Category: Film Production

  • Juggernaut Productions enters TV production business

    Juggernaut Productions enters TV production business

    Mumbai: With numerous successful OTT shows to its credit, IN10 Media Network’s production house, Juggernaut Productions, is thrilled to announce its expansion into television production. The move marks a significant milestone in the company’s growth journey, reflecting its commitment to delivering diverse and high-quality entertainment to a broader audience.

    Dipti Kalwani, a seasoned professional with over 20 years of experience in the media industry, has been appointed to lead the new television production vertical. As senior vice president – TV & AVOD, she will oversee the development and production of innovative television content, leveraging her extensive expertise as a TV producer, content creator, and writer.

    “We are thrilled to have Dipti lead our television production business,” said Juggernaut Productions CEO Samar Khan. “Her vision, creativity, and deep understanding of the television landscape will be invaluable as we embark on this new venture. We are confident that under her leadership, our television content will set new standards for quality and innovation.”

    On the new role, Kalwani said, “I am excited to join Juggernaut Productions and lead this exciting new chapter in the company’s journey. Television production offers unique opportunities and challenges, and I look forward to creating content that resonates with audiences and continues the Juggernaut legacy of excellence. Our goal is to produce shows that not only entertain but also leave a lasting impact.”

    Juggernaut Productions has a strong track record of producing high-quality content like CodeM, Shoorveer, Illegal, Rakshak – India’s Bravehearts, The Married Woman, Avrodh: The Siege Within and many more across various genres and platforms. With the expansion into television production, the company aims to leverage its expertise and creativity to deliver innovative and engaging TV shows. The new TV division will develop original content, from drama and comedy to reality and factual entertainment, that appeals to different demographics.

    This move into television production is part of Juggernaut Productions’ broader strategy to diversify its content offerings and expand its footprint in the entertainment industry. The production house is also making significant investments in creating documentaries for various platforms and is committed to pushing the boundaries of storytelling and production, ensuring its content continues to captivate and entertain audiences.

  • Warner Bros Discovery weighs splitting streaming and studio units – Sources

    Warner Bros Discovery weighs splitting streaming and studio units – Sources

    Mumbai: Warner Bros Discovery is contemplating a separation of its streaming and studio divisions from its traditional TV operations, as part of several strategies aimed at enhancing its stock value, according to sources.

    CEO David Zaslav is considering this split along with other possibilities, such as selling certain assets, based on insights from sources familiar with the discussions. Executives are exploring the idea of creating a new company by spinning off the Warner Bros movie studio and Max streaming service, thereby isolating them from the company’s current $39 billion debt burden.

    The report indicates that the bulk of this debt – approximately $39 billion as of 31 March, as per a company filing -could be allocated to the pay-TV networks business if the separation occurs.

    Warner Bros’ shares have dropped nearly 27 per cent this year through Wednesday’s close, placing the company’s market value at $20.39 billion, according to LSEG data.

  • Poonam Wahi launches her own production house – PWF

    Poonam Wahi launches her own production house – PWF

    Mumbai: Poonam Wahi, a seasoned executive producer with over two decades of experience in the film and advertising industry, is thrilled to announce the launch of her own production house, PWF (Poonam Wahi Films).

    After spending a couple of years at Lintas C:EX, where she honed her skills in producing high-quality content, Poonam has now branched out to start her own venture. Prior to Lintas, she was producing at Chrome Pictures, and prior to Chrome as a freelance producer with Equinox Films and Highlight Films. While freelancing she worked on feature films like Lakshay, Sarkar Raaj, 3 Idiots, One Night with the King, Darjeeling Limited, The Fall, Doors to the Seven Star to name a few.

    PWF is a dynamic content house that embodies Poonam’s vision for creating innovative and impactful storytelling. With a diverse portfolio of esteemed clients, including corporate giants like Reliance, Adani, Tata, and Danone India, as well as emerging disruptors like Swiggy, PWF is poised to make its mark in the industry.

    At PWF, collaboration is at the heart of the company’s ethos. Poonam has forged partnerships with industry luminaries from Bollywood icons like Akshay Kumar to culinary maestros like Chef Ranveer Brar, crafting compelling and impactful content that leaves a lasting impression.

