ITV

Category: Production House

  • Psych-ed up for scares as Abundantia and Furia forge horror pact

    Psych-ed up for scares as Abundantia and Furia forge horror pact

    MUMBAI: Get ready to sleep with the lights on, Chhorii is just the beginning. Riding high on the bone-chilling success of Chhorii 2, Abundantia Entertainment and horror maverick Vishal Furia are joining forces once again to craft a new wave of fright fests under the studio’s dedicated horror vertical, Psych.

    With critics and fans still reeling from Chhorii 2’s sinister twists and culturally grounded horror, the sequel has cemented itself as a standout in Indian horror both terrifying and thoughtful. Now, director Furia and Abundantia’s Vikram Malhotra are doubling down on the genre with a fresh slate of terrifying tales that go beyond shadows and jump scares.

    “Vishal’s storytelling is rooted, gripping and layered, he’s redefined horror for Indian audiences. Together, we’re not just making scary films. We’re building an entire universe of fear that mirrors the evolving Indian psyche,” said Malhotra, Founder and CEO of Abundantia Entertainment.

    Furia echoed the thrill: “Our journey with Chhorii has just scratched the surface. Psych is the next chapter, an incubator for stories that leave lasting chills, long after the screen goes dark.”

    The collaboration is already in motion with two films in development. One is inspired by a shocking real-life incident in urban India, while the second ventures deep into the spine-tingling realms of Indian cultural mythology.

    With Psych, Abundantia becomes one of India’s only content studios with a dedicated horror label aiming not just to entertain, but to transform how Indian viewers experience the genre. The productions will be platform-agnostic, promising edge-of-the-seat scares across OTT and theatrical screens alike.

    From emotionally intelligent hauntings to folklore-fuelled fear, this duo isn’t just raising the bar they’re raising the dead.

  • NYIFF 2025 bound ‘Little Thomas’ teaser out now

    NYIFF 2025 bound ‘Little Thomas’ teaser out now

    MUMBAI: As anticipation builds around its world premiere at the New York Indian Film Festival (NYIFF) 2025, Little Thomas, the upcoming heartwarming children’s film starring Rasika Dugal, Gulshan Devaiah and Hridansh Parekh launched its official teaser on Sunday.

    Little Thomas earned three nominations at NYIFF 2025 – including Best Actor, Best Actress, and Best Debut Film, marking it a standout film in this year’s lineup.

    Slated to be the closing film at NYIFF (20-22 June), Little Thomas offers a tender, nostalgic tale set in 1990s Goa. The story follows seven-year-old Thomas, a young boy on a heartfelt mission to reunite his estranged parents to have a little brother. Backed by Anurag Kashyap, the film marks a refreshing turn in the filmmaker’s career, embracing themes of innocence, curiosity, and emotional resilience.

    Directed by Kaushal Oza, the film’s newly released teaser gives audiences a glimpse into the warm storytelling, vibrant visuals, and moving performances that await.

    The film is jointly produced by Luminoso Pictures, Civic Studios, Good Bad Films, and Flip Films.

  • Poonawalla Fincorp goes full throttle: 24/7 digital loans now open for MSMEs

    Poonawalla Fincorp goes full throttle: 24/7 digital loans now open for MSMEs

    MUMBAI: Poonawalla Fincorp is giving Indian MSMEs a serious leg-up with a slick new digital tool in their financial arsenal—‘Business Loan 24/7,’ a fully online, branch-free business loan available any time of day, all days of the week.

    This isn’t just another fintech gimmick. It’s a proper game-changer. Backed by a pioneering digital risk assessment model and designed specifically for micro, small, and medium enterprises, the new loan product promises instant approval, flexible repayment, and a completely paperless ride from start to finish.

    “We believe that with India’s $4 trillion economy, MSMEs will be one of the most robust credit growth segments over the next 10 years, and our assumptions are based on India’s strong financial infrastructure—credit bureau data, GST information, account aggregators, and strong risk analytics. This product, which we will gradually build into the portfolio in a sensible, risk-calibrated manner, will be an industry,” says Poonawalla Fincorp managing director &n chief executive officer Arvind Kapil. 

    PFL’s digital model taps into India’s public digital infrastructure to vet borrowers using data-driven insights, not just legacy credit parameters. That means smarter risk assessment, faster decisioning, and credit that’s tailored—not templated.

    This move follows the successful rollout of PFL’s earlier 24/7 loan product for salaried professionals. With MSMEs now in its sights, the non-banking finance company wants to become the go-to lender for India’s credit-hungry entrepreneurs—especially in tier two and tier  three  towns where access to capital still moves at snail mail speed.

    Part of the Cyrus Poonawalla Group, PFL boasts a ?35,631 crore loan book and a presence in 18 states and two union territories. With this new offering, it’s revving up to drive deeper into India’s growth engine—one digital disbursement at a time.

