ITV

Category: Film Production

  • OneNative Studio ropes in Saregama exec Neha Malhotra to spearhead growth strategy

    OneNative Studio ropes in Saregama exec Neha Malhotra to spearhead growth strategy

    MUMBAI: Mumbai-based content marketing solutions agency OneNative Studio has appointed industry veteran Neha Malhotra as partner and business head in a move set to supercharge the content and media solutions company’s ambitious expansion plans.

    With an impressive 15-year track record of turning digital content into gold, Malhotra will be based at the company’s Mumbai headquarters while orchestrating operations across Bangalore and Delhi offices. Her remit includes driving business growth, crafting strategic marketing initiatives, and leading revenue expansion—essentially becoming the money magnet the studio needs.

    Before jumping ship to OneNative, Malhotra flexed her media muscles as assistant general manager of national music marketing & audio monetisation at music giant Saregama India, where she dramatically boosted streaming numbers and enhanced artist branding. Her CV also boasts stints at EpicTelevision Networks, Dishum Broadcasting and Tata Sky, giving her a 360-degree view of the media landscape.

    Operating for five years, OneNative Studio has carved out a reputation for turning creative concepts into compelling campaigns. The studio’s portfolio includes The Simple Hai! Show, a knowledge-driven podcast hosted by veteran journalist Vivek Law, alongside several high-impact IPs commissioned by leading BFSI brands.

    The studio has recently expanded into premium TVC production for both Indian and global brands and launched The Reelstars, a digital platform celebrating India’s booming creator economy.

    “I am thrilled to be joining OneNative Studio at such an exciting time in the industry,” Malhotra exclaimed. “With the evolving landscape of digital content and media, I look forward to leveraging my experience to drive impactful strategies and expand our reach.”

    Co-founder & chief editor Aparna Joshi  offered a glowing endorsement: “Neha’s deep understanding of the media universe and her expertise in driving revenue growth makes her the perfect addition to OneNative Studio. With her strategic mindset and industry experience, she will play a pivotal role in shaping the studio’s growth and expanding its impact in the media landscape.”
     

  • Jio Studios wraps ‘Paan Parda Zarda’, promises to spice up streaming wars

    Jio Studios wraps ‘Paan Parda Zarda’, promises to spice up streaming wars

    MUMBAI: If you thought digital dramas were starting to taste bland, Jio Studios is here to shove a mouthful of Paan Parda Zarda down your streaming queue. Imagine mixing action, drama, and intrigue, sprinkling it with gritty central Indian flavours, and serving it hot with an ensemble cast that’s spicier than your grandma’s masala chai. Hungry yet?

    Jio Studios, alongside Reliance Entertainment and Dreamers and Doers Co., has officially wrapped filming its ambitious new web series, Paan Parda Zarda. And, boy, does this sound like a blockbuster recipe.

    Starring an array of talent including Mona Singh, Tanvi Azmi, Tanya Maniktala, Priyanshu Painyuli, Sushant Singh, Rajesh Tailang, and Manu Rishi, this series isn’t just packed—it’s stuffed to the gills with acting chops. Set against the vivid and raw backdrop of central India, the series promises to be a high-voltage narrative filled with compelling characters and edge-of-the-seat drama.

    Directing the chaos (and hopefully keeping actors in line) are industry veterans Gurmmeet Singh, famed for gritty dramas like Mirzapur and Inside Edge, and Shilpi Dasgupta. Supporting this powerful duo are filmmakers Mrighdeep Singh Lamba (Fukrey franchise) and Suparn S Varma (Sirf Ek Bandaa Kaafi Hain, Family Man, Rana Naidu). The writing team is equally stacked with talent, featuring the Dalal brothers, Hussain and Abbas (Bambai Meri Jaan, Farzi, Brahmastra), alongside Radhika Anand and Vibha Singh.

    “With its grand scale, gripping screenplay, and a stellar team at its helm, Paan Parda Zarda is poised to be a game-changer in the digital entertainment space,” says Jio Studios. No biggie, just casually promising a digital spectacle.

    Produced by Jyoti Deshpande and Namit Sharma, Paan Parda Zarda is readying itself to invade screens globally. And let’s be honest—who doesn’t love a good cinematic takeover?

    This one promises to leave viewers more hooked than the cliffhanger at the end of your last binge-session.

