Category: Post Production

  • Entourage Films unveils cinematic ode to Taj Hotels’ timeless legacy

    Entourage Films unveils cinematic ode to Taj Hotels’ timeless legacy

    Mumbai: Entourage Films, known for its creative excellence in the world of advertising, has produced a cinematic tribute to one of the living legacies of Taj – The Umaid Bhawan Palace.

    Founded by the visionary executive producer Garima Arora, Entourage Films embarked on this venture. Under the direction of Ishaan Nair and the artistry of Peter Flickenberg, a captivating montage for the brand was created which is a true testament to the magic of their collaboration.

    The film immerses in a narrative where the viewers can encounter the rich affair of memories and history. It flows into the graceful celebration of life that is love, courage and culture witnessed by the walls of the palace. The film lets the viewers perceive, connect, and explore the timelessness through one of the Legacies of Taj.

    Entourage Films encapsulated the journey as one filled with a blend of overwhelming challenges and triumphs. For the entire Entourage team, the film fosters a profound sense of fulfillment that words can scarcely capture.

    Entourage Films is an award-winning and rapidly growing production house, spearheaded by a team of talented women who are committed to building a legacy that empowers womanhood. As Garima Arora quoted –  “In a nutshell, to stay on the path was overwhelming, daunting, yet exhilarating. Needless to say, being chosen to showcase this wonder to the world was humbling for the Entourage team. There are countless untold stories waiting to be shared, and we are inspired to bring them to light.”

  • VICE Studios shines beyond Filmfare Win; Spotlight on groundbreaking series “Rainbow Rishta”

    VICE Studios shines beyond Filmfare Win; Spotlight on groundbreaking series “Rainbow Rishta”

    Mumbai: Trailblazing production house Vice Studios, is making headlines not only for its recent Filmfare win for Best Non-fiction Original of 2023 ‘Cinema Marte Dum Tak’ but also for its groundbreaking show ‘Rainbow Rishta’, which has been receiving widespread acclaim for its bold exploration of the LGBTQI community. ‘Cinema Marte Dum Tak’ is Vice Studio’s first series created for Amazon Prime Video, the second of which, ‘Rainbow Rishta’, creatively led by filmmaker Jaydeep Sarkar, was released just last month to widespread critical acclaim.

    While the Filmfare win has solidified Vice Studio’s position as a force to be reckoned with in the film industry, the studio aims to captivate audiences worldwide with a diverse range of compelling narratives. The expansion of the content library reinforces VICE Studios commitment to delivering high-quality, thought-provoking, and culturally relevant content across various platforms.

    Vice Studios head Samira Kanwar said, “At VICE, our commitment to create unique and inclusive stories is resonating with the audience around the globe. This is great validation for the hard work that we as a team have been doing for the last five years and breaking ground in non-fiction storytelling and proving that it is not only important but there is also an audience for it in India. Winning a Filmfare award is a tremendous achievement, and we’re thrilled about it, we hope our success goes beyond that.”

    Adding to this, Vice Media APAC managing director Nilesh Zaveri, said, “In five years, Vice Studios has become the frontrunner for documentary content in the Indian OTT space, with over 30 hours of content across major streamers like Netflix, Amazon Prime Video, Discovery+, with more in the pipeline, as it settles into the ever-changing Indian media landscape as the go-to studio for fact-based content. From hard-hitting true crime documentaries to character-focused, heartfelt docuseries about art, culture, and real stories about real people.”

    As Vice Studios continues to make waves in the entertainment industry, it remains dedicated to its mission of creating content that reflects the richness and diversity of the human experience.

  • Famous Studios’ unrivaled talent pool redefines excellence in filmmaking from concept to delivery: Famous Studio’s Anant Roongta

    Famous Studios’ unrivaled talent pool redefines excellence in filmmaking from concept to delivery: Famous Studio’s Anant Roongta

    Mumbai: Famous Studio is one of the oldest film studios, and it was established in 1946 is an unwavering legacy of world-class tech, talent, and infrastructure, continuing to thrive and flourish in the Media and Entertainment industry. It is famous for creating ground-breaking content with award-winning talent, cutting-edge technology & infrastructure that unlock, inspire, and nurture the imagination of storytellers. Famous has always thought ahead of time. Famous wants to give a new dimension to storytelling. All the campaigns are targeted to make a new revolution in the industry. Famous portfolio of diverse creative solutions. A range of shooting floors with a dedicated green screen stage, and ready-to-shoot sets with makeup rooms, ideal for content production and live events.

