Category: Production House

  • Mukta div partners Mobikwik, offers 15% cashback on tickets

    MUMBAI: Mukta A2 Cinema, the cinema exhibition arm of Mukta Arts Ltd. – one of India’s esteemed film banners, has announced its association with a digital wallet company, Mobikwik. The cinema chain recently expanded their presence and now has 48 screens in their network.

    Cinema patrons can avail a cash back offer of 15 per cent when they use the Mobikwik Wallet to make payments at any Mukta A2 cinema theater. Following the digital payments route, the cinema chain has associated with the digital wallet company to offer patrons multiple payment choices and various offers when they book tickets across the popular cinema chain.

    Mukta Arts MD Rahul Puri said, “We hope to offer our patrons an additional benefit when they visit our cinemas. Following the digital payments push implemented by the government, we are glad to create these associations and provide our patrons alternate methods for payments.”

    Mukta A2 Cinemas is operating in 14 cities making a pan-India presence to cater to the myriad needs of movie buffs across the country. The company also operates a property in the Middle East at Juffair Mall, Manama, Bahrain with six screens and a seating capacity of 960 people.

  • Tata Elxsi VFX creates Mt. Everest’s vastness for Bose’s ‘Poorna’

    MUMBAI: Tata Elxsi, a leading design company, has collaborated with filmmaker Rahul Bose, to provide world-class VFX for Poorna – a biographical adventure film based on Poorna Malavath, the youngest girl to climb Mount Everest at the age of 13 years 11 months.

    Tata Elxsi worked closely alongwith the Poorna team to bring their creative visualization and expectations to life. Be it capturing the snowflakes moving on screen, depicting the turbulence and enhancement of snow or capturing the vastness and breadth of the Mt. Everest, every detail was captured intricately to make the shots look realistic.

    Dinesh Kumar, VFX Supervisor – Tata Elxsi says, “It was tough to depict the vastness of Mount Everest. By using technology to perfection, Tata Elxsi’s VFX team broke the creative boundaries and recreated the Mount Everest for many scenes in the movie to the director’s satisfaction. We are honoured that a film such as Poorna is part of our VFX portfolio. Tata Elxsi’s team of experts delivered close to 155 shots in a short span of three months and successfully helped to bring the director’s imagination on screen.”

    Rahul Bose – Director and Producer – Poorna said, “The greatest technical challenge in making ‘Poorna’ was the VFX. If the VFX wasn’t world class we knew the film would suffer immeasurably. The team at Tata Elxsi has worked closely with us to deliver every discussed detail with great quality and precision, and I am glad that this collaboration resulted in seeing my imagination translate successfully into film. We look forward to working with Tata Elxsi on future projects.”

  • Futureworks implements HDR and ACES

    NEW DELHI: Post-production facility FutureWorks is the first in India to set up HDR (High Definition Range) grading and mastering. The post-production house recently installed Sony’s Flagship HDR Monitor BVM-X300, staying at the forefront of technology and offering the most premium.

    With the digitisation of content and with streaming channels like Amazon and Netflix implementing newer standards, FutureWorks latest offering certainly gives them an edge over their competitors.

    FutureWorks senior colorist Andreas Brueckl said, “HDR simply looks stunning and so realistic. Compared to older standards like REC709, we preserve highlights and shadow details to the maximum. Combined with our ACES pipeline on Baselight we can offer film style grading on the highest achievable level.”

    HDR in TV allows one to display images of a higher latitude, larger colour gamut and higher contrast closer to what the human eyes can see in reality. Regular TVs display a maximum brightness of 100 nits while HDR TVs can show unto 1000 nits or even 4000 nits.

    Andreas said: “ACES is a new standard for DI and file interchange, developed by the Academy of motion pictures. There are various benefits of ACES which include up to 32 stops of dynamic range and color gamut wider than the human eye. It also enables us to grade in film style with no limitation and compression.”

  • FutureWorks renews ties with Barco, acquires 4K projector

    NEW DELHI: 4K digital cinema expert Barco has renewed its partnership with post-production house FutureWorks Media which invested in a Barco 4K post-production projector at its Mumbai facility.

    The firm has relied on Barco technology since 2008, and is confident that the new investment in Barco 4K projector will bring significant value to its regional and worldwide customers in the form of critical color stability and superb color matching needed for consistent post-production monitoring.

    The company’s name indicates where its focus lies: FutureWorks is committed to providing state-of-the-art facilities that bring the future of post-production to film and TV companies from across the globe, and has numerous international and domestic titles to its name. With locations in Mumbai and Chennai and boasting some of the region’s brightest production talent, FutureWorks has a keen interest in staying at the top of its industry in every way, from expertise to technology.