    “I’m excited to bring my expertise and passion to the forefront and create unforgettable stories that captivate audiences worldwide,” said PWF founder and executive producer Poonam Wahi.

    With a team of passionate and dedicated professionals, PWF is committed to delivering top-notch results while fostering a culture of joy and camaraderie. Whether it’s brainstorming sessions or on-set collaborations, the team brings a unique blend of professionalism and enthusiasm that makes every project not just successful but also enjoyable.

  • Shooting in Brazil has never been easier

    Shooting in Brazil has never been easier

    With its diverse landscapes and vibrant culture, Brazil has become an increasingly attractive destination for filmmakers worldwide. However, navigating the intricacies of filming in Brazil can be challenging for those unfamiliar.  

    Brazil

    Relying on a company that takes care of every step of visa acquisition, assists with the team’s arrival at the airport, and speaks the local language allows the focus of the contractor to remain where it should: on creating compelling content for their audience.  

    Story Productions

    That’s where Story Productions comes in – the company has experience in hosting teams from various countries, specially India. In addition to orchestrating the entire production in Brazilian territory, it boasts an extensive menu of locations to cater to all creative demands and budgets.  

    Story Productions

    Story has a comprehensive pre-production platform in place to ensure everything is organized, sparing the team from working long hours. The crew also undertakes meticulous casting work, catering to the needs of various types of productions, whether it involves famous actors, extras, or dancers.

    Please find on the links below a sample of the Bollywood productions Story Productions has assisted with last year and enjoy the music, the dance, and the stunning locations featured!

     

    Co founder and Partner Nick Story said “We help our clients create narratives with real impact, through documentaries, reality shows, journalistic coverage, commercials, corporate videos and branded content.” He further said  “Story Productions offers full production services for international producers wishing to film in Brazil. We are well equipped to work on all kinds of projects, whether you’re making music videos, a documentary, a TV show, a feature film or corporate videos, we can help!”

    Planning to film in Brazil? Get in (https://www.storyproductions.com/contact-us) touch now! If needed, Story has an Indian partner who speaks Hindi to support you. (+91 9833844682) 
     

  • Something Special & TAICCA partner to co-develop and co-produce new unscripted IP

    Something Special & TAICCA partner to co-develop and co-produce new unscripted IP

    Mumbai: Something Special, Seoul-based number one independent* international format agency, and the Taiwan Creative Content Agency (TAICCA) are excited to announce a dynamic partnership to co-develop and co-produce new unscripted intellectual properties (IP) over the next two years. This collaboration is set to begin by the end of June 2024.

    This strategic partnership was formalised with the signing of a Memorandum of Understanding (MOU) on 17 June 2024, during the LEAP co-development event in Seoul. This event was a result of a collaboration between TAICCA, Something Special, and AR Asia Productions (previously announced), aimed at enhancing Taiwanese unscripted creativity by mentoring Taiwanese producers and further developing their ideas.

    Under the terms of the MOU, Something Special and TAICCA will engage in discussions to develop Something Special’s own original paper formats IP for Taiwanese productions. The collaboration will explore diverse co-production opportunities, including working with Taiwanese producers and production companies, engaging Taiwanese celebrities and non-celebrities, and producing shows in Taiwan.

    TAICCA chairperson Homme Tsai stated: “Korean variety shows continuously innovate, providing fresh experiences. Their diverse content captures global attention and resonates with audiences. Taiwan also boasts its unique culture and creative talent. Through this collaboration, we hope to enhance the cultural and technical exchange between Taiwan and Korea. We are excited for more international audiences to discover Taiwan through audiovisual content, and to see more Taiwan-specific content shine on the international stage.”

    Something Special president & EP Jin Woo Hwang stated: “We are pleased to announce this collaboration with TAICCA, with our experiences working with government agencies and international partners, we are more than happy to take part in building the next step of Asian original content.”

  • Weekend Unwind with  Sumit Productions founder Sumit Sahni

    Weekend Unwind with Sumit Productions founder Sumit Sahni

    Mumbai: With another weekend upon us, it is time to unwind with the latest Q&A edition of Indiantelevision.com’s Weekend Unwind—a series of informal chats that peek into the minds of business executives through a fun lens in an attempt to get to know the person behind the title a little better.

