestThe Broken Lizard Show will take an innovative and comedic look at race when, hundreds of years in the future, a space ship exploring the galaxy discovers the last white man in the universe.

     

    * Simmons is also executive producing the HBO limited series Codes of Conduct, directed and developed by Academy Award-winner Steve McQueen. The six-episode limited series is written by McQueen and screenwriter Matthew Michael Carnahan, and executive produced by McQueen, Simmons, Iain Canning, Emile Sherman and Alan Poul. Codes of Conduct stars newcomer Devon Terrell as a young man with a mysterious past who enters New York’s high society. Paul Dano, Helena Bonham Carter and Rebecca Hall are also featured.

     

    * Simmons, alongside Stan Lathan, is producing a Def Comedy Jam 25th Anniversary Special that will feature an all-star lineup of comedians celebrating the longest-running and most influential comedy showcase on cable television.

     

    “We always speak of having distinct voices at HBO, and few in the industry are as unique and intelligent as Russell. He’s been a part of our family for a long time, and we are so pleased to be continuing our relationship,” said HBO Programming president Michael Lombardo.

     

    Simmons added, “HBO has been like a home to me for a generation. I am enormously proud of the broad range of programming they have nurtured. Together, we have discovered new voices and helped launch emerging artists that deserved a mainstream platform. I am even more excited by the next generation of talent and shows that we are developing through All Def Digital TV.”

     

    Simmons’ relationship with HBO dates back to 1992, when he co-created Def Comedy Jam, the landmark series that helped make household names of Jamie Foxx, Chris Tucker, Martin Lawrence, Bernie Mac, Dave Chappelle, Kevin Hart and many others.

  • Romedy Now to premiere ‘Jane The Virgin’ TV series

    Romedy Now to premiere ‘Jane The Virgin’ TV series

    MUMBAI: Times Network’s English general entertainment channel Romedy Now will be premiering the American romantic comedy-drama television series Jane the Virgin in India.

     

    Times Network senior vice president and head of English Entertainment cluster Vivek Srivastava said, “I am happy that our endeavor to bring in the latest and best in English TV series is being successful for the viewing delight of our audiences. Romedy Now will be premiering this hit and award winning CBS show on 5 August, 2015. It is an ongoing series in the US. This will be an India TV premiere. Jane the Virgin is a 1 hour comedy-drama format.”

     

    Jane the Virgin debuted in the US on 13 October, 2014. The series is created by Jennie Snyder Urman and is a loose adaptation of the Venezuelan telenovela series created by Perla Farias, originally known as Juana La Virgen. In this TV series, Gina Rodriguez stars in the title role of Jane Villanueva, a religious young working Latina virgin woman, who becomes pregnant after being artificially inseminated by mistake by her gynecologist, an event that sends shockwaves through the lives of Jane and everyone around her. 

     

    Set in the Alpha-World city of Miami, located on the Atlantic coast of beautiful Southeastern Florida, the series details the surprising and unforeseen events that take place in the life of Jane Villanueva, whose family tradition and a vow to save her virginity until her marriage to a detective are shattered when the doctor mistakenly inseminates her artificially during a checkup. To make matters worse, the biological donor is a married man, a former playboy and cancer survivor who is not only the new owner of the hotel where Jane works, but was also her former teenage crush.

     

    Jane the Virgin has received critical acclaim since its premiere. Rodriguez won the award for the Best Actress in a Television series – Musical or Comedy, at the 72nd Golden Globe Awards honoring the best in American film and television industry produced during 2014 on 11 January, 2015, while the show was nominated for Best Television Series – Musical or Comedy and was also nominated for the Critics’ Choice Award. The series has won the People’s Choice Award for the Favorite new TV comedy.

  • YRF Entertainment forays into television with comic book series

    YRF Entertainment forays into television with comic book series

    MUMBAI: YRF Entertainment has ventured into television. The company will be turning the 2008 comic book miniseries The Nye Incidents into an episodic drama.

     

    The comic book series is created by Whitley Strieber and written by Craig Spector.

     

    YRF Entertainment CEO Uday Chopra will produce the series with YRF Entertainment president of production Jonathan Reiman.

     

    The Nye Incidents is about an obsessive but balanced medical examiner who is investigating a deceptive serial killer, set in the world of alien abductions and centres on a medical examiner hunting down the serial killer who is committing crimes in the alien abductee community.

  • “Any channel that we launch in the future, will be successful in year one:” MK Anand

    “Any channel that we launch in the future, will be successful in year one:” MK Anand

    Heading the broadcasting expertise of a media conglomerate, which has been operating in India since 1838 is certainly a job of immense pressure. But there is someone who has been doing it with élan and that too at a time when every day gives birth to a new trend, every month, a new competitor enters and claims to be different. He is none other than Times Network CEO and MD MK Anand.

     

    Not long back, acknowledging the emergence of digital and new media, Anand spearheaded a staggering move in which the Times Television Network was transformed into Times Network. Despite having an English movie channel championing the ratings week after week, he marked the launch of another channel in the same genre, with a bigger and better philosophy. Under his leadership, various channels of the network secured pole position on numerous occasions in their respective genre. 

