Category: Production House

  • One Life Studios brings world class content to India

    One Life Studios brings world class content to India

    MUMBAI: One Life Studios becomes the exclusive distributor of the award-winning American series “Breakers”, a Deo Tv original.

    One Life Studios, a subsidiary of Swastik Productions, thrives on telling Indian stories to the world. Now with the changing trends, One life Studios has decided to bring award winning series to India & SAARC countries. 

    Taking a new step forward, they have signed an exclusive distribution deal for the hit show “Breakers- Saving Harper Ross” which is a 10-episode nail-biting thriller about Jack who is reliving the same day over and over again. A Crime series wrapped around mystery and mind-boggling events, Breakers has won numerous awards, including Platinum Remi Winner for Best TV Series at the 51st Annual WorldFest-Houston International Film Festival 2018.

    Speaking on this development, Managing director, Rahul Kumar Tewary shares his excitement : 

    'As we continue to grow our footprint worldwide we are seeking to partner with storytellers who share our passion of crafting strong narratives for broad audiences. We are very excited to collaborate with award-winning storytellers. This is just the beginning.'

    Chason Lang, COO of DEOTV says 'We are thrilled and proud to be working with One Life Studios who has already brought such tremendous programming like Porus to Indian television, and to see our content entertain audiences across India.'

  • Warner Bros. named character licensor of the year

    Warner Bros. named character licensor of the year

    MUMBAI: Warner Bros., represented by Cartoon Network Enterprises (CNE) in India, emerged as a big winner at the recent Labels Awards 2019 organised by License India.

    The team was awarded ‘Character Licensor of the Year – Gold’ for its work on Warner Bros. franchises including Harry Potter, Superman, Batman and Tom and Jerry. The ceremony took place at the India Licensing Expo 2019 (on July 8 and 9), the country’s largest brand licensing event.

    Commenting on the win, Anand Singh, Senior Director – Cartoon Network Enterprises, South Asia, said, “We are thrilled to have won this prestigious award. We have amazing licensing partners throughout India, and the award is testament to the way they have taken our characters and created something that fans truly love.”

    CNE represents a rich and continuously evolving portfolio of Cartoon Network and Adult Swim originals such as The Powerpuff Girls, Johnny Bravo and We Bare Bears, and Rick and Morty, as well as Warner Bros. Consumer Products’ IPs such as Batman, Superman, Looney Tunes, Scooby-Doo, The Wizarding World and Tom and Jerry.

  • Locomotive Global acquires rights to develop local version of “RAY DONOVAN” for the Indian market

    Locomotive Global acquires rights to develop local version of “RAY DONOVAN” for the Indian market

    MUMBAI: Locomotive Global Inc., an international production company focused on developing, producing, and distributing Indian-themed content for India and the world, has acquired the first scripted remake rights to the critically acclaimed SHOWTIME®drama series RAY DONOVAN from CBS Studios International.  Locomotive will develop a new version of the series to be set in India and featuring an Indian cast. 

    “India is one of the biggest entertainment markets in the world. There is a voracious appetite for high-quality drama series throughout the region,” said Sunder Aaron, co-founder and Principal of Locomotive Global, Inc. “We think RAY DONOVAN, with its complex and gritty storylines and strong anti-hero central character, is in sync with the themes and genres that are resonating with Indian viewers right now. Our adaptation will bring Ray into the Indian milieu with the protagonist now a “fixer” in Bollywood. We look forward to developing this first-rate series for a whole new fanbase.”

    Roxanne Pompa, Vice President, International Formats for CBS Studios International said: “India has become an increasingly important market for scripted drama and we are seeing more and more high-quality content coming from the region,” said CBS. “Locomotive’s idea to adapt the story and iconic central character of RAY DONOVAN in India market is both exciting and timely and we look forward to seeing how Indian viewers will respond.”