    High-Speed Visual Engineering Lab with Phantom Flex 4K GS and precision-controlled Robotic Arm, Virtual Production facilities integrated with Unreal Engine, and In-house production services with a global network of directors. End-to-end Creative Audio and Video Postproduction services, Offline Editing Suites, Online/Finishing Suites, Dolby Vision Certified DI and colour Grading Facilities on Base light and Da Vinci Resolve, and 4 X Sound Mix and Recording Studios including a Dolby Atmos 7.1.4 HE room. Established in 1998, Famous House of Artists (FHOA) has been a leading VFX, CGI, & 3D Animation service provider with a talented team of artists delivering high-end VFX/CGI projects across the globe and an end-to-end capacity to deliver content from conceptualisation to final delivery.

    Under the leadership of Anant Roongta who is a 3rd generation entrepreneur and the managing director of India’s most iconic film studio; Famous Studios, ushered big, bold changes at Famous such as setting up Famous Working Co., India’s first co-working space in film studio and partnering with Netflix as their preferred postproduction partner. In a bid to provide a technologically advanced canvas for storytellers, Anant and his team launched a state-of-the-art postproduction studio in Andheri, Mumbai & Hyderabad specializing in long format and OTT content. He also paved the way for introducing new technologies such as visual engineering, Motion Capture, Dolby Vision, Dolby Atmos-certified post-production facilities, virtual production and VFX. With a vision to make Famous a global leader and enabler of audio-visual craft and creative solutions, Anant is investing massively in talent, technology, and infrastructure. Famous has worked on landmark campaigns, legendary ad campaigns and iconic ads. Famous is giving a new dimension to lots of international brands and campaign ads launching in India. And Anant Roongta is the man behind this splendid success. The studio has splendid spaces where one can proudly showcase the work. State-of-the-art 60-seater

    The studio has splendid spaces where one can proudly showcase the work. State-of-the-art 60-seater Preview Theater with Barco 2K 8S Projector and Dolby Atmos Surround 7.1 is every content creator’s dream. Whether it’s a special screening or a private preview, famous theatre has everything one needs.

    Indiantelevision.com in a chat with Roongta, spoke on the innovations at Famous Studio, partnering with Netflix, setting up the state-of-the-art post-production facility and much more……

    On being one of the best studios in Mumbai, it was probably the only one with air-conditioned floors, practically 90% of Ad commercials have been shot here, what were the reasons to diversify into post-production

    Famous Studios was one of the leading studios in Mumbai, renowned for its extensive work in advertising commercials. Recognizing the importance of diversifying services, the studio made a strategic decision to expand its offerings by venturing into post-production in 1985. This groundbreaking move, fueled by the burgeoning industry and the growing demand for compelling advertising content, transformed Famous Studios into a comprehensive end-to-end service provider, encompassing shooting floors, animation, sound recording, editing, colour grading, and visual effects. The establishment of a post-production facility not only attracted a wider clientele but also positioned Famous Studios at the forefront of the digital era.

    On the commercial for Puma Nitro

    The Puma Nitro case study is an intriguing example of how technological advancements and collaboration can lead to stunning visual storytelling. The initial brief, focusing on the shoe’s versatility and all-weather capabilities, sparked the creativity of our team of concept artists. By leveraging cutting-edge software like Unreal Engine and Blender, we were able to create captivating visuals that effectively conveyed the shoe’s key features.

    Puma’s open and collaborative approach further enhanced the process, resulting in a commercial that is both visually stunning and impactful. The commercial’s focus on the shoe’s logo, laces, and innovative soft foam technology, coupled with the diverse environments in which it is used, highlights the shoe’s versatility and appeal to a wide range of consumers. While creativity can be a complex process, the training and expertise of our concept artists allowed us to seamlessly translate the brief into visually compelling content. As you can see in the commercial, the visuals are both dramatic and effective, perfectly capturing the essence of Puma Nitro.