  • Red Lorry rolls out with September 5 as opening film at festival

    Red Lorry rolls out with September 5 as opening film at festival

    MUMBAI: The Red Lorry Film Festival is shifting into high gear, opening with the critically acclaimed September 5, a tense, true-to-life thriller directed by Tim Fehlbaum. Hosted by Bookmyshow, India’s premier international film festival will set the stage with this Academy Award-nominated film that dives into one of modern media’s most tension-filled moments, the 1972 Munich Olympics hostage crisis.

    Blurring the lines between history and cinema, September 5 reconstructs the gripping real-time coverage by Abc Tv, transporting audiences straight into the nerve-wracking newsroom that found itself reporting on an unfolding tragedy. Featuring a stellar cast including John Magaro, Leonie Benesch, Peter Sarsgaard, Ben Chaplin, and Benjamin Walker, the film seamlessly integrates archival footage, bringing an unparalleled level of authenticity to the screen.

    “September 5 is a testament to human resilience and the power of storytelling. Opening the Red Lorry Film Festival with such a film reflects our vision of curating globally significant narratives that inspire and challenge audiences,” said Bookmyshow COO for cinemas Ashish Saksena.

    Beyond September 5, the festival’s stellar lineup promises a cinematic feast with contemporary award-winning films like Anora and The Last Showgirl, timeless classics like Pretty Woman, Karz, and Qayamat Se Qayamat Tak, and premieres fresh from the Berlin Film Festival. With over 120 films spanning languages, genres, and cultures, this year’s festival expands its footprint with Red Lorry: Take 2 in Mumbai and the all-new Parallel Verse in Hyderabad.

    Running from  21 to 23 March 2025, the festival invites cinephiles to book their tickets exclusively on Bookmyshow, starting at Rs 750. With a promise of unforgettable storytelling, the Red Lorry Film Festival, powered by Bookachange, continues its mission of empowering emerging artists and celebrating the transformative power of cinema.

  • Jio Studios dominates 2025 with Sky Force success and OTT power moves

    Jio Studios dominates 2025 with Sky Force success and OTT power moves

    MUMBAI:  If 2024 was a cinematic knockout, then 2025 is already shaping up to be a content juggernaut for Jio Studios. After delivering a string of smash hits last year-including Article 370, Laapataa Ladies, and Shaitaan, plus record-breaking blockbusters like Stree 2 and Singham Again-Jio Studios has wasted no time in kicking off 2025 with a bang. The momentum continued with the Sky Force release, which soared at the box office and received glowing reviews.

    Jio Studios isn’t just ruling the big screen—it’s also dominating the OTT space. The studio has already dropped eight major releases across digital platforms, ensuring there’s something for everyone.

    Among the early 2025 highlights:

    . Mrs. – A bold and conversation-sparking film on Zee5

     .  Dhoom Dhaam – The ultimate binge-watch on Netflix

    .   The Storyteller – A masterful nod to Satyajit Ray’s cinematic legacy

     .  Kaushaljis vs Kaushal – A heartfelt exploration of second chances in love on JioHotstar

    These titles aren’t just topping streaming charts—they’re also leading Ormax reports, proving that Jio Studios isn’t just creating content; it’s setting the benchmark.

    As Jio Studios continues to push creative boundaries, audiences can expect a packed year of high-quality, genre-defying content. With eight plus titles already launched and more in the pipeline, the studio is doubling down on its commitment to delivering fresh, diverse, and engaging stories to audiences everywhere.
     

  • Eros Media World clears $56 million debt, strengthens financial position

    Eros Media World clears $56 million debt, strengthens financial position

    MUMBAI: Eros Media World PLC (EMWP) just hit a blockbuster financial milestone—becoming debt-free in India. Over the past three years, the global Indian film entertainment powerhouse has successfully repaid its outstanding bank debt, including principal and interest, totalling approximately $56 million at current exchange rates.

    At its annual general meeting on 28 February 2025, the company’s Indian subsidiary, Eros International Media Ltd (EIML), confirmed to shareholders that the full repayment had been completed during Q3 of the 2024-25 fiscal year. This financial feat follows EIML’s successful implementation of its debt resolution plan under the Reserve Bank of India’s “Resolution Framework for COVID-19 Related Stress” circular, introduced on 6 August 2020. Notably, EIML had first announced the implementation of this plan on 22 June 2021, covering an aggregate debt of Rs 468.07 crore at the time.

    This achievement isn’t just about numbers—it’s a game-changer for Eros Media World’s financial stability. With a clean slate, the company now has greater flexibility to invest in its strategic priorities, expand its global footprint, and double down on high-quality content production.