    In this week’s session, we have Sumit Productions founder Sumit Sahni

    Without further ado, here it goes…

    Your mantra for life

    Embrace each day with a heart full of gratitude and a mind open to possibilities. Remember that challenges are opportunities in disguise, and every setback is a setup for a comeback. Strive for progress, and treat yourself and others with kindness and compassion.

    A book you are currently reading or plan to read

    Not a reader

    Your fitness mantra

    Eat healthy. Stay active

    Your comfort food

    Dal roti

    A quote or philosophy that keeps you going when the chips are down

    “The only way to do great work is to love what you do.” – Steve Jobs. This philosophy encourages me to find passion in my endeavours, as genuine enthusiasm and commitment are essential for achieving excellence and fulfilment.

    Your guilty pleasure

    Having Hookah

    The last time you tried something new

    Created a wedding song

    A life lesson you learned the hard way

    Being where I am today wasn’t easy for me. I became a self-made person very early due to a lack of resources I had to start earning. I did small jobs, did not complete my education, and learned through my way of life to be here.

    What gets you excited about life?

    Travel makes me excited

    What’s on top of your bucket list?

    I want to capture all the countries of the world through my lens.

    If you could give one piece of advice to your younger self, what would it be?

    Do everything with passion. Love your work. Be compassionate with people

    One thing you would most like to change about the world

    If I could change one thing about the world, it would be to foster global empathy and understanding. Many of the world’s problems, from conflicts to social injustices, stem from a lack of empathy and understanding among people of different cultures, backgrounds, and perspectives. By promoting a culture of empathy, we could bridge divides and address issues such as discrimination, inequality, and violence. Encouraging individuals to see the world from others’ viewpoints would lead to more compassionate and inclusive societies, where cooperation and mutual respect are the norms. This shift in mindset could pave the way for more effective solutions to global challenges, fostering a world where everyone feels valued and connected.

    An activity that keeps you motivated and charged during tough times

    Meeting people of all age groups. And learn from their experiences motivates me during tough times.  

    What lifts your spirits when life gets you down?

    Spending time with my child lifts my spirits when I am down.

    Your go-to stress buster

    Spending time with my wife and friends. Going out on outings.

  • FridayFictionFilms: Redefining filmmaking for social impact and corporate collaboration

    FridayFictionFilms: Redefining filmmaking for social impact and corporate collaboration

    Mumbai: FridayFictionFilms,  a film production house, is celebrated for its unparalleled dedication to storytelling that transcends the ordinary. With accolades gracing its shelves, including the esteemed Limca Book of Records, FridayFictionFilms reigns supreme, masterfully crafting narratives that not only entertain but also inspire change. Their repertoire spans from blockbuster commercial ventures to soul-stirring shorts, each imbued with a profound sense of purpose. FridayFictionFilms is renowned for its unwavering commitment to social causes.

    Whether it’s shedding light on pressing societal issues or igniting empathy through the lens, every frame they capture is a testament to their dedication to making the world a better place, one story at a time.

    Indiantelevision caught up with FridayFictionFilms -founder and CEO Tanmay Shah to talk about the challenges he has encountered as a filmmaker advocating for social causes and the unique approach his company takes in collaborating with brands to create impactful commercial films while staying true to its commitment to social good

    On the inspiration behind establishing FridayFictionFilms

    After I made my first film, I felt a lot could be done beyond what I knew. This medium can be explored to not just make films about social issues I am exposed to but can cater to individuals, companies, and brands already working towards a cause they care about. It’s also quite humbling and inspiring to listen, talk, and see how things operate at the grass-roots level. An accumulated sum of all this made it clear to start FridayFictionFilms and make films that matter.

    On the significant gap in your YouTube channel’s content, particularly the last video titled ‘Horn ok please’’; Are you currently involved in the development of new projects

    After the successful completion of the 52 Films Project, we started working on real-life stories. We moved from fiction to nonfiction and made two short documentaries, one feature-length documentary, and many in collaboration with NGOs. These films garnered 33 international film festival awards and ran across continents. This also led us to work with the Bill & Melinda Gates Foundation through CWAS (Centre for Water and Sanitation) in India and Circulate Capital to fund innovations in ocean recycling and upcycling in Southeast Asia. Currently, we are working on two short documentaries and a feature-length documentary about the art and craft of local artisans.

