Category: Production House

  • Swastik Productions unveils music video on Hanuman Garhi Temple Wall in Ayodhya

    Swastik Productions unveils music video on Hanuman Garhi Temple Wall in Ayodhya

    Mumbai- Swastik Productions, known for its mythological and spiritual television productions has announced a remarkable celebration of Lord Hanuman’s legendary tales in a grand style by organizing an extraordinary event at the sacred Hanuman Garhi temple in Ayodhya. The event, titled Veer Hanuman, will take place on 30 October 2024 and will launch a music video sung by the acclaimed singer Harshit Saxena.

    The evening’s highlight will be the launch of a new music video dedicated to Lord Hanuman, showcasing his life and heroic journey as Baal Hanuman, his divine meeting with Lord Ram, the legendary journey to Lanka, and his establishment as the Kotwal of Ayodhya by Shree Ram, serving as a powerful tribute to his courage and devotion. Swastik Productions is known for blending tradition with innovative art forms and is the first and only production house to launch a new song on such a grand scale at Hanuman Garhi. This special event, coinciding with Hanuman Jayanti on Choti Diwali, beautifully merges tradition with modern storytelling. In the devotional entertainment space, such a spectacle has never been attempted before, setting a pioneering standard for the genre.

    The temple’s majestic walls which will serve as a canvas to showcase the life of Hanuman ji is a moment that will be etched in history. Enhanced by 4K projectors and high-quality surround sound, the event will also feature choreographed performances by dancers and artists, along with the cast of their renowned show ‘Shrimad Ramayan’. Thus, creating a vibrant atmosphere as they portray key moments from Lord Hanuman’s life. This event embodies themes of devotion, strength, and humility, aiming to inspire and resonate with audiences. Through this innovative storytelling approach, Swastik Productions bridges spirituality and modern entertainment, thus making it an unforgettable experience.

    “At Swastik Productions, we believe in pushing the boundaries of storytelling through new and innovative mediums. The Veer Hanuman event is our way of honouring the timeless tale of Lord Hanuman, but in a way never seen before. By presenting a music video on the historic temple’s walls, we are merging the spiritual with the contemporary, and we hope to create an emotional and visually stunning experience for everyone present. This event celebrates faith, devotion, and the power of technology to tell ancient stories in a fresh and engaging way. We are excited to create a memorable experience that uplifts spirits and ignites devotion in the hearts of everyone who joins us,” said Swastik Productions founder & chief creative, Siddharth Kumar.

  • Sarvesh Shashi launches ABC Studios

    Sarvesh Shashi launches ABC Studios

    Mumbai: Sarvesh Shashi introduced ABC Studios, a venture set to bridge the gap between the entertainment industries of the North and South. ABC Studios is redefining how artist management, brand partnerships, and content creation come together, creating a seamless platform that integrates all three.

    Shashi shared, “I’m thrilled to introduce ABC Studios, a culmination of my team’s dedication and vision. Our name represents the harmony of Artist, Brand, and Content. We’re working towards being a one-stop entertainment solution especially for the south of India, fostering mutually beneficial partnerships between exceptional talent and esteemed brands & production houses.” He further added, “ABC Studios is committed to unlocking the full potential of talent and stories, managing artists across entertainment, music, and sports, and producing exceptional content,”. 

  • “Mirzapur: The Film” to hit theatres in 2026

    “Mirzapur: The Film” to hit theatres in 2026

    Mumbai: Amazon MGM Studios and Excel Entertainment have announced a monumental leap for one of India’s most popular streaming series, as “Mirzapur: The Film” is set to debut in theatres in 2026. Building on the massive success of Mirzapur Season 3, the upcoming movie will expand the celebrated crime thriller universe and bring its iconic characters to the big screen for the first time. Created by Puneet Krishna and directed by Gurmmeet Singh, the film will showcase fan-favourite roles, including Kaleen Bhaiya (Pankaj Tripathi), Guddu Pandit (Ali Fazal), and Munna Tripathi (Divyenndu), along with Abhishek Banerjee reprising his role as the Compounder.  