    As a "fixer" for Hollywood's elite, Ray Donovan is the go-to guy for celebrities, athletes, and business moguls to make their problems disappear. Though often a messy job, it’s much more lucrative than Ray’s previous work as a ruthless South Boston thug and it’s given him status to run with the truly wealthy and powerful. But no amount of money can completely mask Ray's past, including a troubled family and a father who threatens to destroy everything Ray has been trying to accomplish for himself.

    Starring Liev Schrieber, RAY DONOVAN premiered on Showtime in 2013 and is currently in production on the series’ seventh season.  RAY DONOVAN won the Critics Choice Television Award for “Most Exciting New Series” in 2013 and Liev Schreiber has multiple Emmy and Golden Globe nominations for his performance in the title role.

    Locomotive Global will develop, produce, and film the remake in India, and is currently identifying broadcast and digital distribution partners.

  • Building brands From idea to legacy

    Building brands From idea to legacy

    MUMBAI: Rohit Vaid, Co Founder & CCO, explains, the youth today is exposed to 5000+ messages per day.

    Their attention spans are low, itʼs only when a message strikes an emotional chord that they invest the most precious commodity– which is mind space. This is what Phoenix will assist brands in capturing through engaging story telling.

    Rajesh Pavithran, Co Founder & Director says, with over 75 years of collective creative and production experience, what we bring to the table is effective creative backed by price points. This will give the brands the best bang for their buck. All our arsenal is in place already as we have a roster of talented directors & writers on board.

    This is talent that has crafted some of the most impressive youthcampaigns for brands and publishers across platforms.

    Rohit Tugnait Co-Founder & CEO, sums up, as we all know the digital content space is exploding thanks to low mobile internet costs brought about by the Jio revolution add to this the smart phone penetration across the country. This will fuel the growth of the digital video business from $300 million as of 2018 to
    $1.5 billion by 2021. So the opportunities for specialists like us, who have the experience in creating engaging story telling via formats ranging from 3 seconds to 3 hours (and everything in between) will be huge.

    Our initial focus is alliances, we are in talks with a select few leading agencies and OTT platforms to become preferred partners addressing their production needs and creation of joint IPʼs. We will have announcements coming in this space soon.

  • Tusshar Kapoor steps down from Balaji Telefilms board

    Tusshar Kapoor steps down from Balaji Telefilms board

    MUMBAI: Tusshar Kapoor, the famous actor in the Bollywood fraternity, stepped down from his post of non-executive non-independent director of Balaji Telefilms. The resignation is effective from 27 March. The actor holds an MBA degree from Michigan University.

    “Pursuant to Regulation 30 read with Para A of Schedule III of the Securities and Exchange Board of India (Listing Obligations and Disclosure Requirements) Regulations, 2015, we wish to inform you that Mr. Tusshar Kapoor, Non-Executive Non-Independent Director of the Company has tendered his resignation from the office of the Director of the Company with effect from March 27,2019, due to personal reason and pre occupation,” the company said in a BSE filing.

    Balaji Telefilms started its journey as a private limited company back in 1994 which went public in 2000. After producing renowned TV shows such as Kyu Ki Saas Bhi Kabhi Bhau Thi, Bade Achhe Lagte Hai, Pavitra Rishta, Naagin for years, the company also ventured into online video streaming space with ALTBalaji.

  • Disney formally closes deal with Fox, massive layoffs expected

    Disney formally closes deal with Fox, massive layoffs expected

    MUMBAI: Walt Disney Co (Disney) has finally closed the deal with on its $71 billion acquisition of 21st Century Fox (Fox). In recent months, the acquisition received final approval from antitrust regulators across the globe. This merger will lead to thousands being fired, industry experts as well as several media reports speculate.

    With the deal, Disney is taking over majority of Fox’s assets including 20th Century Fox studio, the FX and National Geographic cable networks, and an additional 30 percent of Hulu. The giant media conglomerate thinks the deal will help it increase its international footprint along with expanding its direct-to-consumer offerings.

    “This is an extraordinary and historic moment for us — one that will create significant long-term value for our company and our shareholders,” Disney CEO Bob Iger said in a press release. “Combining Disney’s and 21st Century Fox’s wealth of creative content and proven talent creates the preeminent global entertainment company, well positioned to lead in an incredibly dynamic and transformative era,” he added.