    On the post-production innovations for the ad what was the specific TG the brand wanted to target

    The innovation behind this commercial was as simple as Anant describes: Famous Studios received a technical brief to showcase a shoe in a TV commercial without any actors. To address this challenge, Famous Studios employed photogrammetry technology, setting up multiple cameras to capture images of the shoe from various angles. The resulting 3D image, known as a 3D mesh, was then imported into animation software, where colours, design elements, and motion were added to create the final film.

    This commercial was entirely produced using CGI (Computer Generated Imagery), and without the advancements in technologies like Blender, Unreal Engine, and photogrammetry, it would not have been possible. However, even with sophisticated tools, the true magic lies in the talent and expertise of the team behind them. Famous Studios possesses this talent pool, enabling us to excel in the creative, production, and delivery aspects of filmmaking.

    On the launch of this facility, how has the journey been

    Famous Studio’s extraordinary journey began long before 1945, and throughout this remarkable journey, the company has weathered numerous industry storms, emerging stronger each time. This resilience is a testament to the forward-thinking mindset of the management, which has consistently embraced change and attracted and nurtured top talent.

    This commitment to innovation and talent development has enabled Famous Studios to maintain its relevance, expanding its operations with three facilities in Mumbai and recently opening a new one in Hyderabad. The company’s leadership refuses to rest on its laurels, constantly looking ahead to the next 3-5 years to ensure its continued success. The journey has been a roller coaster of emotions, with its share of ups and downs, but it is these experiences that have shaped Famous Studios into the institution it is today.

    On your insights on how the post-production landscape in India has changed/evolved over the years

    The post-production landscape has undoubtedly undergone a dramatic transformation, driven by technological advancements. In the past, we relied on cumbersome telecine machines and negative film, followed by digitization and grading before editing. Today, digital cameras have revolutionized the process, allowing for immediate shot selection and editing. Moreover, powerful computers, sophisticated software, and cloud infrastructure have significantly reduced post-production timeframes. Additionally, remote collaboration tools like Frame.io enable clients to access and review work in real-time, regardless of their location. While the post-production workflow has evolved remarkably, the demand for post-production services is only poised to increase. The ever-growing demand for content across all media and entertainment sectors necessitates the expertise and technology offered by post-production facilities.

    On your vision and mission for the next three years

    Famous Studios boasts a comprehensive mission and vision that reflects our unique position as a studio that caters to nearly every segment of the media and entertainment industry. Our mission is to ignite the creativity of storytellers through a harmonious blend of technology, craftsmanship, innovation, and infrastructure. Our vision is to deliver a seamless and transformative experience through creativity and innovation. Both our mission and vision are anchored by four fundamental pillars: innovation, craftsmanship, infrastructure, and technology. These pillars will guide our growth as we explore new avenues in the media and entertainment sector.

  • Postudio’s cloud SaaS disrupts traditional studios for efficient, affordable post-production – Harish Prabhu.

    Postudio’s cloud SaaS disrupts traditional studios for efficient, affordable post-production – Harish Prabhu.

    Mumbai: Harish Prabhu and Dhawal Gusain, launched Postudio /a first-of-its-kind SaaS post-production studio that’s completely on the cloud and on demand. With a mission to reinvent the way people create content, Postudio was founded to pave the way for an accessible, affordable, collaborative and creator-friendly future for the “FMCG- Fast Moving Creative Generation”.

    With just an internet connection and a browser, creators can now access all their favourite and best-in-class tools from editing, VFX, graphics, colour grading, audio systems & more and only pay for what they use. The platform has a centralised storage system which allows team members from across the globe to work together seamlessly on the same project in real-time, making edits and approvals super quick. It is also integrated with superior data analytics so teams get a cockpit view of all their projects and tasks from anywhere, at any time.

    Harish Prabhu is invested in reinventing the way creators make art. With over 25 years of experience in the field of post-production, Harish has been witness to and led the digital revolution in the media & broadcasting industry in India. Harish started his career at NFDC (National Film Development Corporation) as an editor. He then moved to CMM studios and later got into film production. This was the time when digital editing was just being introduced in India.

    Being one of the senior-most professionals in the field of post-production, Harish helped many of the media & broadcasting companies in their digital transformation journey.

    In 1999, he joined Channel [V] as editor & head of post-production, where he was editor of India’s first non-fiction reality show – channel [V] popstars. This is when he started the ‘promo’ creation trend in India, which plays a big part in any media/film release even today.

