ITV

Category: Production House

  • DocuBay announces original documentary slate

    Mumbai: International documentary streaming service, DocuBay, from the house of IN10 Media Network, has launched its original slate with six intriguing topics and more in the pipeline.

    This exciting new addition to the platform’s content library is aimed at offering viewers a unique and immersive viewing experience along with exploring a wide range of topics and stories.

    On the development, IN10 Media Network managing director Aditya Pittie said, “DocuBay is one of the fastest growing assets from our portfolio, and we are glad to present our original documentaries that are a testament to DocuBay’s commitment to deliver compelling, thought-provoking content to our viewers globally.”

    Since its launch, the streaming platform has continuously expanded its global footprint with hand-picked documentaries. “Today, audiences have overwhelming content choices but are invariably seeking something new to expand their worldview. After gathering data and insights on how and what customers are watching, we are excited to create our originals which marks a significant milestone for us. The originals give us an excellent opportunity to showcase our brand disposition through creative expression and take the platform to the next level,” added DocuBay COO Girish Dwibhashyam.

    DocuBay’s originals will showcase intriguing and real stories covering diverse topics like Crime, Technology, Culture, Society, Relationships and more. The platform has already greenlit multiple projects with various production companies.

    Documentaries titled ‘Monogamy Disrupted’ and ‘Water Mafia’ produced by Vice Studios India will peek into the lives of those who identify as polyamorous and the sinister effects of water mafia across socio-economic classes, respectively

    ‘Bad Toys Inc.’ developed by G.O.A.T Studios showcases how sex toys are elevating the perception of pleasure across cities and towns in India while ‘B.P.O (Bogus Phone Operators)’, developed by Nirvaan Entertainment, brings forth the sensational events wherein organized gang of cons defrauded thousands of US citizens for millions of dollars, shocking the law and order authorities in India & the FBI.

    Another film ‘Plastic Fantastic’ finds out how plastic surgery has become a common phenomenon today and what the future holds for it.  ‘Destiny On Demand’ explores the popularity of astrology buoyed by the internet which is creating new business models.

    The platform, catering to the age group of 18 to 45, is pursuing different themes and topics for originals that will resonate with audiences globally.

    DocuBay’s original documentaries will be available on the streaming platform in 2023.

  • Planet Marathi, Endemol Shine India to make a biopic on athlete Lalita Babar

    Planet Marathi, Endemol Shine India to make a biopic on athlete Lalita Babar

    Mumbai: Entertainment content format and production company Endemol Shine India and a Marathi industry’s production house Planet Marathi have joined hands for a regional production. The film will be a sports biopic based on the life of Indian long-distance runner Lalita Babar. The film is scheduled to release on 26 January 2024.

    Bollywood and Marathi cinema actress, Amruta Khanvilkar, has been roped in to play the titular role of the film. Hailing from a small village in Satara, Lalita Babar competes in the 3,000 meters steeplechase and is the current Indian national record holder and the reigning Asian Champion.

    Endemol Shine India will step into the regional cinema space for the first time with this film. On the other hand, Planet Marathi, a name behind spectacular Marathi productions, will produce its first ever biopic. Raising standards and putting the spotlight on Marathi cinema, Planet Marathi has given gems like the magnum opus Chandramukhi, the national award-winning Goshta Eka Paithanichi and Pondicherry’ to name a few. With qualities like Endemol’s pan-India scale combined with Planet Marathi’s regional expertise, the collaboration of both entities adds an extra special touch to the production.

    National award winner, Planet Marathi producer & founder Akshay Bardapurkar said, “We are committed to the idea of telling disruptive stories that propel our industry to create a league of its own. The journey of Lalita Babar, which started from Satara, is a proud and epic moment for our Marathi community. It is important to note that though the story has a regional core, it has pan-India and global resonance. We are happy to give the project the scale it deserves in collaboration with Endemol Shine India, who share our sentiments for the film.”

    “We at Endemol Shine India are working aggressively to diversify our portfolio in the scripted space. We are moving towards creating a strong foothold with regional content and this Marathi film reinforces our commitment to deliver world class content. It is a compelling story of a contemporary sportsperson, a subject which can inspire more women in sports. Planet Marathi’s track record of portraying regional stories distinctively has been impeccable which makes them great partners in this journey we have embarked on,” said Endemol Shine India COO Gaurav Gokhale.