    Customers of FutureWorks expect great results. Since 2008, the company has relied upon 2K Barco solutions and has been very pleased with the quality of the Barco imaging engine. However, with the debut of the world’s first 4K digital projector designed specifically with the needs of post-production houses in mind, FutureWorks went for an upgrade with Barco.

    Featuring highly customised post-production workflow software, superior contrast due to enhanced lens technology and a wide color gamut filter for pinpoint accuracy in color matching, the Barco 4K projector doesn’t hold back when it comes to meeting high-performance requirements.

    FutureWorks senior colourist Rahul Purvav said: “We were Barco India’s first customers when it comes to post-production solutions, and we’ve been extremely satisfied for almost a decade However, to stay at the top of our game, opting for the Barco 4K projector was a must. Its colour stability is top-notch, and we are already familiar with the smooth Barco modus operandi, which was a major factor in our decision-making process.”

    In terms of projection, the world of post-production is a demanding environment very different from other projection applications. Light output and distribution uniformity are key elements of the monitoring process, and therefore some of the key differentiators of the Barco 4K post production projector. Barco Communicator software is also equipped with an intuitive user interface tuned to post-production environments, saving time and streamlining workflows.

    “The implementation was quick and seamless – we were up and running within a day,” Purav added. “The Barco projector makes it easy to handle a wide range of color spaces, and alignments are simple. The projector’s colour rendition and contrast ratios are unbelievably consistent and up to every post-production standard. Add to that Barco’s proactive support team, and you have a true relationship of trust.”

    “This project with FutureWorks demonstrates our commitment to generating momentum in India, not just in cinema, but in niche AV markets as well – it really is the land of opportunity,” asserted Barco India MD Rajiv Bhalla.

  • Steps to encourage ease of doing film business under way

    NEW DELHI: Information and broadcasting secretary Ajay Mittal has said the Ministry has initiated a series of measures to promote ease of doing business and reiterated government’s commitment to work closely with the film industry.

    Mittal was speaking at a function where megastar Amitabh Bachchan inaugurated the new office premise of the Central Board of Film Certification (CBFC) in Mumbai yesterday.

    A number for film personalities including former CBFC Chairman Anupam Kher, Ramesh Sippy, Raveena Tandon, Sonu Sood, Pritish Nandy, Manmohan Shetty, Gajendra Chauhan, Kiran Shantaram, Mukesh Sharma were among those present.

    CBFC, which had been functioning from the Bharat Bhavan in the White House Complex on Walkeshwar Road since 1950s, was facing severe space constraint against drastic increase in work load.

    Mumbai, being the centre of the Hindi, Marathi, Bhojpuri and Punjabi film industry, accounts for nearly 60% of all certification work of CBFC. During 2015-16, it certified over 11,000 films of various duration including 787 Indian feature films and 690 foreign films for theatrical release in India.

    Faced with an acute space constraint, lack of parking facility for visitors, CBFC moved a proposal for allocation of space in the Films Division Complex for a modern, digitally enabled office. It may be recalled that the online film certification system of CBFC was launched by Information & Broadcasting Minister M Venkaiah Naidu in New Delhi last week.

    Ramesh Sippy welcomed the online film certification system saying it would facilitate quicker certification of films.

    The Civil Construction Wing of Prasar Bharati has refurbished the new office, which houses the chambers of the Chairman, CEO as well as the Mumbai Regional Office. CBFC, besides its own preview facilities, can now utilize additional preview theatres of Films Division as well to quicken the process of film certification.

    The Films Division Complex now houses the offices of Films Division, Children’s Film Society of India, CBFC and also the upcoming National Museum of Indian Cinema, which is expected to promote synergy among different institutions of the I &B Ministry.

  • Amala Thomas, who epitomised professionalism in the media, is no more

    MUMBAI: Creative Producer and senior television professional Amala Thomas, who was the very epitome of professionalism all her life, is no more.

    The creative genius passed away on 17 March 2017 of a brief illness quite suddenly as she was very active. Amala is survived by her mother, sisters and brother, and the large number of friends whose lives she impacted in different ways, and the teams at all the production houses that she worked with and led so ably.

    Amala was the Business Head for Television at NeelaTelefilms until her untimely demise.

    “I have had the privilege of knowing Amala for the past twenty years. A thorough professional, it was her core value as a wonderful human being that made her stand apart. As the Business Head for television at Neela Telefilms, she led the team by example. Amala was extremely committed to her work. Once she took over a responsibility, I could rest assured that it would be done to perfection – she was someone I could trust without a doubt. Amala has left an indelible mark on all those of us whose lives she touched.God Bless her soul. R.I.P”, said her colleague Asit Modi of Neela Telefilms.