    “With the successful repayment of our bank debt in India, we have significantly strengthened our financial health, reinforcing our long-term commitment to financial discipline. This achievement allows us to focus on growing our entertainment business and unlocking new opportunities for value creation,” said Eros Media World PLC director Kishore Lulla.

    With India’s debt burden off its books, Eros Media World can now channel resources into growth, innovation, and content development. The company remains committed to producing premium entertainment and pushing boundaries in the global entertainment industry.

    As streaming wars heat up and the demand for high-quality content skyrockets, Eros Media World stands well-positioned to leverage its strengthened financial footing for bold new ventures.

  • Nandini Singh: bridging the worlds of Indian and Korean entertainment

    Nandini Singh: bridging the worlds of Indian and Korean entertainment

    MUMBAI: Veteran television executive Nandini Singh is burning the midnight oil these days, but not just for business. As executive consultant at CJ ENM, South Korea’s entertainment powerhouse, Singh is not only driving market expansion in India but also mastering the intricacies of the Korean language. Guided by her dedicated colleague and boss, Seb Dohyun Kim, she engages in late-night lessons in Hangul, fully immersing herself in the cultural world she now represents.

    Her new role is a dream come true. 

    “From K-drama to more K-drama!” she exclaims. “Joining CJ ENM was like stepping into my dream Korean drama company.” 

    Singh’s position at the global entertainment giant places her at the forefront of bridging the gap between two entertainment-loving nations, introducing Korean storytelling to Indian audiences on a grand scale. Beyond television, she is embracing all aspects of Korean culture—content, cosmetics, cuisine, and K-pop—bringing a new wave of Hallyu to India.

    Singh’s illustrious career spans over two decades, during which she has played a pivotal role in shaping India’s television landscape. Before joining CJ ENM in August 2024, she spent 18 years at Disney Star, where she held several leadership roles. 

    As general manager, she spearheaded a remarkable turnaround for a regional channel Star Pravah  in Maharashtra, increasing its market share from 13 per cent to 52 per cent and driving revenue growth sixfold.
    In 2018, she led the launch of Star Bharat, Disney Star’s first free-to-air channel, crafting a brand identity rooted in national pride. The channel quickly became a household name, establishing itself as India’s leading urban and rural entertainment brand within just eight months.

    learning the cultureHer tenure at Disney Star also saw her driving the growth of a portfolio of six English-language channels, overseeing sales, marketing, content acquisition, and partnerships with Hollywood studios. As Business Head of Star Movies, she launched the premium offering Star Movies Select HD in 2015, targeting India’s top-tier households and redefining Hollywood content consumption in the country.

    Earlier in her career, Singh played a crucial role in programming strategy for Star Plus, aligning sales, acquisition, marketing, and communication to relaunch the brand in 2010. Her strategic approach to slot management boosted non-original programming viewership by 40 per cent, earning her the prestigious ‘Star Achiever’ award that year.

    Her expertise extends to advertising sales, where, as Vice President of Sales, she developed long-tail sales strategies for regional channels, bringing in 40 new clients from sectors including FMCG, education, and real estate. She also pioneered ‘Star Scribble,’ an online sales training programme, which achieved a 99 per cent completion rate among participants.

    Now at CJ ENM, Singh is leveraging her extensive experience to drive market expansion and business development in India. Her deep understanding of consumer behaviour, honed through years of research and media planning at Mindshare and Disney Star, positions her perfectly to bridge the gap between Korean content and Indian audiences.

    Her transition from Indian dramas  to Hallyu appears seamless, given her track record in handling diverse entertainment markets. Singh’s success in managing English-language channels catering to India’s elite households has given her a unique ability to make foreign content relatable to Indian audiences—a skill that will prove invaluable in her new role.

    Nandini SinghThe perks of her position extend beyond just television content. “The best part is getting access to all things Korean—content, cosmetics, food, K-pop,” Singh shares, highlighting the cultural immersion that comes with the job.

    As she embarks on this exciting journey, Singh remains committed to her mission of making high-quality Korean entertainment accessible to a wider Indian audience. With late-night language lessons and a growing passion for Korean culture, she is not just working to bring K-dramas to India—she is fully embracing the world of K-content herself. 

     

    Her late-night Korean language sessions with Kim symbolise a broader shift in global media consumption patterns, where cultural boundaries are increasingly blurred, and Asian content continues its march onto the world stage.