    The film is produced by Akshay Vilas Bardapurkar, Rishi Negi, Gaurav Gokhale, and Ronita Mitra.

  • Colors brings a new fiction show ‘Agnisakshi… Ek Samjhauta’

    Colors brings a new fiction show ‘Agnisakshi… Ek Samjhauta’

    Mumbai: Colors has come up with new fiction drama Agnisakshi… Ek Samjhauta follows the lives of a couple whose marriage is approaching its end.

    It follows Jeevika (Shivika Pathak), whose dream of starting a new life with her husband Satvik (Aashay Mishra) is shattered on the first night of their marriage.

    The show, produced by Pichchar Studio, premieres on 23 January and will air every Monday through Friday at 9 pm. on Colors.

     Viacom18 Hindi Mass Entertainment chief content officer Manisha Sharma said, “We, at Colors, are driven by the endeavour to create and present content that is diverse and engaging. With Agnisakshi… Ek Samjhauta, we hope to underline how the traditions related to matrimony are embedded in our cultural fabric. This unique tale begins with a divorce rather than love. It will be interesting to watch the journey of characters as they traverse through the grey areas of marriage. We are happy to collaborate with Pichchar Studio for this show and we hope that this complex, yet interesting journey of Jeevika and Satvik will touch a chord with the audience.”

    Agnisakshi… Ek Samjhauta is a story that follows the lives of Jeevika Rane and Satvik Bhosle, two polar opposite people who are brought together by fate and coaxed into a matrimonial union by their families. Unlike Jeevika, Satvik is opposed to the marriage, and in an unexpected turn of events, he hands over the divorce papers to his spouse on the first night of their marriage. Jeevika is a daydreamer who longs for a fairy-tale love story and the opportunity to start a family with the person she adores. Satvik, on the other hand, has given up on the idea of love and happiness, and his only ambition in life is to fulfil his father’s wishes.

    Producer Srividya Raj said, “We usually see marriages that start with love but Agnisakshi… Ek Samjhauta is a unique love story which starts with divorce. We are excited about collaborating with Colors for a story that explores the nuances of marriage and familial relations. What sets the show apart is the unpredictable turn of events that unfold after the marriage and divorce.”

    Talking about his character Aashay Mishra said, “Satvik’s character is an extremely intriguing one as there are several shades to it. Our show Agnisakshi is all about a marital bond between Satvik and Jeevika and how their relationship blossoms over a period balancing the unevenness between them is something worth watching for our audience. I am delighted to join the Colors family and I hope the viewers will support us in this brand-new journey.”

    Talking about her debut Shivika Pathak said, “I am extremely grateful to mark my debut with Colors and bag such a dynamic role in Agnisakshi. My character Jeevika is a very simple family-oriented girl, full of life who believes in the institution of marriage and desires to have a happy one. The show trails a unique love story of Satvik and Jeevika which begins after a life-altering decision of divorce. I hope the audiences connect and become a part of this splendid journey and shower their love always.”

     

  • Deconstruct partners with Supari Studios for a brand film

    Deconstruct partners with Supari Studios for a brand film

    Mumbai: Supari Studios has collaborated with science-based skincare brand Deconstruct on their latest brand film.

    With the Deconstruct film, Supari has skillfully brought attention to the brand as well as its mission of ‘Information over impulse’ in skincare regimens.

    Deconstruct wanted to break through the clutter and address the deeply ingrained impulse-buying habit in consumers. With this in mind, Supari Studios created a film that identifies with Deconstruct’s 18–25 year old, primarily female audiences, and highlights the unsolicited advice that they may encounter on a regular basis.

    The campaign’s protagonist represents anyone who has been confused and overwhelmed by the amount of information and misinformation they must wade through in order to find a skin care product that works for them.

