Category: Fiction

  • CINTAA states no Pakistani actor its member

    CINTAA states no Pakistani actor its member

    MUMBAI: The Cine and TV Artistes’ Association (CINTAA) has released an official statement clarifying that no Pakistani actor is a member of the association and it also highlights that if the actors have applied for work permits, they will not get renewed.

    The statement was issued by CINTAA Outreach Committee senior joint secretary and chairperson Amit Behl. In the release he mentioned that  CINTAA is the oldest and the largest union of performing artistes in the country. All the actors are law-abiding citizens and the association is very nationalistic and pro-India.

    The official statement said that CINTAA being a strong scrutiny committee is very clear that the association does not give membership to anyone who has anti-nationalistic feelings or any criminal records whatsoever.

    Behl said, “Whatever has happened right now, I am sure the government, the CBI and the other investigating agencies will do the needful about it. The only thing is that in case any of our actors, technicians or anyone from the media and entertainment industry realise that they are in touch with anyone who has anti-nationalistic feelings, they should definitely dissociate themselves.”

    The association aims at supporting any directive from the ministry of home affairs and the government.

    It said, “We as a union cannot comment on the authenticity of the photographs, but we are very confident that all our members, if inadvertently, have at all been photographed with such individuals, during their visits abroad, will distance themselves from any anti-national elements or those with deep state leanings, favouring a nation that has not respected India’s courtesy and respectful overtures."

  • TV show production efficiency impacted by Covid2019: Swastik Productions’ Rahul Kumar Tewary

    TV show production efficiency impacted by Covid2019: Swastik Productions’ Rahul Kumar Tewary

    MUMBAI: A month since TV production resumed, the ride has been bumpy. With sets rigorously sanitised, makeup and hair artists wearing PPE kits, it’s still better than no shoots at all. Swastik Productions producer Rahul Kumar Tewary says that it took a lot of planning to resume shooting.

    “Before beginning the shoot, the cast and crew members of Devi Aadi Parashakti and RadhaKrishn reached Umbergaon, Gujarat, on 8 and 10 June where they were quarantined. There was regular check-up conducted within premises. The labours and crew members are living at the studio itself while artists are living at nearby apartments,” he shares.

    He highlights that the production has created a Covid2019 team that looks after sanitisation and fumigation of the entire set and the places where technicians, crew and artists are living. He clarifies that while shooting there is no contact from the outside world. There are multiple checkpoints on the set to ensure safety and security of people.

    To maintain the grandeur and bring larger-than-life feel in the episodes, Tewary is relying more on VFX than having real people on the set.

    Tewary elaborates, “It is a very difficult ride, the whole production planning, writing of episodes, consumes a lot of time. We are also focusing a lot on the VFX side to showcase more people in the story or a crowd scene. The script is written in a way that no body contact is involved. Massive sets are also avoided. So, all the departments, from the writers to creators, production, execution and technicians, are extremely careful.”

    The production house is using two camera setups and for proper lighting, the DOP is responsible for creating the entire set-up a day or a night prior to save time. Post that only actors are available for the shot sans technicians and camerapersons. This move is to ensure that at any given time there are a smaller number of people available on the set. However, this is making it difficult to get episodes out in time. The production efficiency has been compromised due to the SOP measures.

    Apart from that Tewary praises broadcasters for their constant support and encouragement. He says, “Broadcasters have been hugely impacted by this pandemic. The broadcasters worked hand in hand with producers to ensure we create a bank of episodes.”

    He adds that as the shows are on air, banks are the main thing that will drive momentum on the floor. Every show will initially have the capsule of kahani ab tak to engage audiences.

    The 12-hour shift timing remains the same as it was before the Covid2019. The studio also uses various tools to transmit data.

    Tewary notes that during the pandemic, digital mediums have gained traction. But, he says that the market audience for television and digital are completely different. Both the mediums may overlap to a certain extent, but in the end these are two different market segments. “I believe the digital is growing, but TV will also remain the same. I don’t think there will be too much of an impact on TV programming. There is a certain age group of consumers for the digital content; there is a trend that the youth of India is moving towards the digital side,” he shares.

    He is optimistic that as new content has started airing, TV audiences will be once again glued to the small screen.

  • Without grandeur, audiences will focus on the storyline: Full House Films’ Amir Jaffer

    Without grandeur, audiences will focus on the storyline: Full House Films’ Amir Jaffer

    MUMBAI: It has been close to one month since the state government allowed film and television shooting in Maharashtra. This was a sigh of relief to several new shows that were left in the lurch due to the lockdown including Zee TV’s Qurbaan Hua, which had just started on 25 February. 