  • Aanand L Rai’s Colour Yellow names Harini Lakshminarayan as COO

    Aanand L Rai’s Colour Yellow names Harini Lakshminarayan as COO

    MUMBAI: Colour Yellow Productions, helmed by filmmaker Aanand L Rai, has appointed Harini Lakshminarayan as chief operating officer. She brings over two decades of experience in IP development, production and strategy to the Mumbai-based production house.

    In her new role, Lakshminarayan will oversee strategic operations and business development while maintaining the studio’s focus on storytelling and IP creation. She joins the company as it plans to expand its content slate across markets.

    “Harini brings a unique combination of creative foresight and strategic expertise that aligns perfectly with our mission,” said Colour Yellow Productions founder Aanand L Rai. “Together, we will continue to raise the bar for what Indian cinema can achieve in both domestic and global markets.”

    Lakshminarayan said she was excited to join the studio known for films like Raanjhanaa, Tanu Weds Manu, and Tumbbad. “Aanand L Rai’s incredible vision for storytelling that consistently pushes boundaries is truly inspiring,” she noted.

    The appointment comes as Colour Yellow, established over a decade ago, looks to build on its legacy of creating culturally rooted content that appeals to wider audiences. The studio has previously produced critically acclaimed films like Newton, Mukkabaaz and Shubh Mangal Saavdhan.

  • Dharma Productions steps into global film distribution with Bhumika Tewari

    Dharma Productions steps into global film distribution with Bhumika Tewari

    MUMBAI : Dharma Productions is set to make its mark in global cinema with the appointment of Bhumika Tewari as head of content acquisition and film distribution worldwide. Stepping into film distribution for the first time, the production house aims to broaden its reach and bring diverse Indian narratives to a wider audience.

    Under Tewari’s leadership, Dharma will acquire high-quality films across multiple languages, including Hindi, Tamil, Telugu, Kannada, Malayalam, Punjabi, and Marathi, while independently distributing its own productions and third-party films. To streamline operations and strengthen ties with regional talent, the company will establish distribution hubs in key locations such as Delhi, Punjab, Hyderabad, and Chennai.

    Commenting on the appointment, Dharma Productions chairman Karan Johar said, “Stepping into film distribution is a major leap for Dharma, and we are excited to have Bhumika lead this initiative. Her expertise in content acquisition and distribution aligns perfectly with our vision of expanding Indian storytelling to global audiences.”

    Dharma Productions CEO Apoorva Mehta added, “Bhumika joins us at a crucial time as we evolve into an end-to-end content powerhouse. Her experience will be instrumental in shaping our journey as a key distributor of compelling stories worldwide.”

    Expressing her enthusiasm, Tewari stated, “Joining Dharma Productions is an extraordinary opportunity to champion Indian cinema on a global scale. I look forward to expanding Dharma’s reach, fostering regional storytelling, and ensuring diverse narratives find their audience.”

    Before joining Dharma, Tewari served as senior vice president of film acquisition & revenue at Zee Entertainment, overseeing the distribution of over 150 titles and managing content strategy across multiple platforms. Her appointment signals a bold new era for Dharma Productions as it strengthens its foothold in both national and international markets.

     

  • A47.in joins forces with Maddock Films for official ‘Chhaava’ merchandise

    A47.in joins forces with Maddock Films for official ‘Chhaava’ merchandise

    MUMBAI: Get ready to wear history like never before! The go-to destination for Indian pop culture and heritage-inspired merch, A47.in has teamed up with Maddock Films to launch an exclusive merchandise collection for the much-anticipated film Chhaava. Fans of history, cinema, and bold fashion can grab these must-have collectibles starting 7 February 2025, only on A47.in.

    Designed with A47’s signature craftsmanship, the Chhaava collection features sweatshirts, t-shirts, and hoodies adorned with striking designs inspired by the film’s epic narrative. Whether you’re a history buff, a Maratha warrior at heart, or just looking for a statement piece, this collection blends heritage with modern style. With prices starting at Rs 699, fans can now own a wearable tribute to one of India’s greatest warrior kings.

    Speaking about the collaboration, A47 founder & CEO Bhavik Vora said, “At A47, we love telling India’s iconic stories through high-quality, stylish merchandise. Collaborating with Maddock Films for Chhaava is an exciting way to bring history to everyday fashion. We’ve ensured every fan finds something to cherish, making Chhaava’s fearless spirit a part of their wardrobe.”