    He later joined Star India Network in 2002, as senior editor and compositor. His creations were awarded and recognised at Indian & International Promax. This was when the network began its digital transformation journey with Harish leading this effort. From charting workflows and building the tech infrastructure Harish was in charge of building the digital brand. He was also a founding team member of starsports.com – India’s first online sports video platform which marked the beginning of a new era for sports viewing.

    With incredible success on this launch, he then began his next task of building India’s largest digital entertainment platform – Hotstar.

    After over a decade with the Star India Network and completing the entire digital transformation for the company, Harish decided to move on and build something of his own. In 2017, he co-founded Desynova, a cloud-first content supply chain platform offering content management including archive, subtitling, and cloud broadcast playout services to OTT and broadcasting networks.

    Indiantelevision.com in conversation with Postudio founder Harish Prabhu on the launch of Postudio, the USP and much more……..

    On Postudio was founded to pave the way for an accessible, affordable, collaborative and creator-friendly future for the “FMCG- Fast Moving Creative Generation – can you elaborate on this

    Postudio’s inception stemmed from a commitment to reimagine the traditional post-production landscape, replacing it with an end-to-end cloud-based paradigm. This transformation is driven by the recognition that the Fast Moving Creative Generation (FMCG) within the post-production industry is defined by talent who have grown up in a tech-savvy world, valuing key attributes such as affordability, security, creative freedom, geographical mobility, and data analytics. Postudio addresses these evolving needs by providing an accessible, affordable, and collaborative cloud-based platform.

    This digital shift eliminates the necessity for creators to invest in expensive hardware and software, offering a liberated environment where they can work from any location and enjoy heightened security for their content. Moreover, Postudio places significant emphasis on data analytics, empowering artists and post-production employees with actionable insights, thus revolutionizing their creative processes and decision-making. In essence, Postudio ushers in a future where the post-production journey is characterized by seamless, efficient, and secure workflows, perfectly aligned with the expectations of the modern creative workforce.

    On the moot idea of opening Postudio

    The driving force behind founding Postudio was to confront the pressing challenges that the post-production industry faced, particularly in the context of the COVID-19 pandemic. During this time, it became evident that our industry was among the few that could not adapt to remote work, which was a significant limitation.

    My interactions with both industry veterans and emerging artists illuminated that this was just the tip of the iceberg. The Fast Moving Creative Generation (FMCG) needed a solution like Postudio to break free from the constraints of traditional setups. We recognized that the content creation was poised for significant growth, but it was being held back by high costs, limited accessibility, and inefficient collaboration.

    In response, Postudio was conceived as a solution that would make post-production more affordable, accessible, and collaborative by transitioning it to the cloud. By offering industry-standard tools and seamless project management, we aimed to empower creators to focus on their creative work, unburdened by the costs and complexities of traditional hardware and software. Postudio represents a step towards a future where the creative community can thrive, regardless of geographical constraints, and fully embrace the limitless potential of their artistic visions.

    On AI having a major role to play in the post-production industry? and how

    I believe AI is an ally for post-production because AI’s impact on the post-production industry is transformative. It automates labour-intensive tasks, like video compilations and colour correction, resulting in increased efficiency. AI streamlines workflows, reducing the time and effort required for these processes, and allowing creators to focus on their creative vision. Furthermore, AI-driven content analysis simplifies the management and retrieval of specific clips or scenes, facilitating more precise and efficient post-production work. Embracing AI to its maximum potential is the key to unlocking new heights of productivity and creativity in the industry.

    On the plethora of post-production studios because of TV & OTT. and Postudio’s USP

    Postudio’s distinctiveness is anchored in its cloud-based, on-demand SaaS platform, which stands in stark contrast to the conventional post-production studios reliant on physical infrastructure and expensive post-production systems.  It heralds a new era of digitization for the post-production industry. Through years of research and experience, we have built Postudio to be the most comprehensive, intuitive and seamless SaaS platform for all things post-prod. All one needs is an internet connection and a browser!

    This transformation touches every facet of post-production:

    1   Creative Freedom: Postudio liberates creators from constraints by granting access to industry-standard tools and removing the need for expensive equipment.

    2   Geographical Mobility/Work from Anywhere: Our cloud-based platform empowers creators to work from any location, transcending geographical barriers and promoting global collaboration.

    3   Best-In-Class Security: We place a premium on content security, employing AES encryption and stringent access control to safeguard creators’ invaluable work from unauthorized access.