    On the challenges that you have faced as a filmmaker, especially in advocating for social causes through your work

    What I have realised over the past decade in making films with social causes is that we have to be deeply invested in the cause or have a mindset towards progressively weaving the voice of the film towards a larger goal to be able to bring about any real change of any kind. If the film only leads to a space where it will be stuck at the same point as the cause itself, I guess it won’t be able to transcend the block. This entire process then becomes quite challenging because now how much to deal with stakeholders beyond the film and how much to pursue beyond making the film becomes an interesting self-journey.

    On FridayFictionFilms collaborates with brands to create impactful commercial films while maintaining its commitment to social good

    Brand and social good can also be a subtle introduction. It has to come out in company communication internally and externally and not necessarily always as leading the front for a cause voice. It could be more implementation-driven by showing how a brand first cares as an establishment and how it cares for and manages its employees and stakeholders and builds trust in the market. We bring out these subtle underlying aspects of brands and include them in the narratives we build for them.

    On FridayFictionFilms setting itself apart from other film production companies in terms of its USP

    We at FridayFictionFilms, utilise film as a solution and not just as a service. We use film also to simplify a lot of internal communication between companies and brands. The process of making the film goes even beyond making the film, it becomes a step towards bringing together the underlying values of the company to its employees and stakeholders and gives everyone more ways to connect with company goals and objectives. 

  • Buffalo Soldiers launch their film division – Eating Potatoes

    Buffalo Soldiers launch their film division – Eating Potatoes

    Mumbai: Buffalo Soldiers, celebrated as the rising maverick agency of 2023, is stirring the pot in the production world with their latest venture, Eating Potatoes – a cutting-edge production house focused on TV commercials (TVCs) and long-form productions for OTT platforms and documentaries.

    The agency has also elevated Saurabh Dubey, who heads video & production at Buffalo Soldiers, as co-founder of this exciting new venture.

    “India is at the cusp of a visual content revolution. For the next 20 years, the hunger for new content will become insatiable. With Eating Potatoes, we’re diving deep into the world of visual storytelling. Our aim is to craft narratives that resonate with today’s audience, from gripping TVCs to compelling OTT web shows and documentaries,” said Buffalo Soldiers co-founder & CEO Sumon K Chakrabarti.

    Recently, Eating Potatoes showcased its prowess by producing four TVCs for Parker in India, launching the brand’s new proposition #UNWRAP. The creative was handled by Buffalo Soldiers while Eating Potatoes led the production from start to finish.

    Eating Potatoes’ newly appointed co-founder Saurabh Dubey, said: “We are thrilled to blend our creative expertise with top-notch production quality. Eating Potatoes isn’t just a production house; it’s a hub for innovation in storytelling.” “We’re here to cook up some truly innovative content that resonates with today’s audience,” added Dubey, who also directed the 4 Parker TVCs recently.

    The production house is currently evaluating a few scripts for a potential thriller series. Eating Potatoes is poised to become a powerhouse in content production, with an eye for compelling narratives and high-quality production values.

  • “The three of us principally believe there is no limit of growth, it’s a matter of choice”: Chrome Pictures founders

    “The three of us principally believe there is no limit of growth, it’s a matter of choice”: Chrome Pictures founders

    Mumbai: Cinema has been entertaining and educating the masses through various mediums, including films, TVCs, ad films, TV serials, and web series on OTT platforms. Creating, experimenting and evolving with ‘Lights, Camera and Action’, a production house – Chrome Pictures has come a long way in the world of advertising and filmmaking.

    On 20 January 2024, Chrome Pictures celebrated a remarkable milestone, marking its 20-year anniversary as a prominent force in the realm of visual storytelling. The film production company, founded in 2004 by the dynamic trio of Amit Sharma, Aleya Sen, and Hemant Bhandari has emerged as one of the premier production houses of the country, consistently upholding a legacy of excellence, innovation, and creativity on a global scale.