     

    Speaking exclusively to Indiantelevision.com’s Anirban Roy Choudhury, Anand shares his vision for the media industry especially the English entertainment industry and the road map ahead for Times Network. 

     

    Excerpts:

     

    Can you give an overview of Times Network’s news and entertainment channels and which segment is priority?

     

    Being in niche broadcasting, I believe all sectors need attention because it’s a highly competitive industry with some strong players. So innovation needs continuous attention. Our leadership position has been good in both English movies and news space. On the other hand, Zoom needed some specific product attention in the first quarter with reference to the re-launch, marketing etc.

     

    What next for the news sector? Property Now is launching soon and you already have Times Now and ET Now. Is there a Hindi news channel foray on the cards?

     

    Not really. I don’t think there is sense in it right now. The portfolio that we already have needs to be adequately and correctly monetized. I think there is headroom for both in subscription as well as ad sales, which we have seen in the past six quarters or so. We have been able to continuously move the needle on that and until we exhaust that, I don’t think there is sense in stretching and going into a different language all together.

     

    As of now, we are leaders and I feel we will be able to sustain this leadership in the top end category of the broadcast audience. There is a lot to be done there before we move into regional news etc.

     

    The network already had a English movie channel in Movies Now, what was the reason behind launching MN+? Was it to attract advertisers?

     

    I don’t think it is right to launch products for consumers because you have an advertising business opportunity. You launch products because you have consumer demand. So, the launch of Movies Now and now MN+ is to acknowledge the fact that with DAS Phase I and II and now as we go to Phase III and IV, the potential to launch more and more niche channels and to reach out to specific viewers is better and cheaper than it was with analog.

     

    Niche is the way to go. Niche is to acknowledge that specific groups in a large population and vast universe have different tastes. Movies Now is more descriptive as it caters to the whole English viewership but within that there is romance, action and slow movies sector. When you acknowledge the specific niches, you can come up with products like MN+. These channels come up because of niche recognition not because of advertising opportunities.

     

    What has been advertisers’ reaction so far to MN+?

     

    We are delighted with advertisers’ reaction. It is one of the channels, which has almost reached a maturity level in the shortest period of time.

     

    Speaking of the English entertainment genre as a whole, a few international channels have found it difficult to find a foothold in India. On the other hand, we have Colors Infinity and MN+ launching in the wake of the HD boom. What do you think is the need of the hour when it comes to English entertainment in India?

     

    The HD market is definitely growing. It is the natural progression of television viewing just like black and white went to colour, terrestrial went to cable and satellite. Similarly, HD technology is getting diffused and being adopted.

     

    The top of the pyramid is obviously the best place for advertisers to be, whether it is in print or television and therefore the returns on HD from an advertiser’s point of view will be much more than the other areas. HD is the future of all broadcasting. In fact, soon there’ll be someone launching a 4K channel and then 4K will be the future. So technological advancement per se will be the future of all broadcasting.

     

    English entertainment was mainly targeted at the metros at one point of time. Do you see the target group growing now given the fact that we are seeing growth everywhere?

     

    All this is happening because of digitisation. More channels per cable allows for better penetration. Secondly, in the past when TAM in its panel change introduced LC1, there was a rush to reach those markets.

     

    I think advertising optimized distribution and the way niche channels or networks distributed in the past is now gradually changing. One of the reasons why the base is expanding is because of digitization and the possibility that subscription revenues will eventually start flowing from consumers to cable operators in a more transparent manner and through MSOs and DTH operators to broadcasters. 

     

    Broadcasters know that in the next two to five years, subscription revenue will be a lot more transparent. From that point of view, it is a bet that we take and go to those markets.

     

    OTT player HOOQ armed with English entertainment content has entered the Indian market. With Netflix speculated to launch in India next year, do you think OTT services are a threat to traditional television model in a country like India?

     

    There will always be a huge base of Indian consumers who will be consuming English news, English entertainment, English GEC content. It could be through Netflix or it could be through Movies Now or MN+. The fact of the matter is that consumption is not going to go down.

     

    So if you’re asking me whether broadcasters should now stop investing in content because Netflix is coming in; I don’t think so.

     

    Just because a YouTube exists, does it mean that other apps are not going to survive or will get lost? These are all businesses, which have been built over the last ten years. You never know what’s going to happen in the next ten years. A Netflix equivalent or a bigger player may be coming out of India in the next ten years. However, that will happen only when Indian entrepreneurs – whether it is broadcasters or otherwise – play in that market with their own hands. So we won’t fade away because some competitor is coming into play.

     

    Do you think the time is right for India to create original English entertainment content? What is the scope for such content?

     

    That has already started with the infotainment segment whether it is travel or lifestyle type of content. There is a lot of stuff, which is made for India and can also travel across. However, creating entertainment content for Indian production companies will take some time and even if it happens, those will have wings to fly only when they are produced for the global market and not for the Indian market alone. The Indian market is not big enough for that as of now.

     

    Do you foresee digital overtaking television when it comes to news consumption? Or do they complement each other? Arnab Goswami recently said that by 2020, digital will probably overtake television. What is your viewpoint?