    A post-graduate in Mass Communications from the University of Hyderabad, Amala had more than 20 years of experience in both the creative and technical aspects of broadcast television. She worked as a Senior Manager with broadcaster Sony Entertainment Television & subsequently as a Producer and Business Head with production companies such as Hats Off Productions, Show M and Shashi Sumeet Productions. She was known to adhere to exacting standards as a Producer and was a successful and popular team leader.

    “Amala represented everything good about our television industry. Great ethics, intense commitment and fair practice. She was a beacon of light in situations that needed clarity. Her gentle yet strong demeanour made her a much loved colleague and loyal friend. I miss her terribly,” said Ravina Raj Kohli.

    Amala was also a tremendous peoples’ person. She believed in the potential of her team members and helped them grow in their jobs even as she inculcated in them the high values that everyone aspires for.

    A few years ago, Amala was responsible for bringing a unique educational programme called ‘Genius Mind Technology’ to India and worked hard for it to be adopted across schools here, hoping that it would help transform the lives of all school going children. She was also a guest lecturer at the University of Bubhaneshwar, Odisha.

    A sample of her work abilities and relationships in the industry is available in the recommendations on her LinkedIn Profile.

    Some of which are reproduced here: “Amala is an extremely good communicator and coordinator, qualities particularly useful for TV and Movie production. She is time conscious and result oriented.Most importantly she is very trustworthy and sensitive.” – Kunal Dasgupta.

    “Amala Is an energetic television programmer and creative director. She has varied and unique ideas and works diligently at executing them. She brought calm, order and process to the business. She is an asset to any organisation she works for.” – Sunil Lulla.

    “Amala is a good problem shooter and has the knack to extract the best from the team. She inculcated good work ethics among teams and her ability to guide and lead teams in an organized manner is commendable. She had good working relationships with the people she interacted with that naturally got her the respect she deserved.” – J D Majethia.

    “For most of us, who have reported to her across the many responsible portfolios she has held, she was always the quintessential “GO-TO person” for just about everything. I have imbibed – a great deal of professionalism, commitment, punctuality and a ‘never say die’ attitude from her!” – Mohit Bakshi.

    As those who know her remember her at her memorial meeting, their thoughts go back to the wonderful person that she was. May Her Soul Rest in Peace.

  • Prime Focus reports profit for third quarter of 2017

    BENGALURU: Prime Focus Limited (PFL) reported consolidated Profit After Tax (PAT) of Rs 22.68 crore (4.5 percent margin) for the period ended 31 December 2016 (Q3-17, current quarter) as compared to a loss of Rs 19.43 lakh in the corresponding year ago quarter Q3-16. The company’s consolidated simple EBIDTA without other income in Q3-17 at increased 56.7 percent year-over-year (y-o-y) to Rs 111.01 crore (21.9 percent margin) from Rs 70.86 crore (15.1 percent margin).

    PFL’s consolidated Total Income from operations (TIO) in Q3-17 increased 8.3 percent y-o-y in the current quarter to Rs 507.19 crore from Rs 468.52 crore.

    Total Expenditure in Q3-17 was almost flat (increased 0.5 percent) to Rs 461.49 crore (91 percent of TIO) from Rs 459.32 crore (98 percent of TIO) in Q2-16. Employee benefits expense in Q3-17 declined 4.9 percent to Rs 268.73 crore (53 percent of TIO) from Rs 282.64 crore (60.3 percent of TIO) in the corresponding quarter of the previous year.

    Finance cost in Q3-17 reduced 26.3 percent to Rs 22.94 crore (4.5 percent of TIO) from Rs 32.12 crore (6.6 percent of TIO) in Q3-16.

    Technicians fees in Q3-17 reduced by 7.7 percent to Rs 7.27 crore (1.4 percent of TIO) from Rs 7.88 crore (1.7 percent of TIO) in Q3-16. Technical Services cost in the current quarter reduced by 16.1 percent to Rs 16.50 crore (3.3 percent of TIO) from Rs 19.67 crore (4.2 percent of TIO) in Q3-16.

    Commenting on the results, PFL founder, executive chairman and global CEO Namit Malhotra said, “We are very happy to report strong financial performance this quarter as we move well ahead of set targets. We are today positioned as a leader in all three of our businesses i.e. Creative Services, Technology Services and India FMS and are witnessing accelerating growth along with increasing industry recognition and acclaim.

    We are pleased to share that our Creative Services delivered VFX on the recent Hollywood blockbuster Fantastic Beasts and Where to find them which is amongst the top 10 movies of 2016 and has grossed over $800 million at the box office. Our creative order book is robust $250 million with many upcoming prestigious projects. Our Tech/Tech Enabled business grew steadily adding new clients and orders while the India FMS business continues to do well, growing robustly with high margins, a testimony of our superior quality.

    We have established a global track record in delivering top-end, innovative and commercially successful projects. We are beginning to clearly see the benefits of working on a larger canvas.”