  • Marco Bassetti to be bestowed with Variety Vanguard Award at Mipcom Cannes

    Marco Bassetti to be bestowed with Variety Vanguard Award at Mipcom Cannes

    MUMBAI: Marco Bassetti, the no-nonsense chief of Banijay, is set to receive the prestigious Variety Vanguard Award at Mipcom Cannes this October. Known for helming global smashes like Survivor and Peaky Blinders, Bassetti will be honoured on 13 October during a keynote conversation at the Palais des Festivals.

    The award—jointly presented by Variety and Mipcom—recognises television titans who’ve reshaped the global entertainment business. And few have done it with as much panache (and profit) as Bassetti.

    “Marco Bassetti is one of the most entrepreneurial, visionary and impactful television executives of our era who has led Banijay Entertainment to be the world’s largest production and distribution group through his championing of creativity, independence, and innovation,” said Mipcom Cannes & Mipcom Junior director Lucy Smith. “It is our privilege to partner with Variety to recognize his achievements in front of the global TV industry at Mipcom Cannes and to hear his insights on wider opportunities, developments and trends globally, which as a true vanguard, are always invaluable.”

    Variety co-editor in chief Cynthia Littleton said “Banijay has proven to be one of the most dynamic of the super indie content groups to emerge on the global stage.” She added: “Under Marco Bassetti’s leadership the company has delivered strong results and ambitious slates. We are happy to present him with the Variety Vanguard Award at Mipcom 2025 for his contributions to this ever-growing industry.” 

    Strong and ambitious are understatements. In 2024, Banijay racked up a staggering €3.3 billion in content business and posted an EBITDA margin of 15.8 per cent. While already ruling the unscripted kingdom, Bassetti now has scripted squarely in his sights—with the company eyeing €1 billion in scripted revenues for 2025. The pipeline includes Carême (Shine Fiction for Apple TV+), Asterix & Obelix: The Big Fight, and a much-hyped Peaky Blinders film for Netflix.

    If that wasn’t enough, Bassetti’s been on a shopping spree: acquiring Caryn Mandabach Productions (home of Peaky), Fábrica, The Forge, and Balich Wonder Studios (FIFA World Cup Qatar 2022), plus stakes in Hyphenate Media Group, Conker Pictures, Rabbit Track Pictures, and Lenny Henry’s Esmerelda.

    The award will be the crowning moment of C-Suite Conversations—a Mipcom-Variety initiative helping top execs decode the chaos of today’s content world.

    Mipcom Cannes runs 13–16 October. And with Bassetti centre stage, the festival’s finale promises to be nothing short of blinding.

  • Nippon TV brews bold global play with Gyokuro Studio and LA hub

    Nippon TV brews bold global play with Gyokuro Studio and LA hub

    MUMBAI: Nippon TV is taking its global ambitions seriously—and stylishly. Japan’s leading multiplatform entertainment giant has just unveiled Gyokuro Studio, a premium content label for international audiences, and Nippon TV LA Business Office, a full-fledged U.S. outpost opening in July to chase co-productions and IP sales across North America and Latam.

    The Tokyo-based Gyokuro Studio—named after Japan’s most exquisite green tea—plans to roll out 10 unscripted titles a year, aiming for a full-bodied portfolio of 100 global-ready formats in the next decade. It promises the same handcrafted quality as its namesake tea, brewed through a blend of in-house talent and heavyweight co-creators. Think less sushi bar, more global showbiz kitchen.

    Kenichiro Akiyama, veteran chief producer of prime-time hits, will head the new studio. “We are restructuring our production framework from a domestic-focused model to one designed for global rollout, accelerating the development of a robust foundation for creating content that resonates with audiences worldwide,” said Akiyama. “We will actively engage in truly global ‘co-creation’ with our production partners both in Japan and abroad, and together we will strive to generate new needs and value in the global entertainment market. We will continue to take on new challenges every day, aiming to build a strong and sustainable presence.”

    Meanwhile, the Los Angeles office will be led by Tom Miyauchi, vice president of Nippon TV International and the man behind the Canadian adaptation of cult favourite Old Enough!. Miyauchi moves to LA in June and kicks off operations in July.

    “With the launch of our Los Angeles business hub at the forefront of the global entertainment market, we are here to tap into the pulse of local trends and connect with global audiences with precision and agility. By strengthening collaboration and co-creation with valued partners and creators, our aim is to lead every phase of the content journey – from content development and full-scale production to distribution and international rollout, and the establishment of local production frameworks. In collaboration with Gyokuro Studio, we aim to pioneer new frontiers for globally driven entertainment, proudly originating from Japan.”said Miyauchi.