    Speaking on the campaign, Supari Studios creative lead Sakshi Bhasin said, “Working on the campaign with Deconstruct, we knew we had the unmissable chance to do something different and clutter-breaking. Leaning into the brand’s philosophy around skincare, we decided to bring in an aspect of humour, and talk about the unsolicited advice and ever-changing trends that surround this industry. With the kind of experience our Director, Devika Chaturvedi, brought to the table, we were able to add that exaggeration to the situations in the film and marry a skincare product with a humorous concept, a combination rarely seen in this space. As someone who has worked on a myriad of campaigns with beauty and skincare brands, this was the perfect opportunity to do something fresh and experimental”

    “Since our childhood, we have been provided with unsolicited advice from multiple sources, especially when it comes to skincare,” Malini Adapureddy added, “but in the new age of knowledge economy, consumers are changing and seeking their own information.” Deconstruct aids them in this journey by providing well-researched and simple information on the website, our product labels, and our social media channels and helps them decide what is best. We want them to purchase on the basis of logic and science rather than trying to entice them with vague beauty results. Supari Studios helped us put this concept out in a succinct and relatable manner by using daily instances that most of us must have gone through at least once in life. They pulled the entire project into execution in a crunched timeline, and we are very happy to see our vision come to life beautifully in the video.”

  • Dandelooo grabs worldwide distribution rights for ‘Our Piggy’

    Dandelooo grabs worldwide distribution rights for ‘Our Piggy’

    Mumbai: Emmy Award-winning French animation production and distribution company Dandelooo has struck a deal with the Emmy Award-winning Czech film and television production company Bionaut for the new adorable comedy series Our Piggy.

    The deal gives Dandelooo exclusive worldwide distribution rights to the 2D animated series targeted at 2–4-year-olds produced by Bionaut, the producers of the highly successful Hungry Bear Tales series.

    Created and based on the book by Jaromir Plachy, nominated for the Golden Pinwheel, Young Illustrators Competition Award 2021, Our Piggy discovers the magic of ordinary objects and invites children into his extraordinary world through inquisitiveness and play.

    Commenting on the deal, Dandelooo co-founder Emmanuèle Pétry Sirvin said, “This new series is based on the director’s observation of his own child, which explains the charm of this delightful character. I fell in love immediately with this series, which illustrates the well-known quote ‘keep it simple.’ Bionaut is one of the most talented studios in Central Europe and we are proud to distribute their programmes internationally.”

    Dandelooo is a French award-winning creative company based in Paris dedicated to the development, production, and distribution of original and ambitious animated programs. It runs its own studio, Ooolala, in la Cartoucherie (Valence, France) and has a sales office in Barcelona, Spain, and Milan, Italy.

  • Mumbai Film City hikes rental rates, IFTPC to approach Maha govt

    Mumbai Film City hikes rental rates, IFTPC to approach Maha govt

    Mumbai: Producers of films and TV shows in Mumbai’s Film City received a jolt earlier this month. The Maharashtra Film Stage and Cultural Development Corp (MFSCDC) – which is in charge of the Goregaon-based facility – issued a circular stating that it had revised rentals of studios and outdoor locations on its premises from 1 July.

    Some of the large indoor stages including Studio 16 (14,060 sq ft), Studio 7 (10,400 sq ft), Studio 5 (8455 sq ft) and Studio 11 have been seen rate hikes of a massive 53 per cent, 38 per cent, 26 per cent and 29 per cent. Ditto with outdoor locations such as Vishnu Maidan 1 (83,250 sq ft: 87 per cent jump), Josh Maidan 1-2 (1,40,000 sq ft: 57 per cent), Gate No. 1 to Adlab Road/Bus Stop (90,000 sq ft: 102 per cent ), Link Road – 1 (77 per cent) and Link Road – 2 (89 per cent).

    This has got the production community’s goose. The Indian Film & Television Producers Council  (IFTPC ) – the producers association which has been at the forefront of workers and government negotiations – is currently gathering data from its producer members to present to the Maharashtra  deputy chief minister or chief minister on  how the hike is going to impact production of TV series in Hindi, Marathi and other languages.

    Says IFTPC CEO Suresh Amin: “TV producers are really worried. This kind of rate hike has not happened in the last seven to eight years. TV producers have been faced with reduced or stagnant production budgets over the past two or three years even as they had to invest more to put in place increased Covid protection measures which were quite expensive. The current rate hike will only lead to making producing at Film City unviable as we are unsure whether broadcasters will be supportive and absorb the increased costs.”

    “Most TV productions happen in Film City, Goregaon and TV serials shooting takes place  365 days a year,” he adds. “Meanwhile, a film shoot will happen for a maximum of 100 days using different outdoor locations that are largely unaffected by the rate change.”