    Notes: The unit of currency in this report is the Indian rupee – Rs (also conventionally represented by INR). The Indian numbering system or the Vedic numbering system has been used to denote money values. The basic conversion to the international norm would be:
    (a) 100,00,000 = 100 lakh = 10,000,000 = 10 million = 1 crore.
    (b) 10,000 lakh = 100 crore = 1 arab = 1 billion.

  • Ekta ties up with Lemon Advisors for Alt Balaji global launch

    Ekta ties up with Lemon Advisors for Alt Balaji global launch

    MUMBAI: Ekta Kapoor’s Alt Balaji, which is gearing up for launch in early 2017, has announced a strategic partnership with Lemon Advisors, a Singapore based technology consulting firm. With this tie-up, the tech company will assist and strengthen business development activities in key global markets with significant Indian diaspora and demand for Indian content.

    “We are delighted to have Lemon Advisors on board. Their impressive network spanning across 30 countries worldwide will certainly help us in reaching out to the global audience. Technology will play a huge role in shaping the growth trajectory of digital entertainment industry in India and globally, and as we make our foray into the domain with disruptive content, we are proud to have an established technology and business development partner,” said Balaji Telefilms group CEO Sameer Nair.

    Lemon Advisors will help Alt Balaji forge alliances with distribution partners like telecom operators, internet service providers and OEMs. They will also assist in exploring brand alliance opportunities with major international brands along with planning& executing marketing and on ground activities. In addition to this, they will also be a representative entity for Alt Balaji at various trade shows & exhibitions.

    “Balaji is a name that every Indian content consumer worldwide is extremely familiar with. It’s a privilege for us to partner with Balaji as they embark on their digital journey in the form of Alt Balaji. We are happy that we will have a chance to contribute to the overall success of their endeavour”, added Lemon Advisors founder and chairman SubhashR. Ghosh.

  • Ekta ties up with Lemon Advisors for Alt Balaji global launch

    Ekta ties up with Lemon Advisors for Alt Balaji global launch

    MUMBAI: Ekta Kapoor’s Alt Balaji, which is gearing up for launch in early 2017, has announced a strategic partnership with Lemon Advisors, a Singapore based technology consulting firm. With this tie-up, the tech company will assist and strengthen business development activities in key global markets with significant Indian diaspora and demand for Indian content.

    “We are delighted to have Lemon Advisors on board. Their impressive network spanning across 30 countries worldwide will certainly help us in reaching out to the global audience. Technology will play a huge role in shaping the growth trajectory of digital entertainment industry in India and globally, and as we make our foray into the domain with disruptive content, we are proud to have an established technology and business development partner,” said Balaji Telefilms group CEO Sameer Nair.

    Lemon Advisors will help Alt Balaji forge alliances with distribution partners like telecom operators, internet service providers and OEMs. They will also assist in exploring brand alliance opportunities with major international brands along with planning& executing marketing and on ground activities. In addition to this, they will also be a representative entity for Alt Balaji at various trade shows & exhibitions.

    “Balaji is a name that every Indian content consumer worldwide is extremely familiar with. It’s a privilege for us to partner with Balaji as they embark on their digital journey in the form of Alt Balaji. We are happy that we will have a chance to contribute to the overall success of their endeavour”, added Lemon Advisors founder and chairman SubhashR. Ghosh.

  • NBC-Universal buys ‘paranormal’ series from Bomanbridge

    NBC-Universal buys ‘paranormal’ series from Bomanbridge

    MUMBAI/ SINGAPORE: Bomanbridge Media, a Singapore-based content distribution and production agency, announced a series of paranormal series programme sales to NBC-Universal’s Syfy and Celestial.

    NBC Universal’s Syfy acquired the iconic series A Haunting – a paranormal anthology television series that depicts eyewitness accounts of possession, exorcism, and ghostly encounters. They also acquired RIP Files a series that follows paranormal investigators, based in Washington DC, who use their psychic abilities and their deep knowledge of metaphysical techniques to interact with the entities they encounter at haunted locations. These investigators encourage the spirits to share their stories in their own words through amazing EVPs and other evidence that is bridging the gap between the worlds of science and spirituality.

    Celestial, Thrill channel, took another season of the long-running Most Haunted series. The multiple award-winning paranormal investigation series seeks the truth into whether ghosts really do exist. The team, led by Yvette Fielding, spends 24 hours investigating infamously haunted locations to uncover mysteries and bring an honest account of reported paranormal activity. Most Haunted has been shown in more than 80 countries, reached over 200 thrilling episodes and is one of the UK’s longest-running and most successful series.

    “Bomanbridge carries great paranormal content within the catalogue and with the expansion of paranormal genre and channels in Asia, we hope to maintain our edge in this entertaining genre,” said Bomanbridge Media CEO Sonia Fleck.