    Bob Iger promised $2 billion in cost savings which clearly indicates to epic job cuts. While Disney is taking on 15,400 Fox employees, the smaller new Fox Corp will keep about 7,000. The layoffs are expected to come down heavily on domestic market first. “You can anticipate more domestic at the front end, just because of regulatory issues outside of the US,” Disney chief financial officer Christine McCarthy said earlier as quoted by Bloomberg.  The number of cuts could reach up to 4000, maybe even higher than that. Most of the jobs that are expected to be hit by the acquisition are duplicate ones.

    To take on this bet, Disney has to sell 22 regional sports networks in the US and its sports networks in Brazil and Mexico as part of regulatory approvals. The company also agreed to sell its stakes in such networks as Lifetime and History in Europe.

    Although the Fox deal will help Disney in its direct to consumer business, the cost of launching Disney+ is expected to impact the company’s financials next year.  A study from the research firm Ampere Analysis suggested that Comcast, after the acquisition of European pay TV giant Sky, and Walt Disney, after its Fox deal, will dominate global content spending.

  • Goquest Media Ventures picks up drama content from China, Thailand, Taiwan

    Goquest Media Ventures picks up drama content from China, Thailand, Taiwan

    MUMBAI:  Independent content distributor GoQuest Media Ventures announced a raft of new acquisitions from China, Thailand and Taiwan. 

    Collaborating with leading Chinese streaming platform iQiyi, GoQuest Media has secured the rights for Vietnam to the epic drama series Tang Dynasty Tour (36 x 45’).  The costume drama, an iQiyi Original directed by Zhu Dong-Ning and produced by Gordon Chan revolves around Yun Ye, who one night falls asleep and wakes amid the opulent brickwork of an ancient Tang Dynasty palace.  Yun soon meets the troubled Li Anlan, a Tang princess disowned for being born out of wedlock.  Spurred to life by survival and his desire to stay at Li’s side, he embarks on a series of adventures ranging from hysterical to heart-wrenching.

    Entering the Asian drama space, GoQuest Media is also pleased to announce the acquisition of content through its Vietnam office, headed by Harshad Wadadekar, general manager – distribution business.  These include the rights for Vietnam to series such as Blind Date which is the Chinese remake of Dori Media’s hit romantic scripted comedy Ciega A Citas, An Oriental Odyssey, The Lost Swordship, Mr Swimmer, Legend of S. Fire Walker from Media Culture Ltd, Hongkong, The Masked Lover, Behind Your Smile, Swimming Battle, Home Sweet Home, Between from nationwide cable TV network Sanlih E-Television, Taiwan and A Billion Love Game, and Chaoweha from Thailand’s True4U.  

    Commenting on the acquisitions, GoQuest Media MD Vivek Lath said, “It is a privilege to be offering viewers in Vietnam great content homegrown in Asia and providing the ever-challenging TV market with good quality programming.  There is huge potential for Asian content and we strongly believe that shows such as these will be well received.'

  • CEO Rajiv Bakshi unveils transformational roadmap for Big Synergy

    CEO Rajiv Bakshi unveils transformational roadmap for Big Synergy

    MUMBAI: Rajiv Bakshi describes his latest gig – CEO Big Synergy – as a homecoming to the media and entertainment ecosystem. During his 13-year stay at Discovery Networks, Bakshi helped curate thousands of hours of content across factual, lifestyle, kids’ categories among others. More importantly, his stint coincided with the network introducing and expanding new genres that delivered a lasting impact on television and the society at large.

    Bakshi has witnessed the evolution of India’s media and entertainment industry from close quarters. The perks of his ringside seat have helped him compartmentalise that evolution into three distinct phases.

    “When I started in television in the early 2000s, it was the era of ad sales. Everything was about attaining reach and filling the inventory. Post digitisation, the era of distribution set in and pay-TV model emerged as a strong component. Channels started getting rewarded for differentiated and high-value content. Now we have entered the most exciting and dynamic phase where content and consumer form the core of the business. I call it the golden era of content,” he says.