    Nippon TV has been flexing its format muscles globally, with Dragons’ Den/Shark Tank spawning 52 versions across 186 countries and Mother crowned as Asia’s most exported scripted format. Add to that the viral Old Enough! and Netflix-fuelled anime success, and you’ve got a broadcaster not just chasing trends—but setting them.

    Now with Studio Ghibli in its corner, Nippon TV is stacking its global arsenal. The new studio and LA office mark a strategic two-punch play, positioning Japan’s content powerhouse to charm the west, one gyokuro-infused idea at a time.

  • Gabriella Carriere climbs higher at Fremantle with expanded global strategy and new biz brief

    Gabriella Carriere climbs higher at Fremantle with expanded global strategy and new biz brief

    MUMBAI: Fremantle has handed group head of strategy Gabriella Carriere a power-packed promotion, expanding her remit to include new business in addition to her current strategic responsibilities. She now takes charge as group head of strategy and new business, reporting to group COO and CEO continental Europe Andrea Scrosati.

    With the new hat, Carriere will now command Fremantle’s most lucrative growth levers — including sports, branded content and licensing, music rights, live events, and its vast library of IP — all while continuing to lead the company’s global strategy agenda. Reporting into her are director of Fremantle Sport Owain Walbyoff and global head of branded content & sponsorships Gabriella Zamboni.

    Since joining Fremantle in 2022, Carriere has been at the forefront of major moves, from launching the documentaries division to shaping the Fremantle Sports unit, driving branded entertainment, and integrating global M&A footprints.
     

    Scrosati commented: “I am delighted to announce Gabriella’s promotion to Group Head of Strategy and New Business. I have been working with Gabriella for many years and highly admire her analytical and business skills and her innovative approach to define and drive strategy. I have no doubts that in this new expanded role Gabriella will drive even more value for Fremantle and her teams.”

    Carriere added: “I am deeply grateful to Fremantle’s leadership team for their trust in me and for this incredible opportunity. I strongly believe in the growth potential of these areas and in the outstanding team currently driving this forward. I’m excited to collaborate with the Fremantle labels and the talented Fremantle teams to unlock many opportunities across our global footprint. I am proud of our achievements over the last three years and now I look forward to what we can accomplish together going forward.”

    Before Fremantle, Carriere made waves at Sky Italia, where she spearheaded landmark deals for Serie A and the UEFA Champions League, inked game-changing partnerships with Netflix and Disney, and helped launch Sky’s broadband business. Her career roots lie in the energy sector, with senior stints at EDF and Edison across Milan and Paris.

    Now with the full force of Fremantle’s revenue-generating verticals under her belt, Carriere looks set to play a starring role in the company’s next act.

  • Cake adds some icing with Anna Pokorska as sales manager

    Cake adds some icing with Anna Pokorska as sales manager

    MUMBAI: Cake, the London-based kids’ content powerhouse, has appointed Anna Pokorska as sales manager, handing her the reins to key territories across Europe and beyond. Pokorska will be baking up international sales across Italy, Benelux, Central and Eastern Europe, Greece, Turkey and Israel for Cake’s hit slate—including Angry Birds, Total Drama Island, Lucas the Spider, Talking Tom Heroes: Suddenly Super and Armorsaurs.

    Reporting to Cake managing director of distribution Dominic Gardiner, Pokorska joins with a deep track record in animation, kids’ content and feature film distribution. She’s worn several high-level hats—SVP of sales at GFM Animation, global distribution lead at Wizart Animation, regional boss at Interfilm for Warner Bros., and casting lead at HBO CIS. Lately, she’s been consulting for MK2 Films and producing both animated and documentary projects.

    “We’re excited to have Anna join the team at Cake . Her experience in animation and strong industry relationships make her a great fit as we continue to grow our global reach,” said Gardiner.

    Pokorska said, “I’m thrilled to be joining the company I’ve admired for as long as I can remember—a true pioneer in kids’ entertainment. It’s an honour to contribute to Cake’s continued growth and help its fantastic shows reach new audiences around the world.”

    As Cake dishes up hits to kids across continents, Pokorska’s appointment adds more firepower to its global growth recipe.

  • Banijay group maps blockbuster growth plan at capital markets day 2025

    Banijay group maps blockbuster growth plan at capital markets day 2025

    MUMBAI: Banijay group, the global powerhouse in entertainment, unveiled its ambitious growth roadmap at its capital markets day on 16 May 2025, pledging to supercharge its content empire and maintain its industry dominance. With a target of €7 billion in revenue and over €1.2 billion in adjusted EBITDA by 2028, the company laid out a strategy to stay on top in a fast-evolving entertainment landscape.

    Under the leadership of founder &  chairman Stéphane Courbit, Banijay committed to leveraging three powerful growth levers: accelerating organic growth, developing synergies across its diverse portfolio, and capitalising on industry consolidation.