    4   Deep, Actionable Data Analytics: Postudio equips creators with robust data analysis tools, facilitating insights into their projects for enhanced managerial control and informed decision-making.

     Substantial Cost Savings: Through our pay-as-you-go model and elimination of the necessity for costly hardware and software investments, Postudio offers substantial cost savings, placing creators’ financial resources to better use.

    6   Collaboration: The platform enables real-time collaboration between multiple editors through centralised storage. This makes project management easy with up-to-date analytics, high content security and access control tools.

    Comparing Postudio to traditional post-production methods is like comparing Uber to kaali-peeli taxis. In every aspect of the consumer experience journey, Postudio represents a significant leap forward, offering creators a comprehensive and game-changing solution for post-production, positioning itself as a trailblazer in the industry’s ongoing transformation.

    On some of the biggest challenges in today’s post-production industry

    A key problem in our industry is that we often resist change and stick to what we know. This causes many issues that hamper day-to-day productivity. Issues like limited creative freedom and being tied to specific locations for work. It also leads to messy workflows, data security problems in the digital age, high costs, and a lack of tools for analyzing data. To fix these problems, we need to be more open to new ideas, embrace technology, encourage innovation, and invest in talented people and data analysis. The good news is that more people are starting to realize the importance of technology and are slowly adopting these advances.

    On having spent many years as a post-production person in a broadcast channel, Harish you were instrumental in launching Hotstar, how are you looking at the post-technology today

    I have long felt (being 27 years in this Industry) that with Post Production we have barely scratched the surface of what Tech can do. COVID showed me how ill-prepared and antiquated we were as an industry. Fortunately, others realized it too. I look at the post-prod journey as two-time phases 1) BC – before covid where the laissez faire/inertia was deeply rooted and 2) AR: after realisation when I believe the industry (or at least a large part of it) realised that we cannot thrive if we continue to work the way we did. There have been incremental improvements in collaboration and communication tools and most definitely in content supply management but with Postudio, I believe we have the first exponential change that will benefit every player in the post-prod world from the editor to the studios to the production houses and the distributors.

    On Postudio operating on the cloud, can you explain this in layman’s terms

    When we say Postudio operates on the cloud, think of it like this: Instead of having all your post-production work stored and processed on physical computers or servers in a specific location, we use the internet to store, process, and manage your media assets and projects. This means you can access your work from anywhere with an internet connection, collaborate with team members worldwide, and use industry-standard tools without the need for expensive hardware and software. It’s like having a virtual post-production studio in the cloud that’s always available to you.

    On the importance of privacy and security in today’s content-run world and on measures that have you taken on this aspect in particular

    Privacy and security are of utmost importance in today’s content-driven world. At Postudio, we take privacy and security seriously. We use AES encryption and strict access controls to ensure that your content remains secure and protected from unauthorized access. Only invited team members have access to the projects, creating a safe and collaborative environment. We also implement data analysis to maintain optimum managerial control and ensure that your valuable work is kept confidential. Our commitment to security and privacy is integral to our platform, allowing creators to focus on their art with confidence in their content’s safety. 

  • NH Studioz acquires Fahrenheit Films

    NH Studioz acquires Fahrenheit Films

    Mumbai: NH Studioz, a leading name in the Indian film and media industry, is thrilled to announce its recent acquisition of Fahrenheit Films, a prominent player in the post-production and content restoration arena. The acquisition is poised to be a game-changer, as NH Studioz envisions Fahrenheit Films to become the technical backbone of their operations, fostering innovation and excellence in content creation and delivery.

    NH Studioz MD Shreyans Hirawat expressed his enthusiasm about this strategic move, stating, “We plan to integrate Fahrenheit Films as an integral part of our company, enhancing our technical capabilities and solidifying our position in the industry. This partnership will not only empower us to upgrade our existing content but also expand our reach by dubbing and restoring our precious retro gems.”

    The acquisition is expected to usher in a new era of growth for NH Studioz and Fahrenheit Films. The two companies will synergize to offer post-production services to international clients, further solidifying their presence in the global entertainment landscape.

    Hirawat went on to say, “This acquisition aligns perfectly with our long-term vision to maintain and enhance the quality of our timeless classics while continuing to create groundbreaking new content.”