    In a special chat with indiantelevision.com, Full House Films founder and Tujhse Hai Raabta, Qurbaan Hua producer Amir Jaffer says, “We are implementing the guidelines laid by the state government and TV channels. We have insured everybody on the set against Covid2019. Everybody is working with face masks and face shields. Apart from that, make up artists and camerapersons are using PPE kits. As a smaller number of people are allowed on the set, we are planning our shooting on that basis. To showcase a greater number of people in the scene we are using separate footages and cuts of people.”

    To maintain social distancing and safety Jaffer is ensuring cast and crew members are carrying their own meal while only tea is served on the set. Food cost is being incurred by the production house itself. The studio is currently working with 60 members and no junior artists are called on the set.

    For Jaffer the biggest concern is to safeguard the health of cast and crew. As a practice, the studio is recording the temperature of cast and crew when they arrive and after the pack up.

    He also mentions that outdoor shoots are not happening currently, as it will require permission from district collectors and state authorities. The scenes are being shot with different camera angles. Family gathering, weddings and crowd scenes are not happening at all.

    Jaffer thinks that the look of the show will be compromised because there will be no grandeur. Special episodes of parties, weddings and dancing used to garner more traction which is not possible now. The stories are designed only considering the main actors. However, it will allow audiences to concentrate more on the storyline.  

    He also points out that there is no lag in the output of shows. Time-consuming scenes are avoided to meet the deadline. “We are also incorporating pandemic situations in our scripts. We also did a lockdown show with our actors. Everybody did the shooting by themselves in their own home.”

    Meanwhile, Jaffer has reopened his office with just four to five people.  Instead of calling people at the office for auditions, the casting is happening online.

    The working hour shift remains the same. Considering the curfew rule in Maharashtra, shift timings are 7 am to 7 pm so that cast and crew members can reach home before 9 pm. A 12-hour shift for the production unit and actors are called on the set only when required.

  • Balaji Telefilms takes positive steps after actor tests Covid2019 positive

    Balaji Telefilms takes positive steps after actor tests Covid2019 positive

    MUMBAI: Television actor Parth Samthaan, who is best known for his role in Balaji Telefilms' Kasautii Zindagii Kay, tested positive for Covid2019 on Sunday. The actor shared the news on Instagram and revealed that he was showing mild symptoms but with doctors' guidance, he is self-quarantining at home.

    https://www.instagram.com/the_parthsamthaan/?utm_source=ig_embed

    Balaji Telefilms COO Ketan Gupta tells indiantelevision.com that the production house is strictly following all the SOP measures and guidelines laid by the government. He mentions that people’s safety and security is the most important thing for Balaji Telefilms.

    He informs that Samthaan tested positive when he was at home and not at the set. He says, “The moment we got to know that Parth Samthaan has tested positive for Covid2019, we immediately packed up the entire unit, as well as sanitised it. We called an ambulance so that everybody in the unit can have their swab tests done. Apart from the crew, we are also doing tests for actors who have recently interacted with Parth. The results are awaited. In the meantime, our production house will be closed for three days for sanitisation, cleaning, fumigation and other measures.”

    He further explains that the studio will be closely monitoring the people who were present on the set to ensure that they are safe. Gupta clarifies that even if a similar situation arises in the future, the company will not replace the main leads. “We will bring changes in the storyline until he is back. We have around eight to nine episodes in the bank,” he adds.

    Meanwhile, Ekta Kapoor and Balaji Telefilms have released an official  statement. It reads: “We would like to inform various stakeholders that one of our talent from the show ‘Kasautii Zindagii Kay’ has tested positive for Covid2019 and is now receiving medical attention. Our first priority is to help protect our talent, production crew and employees. We are taking all the precautions detailed in the guideline. We were and will continue following all medical protocols set by the authorities and have implemented guidelines concerning social interactions, hygiene, travel and visits to the sets.”

    Television actor Karan Patel who will be essaying the role of new Mr Bajaj in Kasautii Zindagii Kay reboot and his immediate family members will also get tested for Covid2019.

  • IFTPC thanks Maharashtra govt, producers in fast-racking resumption of shoots

    IFTPC thanks Maharashtra govt, producers in fast-racking resumption of shoots

    MUMBAI: In a major relief for all daily soap viewers, TV broadcasters will roll out fresh content from 13 July.