     

    In some sectors like news, yes, digital is likely to overtake television, but certainly not in all sectors. News will be travelling across multiple platforms.

     

    Brands like ZoOm and Times Now, which started on the broadcast medium, can now co-exist on the mobile platform with the emergence of the digital medium. I am not very sure if that will be the case with other genres. Maybe in the next elections, we will have a lot more apps giving competition to the broadcast platform. At the same time, television channels will also have a lot more viewership on apps. In the foreseeable future, both the platforms will complement each other and happily co-exist.

     

    What kind of push and emphasis is the network giving to the digital medium?

     

    We are ready to go full-fledge in terms of the launch of Times Now app. Video-on-demand (VOD) totally depends on Intellectual Property (IP) and we have some very strong IP in terms of Times Now’s News Hour and Frankly Speaking. However, to venture into VOD, we will need more IP. 

     

    Arnab is someone who every CEO would love to have in his team but do you sometimes feel that he is becoming bigger than the brand?

     

    (Laughs) That is like asking a production company if they were happy to have Johnny Depp or Salman Khan in their team. What I would say is that we are happiest to have him inside rather than outside. 

     

    Times Network recently promoted Arnab as the editor in chief of ET Now. What is the road ahead for ET Now and what role will Arnab play?

     

    ET Now has completed six years. The channel, in its first three and half years of existence, was able to challenge CNBC and become number one. The fact that we have been able to challenge CNBC is a big achievement.

    Getting numbers, viewership or reach is not what we want out of this market. ET Now’s challenge is something larger, which is to be appealing to a broader base than just the so-called ‘stock market players’ or ‘business viewers.’ And that is exactly where Arnab would be useful. 

     

    Can you throw some light on ZoOm’s positioning and the way forward?

     

    When we had launched ZoOm, music formed 80 per cent of the programming mix, whereas now that number has come down to 60 per cent. So 40 per cent of the channel’s programming is now content. Ideally, as we go forward, I see almost 65 per cent of the channel’s content comprising Bollywood trends, lifestyle and trivia. And viewers will be able to consume this content on the broadcast platform, as well as on platforms like digital and social media.

     

    Is the Indian media and entertainment industry moving towards more subscription and less ad revenue model? What is the scenario at Times Network?

     

    In the industry, we are already subscription positive. When it comes to Times Network, we are yet to shake off the burden of carriage fees and hence, we are still advertising led. Moreover, that is also because we don’t have a large channel, which at times is a handicap when it comes to distribution. 

     

    But yes, over the last two years, significant headway has been made. DTH operators and MSOs have started acknowledging the fact that we are a useful bunch to increase ARPUs. When it comes to the high-end consumers, you cannot have a distribution and subscription pack without including the Times Group channels. We have subsequently been able to use that to our advantage to improve our carriage versus subscription position. Our net income has improved. We are sure that it will continue to improve and we will get to a positive situation in a year or so and that’s big.

     

    Going forward what is the road map ahead for Times Network? Will there be any new launches?

     

    We would like to launch at least one or two channels every year complementing our catalogue. Property Now is a complement to ET Now, whereas MN+ complements Movies Now. So we will launch a new channel wherever we feel a need gap, which can be profitably filled.

     

    One thing I am sure of – both the channels that we have launched or any channel that we launch in the future, will be successful in year one.

     

    For the next couple of years, what we need to articulate is the fact that the sum is a lot more than individual parts. What I mean by this is, when you look at the holistic picture, we are talking to top two per cent of Indians. India’s population is 134 crore and India’s monthly English viewership is 2.6 crore, which is exactly two per cent of country’s population.

     

    On a regular basis, we are talking to 1.3 crore people, which means that we reach out to one per cent of India every day. However, when you look at that one per cent, it’s not just any one per cent. We are serving India’s most influential broadcast audience, and that is very important because that’s not just any audience. We are reaching to the decision makers. Last year, we managed to secure 30 per cent growth. My primary target is to secure 30 per cent CAGR for the next two years as that will take us to a very strong position as a network.

     

    What is your take on the digitisation progress so far?

     

    Given the size of the market, its ability to pay for boxes and the current state with reference to the mostly unorganized sector, DAS Phase I and II have really happened at commendable speed. Now we need to wait and watch the progress that takes place in the Phase III and IV. However, I am not very satisfied with the way Phase III has progressed.

     

    Has the new government addressed key issues bothering the media and entertainment industry? 

     

    I don’t think we are in a situation where things can be changed overnight. What we all are now looking at is Phase III and IV of digitization. The most important contribution I expect from the new government is to pace up the economy. If the pace is good, media will be good. Businesses like ours are very heavily advertising led and advertising follows the economy. As of right now, if we have done so well last year as well as this year until now, it’s because of the new government.

     

    What’s your take on BARC?

     

    I am very happy with BARC fundamentally because we have been able to hold on to our leadership. Moreover in the case of ET Now and Movies Now, our ratings have improved.

     

    Overall, the transition was smooth. And even though there have been some teething issues, I think things will get sorted in time. The management team and the technology are able and good.