    Renowned for its diverse portfolio, the company has directed and produced compelling and heartwarming TVCs for an array of leading brands in collavoration with top ad agencies of India. The accolades garnered and awards won at renowned platforms include the Cannes Film Festival, Spikes Asia, Adfest, NYA, D&AD, DPA, amongst others. In the recent times, Chrome Pictures won 33 film awards for their debut feature film ‘Badhaai Ho’ including the prestigious National Award for the “Best Popular Film Providing Wholesome Entertainment”.

    To know more about the production company and its two decade journey, Indian Television caught up with Chrome Pictures founders Amit Sharma, Aleya Sen and Hemant Bhandari.

    Edited Excerpts:

    On the founders of Chrome Pictures coming together to establish the company in 2004

    Amit Sharma, Aleya Sen and Hemant Bhandari started Chrome Pictures at the young age of 24. Amit and Hemant are childhood friends, while Aleya and Amit met on sets of Pradeep Sarkar. It was their dream to start a production house together.

    On some memorable moments along with the challenges that Chrome Pictures faced during its 20-year journey in the industry

    20 years is a long time and we’ve faced multiple challenges along the way. But we’ve always seen every challenge as an opportunity to get better at our game.

    One of our biggest challenges was our first breakthrough. The first year we only got 10-15 sec ads. We made Hanes commercials with our own money. It won many national and International awards. That’s when we got our first recognition in the advertising industry. Making our own place in Bollywood, with landmark films like Badhaai Ho and recently Trial Period is equally challenging. Covid was another time of challenge for all production houses. We were one of the first to start online shoots, with a zeal to reinvent ourselves. We are a company of 70 and everyone was retained. We landed, bagging 46 awards, including Cannes Lions Awards for Dove #StopTheBeautyTest and the Facebook Pooja Didi Ad, shot during COVID.

    On Chrome Pictures distinguishing itself in terms of its creative and innovative approach within both the cinema and advertising industries

    We love exploring and experimenting with new talent, technology, genre, formats etc. It’s safe to say that the creative aspect of films – be it ad or feature, triumphs everything else for us. We believe that storytelling is not limited to any format and, hence, from Chrome’s very inception, we’ve looked forward to every project with equal amount of excitement. Long format was a natural progression. We like to stay updated with the ever growing and changing market.

    On the genres or thematic areas that Chrome Pictures is looking to delve into as it further establishes itself in the Bollywood film industry

    We are unified by our diversity. We’ve never restricted ourselves to specific genres while making feature films. We treat content as our hero. Selection of a particular script is an individual director’s choice. Like, I might go from exploring romance in one project to drama in the next. Similarly, Amit might go from doing a sports biography, Maidaan, to a thriller. However our forte is emotional and realistic storytelling.

    On whether AI is having any discernible impact on Chrome Pictures’ production process and if so, is the company integrating artificial intelligence into its creative workflows

    Evolution is constant. Just about 12 years back, Fuji and Kodak Stock suddenly switched to digital cameras. From Beta tapes, we switched to drives and then cloud. So AI is inevitable. At Chrome, we strive to stay flexible and relevant to changing times. It’s important to upgrade oneself in an industry that welcomes new technology readily. Having said that, AI will certainly have an adverse impact in terms of replacing manual work to digitised ones.

    On the company’s future plans & aspirations

    In the last 20 years, we have explored our strengths in more than one way. Currently with eight young and talented in-house directors, six producers and an experienced production and post team, we intend on producing more feature films, OTT films and web series.

    Our advertising team is well-established and we encourage new talents. We have a digital wing, Minikin DG Works. We have a well-equipped post-production studio setup called “Planet Chrome”. Last year we launched our content lab called “Crimsen Tales”.

    The three of us principally believe there is no limit of growth, it’s a matter of choice.

  • Future of media & entertainment: AI augmented film and music production studios

    Future of media & entertainment: AI augmented film and music production studios

    Mumbai: In 2022, when general purpose large language models and image synthesis models were released, their ability to be creative and generate human-like text and highly creative images captured our imagination. Since then, Generative AI, the technology buzzword of 2023, has empowered creators, disrupted industry workflows, and sharply reduced the effort and cost of content creation in a range of formats. Through the year that followed, we witnessed rapid emergence of newer and more sophisticated models, driven by innovations in AI models, availability of datasets and access to massive compute capabilities that advanced cloud GPUs offer to innovators.