    With the emergence of OTT and Indian broadcast getting sharply segmented into genres and regions, the direct and immediate benefits to the balance sheet from content innovation are substantial. In addition to that, there are exciting possibilities for building personalised relationships with consumers on mobile devices.

    “The research and analytics available in terms of content and storytelling with respective audience sets are both liberating and refreshing for content creators. The content explosion being witnessed is most satisfying and charges us to deliver influence and impact,” highlights Bakshi.

    Reliance Entertainment's Big Synergy today produces content for all platforms. Widely regarded as a content powerhouse when it comes to non-fiction, the company is now pushing to becoming a power player in the fiction arena.

    “In the next 12 months, you’ll witness a lot of disruptive content from Big Synergy across all genres and formats. We have a range of high decibel developed projects aligned with top directors and writers slated for 2020 launch,” Bakshi points out.

    The company is committed to invest in three key areas for growth – original formats and rights, scaling talent and teams, and building the finest production capabilities.

    “The thing we are always working hard is to anticipate change. Client's requirements and business models and the market dynamics are ever changing, and therefore we prefer to invest in research and keep our ears on the ground to stay on top of things and trigger new trends,” the veteran executive adds.

    The dependence on content to differentiate a brand is the biggest new development. With most of the markets now progressing towards a pay model, differentiated content will be the trigger for revenue and audience growth. 

    “It’s a period of transformation. The demand for fiction content, with OTT platforms appearing in the last few years, is on the up. The market has immense confidence in Big Synergy’s capabilities to produce breakthrough fiction content. Our parent company has produced some of the biggest movies and OTT show and offers us access to the finest creative talent and partnerships and an overall environment of mass entertainment. We are all set to wow the market,” says Bakshi with a great deal of confidence.

    There's absolute clarity at the company in terms of what it has set out to achieve. Bakshi's vision has percolated down to the bottom of the pyramid.

    "We want to produce the biggest fiction series on both OTT and broadcast, on both original and acquired formats. Dailies for GECs are something we are investing in. In non-fiction, we have some amazing in-house formats and a large slate of acquired formats and then we are also evaluating co-developing new formats with international partners. Expansion into regional space, on both broadcast and OTT is also high on priority," he states.

    So, what are the obstacles that could prevent the team from accomplishing its goals?

    "The only challenge could be to prioritise the right stories, formats, partners, acquisition and talent," he remarks.

    Content creation is an intricate affair. It’s also an expensive affair. According to industry estimates, the top 15 OTT platforms are spending Rs 1000 crore annually on Originals. Therefore, content creators apply a series of filters to a project before giving it the green signal. There’s more to the process than just the power of the story. Content creation today comprises algorithms and data analysis. And yes, consumption trends.

    Bakshi, however, has a rather different take on the matter at least when it comes to adopting trends as a marker for content creation.

    “Trends typically do not occur over quarters, they establish over years. So I can’t certainly say we’ll have a dramatic new change this year. The trends from the last couple of years will continue – to produce sharper and bolder stories with great characters. And, I think the biggest trend will be to invest in a variety of content and not over depend on any one particular genre,” he says.

    So, how does he greenlight a project?

    “Story, characters and team's conviction. These factors help us in backing a project. We have a good sense of what is happening and we continue to invest in research to comprehend emerging trends,” is his instant response.

    Creating content for some of India’s largest broadcast and OTT platforms is now a high-stakes play. The top five streaming platforms are not shying away from writing big checks and are certainly here to stay. As companies vie relentlessly for a piece of the consumer’s attention and wallet, collaborating with the best content producers is of paramount importance.

    Therefore, companies like Big Synergy are bound to play a vital role in helping further build and scale up India’s content creation ecosystem. While Bakshi does not carry the burden having to shell out millions of dollars for consumer acquisition, he does have to achieve some significantly lofty targets. “Surpassing client's goals, team's ambitions and establishing new performance and quality benchmarks. And yes, a growing bottom line,” he signs off.