    In terms of the financial structure of the acquisition, NH Studioz has secured a majority stake in Fahrenheit Films while ensuring that founder Hassan maintains a significant role in the partnership.

    Fahrenheit Films’ track record as a preferred vendor for renowned studios like Star, Disney, and Viacom is a testament to their expertise in content restoration and post-production. Moreover, Hassan’s remarkable contribution as a teacher at Jamia University Delhi has helped shape the careers of numerous students, some of whom have gone on to make a significant impact in the industry.

    This strategic acquisition is poised to reinforce NH Studioz’s commitment to innovation and excellence in the entertainment sector. As NH Studioz and Fahrenheit Films embark on this exciting journey, the world can expect to witness captivating storytelling and entertainment experiences of unparalleled quality.

  • Harish Prabhu & Dhawal Gusain launch Postudio

    Harish Prabhu & Dhawal Gusain launch Postudio

    Mumbai: Hotstar founding member and former VP of product & technology Harish Prabhu and Hotstar former EVP & head of content ops, insights & new initiatives Dhawal Gusain, announce the launch of their new venture – Postudio. Postudio is disrupting the fast-growing $20B+ video post-production market globally by providing an on-demand, cloud-based end-to-end platform for post-production.

    Today, physical post-production studios are the industry norm. These studios not only require significant upfront investment in the form of hardware, software licenses and facilities but also suffer from sub-optimal capacity utilisation. Furthermore, post-production is a very collaborative and iterative process – current workflows based on in-person interactions, calls or email exchanges are grossly inefficient and also pose content security risks. Additionally, issues like frequent uploading and downloading of large media assets to and from local machines negatively impact productivity. Lastly physical studios limit talent supply to areas in the vicinity which limits flexibility and are also not conducive to remote/hybrid work cultures.

    Postudio was developed not only to address these challenges but also to provide additional powerful benefits – all a user needs is a laptop/PC with a standard browser and an internet connection. The solution currently comprises:

    ● A central storage for all media assets in post-production from raw footage to final files which can also be leveraged as a System of Record

    ● An on-demand marketplace of virtual machines & over 20 professional softwares including Adobe, Avid and Blackmagic to choose from – the pay as you go model ensures maximum capacity utilisation, and significant cost savings.

    ● Integrated workflow suite comprising real-time collaboration, project management, analytics, content security and access control tools

    While on one hand Postudio ensures a seamless user experience for frontline talent like editors and online artists, on the other hand it provides robust cost control, project planning and analytics capabilities to the management.

    Postudio founder Harish Prabhu said, “When Production & Post Production ground to a halt during the pandemic, it got me thinking. The industry needed to find a way to keep working – A cloud based solution is what it needed. However, the solution had to deliver from a business as well as a creative perspective. Postudio was born from this vision, offering a cutting-edge platform for customers that helps them use time and money efficiently. With our cloud-based infrastructure, global teams can collaborate seamlessly in real-time, engaging in multiple projects concurrently with utmost ease. The pay-per-use model ensures cost-efficiency. I can proudly say that Postudio is a first not only for India but also for the global post production Industry. Our goal, ultimately, is to facilitate optimum content mobility from ‘Sets to Screens via SaaS’’.

    Postudio is currently available for B2B post production and will soon be available for individual creators across the globe.

  • Locomotive Global Media expands creative team with key hires to enhance film and series development

    Locomotive Global Media expands creative team with key hires to enhance film and series development

    Mumbai: Known for its exceptional storytelling and content production, Locomotive Global Media, an international production company based in Mumbai, has announced the strategic expansion of its creative team with key appointments, thus fortifying its ability to produce and develop films, mid-size fictional shows, and non-fiction shows. The company’s decision to cater to small and mid-size budget productions stems from a desire to expand the scope of its creative operations and production services capacity in India.

    Locomotive Global has welcomed three dynamic professionals to its creative family, with the appointment of Binitesh Baruri as creative producer: Films, Meghna Joshi as creative producers: Series: Non-Fiction and Films, and Yuvika Sharma as associate creative producer: Series, each bringing a unique set of skills and expertise to bolster the company’s commitment to delivering premium storytelling in a wide range of content.