    The highly-anticipated film will be released nationwide in theatres, with a global streaming debut on Prime Video in over 240 countries and territories eight weeks after its theatrical release. This expansion from the award-winning OTT franchise to a theatrical film marks a first-of-its-kind venture for the Mirzapur universe, promising an immersive cinematic experience for its loyal fanbase.  

    Talking about the franchise’s evolution, Prime Video India, director of content licensing, Manish Menghani expressed his excitement: “With its nuanced characters, unforgettable dialogues, and riveting storyline, Mirzapur has established itself as one of the most-loved franchises among audiences of today’s era. We take pride in crafting tailored content that reflects the diverse tastes of our viewers and are committed to backing local stories that resonate deeply and engage on a personal level, allowing them to connect with narratives that are both authentic and immersive. As Mirzapur continues to garner widespread acclaim, we are ecstatic to expand this franchise into theatres, offering fans a thrilling cinematic experience. In collaboration with our long-standing partner that shares our creative vision, Excel Entertainment, this ambitious announcement marks a new exciting chapter in the world of Mirzapur as we embark on this new journey.”

    Excel Entertainment, producers Ritesh Sidhwani and Farhan Akhtar shared, “It is a landmark milestone for us to bring the quintessential Mirzapur experience to our audiences, yet again, but this time on the big screen. Over the course of three successful seasons, this acclaimed franchise has struck all the right chords with fans through its powerful storytelling and memorable characters – from the likes of Kaleen Bhaiya, Guddu Bhaiya, and Munna Bhaiya, to name a few. We believe that adapting such a treasured series into a film will undoubtedly make for an even more engrossing watch, allowing audiences to immerse themselves in the world of Mirzapur like never before. We are stoked to collaborate with Prime Video, once again, and look forward to delivering a grand cinematic experience, which will truly live up to the expectations of our dedicated fanbase.”

    The theatrical adaptation aims to provide a larger-than-life experience that goes beyond the small screen, allowing viewers to delve deeper into the crime thriller universe that has captivated millions. With its intense narrative and gripping performances, “Mirzapur: The Film” is set to elevate the cinematic journey, catering to both long-time fans and new audiences alike.  

  • Banijay Asia brings NBCUniversal’s ‘Monk’ to India on Disney+ Hotstar

    Banijay Asia brings NBCUniversal’s ‘Monk’ to India on Disney+ Hotstar

    Mumbai : Banijay Asia announced the Indian adaptation of NBCUniversal’s iconic detective series Monk.

    The adaptation will revolve around Adrian Monk, a detective with obsessive-compulsive disorder and his assistants Sharona Fleming and Natalie Teeger. Monk works with the San Francisco Police Department in solving unconventional cases while investigating his wife’s unsolved murder. The plot also explores the main characters’ personal lives and struggles.

    The Indian adaptation of the series is already in production and will stream exclusively on Disney+ Hotstar and Hulu. This marks the first Asian adaptation of the format and the second worldwide, following the Turkish version. Monk originally aired on USA Network in the United States and is licensed globally by NBCUniversal Formats, which is part of Universal International Studios, a division of Universal Studio Group.

    Banijay Asia & Endemol Shine India founder & group CEO Deepak Dhar said “We are incredibly excited to partner with NBCUniversal Formats to adapt Monk for the Indian audiences. The original series has set a new benchmark for character-driven mysteries, and we believe our adaptation will resonate similarly. With a stellar cast in place, we are confident about doing justice to the iconic characters. The production has been progressing seamlessly, and we look forward to showcasing this exciting project on Disney+ Hotstar, thus taking our long and fruitful association one step ahead, as we continue to bring high-quality and engaging content to Indian audiences together.”

    Disney+ Hotstar (Hindi) business head HSM and content head, Sumanta Bose shared his excitement about the collaboration, stating, “We are thrilled to partner with Banijay Asia and NBCUniversal Formats to bring this award-winning series to the Indian audience. Monk is an exciting fit for our platform, with its captivating mix of humor, mystery, and emotional depth. We have attempted to make this adaptation feel rooted and Indian, and thus uniquely fresh for our audiences including those who may have seen the original.”