    Indian Film and Television Producers Council (IFTPC), in its press release today, thanked all the TV producers, Maharashtra chief minister Uddhav Thackeray, MLA Amit Deshmukh and government of Maharashtra for their constant effort in restarting film and television production. The association also thanked the Federation of Western India Cine Employees (FWICE), Cine and TV Artistes' Association (CINTAA), broadcasters and all the other vendors for their cooperation. It also expressed gratitude to Dr Sanjay Mukherjee, Marathi producer Aadesh Bandekar, Dr Shashank Joshi from Covid2019 task force Maharashtra and district collectors for their assistance.

    IFTPC in its release mentioned that due to the lockdown studios were shut. The release read, “Lakhs of daily wage workers and the workers from ancillary industries lost their jobs. The fear of starvation loomed large on the industry workers. Fortunately, with Unlock 1.0 shooting was allowed.”

    The Maharashtra government under its ‘mission begins’ initiative allowed shooting from 30 July 2020 with stringent SOP measures and protocols. In order to resume shooting swiftly, Hindi and Marathi producers introduced additional safeguard measures like arranging transportation, lodging and boarding facilities for their cast and crew. The production houses, in fact, bore the additional cost of maintaining safety and hygiene.

    The release said, “From today there will be more laughter and fun in every home battered by more than 100 days of lockdown. At a time when there was possibility of mental illness such as hypertension and depression was to affect many citizens, the re-entry of television is a big relief. Now the new stories full of drama, suspense fun and education will unfold and relieve the anxiety of Covid2019.”

    The television industry was forced to stop telecasting due to the countrywide lockdown from 22 March 2020. The entire shooting for films, television and advertisement was dispensed post government guidelines to ensure social distancing and to stop the mitigation of the SarsCoV2.

    In the meantime, more than 60 shows are being shot across Mumbai and Thane.

  • SynProNize launches distribution, production, monetisation agency in Dubai

    SynProNize launches distribution, production, monetisation agency in Dubai

    MUMBAI: SynProNize co-founders Nitin Michael and Hasnaa Descuns announced the launch of their new content production and distribution agency which will partner with top digital platforms and linear broadcasters in APAC, Africa and the Middle-East to both produce new content as well as deliver premium drama and lifestyle programming.

    Synpronize begins its operations with a healthy slate of new premium content from South Asia and the Middle East and their deep partnerships with producers in this region will see their catalogue soon expand to 1000+ hours of lifestyle and drama content.

    The company also announced that former senior executive from Disney APAC, Raju Venkataraman will join the company as a board advisor. Venkataraman is a commercially astute leader, with a successful track record in strategy, commercial and financial leadership, in media and entertainment businesses across the Asia-Pacific. He has proven expertise in business partnership, strategy development and execution, deal negotiations and an in-depth understanding of Asia-Pacific region’s media and broadband markets. He worked at The Walt Disney Company for 16 years performing senior roles such as vice-president – Pay TV distribution for the Asia-Pacific region, CFO and head of strategy for all lines of business for South East Asia, and Disney Consumer Products South East Asia general manager. Prior to working in Disney, Raju spent over 13 years in various commercial leadership roles in a variety of industries. At the end of 2016, Raju left the corporate world, reinventing himself as an executive coach and career coach for senior industry leaders, empowering them to succeed amidst disruption and coaching them to achieve their potential.

    Nitin Michael and Hasnaa Descuns said, “We have been ramping up this launch since early in the year and are very pleased with our opening program portfolio and are very honoured to have the incredibly experienced and talented Raju Venkataraman join our company as a senior advisor. His inputs are invaluable. Additionally, we are excited to be in development to produce some great new drama and movies.”

    Raju Venkataraman said, “I’ve known Nitin for a while now and have been impressed by his earnestness, commercial savvy and quality of the relationships he has built with partners. I am pleased to offer my expertise to Nitin and Hasnaa as they embark on this exciting venture which holds great promise. Their strong industry contacts and knowledge, ability to work hard for their partners, and their creativity will see them scale new heights and achieve more success!”

  • Covid2019 task force’s Dr Shashank Joshi guides TV producers on hygiene practices while shooting

    Covid2019 task force’s Dr Shashank Joshi guides TV producers on hygiene practices while shooting

    MUMBAI: Even though TV serials have resumed production, the fear of catching the virus is still there. To ensure producers are informed of hygiene practices to be followed, Dr Shashank Joshi, member of the Covid2019 task force of Maharashtra government, had a virtual meeting with the members of Indian Film and Television Producers Council (IFTPC) and several other television producers.