    As we step into 2024, the technology is now reaching a point where it can have myriad real-world use-cases for production studios in film, music and video domains. Reports also predict that AI will play an increasingly important role in the M & E domain. Generative AI in this sector is projected to scale from USD 1463.91 million in 2023 to USD 14,779.10 million by 2032, growing at a CAGR of 29.3%.

    To understand the transformative impact, one just has to look at traditional media production workflows. In a traditional production setup, one needs a team of writers to construct the story, a photography and cinematography department to create and edit visuals, a visual effects (VFX) team to enhance it, sound production for music and background scoring, and other elements like costume and set design also come into play. Along with the effort that goes into producing the central narrative, studios also spend a disproportionate amount of time acquiring stock footage, supplemental footage or b-roll, sound effects, visual effects, storyboarding, audio, image and video editing, and more.

    However, Generative AI technologies can reduce cost and effort in content production in a number of key ways. A select set of Generative AI technologies carefully fine-tuned on the right set of content, and deployed on advanced cloud GPUs, can empower media production studios to build a media creation pipeline that augments their existing workflow, improve efficiency, drive down costs, and discover new revenue streams.

    One such technology is Stable Diffusion, a deep learning AI model that can synthesize new images based on text prompts. It is primarily used to generate detailed creative images, though it also has the capability of taking on tasks like inpainting, outpainting, and generating image-to-image translations guided by a text prompt. The most recent Stable Diffusion model, known as SDXL, is highly capable of producing high quality images with simple text prompts.

    A key aspect of Stable Diffusion is that it can be fine-tuned to create more ‘on-brand’ images. This allows one to drastically cut down the costs of commercial photo-shoots, without sacrificing creativity. For example, by training Stable Diffusion on a product image, one can then generate thousands of high-quality product variations, complete with diverse styles, colors, and features. This not only facilitates rapid prototyping and design exploration but also enhances the creative potential for marketing materials and presentations. Stable Diffusion models can also be harnessed to create storyboards, so that one can pre-visualize a script before it goes into production.

    Along to text-to-image AI models, a number of image-to-video models have also started emerging. Stable Video Diffusion (or, SVD) is an AI model that takes a single image as input, and generates a video clip from it. In the near future, this would allow studios to drastically cut down the cost of acquiring stock footage and b-rolls, and help democratize media creation further. Then there is LaVie, an open source text to video model, that helps with generation of video clips from simple text prompts as well.

    Images and visuals are only one of the many possibilities that Generative AI unlocks in the M&E industry. Audio is the other domain where a major shift is underway, with powerful Generative AI technologies simplifying music and voice synthesis.

    AudioCraft, for instance, is a suite of AI models developed by Meta that generates high-quality audio and music from simple text inputs. It consists of three models: MusicGen, AudioGen, and EnCodec, each designed to make sound creation accessible and innovative. MusicGen generates musical compositions and melodies from text prompts, while AudioGen generates audio from text prompts, enabling users to create custom soundscapes and atmospheres for various applications. This has enormous potential in music production.

    For voice synthesis, text to speech (TTS) models like xTTS, Bark, Tortoise, FastSpeech can handle text to speech generation. When combined with Wav2Lip, it is possible to create a full workflow for dubbing voices easily.

    Generative AI has even simplified audio transcription. OpenAI’s open source model Whisper is an automatic speech recognition model that is very potent at multilingual transcription from audio. This has applications in streamlining subtitle generation for films and video.

    There are numerous examples already of Generative AI being used in media production workflow. Al Jazeera, for instance, recently launched a ‘History Illustrated’ series where the writer uses graphics generated by Generative AI to depict stories from history. A Detroit-based video creation company recently showcased the potential of pure Generative AI powered media creation through a 12 minute short film called The Frost. To create this film, they first generated the images using AI, and then used these images to create video clips, which were then stitched together to form an entire short film. It is uncanny and strange, but points to interesting possibilities.

    Future film, media and music production studios would incorporate the technology deep into its workflow, not only to drive efficiency, but to unlock new creative formats that we are yet to witness. We are only beginning to witness the creative possibilities of this potent technology.

    The author of this article is E2E Networks Ltd chief revenue officer Kesava Reddy.