    NBCUniversal Formats SVP, Format sales & production, Ana Langenberg added, “It’s wonderful to see Monk finding a home with Indian audiences. The show’s charm has connected with viewers around the world, and with trusted partners like Banijay Asia & Disney+ Hotstar, we know this adaptation will capture the heart of the original while embracing a new cultural backdrop. We’re eager to see this beloved series brought to life in India.

  • Adar Poonawalla acquires 50 per cent stake in Dharma Productions for Rs 1000 Cr

    Adar Poonawalla acquires 50 per cent stake in Dharma Productions for Rs 1000 Cr

    Mumbai: In a blockbuster deal that blends Bollywood glamour with business acumen, Serum Institute of India, CEO, Adar Poonawalla has acquired a 50 per cent stake in Karan Johar’s Dharma Productions for Rs 1000 crore. This partnership not only infuses the storied film production house with fresh capital but also marks Poonawalla’s strategic entry into the entertainment sector, broadening his portfolio beyond healthcare.

    Dharma Productions, known for producing some of Bollywood’s biggest hits, will now benefit from Poonawalla’s business expertise and resources. The deal is set to drive the company’s expansion into new content forms and strengthen its position in the evolving Indian film industry. The acquisition also brings an added layer of financial strength and strategic backing that is expected to propel Dharma into new ventures.

    Johar, expressing his optimism about the partnership, stated, “I am thrilled to welcome Adar Poonawalla to the Dharma family. His vision aligns with ours, and this investment will open up new avenues for us to create engaging and meaningful content.”

    This agreement symbolises a fresh chapter for Dharma Productions, which has been a cornerstone of Bollywood for decades. With Poonawalla on board, the company aims to accelerate its growth plans, expand its reach across platforms, and capitalise on emerging digital opportunities. The funds are likely to be used for producing high-budget films, expanding the company’s digital content division, and exploring international collaborations.

    Poonawalla commented on his latest investment, saying, “Bollywood has always fascinated me, and this partnership is a step towards not only investing in a successful business but also in the future of Indian cinema. I look forward to working closely with Karan Johar and the team at Dharma to achieve great things.”

    The deal puts Dharma Productions in a stronger position to compete with other major players in India’s entertainment industry. Prior to Poonawalla’s entry, the stake was hotly contested, with Reliance and Saregama among the potential buyers. However, Poonawalla’s winning bid underscored his serious intent to diversify his investments beyond the pharmaceutical industry.

    Industry insiders believe this move will encourage more industrialists to look at the entertainment sector as a viable investment avenue. With content consumption surging across digital platforms, Poonawalla’s financial backing could help Dharma Productions expand its footprint in streaming and international markets.

  • Warner Bros Discovery to launch Max in seven new markets

    Warner Bros Discovery to launch Max in seven new markets

    Singapore – Warner Bros. Discovery (Nasdaq: WBD) announced that its streaming service Max will launch on 19 November in Indonesia, Malaysia, Philippines, Singapore and Thailand, as well as Taiwan and Hong Kong. Max will be a brand new streaming experience in the region bringing fans blockbuster movies, series, iconic hits, engaging real-life content and family favorites through a strong product experience.

    Max brings together the highest quality entertainment from beloved brands like HBO, Harry Potter, the DC Universe, Cartoon Network, Max Originals, and the best of Hollywood movies, as well as can’t-miss programming from Discovery, TLC, AFN, Food Network, ID* and HGTV all in one place.

    From 19 November, subscribers can enjoy an elevated streaming experience on multiple devices with an easy to navigate interface including personalised recommendations, seamless search, genre rails and brand hubs. Providing a more intuitive way of exploring Max, subscribers can create up to five unique profiles, each customisable with favorite characters as avatars, receive content picks based on viewing habits and customise profiles for kids, curated with age-appropriate content and parental controls.

    Warner Bros. Discovery CEO and president of global streaming & games, JB Perrette said: “We are thrilled to bring Max to more consumers in Asia. Max brings together unparalleled quality content from iconic brands like HBO, Discovery, the DC Universe, Harry Potter, AFN, and Cartoon Network, as well as Hollywood blockbusters all in one place. Building on successful launches in the U.S., Latin America and Europe, Asia Pacific represents the next phase of Max’s globalization, making Max available now in over 72 markets with more to come in 2025.”