    Some of the  popular TV shows currently being filmed at FilmCity include Taarak Mehta Ka Ooltah Chashmah, Yeh Rishta Kya Kehlata Hai and India’s Laughter Champion.

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  • Locomotive Global Media on boards Anup Thanvi and Pearl Gill

    Locomotive Global Media on boards Anup Thanvi and Pearl Gill

    Mumbai: Locomotive Global Media LLP on Thursday announced the appointment of Anup Thanvi as coordinating producer and Pearl Gill as head of production. The announcement comes at a time when the company is gearing up for the next level of growth and aims to become a blue-chip content producer in India. Their appointments are with immediate effect.

    In his new role, Anup Thanvi will be responsible for developing a strong creative vision for the company’s upcoming projects. As coordinating producer, Thanvi will contribute to LGM’s overall growth by scouting for new ideas and creative talent, analysing and developing scripts into successful series and films, creating pitch material for projects, and cultivating creative relationships within the media and entertainment industry.

    Thanvi brings to LGM 8 years of industry experience, with an expertise in fiction and non-fiction content production. Prior to joining LGM, he worked as a creative producer at The Story Ink. In his previous roles, Thanvi also worked as a producer for leading media channels and streaming platforms including Channel V, Disney+Hotstar, and AltBalaji.

    As LGM’s Head of Production, Gill will be responsible for building out the company’s production expertise, culminating in launching LGM’s line production services offerings for outside producers. She will be leading and managing all aspects of production for LGM projects, beginning with development and carrying all the way through to project delivery. With an aim to build LGM into a leading production partner in the industry, she will be tasked with setting benchmarks for the company in terms of production the achievement of which will take LGM to the next level of corporate growth.

    Gill brings with her 10 years of industry experience. She has worked as an executive producer, line producer, and production executive for films and series including “Shakuntala Devi”, “Kaun Banegi Shekharwati”, and “Bajrangi Bhaijaan”.

    Speaking on the new appointments, Locomotive Global co-founder and principal Sunder Aaron said, “The announcement is a strategic step towards preparing LGM for its next phase of growth. We are delighted to welcome Anup and Pearl to our leadership team. I expect them both to play key roles in the company’s future as we continue to build scale and quality.”

  • Trailer Park Group names Tamagna Ghosh as managing director APAC

    Trailer Park Group names Tamagna Ghosh as managing director APAC

    Mumbai: Entertainment marketing and content production company Trailer Park Group has announced the appointment of Tamagna Ghosh as managing director for Asia Pacific and China (APAC) on Wednesday.

    It has rolled out the next stage in its APAC expansion strategy. It has also appointed Gina Grosso as SVP of global production as well as made a significant investment in state-of-the-art technology.

    In his new role, Ghosh is charged with driving the firm’s bold expansion strategy across the APAC entertainment and the gaming market landscape, including organic growth as well as M&A activities to scale Trailer Park Group’s on-the-ground presence and offering in the region.

    Ghosh joins Trailer Park Group from Amazon in Mumbai, India, where he spent six years as head of creative marketing for Prime Video, leading marketing and original music creation efforts for the most popular IN Original titles including The Family Man, Mirzapur, Paatal Lok, and Made in Heaven. A veteran in the media and entertainment sector, Ghosh has held previous creative leadership positions in Walt Disney Studios, where he introduced India localized theatrical marketing strategies for iconic franchises like such as Avengers and Star Wars, Jungle book.

    “We could not be more excited to announce this next phase in our growth plan for the APAC region, and to welcome Tamagna and Gina to the Trailer Park Group leadership team,” said Trailer Park Group CEO Rick Eiserman.

    He added, “APAC is one of the world’s largest growth markets and our investments in this region are crucial to meet our clients’ global demands. Both Tamagna and Gina’s impressive backgrounds and deep industry experience make them exceptionally well-qualified to help us grow our business throughout the region.”

    “I’m honored and energized to partner with Trailer Park Group during this exciting time of growth and innovation in APAC and lead the charge for its next level of growth in this region,” said Tamagna Ghosh on his appointment.