    Members who attended the meeting included IFTPC chairman TV wing JD Majethia, Maraṭhi film and TV producer and IFTPC member Nitin Vaidya, Neela Tele Films founder Asit Kumarr Modi, Edit II Productions co-founder Binaifer Kohli, Director's Kut Productions founder Rajan Shahi, IFTPC vice president and Shakuntalam Telefilms founder Shyamashis Bhattacharya and others.

    Joshi, while addressing the members, discussed all the guidelines and directions that can be followed on the production set. He said that SarsCoV2 is unpredictable in nature and it is airborne. It stays for a longer time on the top surface.

    According to him it is important for all the workers, cast and technical crew to wear masks and goggles along with the face shield. Asymptomatic people are the ones who carry the virus and become Covid2019 carriers on the set. He suggested to strictly adhere to all the guidelines that  also includes temperature check, disinfection, fumigation. He also informed that there are instances where the risk of Covid2019 transmission is higher such as crowded places, overly ventilated places and closed environment. He also pointed out that apart from sanitisation, washing hands with normal soap will solve the purpose.

    Another important thing is to maintain social distancing. He suggested avoiding shared meals or drinking beverages together because the person is required to remove the mask and this is where the risk of contracting the virus is high. Unmasking can cause issues and the person needs to be extra cautious while going to the toilet. Cleaning on a regular interval is very important.  A simple disinfectant like bleaching powder can also do the work. Also, apart from having an air-conditioned set, it is important to have exhaust fans.
     
    On television producer Bobby Arora’s question about what protocols can be followed on the production set if someone is tested positive, Joshi said, “In most instances, drivers, house help and maids are Covid2019 carriers. If the person is asymptomatic, then you should track other workers who were in close contact with that person. Seven-day quarantine should take place because the symptoms stop showing after the ninth day. So, the employee can join the set on the tenth day. If the person is still Covid2019 positive, then it takes 17 days to recover," he said.

    Under these circumstances, producers should disinfect the set immediately and after eight hours they can start the operations or resume after an entire day also.

    While speaking about the correlation between air conditioners and Covid2019, Joshi pointed out that it is essential to have exhaust fans on set to avoid closed air circulation. It would be ideal to clean air conditioners every now and then. One can also use HEPA filters in air conditioners.

    On Asit Kumarr Modi’s question of removing masks and gloves while filming an intimate scene, Joshi said, “Occupational risk will have to be taken by artists. There is no other option.  Close and intimate scenes will involve risk. But the maximum risk is from vanity vans. In Hollywood, most of the cases on film and television sets happened due to vanity vans. It is advisable for makeup artists and hairdressers to wear PPE kits while entering the vanity van.”

    He also made it clear that after removing the PPE kit it cannot be worn again. In this case, he advised the producers to provide separate sets of clothes that can be used on the set. He also highlighted that UV-ray sterilisation is not fool-proof but it will do the job of surface cleaning.

    Majethia also raised a question about what action should be taken if the lead pair gets infected, because this will directly affect the show. Joshi explained, "If a person is in contact with the other person for more than four minutes and they are standing at a distance of less than half feet, it is close contact. What we did with police officers, sanitisation workers and doctors is that we asked them to consume hydroxy- chloroquine pills once a week. However, this pill is not advisable for people above the age of 50 and those with hypertension and heart ailments.”

    All the producers had a major concern of ensuring safe travel, as most of the cast and crew use auto rickshaws or taxis for travelling.

    To this Joshi said, “Maintaining hygiene is of utmost importance. It is fine to use other vehicles for commuting, but when they come on the set let them take a bath and change clothes. The toilets should be disinfected. It is not viable to always use PPE kits all the time, so keep spare clothes. Keep the surface and air clean.”

    A lot of people are confused about what kind of face masks work best. According to Joshi three ply surgical masks, N95 masks and reusable masks can be used. But it is advisable to use N95 masks. However, it is disposable. While working the artists should use two masks on the set. He suggested negotiating with vendors or contacting hospital suppliers for affordable pricing.

  • Covid2019 task force’s Dr Shashank Joshi to conduct virtual meeting with IFTPC today

    Covid2019 task force’s Dr Shashank Joshi to conduct virtual meeting with IFTPC today

    MUMBAI: Dr Shashank Joshi, member of Covid2019 task force Maharashtra government, will address the members of Indian Film and Television Producers Council (IFTPC) on various issues related to Covid2019 in non-lockdown situations later today via a virtual meeting. The meeting is scheduled for 4 pm on 7 July 2020.