    A cinematic spectacle in the making, Chhaava is one of the year’s most awaited films, featuring Vicky Kaushal in a commanding lead role, alongside Rashmika Mandanna and Akshaye Khanna. The film brings to life the inspiring saga of Chhatrapati Sambhaji Maharaj, the fearless son of Chhatrapati Shivaji Maharaj. Backed by Maddock Films, known for delivering blockbuster hits, Chhaava promises a riveting mix of breathtaking visuals, stellar performances, and an emotionally charged narrative—a must-watch for history buffs and cinema lovers alike.

  • Culpa Tuya takes over the world, smashing Prime Video records!

    Culpa Tuya takes over the world, smashing Prime Video records!

    MUMBAI: Prime Video is rewriting the record books, and Culpa Tuya is at the centre of this cinematic revolution. This Spanish young-adult blockbuster didn’t just arrive—it took over, becoming the most-watched international original on Prime Video at launch. Who knew that a sequel from Mercedes Ron’s best-selling Culpables trilogy could ignite such a global frenzy?

    Since its release on 27 December 2024, the film has topped charts in over 170 countries, including Spain, France, Italy, Germany, Brazil, and Mexico—even securing a top three spot in the U.S. and U.K.. That’s right—90 per cent of streams came from outside Spain, proving that language barriers are no match for a gripping love story and some serious drama.

    So, what’s the secret? A sizzling narrative, characters you can’t help but root for, and the kind of suspense that keeps you glued to the screen. One thing is clear: Culpa Tuya isn’t just a movie—it’s a global movement.

    Prime Video also unveiled its top 10 most-watched non-English language international originals of 2024, spotlighting a year of record-breaking international hits. Seven different countries landed on the list, reflecting the platform’s commitment to global storytelling.

    Top 10 non-English language international originals on Prime Video in 2024 (Based on performance outside their country of origin in the first 4 weeks of launch):

    1. Culpa Tuya (Movie, Spain)

    2.  Apocalypse Z: The Beginning of the End (Movie, Spain)

    3.  Maxton Hall: The World Between Us (Series, Germany)

    4.  Citadel: Diana (Series, Italy)

    5.  Citadel: Honey Bunny (Series, India)

    6.  Red Queen (Series, Spain)

    7.  Marry My Husband (Series, Korea)

    8.  No Gain No Love (Series, Korea)

    9.  Betty La Fea, The Story Continues (Series, Colombia)

    10.  Like A Dragon: Yakuza (Series, Japan)

    The young-adult genre ruled 2024, with Culpa Tuya and Maxton Hall: The World Between Us leading the charge. Korean dramas also made waves, proving that audiences crave emotionally rich, binge-worthy content. Meanwhile, Spanish-language titles accounted for four out of the Top 10 spots, reinforcing the global appeal of Spanish storytelling.

    “It’s been a landmark year for International Originals on Prime Video, as customers increasingly embrace stories from across the world,” said Prime Video & Amazon MGM Studios VP – international originals, James Farrell. “Our success proves that great storytelling transcends language and geography.”

    Prime Video’s international originals didn’t just travel well—they shattered records in their home countries. Among the biggest hits:

     .  Mirzapur, Season 3 (India) – The most-watched show on Prime Video India at launch

     .  Oshi No Ko (Japan) – The biggest debut for a Japanese Original

     . Who Killed Him? (Mexico) – Mexico’s most-watched title of all time

     . The Park Maniac (Brazil) – The top Brazilian Original ever

     . Nahir (Argentina) – The most-viewed title in Argentina’s history

    Prime Video is doubling down on global storytelling with a lineup of sequels, new seasons, and adaptations of beloved franchises. Fans can look forward to:

     . Culpa Nuestra (Spain) – The next installment in the Culpables trilogy

     . My Fault: London (UK) – A UK-based spin-off of the franchise

      . Maxton Hall: The World Between Us – Season 2 (Germany)

     . Red Queen – Season 2 (Spain)

     . Betty La Fea, The Story Continues – Season 2 (Colombia)

     . Superboys of Malegaon (India) – A highly anticipated new Indian series

    “We’re thrilled to see Culpa Tuya resonate with audiences worldwide, breaking records and setting new benchmarks,” said Prime Video & Amazon MGM Studios head of movies & scripted TV, María Contreras. “The appetite for great international storytelling has never been stronger, and we’re committed to bringing even more compelling stories to our global audience.”

    With Prime Video’s International Originals smashing records across continents, 2025 is set to unleash even bigger cinematic waves. Who needs subtitles when a great story speaks every language? One thing is clear: the future of entertainment is borderless.