    “I have watched the creative economy boom in India and APAC for more than a decade, and yet its full potential is still untapped. I am excited to join forces with White Turtle Studios, bring in industry leading partners like Art Machine and Trailer Park, and can’t wait to build a world-class creative powerhouse to nurture and amplify the region’s creative talent and open up opportunities to be a part of the global creative workforce,” he added.

    In addition to Ghosh, Trailer Park Group has appointed Gina Grosso as SVP of Global Production, a newly created role that will see Grosso streamlining the production integration and workflow between all of Trailer Park Group’s global operations and connecting its network of studios globally for clients. Prior to this, she was with Publicis Groupe where she held the role of Head of Production and Operations for North America, Grosso is an experienced production and operations lead with a demonstrated history of leading five production studios simultaneously across North America, while connecting and aligning multiple studios across Latin America, and Europe.

    On her new role, Gina Grosso commented, “My goal in this role is ambitious, yet simple: create seamless and scalable workflows across offices and territories so our teams around the world can create, with flawless execution, more of the exceptional, award-winning content our clients expect. I look forward to partnering with Rick, Tamagna, and the rest of the Trailer Park Group leadership team as we transform the company into a 24/7 content, creative, and production network, and tap into the best talent globally.”

    Trailer Park Group, which works with many of the world’s largest media and technology companies, networks, studios, and streaming platforms such as Amazon, Disney, HBO, Netflix, and Xbox, has long been committed to providing an industry-leading security and technology infrastructure. As the company broadens its reach in locations around the globe, it has invested significantly in high-speed, global asset management technology and point-to-point workflow options—for even the most secure projects.

  • Rishi Negi to take over as CEO of Endemol Shine India

    Rishi Negi to take over as CEO of Endemol Shine India

    Mumbai: Banijay Asia chief operating officer Rishi Negi will take over as CEO of Endemol Shine India, highly placed sources have confirmed to Indiantelevision.com.

    Negi takes over from Abhishek Rege whose departure from the production house was announced on Tuesday. His appointment is expected to be announced on Wednesday at noon.  

    Negi took over the role of COO of Banijay Asia in 2018 and reported to Banijay Asia founder and CEO Deepak Dhar.

    He has over 24 years of experience, across entertainment, hospitality and retail sectors. His repertoire of work includes key positions to drive growth strategies across corporate giants like Emerald Asia Media, Fame India Limited, Pizzeria Restaurants and Taj Group of Hotels amongst others.

    Endemol Shine India is the production house behind some of the biggest unscripted reality shows like Bigg Boss, Fear Factor: Khatron Ke Khiladi, India’s Next Superstars among others.

  • Mipcom Cannes 2022 launches new co-production market alongside exhibition

    Mipcom Cannes 2022 launches new co-production market alongside exhibition

    Mumbai: RX France, formerly Reed Midem, on Tuesday confirmed a robust first raft of stand bookings for Mipcom Cannes 2022, whilst announcing plans to launch a new international c0-production market alongside the exhibition in the Palais des Festivals dedicated to accelerating international co-production and development business in Cannes.

    Billed as ‘the mother of all entertainment content markets’, the 38th Mipcom Cannes takes place 17-20 October in the Palais des Festivals. Mipjunior returns to its pre-market weekend schedule 15-16 October at the JW Marriott Cannes.

    To date, more than 200+ exhibitors from 30 countries have already booked stand space for the October entertainment content market, with the majority of returning exhibitors back to their pre-pandemic booth sizes or larger, bolstered by the re-opening of major outdoor stands on the Croisette beach and surrounding the Palais des Festivals. The robust demand for exhibit space affirms a strong content sales and acquisitions climate supported by an overwhelming sentiment by buyers and sellers to return to in-person international business meetings.

    Also new for 2022 is ‘The Seaview Producers Hub’, an inaugural 1000 SQM (10,673 sq. ft.) networking lounge and event space, set against the backdrop of Cannes’ iconic sea view and introduced to reflect the increased focus at the market for exploring early-stage development and co-production partnerships.

    RX France Entertainment division director Lucy Smith said, “2022 is undoubtedly the comeback year for Mipcom Cannes. A healthy set of confirmations four months out from the market, with more being added daily, demonstrates the huge appetite for the return of a full strength Mipcom. And, unhampered by last year’s travel restrictions, to meet increased demand we have a supersized edition planned for this October in Cannes. More to come over the coming months.”