    Warner Bros. Discovery, APAC, president, James Gibbons said: “Warner Bros. Discovery has long entertained fans across Asia Pacific with culture-defining content from powerhouse brands. For the first time, this programming will be available in a brand new streaming app for regional audiences, with Max combining incredible breadth and depth and a best in class viewing experience.”

    Content offering

    Max will offer a collection of fan favorite content from theatrical hits, culture-defining shows, best in class real-life stories across food, home, lifestyle and documentaries, as well as family favorites.

    . As the exclusive streaming home for HBO Originals, Max will feature a slate of exclusive stories including new series Dune: Prophecy, the Game of Thrones prequel, A Knight of the Seven Kingdoms, IT: Welcome to Derry, the upcoming Harry Potter series, and new seasons of House of the Dragon, The White Lotus and The Last of Us. Subscribers will also have access to award-winning series, True Detective, Game of Thrones and Succession, as well as Max Original adult animation Creature Commandos, the first series out of the new DC Universe under James Gunn and Peter Safran.

    . Max will feature the best of Hollywood movies, including the full Harry Potter movie collection, Dune: Part Two, Barbie, Aquaman and The Lost Kingdom, Wonka, Mission Impossible: Dead Reckoning, Godzilla x Kong: The New Empire and the upcoming premiere of Beetlejuice Beetlejuice.  

    . Fans of Warner Bros. Discovery’s beloved collections will be entertained by Friends, the DC Universe, The Conjuring Universe, The Matrix and Sex and the City.

    . For the first time, real-life stories from Warner Bros. Discovery’s renowned unscripted programming from Discovery, TLC, AFN, Food Network, ID* and HGTV will be available in one streaming destination. Individual brand hubs on Max will feature worldwide hits including Deadliest Catch, Ghost Adventures, Property Brothers, Gold Rush, Dr. Pimple Popper and Selena + Restaurant.

    . Max will be home to kids’ brands Cartoon Network and CARTOONITO offering a wide selection of content for kids and families from Adventure Time, We Bare Bears and Tom and Jerry, to Looney Tunes and Teen Titans Go!.

    Plans

    Max will offer a choice of different plans. Full details about pricing will be announced in the coming weeks and will vary by country and provider.

    Mobile

    . Watch only on mobile phone and tablet

    . 15 downloads to watch on the go

    . Stream on one mobile device at one

    . Standard HD video resolution

    The Mobile plan is available in Indonesia, Philippines, and via select providers in Indonesia, Malaysia, Philippines and Thailand.**

    Standard

    Stream on two devices at once

    Full HD video resolution

    Watch on more devices, including TVs

    30 downloads to watch on the go

    Ultimate

    . Stream on four devices at once

    . 4K UHD and Dolby Atmos as available

    . Watch on more devices, including TVs

    . 100 downloads to watch on the go (limits apply)

    Max will launch in Indonesia, Malaysia, Philippines, Singapore, Thailand, Taiwan and Hong Kong on 19 November. The Max app will be available for subscription through Max.com, and through select partners – additional details will be announced in the coming weeks.

  • Something Special licenses Battle in the Box’s US rights to UK’s Interstellar

    Something Special licenses Battle in the Box’s US rights to UK’s Interstellar

    Mumbai: Seoul-based international format agency Something Special’s president Jin Woo Hwang announced that they licensed the US rights for ‘Battle in the Box’ to UK production company, Interstellar. Interstellar produced the UK version which aired this past summer with host-comedian Jimmy Carr on U&Dave TV (owned by UKTV, a subsidiary of BBC). The show was created by Nmedia and is globally represented by Something Special. It originally aired in South Korea on MBN with top ratings.

    The program is about two celebrity teams who enter an empty box divided by a movable wall armed only with a toothbrush to live with for 24 hours. Teams earn space and luxuries by conquering physical and mental challenges. Victory expands their living area, but more room for one team means less for the other. With challenges occurring around the clock, the celebrities must be strategic to secure their space.

    Hwang stated: “Something Special is thrilled how Battle in the Box was received in the U.K. and now has an opportunity to go to the U.S. This unique game show format, created by their partner Nmedia, launched in S. Korea on MBN and was a major hit. Take two pairs of celebrities and put them in an expandable box for 24 hours, what could go wrong? We love working with Interstellar and look forward to even more versions of Battle in the Box.”