  • Eros International Joins hands with Leading Korean production Companies Say On Media and B&C Group LLC

    Eros International Joins hands with Leading Korean production Companies Say On Media and B&C Group LLC

    MUMBAI: Eros International Media Limited, a leading global company in the Indian film entertainment industry, announced today that it has signed a significant deal with renowned Korean production company Say On Media and B&C Group LLC to co-produce the classic ancient story based on ‘Heo Hwang-Ok, Embrace of Gaya’ as a film and series. It is an adventure and love story of an Indian Princess travelling across the sea around 30 AD to an ancient kingdom in South Korea.

    Say On Media is a leading Korean production company specializing in global co-production. It’s been front runner in Korean web-drama market when web-drama industry was fledgling in Korea. The production company have successfully co-produced seven TV series with China and are known for producing “Doctor Stranger” a popular TV series in Korea. B&C Group LLC (Bold & Courageous) is a fully integrated Seoul and LA-based talent management, Film/TV production and finance company.

    The co-production is scheduled to go on floor soon and will be bilingual. With proposed A-list actors from India and Korea. It will be collaborative with shoot venues and crews from both the countries. Original story will have blend of Indian and Korean cultures and conceptualized by talented Indian and Korean writers.

    The human drama is based on an interesting premise of adventure and love story of an Indian princess travelling to Gimhae of South Gyeongsang province in Korea. Once there, she falls in love with the founder of Gaya kingdom, King Kim Soo-Ro, and becomes the queen. The legendary story of Princess Heo also known as Indian Princess Ratna of Ayuta kingdom and fleeing alliance of the conquering Prince Arun of Yeuzhi, a true tale of Love, political intrigue and trade rivalry form the crux of this epic saga.

    Commenting on the Indo-Korean strategic alliance, Ridhima Lulla, Chief Content Officer, Eros Group said, “Eros International greatly values this exciting partnership with Say On Media and B&C Group LLC. We are honored to associate with a powerhouse entity to build bridge between both regions. With our similar cultures, we want to tell stories with a mainstream appeal that transcend language and geographical boundaries. We consider this only the beginning of a new era and cannot wait for our fans to see the result of this successful partnership as it opens new doors and provides endless opportunities for everyone involved with filmmaking.”

    Lim Sung-Gyeoun, the CEO of Say On Media, added “We are very delighted to associate with leading studio like Eros International, our ideology resonates of backing content driven cinema. The production of the movie based on Heo Hwang-Ok would shed new light on Indian influence in Korean culture and activity. Also, it would have a huge impact both in India and pan-Indian markets.”

  • Applause Entertainment announces new comedy drama ‘Mannphodganj’

    Applause Entertainment announces new comedy drama ‘Mannphodganj’

    MUMBAI: Applause Entertainment has announced a new comedy drama titled Mannphodganj. The series is an adaptation of the book, Band Baaja Boys by Rachna Singh and is directed by Vikas Chandra, who has been a part of films like Ghajini and Detective Byomkesh Bakshy.

    The story revolves around a 22-year old girl Binny Bajpai who challenges the customs and traditions in Mannphodganj, a small town near Allahabad (now called Prayagraj).

    Amitosh Nagpal’s screenplay paints a picture of real life families in small town India, who stand hesitantly, but promisingly, at the cusp of modernity.

     Applause Entertainment CEO Sameer Nair said, “Light hearted, comedic family dramas allow us to push the boundaries of storytelling, to get closer to the real issues that face modern India in its small traditional towns. Mannphodhanj brings together the perfect combination of a well-written script, a fantastic team of show runners Tony, Deeya Singh and director Vikas Chandra, and a wonderfully talented cast of actors.”

    Director Vikas Chandra said, “Mannphodganj is a very light hearted comedy show. I always wanted to direct a show which the audience can relate to and I am grateful to Sameer Nair, Applause Entertainment and DJ’s for trusting my vision. I am thrilled to work with such outstanding/gifted cast and can’t wait to have audiences consume it.”