    Baruri joins Locomotive Global with an extensive experience of over 20 years as a writer and filmmaker. A director alumnus of the FTII at Pune, he has been an independent film director and producer of short fiction and feature documentaries. He headed the direction department at Whistling Woods International for over three years and has collaborated with Saeed Mirza, Sudhir Mishra, Subhash Ghai, and Sanjay Leela Bhansali.

    Joshi boasts of an impressive 18-year career and contributes to shows like ‘Rising Star’, ‘Jhalak Dikhla Ja’, and ‘IIFA Awards’. She demonstrates an innate ability to infuse emotions, intellect, and entertainment into each project. Meghna’s forte lies in crafting engaging narratives and producing solid content, making her a valuable asset to the team.

    With over 13 years of experience across TV and OTT, Sharma has worked with some of the finest production houses and prominent channels or platforms like Sony Pictures Network, Discovery Communications, Zee TV, Eros International, and ALT Balaji. Her dedication, experience, and versatile skill set make her a key addition to the team.

    Speaking on the new appointments, Locomotive Global Media co-founder & managing partner Sunder Aaron said, “We are thrilled to widen the scope of our activities in India, by starting to develop and produce small and mid-size budget fiction and non-fiction shows. The new additions to our team will allow Locomotive to maintain with any new projects the same level of excellence in storytelling and execution that has defined Locomotive Global’s work up till now. We are committed to delivering captivating and diverse entertainment to audiences both in India and worldwide, and believe our expanded team will allow Locomotive to create even more content that will captivate, entertain and inspire.”  

     

  • Trailer Park Group names Tamagna Ghosh as managing director APAC

    Trailer Park Group names Tamagna Ghosh as managing director APAC

    Mumbai: Entertainment marketing and content production company Trailer Park Group has announced the appointment of Tamagna Ghosh as managing director for Asia Pacific and China (APAC) on Wednesday.

    It has rolled out the next stage in its APAC expansion strategy. It has also appointed Gina Grosso as SVP of global production as well as made a significant investment in state-of-the-art technology.

    In his new role, Ghosh is charged with driving the firm’s bold expansion strategy across the APAC entertainment and the gaming market landscape, including organic growth as well as M&A activities to scale Trailer Park Group’s on-the-ground presence and offering in the region.

    Ghosh joins Trailer Park Group from Amazon in Mumbai, India, where he spent six years as head of creative marketing for Prime Video, leading marketing and original music creation efforts for the most popular IN Original titles including The Family Man, Mirzapur, Paatal Lok, and Made in Heaven. A veteran in the media and entertainment sector, Ghosh has held previous creative leadership positions in Walt Disney Studios, where he introduced India localized theatrical marketing strategies for iconic franchises like such as Avengers and Star Wars, Jungle book.

    “We could not be more excited to announce this next phase in our growth plan for the APAC region, and to welcome Tamagna and Gina to the Trailer Park Group leadership team,” said Trailer Park Group CEO Rick Eiserman.

    He added, “APAC is one of the world’s largest growth markets and our investments in this region are crucial to meet our clients’ global demands. Both Tamagna and Gina’s impressive backgrounds and deep industry experience make them exceptionally well-qualified to help us grow our business throughout the region.”

    “I’m honored and energized to partner with Trailer Park Group during this exciting time of growth and innovation in APAC and lead the charge for its next level of growth in this region,” said Tamagna Ghosh on his appointment.

    “I have watched the creative economy boom in India and APAC for more than a decade, and yet its full potential is still untapped. I am excited to join forces with White Turtle Studios, bring in industry leading partners like Art Machine and Trailer Park, and can’t wait to build a world-class creative powerhouse to nurture and amplify the region’s creative talent and open up opportunities to be a part of the global creative workforce,” he added.

    In addition to Ghosh, Trailer Park Group has appointed Gina Grosso as SVP of Global Production, a newly created role that will see Grosso streamlining the production integration and workflow between all of Trailer Park Group’s global operations and connecting its network of studios globally for clients. Prior to this, she was with Publicis Groupe where she held the role of Head of Production and Operations for North America, Grosso is an experienced production and operations lead with a demonstrated history of leading five production studios simultaneously across North America, while connecting and aligning multiple studios across Latin America, and Europe.

    On her new role, Gina Grosso commented, “My goal in this role is ambitious, yet simple: create seamless and scalable workflows across offices and territories so our teams around the world can create, with flawless execution, more of the exceptional, award-winning content our clients expect. I look forward to partnering with Rick, Tamagna, and the rest of the Trailer Park Group leadership team as we transform the company into a 24/7 content, creative, and production network, and tap into the best talent globally.”