    Interstellar MD David Williams stated: “Bringing the brilliant Battle in the Box to U&Dave in the UK has been an absolute joy. We cannot wait to take everything we’ve learned about this groundbreaking reality and gameshow format and apply it to a host of new famous faces in the US. American celebrities beware, the Box is coming for you!”

  • TVH has always been a reflection of my passion and dedication: Deepmala

    TVH has always been a reflection of my passion and dedication: Deepmala

    Mumbai: Amidst the complexities of today’s communication landscape, the ability to weave impactful narratives is crucial for organizations aiming to resonate with their audiences. Innovative agencies are stepping up to the challenge, crafting messages that not only inform but also inspire action on pressing social issues.

    TVH – The Visual House, founded by Deepmala in 2010, exemplifies this commitment to meaningful storytelling. Initially launched as a film production house, it has evolved into a comprehensive integrated communication agency. With a dynamic team of over 50 professionals, TVH specializes in diverse services ranging from brand strategies and digital marketing to audio-visual production. The agency has garnered recognition for its quality work, including collaborations with notable clients like the United Nations, Tata Sky, and the Ministry of External Affairs. By focusing on social issues such as women’s empowerment and public health, TVH not only creates captivating content but also drives real change in communities.

    Indiantelevision.com’s Arth Chakraborty caught up with The Visual House founder and CEO Deepmala to discuss the agency’s evolution, the role of storytelling in social impact campaigns, and more…

    Edited Excerpts:

    On the inspiration behind starting The Visual House and its stand-out aspect

    I started The Visual House in 2010 out of my passion for filmmaking & storytelling with a desire to create impactful, purpose-driven content. I had the chance to join a media house but I decided to take the entrepreneurial route instead and start my own journey.

    From the very beginning, we have focused on addressing social issues, championing causes like women empowerment and public health, and working with development, government organizations and the corporate sector. Our approach has always been to connect deeply with our audience, ensuring that every project resonates on an emotional level. It’s this combination of heart, dedication, and a collective team effort that sets us apart from other production houses. Today, TVH is not just a production house, it is a full-fledged communications and creative agency dedicated to making a real impact through engaging and creative content.

    On overcoming the initial challenges of launching and scaling TVH

    TVH has always been a reflection of my passion and dedication. The journey to scale up wasn’t something that happened overnight, it took years of consistency, hard work, and commitment. Also, I would say, it has never been a solo mission. I firmly believe that success comes from collective effort, and I’m incredibly proud of the team that has stood by me, working together to achieve new heights.

    We started with a humble beginning, collaborating with development organizations, tackling social issues, creating impactful health campaigns, championing women empowerment, and taking on numerous CSR projects. These initiatives not only shaped the foundation of TVH but also strengthened our purpose and vision. Each step, each project, brought us closer to where we are today—growing, evolving, and making a difference.

    On your approach to creating content that drives social change

    Social change is a process that involves bringing awareness and action on a large scale. While creating content, especially in public health messaging, creativity plays a crucial role. Without a creative approach, campaigns can easily become preachy, which tends to get ignored. For clients like the UN and other public health organizations, we focus on storytelling that captivates and engages our audience while remaining informative. The goal is to spark real behavioral change by generating curiosity and leaving an impact with accessible messaging. By using innovative techniques, we ensure the message connects with the audience, motivating them to act and embrace healthier habits.

    On the role that perseverance plays in your journey as a woman entrepreneur and the most rewarding part of your journey as a business leader

    For any business leader, whether it is a man or a woman, perseverance has to be a constant. There are countless obstacles, but strength and a clear vision have helped me push through them.

    Being a woman in business, it is significant to make your presence felt and ensure your voices are heard. It is also important to build a strong support network of mentors and peers. Continuously learning and adapting to the ever-evolving media landscape has been key. Each project brings new lessons, and my biggest takeaway has been the need to evolve with time—keeping up with trends, not just following them, but using them to bring fresh ideas to our work. The most rewarding part of my journey has been seeing the impact of our work and how it resonates with people.