    “Entertainment is the common DNA that connects all our activities. Our purpose remains the same: to produce and deliver emotional experiences at scale,” Courbit declared.

    Banijay group CEO François Riahi highlighted the company’s readiness to capture new growth avenues, driven by a clear strategic focus on digital platforms, premium content, sports, and immersive experiences. “We are raising our mid-term guidance, backed by a strong platform, iconic IP, and disciplined financial management,” he added.

    Banijay’s bold financial goals included:
    * Revenue of around €7 billion in 2028.
    * Adjusted EBITDA of over €1.2 billion in 2028.
    * Organic revenue growth of mid-to-high single digits for content production and low-to-mid teens for online sports betting and gaming.
    * Over 80 per cent adjusted free cash flow conversion.
    * A dividend payout of over 33 per cent of adjusted net income.
    * Target leverage of 2.0x in the medium term.

    The group also revealed plans to consolidate The Independents, increasing its stake from 14 per cent to 51 per cent in 2026. This move would add €1 billion in revenues by 2028 without impacting leverage, thanks to a primary equity raise of €300m to €400m.

    From blockbuster TV shows and digital content to live experiences and sports entertainment, Banijay’s ambitions are crystal clear – to remain the world’s go-to entertainment powerhouse.

  • Mumbai’s new reel estate: BMC to allow temporary film sets under DCPR 2034

    Mumbai’s new reel estate: BMC to allow temporary film sets under DCPR 2034

    Mumbai: In a cinematic twist, the Brihanmumbai Municipal Corp (BMC) has proposed a crucial amendment to its Development Control and Promotion Regulations (DCPR) 2034, officially permitting the construction of temporary sets for films, TV serials, and advertisements. The move aims to turn Mumbai’s open plots into a regulated playground for the entertainment industry, ensuring compliance while boosting civic revenue.

    The amendment, initiated under Section 37 (1) of the Maharashtra Regional Town Planning (MRTP) Act, 1966, will introduce a fresh category under regulation 57, allowing temporary studios with prior approval from the BMC. Citizens have a month to share their views with the BMC’s chief engineer (development plan) or the deputy director of town planning.

    BMC’s latest move comes just weeks after the city hosted the World Audio Visual and Entertainment Summit (Waves), positioning Mumbai as a media powerhouse. It also aligns with the state government’s plan to establish a massive creative economy hub in Malad.

    This decision traces back to a 2019 BMC circular that allowed temporary filming structures on open plots. But what started as a filmmaker’s delight turned into an environmental nightmare, with unauthorized setups mushrooming even in Coastal Regulation Zones (CRZ). A subsequent inquiry in 2022 saw the BMC demolish 11 illegal studios in Madh, Marve, and Erangal.

    The new amendment seeks to end this chaos by setting clear boundaries—temporary sets can now be constructed only with proper permissions, capped at six months at a time and a maximum of three years in total. “Permissions will also generate revenue for the BMC,” a civic official confirmed.

    The revised rules will also help the civic body track how many production houses are using the designated plots for shoots, ensuring accountability.

  • Something Special welcomes Jacob Han as head of productions, set to lead Unforgettable Duet series

    Something Special welcomes Jacob Han as head of productions, set to lead Unforgettable Duet series

    MUMBAI:  Something Special, the Seoul-based format powerhouse co-founded by Jin Woo Wang and InSoon Kim, has announced the appointment of Jacob (Jongbin) Han as its new head of productions. Han, a seasoned producer with a 12-year track record, is set to lead the full series production of Unforgettable Duet, a poignant and heartwarming show commissioned by MBN, with backing from the KOCCA Fund.

    Han, a former senior producer at MBC, brings a wealth of experience to Something Special, having been recognised as the Korean Producer Association’s best TV producer of the year in 2021. His career highlights include winning the best programme award from the Korea Communications Agency in 2020 for Mystery TV: Surprise and a best programme award at MBC in 2018. Before joining Something Special, Han led content operations at uhomes.com in the UK, overseeing social media content for five Asian markets.

    Unforgettable Duet is a deeply emotional unscripted series where dementia patients are reconnected with cherished memories through mementos and a powerful duet performance with a family member. The series, which was one of the highest-rated specials last year, returns this summer under Han’s direction.

    Hwang and Kim expressed their excitement, stating, “Something Special are pleased to celebrate our sixth year in business with Jacob Han as our new head of productions who will oversee several of our projects, starting with the wonderful Unforgettable Duet this summer. His vast international production experience, along with our recent investment will help propel Something Special to the next level.”

    Han echoed their sentiments, saying, “I am thrilled to join Jin, InSoon and the entire Something Special team as head of productions. Something Special has been a leader of Korean formats, breaking new ground by taking our formats onto the world stage. As my first project, I am honored to produce the full season of  Unforgettable Duet which was one of the highest rated specials last year.”