    Trailer Park Group, which works with many of the world’s largest media and technology companies, networks, studios, and streaming platforms such as Amazon, Disney, HBO, Netflix, and Xbox, has long been committed to providing an industry-leading security and technology infrastructure. As the company broadens its reach in locations around the globe, it has invested significantly in high-speed, global asset management technology and point-to-point workflow options—for even the most secure projects.

  • Rishi Negi to take over as CEO of Endemol Shine India

    Rishi Negi to take over as CEO of Endemol Shine India

    Mumbai: Banijay Asia chief operating officer Rishi Negi will take over as CEO of Endemol Shine India, highly placed sources have confirmed to Indiantelevision.com.

    Negi takes over from Abhishek Rege whose departure from the production house was announced on Tuesday. His appointment is expected to be announced on Wednesday at noon.  

    Negi took over the role of COO of Banijay Asia in 2018 and reported to Banijay Asia founder and CEO Deepak Dhar.

    He has over 24 years of experience, across entertainment, hospitality and retail sectors. His repertoire of work includes key positions to drive growth strategies across corporate giants like Emerald Asia Media, Fame India Limited, Pizzeria Restaurants and Taj Group of Hotels amongst others.

    Endemol Shine India is the production house behind some of the biggest unscripted reality shows like Bigg Boss, Fear Factor: Khatron Ke Khiladi, India’s Next Superstars among others.

  • Anish Mehta moves on as CEO of animation studio Cosmos-Maya

    Anish Mehta moves on as CEO of animation studio Cosmos-Maya

    Mumbai: Anish Mehta has decided to move on from his role as CEO of animation studio Cosmos-Maya after a ten-year stint. He built the studio from a 30-member team to a 1200+ powerhouse.

    He will be soon announcing his new venture sometime this year.

    Under Anish’s leadership, the studio has grown multifold owing to his strong ability to maintain a fine balance between business and creativity. He is credited with achieving quite a few milestones not only for the studio but also for the industry at large. Anish had been the CEO and minority shareholder of Cosmos-Maya since 2012.

    He led the studio’s foray into original Indian animation IP creation with the launch of Motu Patlu, India’s most successful animation series.  Post that, the studio created over 10,000 half hours of kids’ animation content across 20+ shows; maintaining a 50 per cent+ market share of the original Indian kids and family content space for a decade. The studio’s key clients include – Nickelodeon, Disney, Cartoon Network, Sony, Amazon Prime Video, Disney+ Hotstar, Netflix, Discovery Kids, Facebook and YouTube.

    During his tenure, the company grew with four different business streams globally and revenue and earnings before interest, tax, depreciation and amortisation (EBITDA) growth of 25x+ from 2012 to 2022. Globally he spearheaded efforts towards co-productions with European and other international players, which were able to sell in 100+ countries the world over.

    His most notable achievement was to steadily attract organized investment into the business and consistently give investors a profitable exit through a higher valuation of the company. He played an instrumental role in getting private equity investors into the Indian animation business, first with KKR backed Emerald Media and later with TPG affiliate NewQuest Capital Partners.

    Commenting on his exit, Anish Mehta said “I would like to thank Ketan and Deepa, the promoters of Cosmos-Maya for trusting me with the opportunity of growing the company. I would also like to extend gratitude to our previous investors KKR backed Emerald Media, Rajesh Kamat and angel investor Tilak Sarkar for providing the right guidance and support on this journey. It has been a great pleasure working with the current investor, TPG affiliate NewQuest Capital Partners and I wish them and the team of Cosmos-Maya all the very best for future growth and to carry the legacy forward.”

    He also led the initiative of building the company’s YouTube network, WowKidz with 35 channels, which achieved 80 million+ subscribers, and 41 billion+ views worldwide across 10+ languages in a short span of 5 years. “I feel very passionately about content creators and believe that digital media has offered a rather egalitarian and equalizing platform to all creators. I find the best way to express my appreciation is to be able to support and mentor the new generation of digital content creators as they set out to create path-breaking content that will have a positive impact on countless lives of kids & family audiences. The intention is to partner with global investors and pioneers to achieve this vision”, said Mehta.