    On TVH adapting to industry trends, both during the COVID-19 pandemic and after it (current)

    Our industry is constantly evolving, and integrating innovative practices into creative storytelling is the key. At TVH – The Visual House, we have maneuvered new technologies like virtual reality, CGI videos, and 360-degree tours to enhance our storytelling for our clientele. We’ve also worked on sound & light shows to interactive live-streaming events, blending creativity with cutting-edge tools to keep our content fresh, engaging, and impactful.

    The pandemic was a boon to us in many ways. It opened an array of new learnings and opportunities for us to do things differently. By staying updated with media trends, we ensure our work remains relevant, inspiring, and effective for our clients.

    On balancing creativity with business acumen in media production

    In my opinion, prioritising things as they come is more effective than striving for balance. I have always believed that these two do not need to compete but can complement each other. Through prioritisation, I can align the creative projects as per clients’ needs, keeping our focus on quality, so that we manage to deliver creative content while ensuring the business side runs smoothly. It is all about fostering an environment where both creativity and strategic thinking can thrive.

    On the impact of working with global organizations like the UN on TVH’s growth

    In our field of work, each project offers us invaluable learnings. Working with global organisations like the UN was no different. It has had a huge impact on the growth of not just TVH but also the people involved with it. These collaborations have expanded our expertise, allowing us to handle larger, more complex campaigns that have a global reach. It has helped us refine our communication strategies and solidify our position as a creative agency capable of delivering meaningful content on both local and international levels.

    On current projects or collaborations that TVH is working on

    At The Visual House, we are currently working on several exciting campaigns, ranging from public health messaging to corporate projects and CSR initiatives.

    We are collaborating with Heifer on a range of projects, from IEC materials and Nukkad-nataks to radio campaigns, hoardings, flyers and various other collateral. We are also working with UNIDO, GIZ and CoFTI. Our recent projects also include digital films for Dabur’s Hajmola Mr. Aam and Shaktiman, both of which highlight our ongoing commitment to engaging narratives and impactful storytelling. These collaborations reflect our focus on creating content that not only resonates with audiences but also drives meaningful results.

    On your future plans for The Visual House, in terms of growth and impact

    We are expanding our reach and approach beyond pan-India. We have recently opened our office in UAE, and are slowly charting into new markets. We are excited about the new opportunities of working with a wider range of clients. Through all of these, we are still committed to delivering high-quality and impactful content. As we evolve, I hope TVH will make an even bigger impact, both locally and globally, through our creative and purpose-driven storytelling.

  • Studio 100 International remasters classic TV series in full HD and 16:9 for the first time

    Studio 100 International remasters classic TV series in full HD and 16:9 for the first time

    Mumbai. Studio 100 International, a children’s and family movies and series entertainment, is breathing new life into its iconic classic series. To meet growing demand and celebrate these beloved titles the company has embarked on a remastering project making these heritage series available in Full-HD and 16:9 widescreen format for the very first time.  Iconic IPs such as “Sindbad”, “Pinocchio”, “Alice in Wonderland”, “Anne of Green Gables”,  “Nils Holgersson”, “Marco”, “Vic the Viking”, “Maya the Bee”, and “Heidi” will soon captivate not only a new generation of young viewers but also evoke nostalgia among adults who grew up with these timeless classics. This initiative is part of Studio 100 International’s broader licensing campaign, “Heroes of Childhood,” which unites these treasured properties under one brand, celebrating their enduring appeal across generations.

    Studio 100 International will present this project and the first remastered episodes at this year’s  MIPCOM in Cannes, Booth R7.K17.  

    The remastering process employs cutting-edge AI technology to transform the original content from the 1970s into a vibrant and high-quality Full-HD experience. After a thorough analysis of the source material, specific optimizations are identified and addressed. AI-assisted upscaling is then applied rendering oversized frames to generate additional visual information necessary for the adaptation to 16:9 format.

    Once upscaled the material undergoes manual refinement with each scene meticulously reviewed and adjusted to ensure the integrity of the original content while achieving the optimal widescreen display in native 1920×1080 resolution. Audio tracks are also carefully reconstructed allowing for the integration of various language versions. To finalize the process localised versions of the titles and credits are produced ensuring the remastered series are ready for global distribution.