    The meeting has been organised to understand the protocols taken while shooting, SOP measures, the state of production currently and much more.

    Joshi is an Indian endocrinologist, diabetologist and medical researcher, considered by many as one of the prominent practitioners of the trade in India.

    On 20 May, Maharashtra chief minister Uddhav Thackeray had asked the entertainment industry to prepare an action plan on limited resumption of film shooting and post-production activities by adhering to social distancing norms amidst the coronavirus-induced lockdown.

    Finally after seeking permission from Maharashtra government, Film City and district collectors shootings of television, films and OTT resumed on 25 June.

    Later, IFTPC (Indian Film and Television Producers Council), FWICE (Federation of Western India Cine Employees) and CINTAA (Cine and TV Artistes' Association) resolved their outstanding issues as well which involved releasing of salary within 30 day time frame and other matters. It is mandatory for production houses to have Covid2019 insurance cover for their members. The IFTPC assured that it would follow all the guidelines and precautionary measures issued by the government for shootings.

  • Shooting amidst a pandemic causing anxiety: Binaifer Kohli

    Shooting amidst a pandemic causing anxiety: Binaifer Kohli

    MUMBAI: Television shoots which were halted due to Covid2019 pandemic have now resumed shooting after adhering to myriad instructions. Producers are taking all necessary precautions to ensure safety and security of cast and crew. On 29 June &TV’s popular sitcom Bhabhiji Ghar Par Hain too resumed shooting.

    Producer of Bhabhiji Ghar Par Hain and Edit II Productions co-founder Binaifer Kohli tells indiantelevision.com that she is excited to begin shooting but at the same time the extra work and responsibility has caused a sense of anxiety. 

    “Shoots are happening late as we are taking effort to follow all the SOPs. More than the shooting, our major concern is on sanitisation and other guidelines as people’s lives are more important. There is no second chance here," she explains.

    Makeup artists, hairdressers and dress men are using PPE kits and artists have been provided separate makeup kits and rooms. Kohli also stresses on using good quality sanitation solutions to avoid any harm. If it is adulterated, then it will not do the work, if used more than the required it could turn acidic. Kohli uses special sanitisation cans to spray on clothes which are relatively more expensive than the usual sanitisers. As there is a lot of heat and halogen lights on the set it could negatively react with the solution and catch fire.

    Every 15 days, the shooting premise is sanitised by a government-approved vendor. They have mostly German dealers who are supplying sanitisation cans and other necessary equipment. There are also vitamin tablets, homeopathic pills and immunity boosting kadhas at the entrance for people to consume.

    According to her, it is very difficult to re-imagine and re-design production protocols and other guidelines. She also highlights that it is difficult to match deadlines now. She says, “We are allowed to shoot with only 33 per cent of the staff and lighting arrangements are done keeping this in mind. Once the camera is set, actors enter the scene and the light-men, along with other crew members, come out of the scene.   Things are going a little slow as compared to before. People on the set have decreased but the lights and cameras used for one shot remain the same. It affects the output of the show.”

    There will be no major changes in the scripts. Grand wedding scenes will now be replaced by court marriage. Funerals and other events will be shown with fewer people.

    Apart from the actors who are travelling daily through their private vehicles, the rest of the crew members are staying on the set. The 12-hour shift timings remain the same for actors and other staff. “We try to wrap up the work in the 12-hour time frame. We have also introduced shift systems so that there is no extra burden on one particular actor.”

    The production house has taken an overall insurance plan along with the Covid2019 insurance cover. As curfew is imposed in Mumbai, Kohli makes sure that shoot ends before 9 pm and people can reach their home in time.

    According to Kohli, it is important for broadcasters and producers to sail together in the same ship in order to survive.

    “Broadcasters are trusting us with our work. We all are supportive towards each other. I have taken a price cut; in the channel itself people have taken 40 per cent cuts. Broadcasters are also facing a lot of difficulty. They are sailing in troubled waters too. The main concern is that there is advertisement happening on television. Brands have nothing to sell and some of them have shut. Whatever products they have they will sell on merit and demand. When there is excess supply then brands have the option of competing. In this scenario, how will broadcasters survive?" she says.

    Kohli’s husband Sanjay Kohli, who is also the creative producer, oversees all the pre-production and post-production work. He checks the scripts before it goes for shooting and episodes before it goes to the channel. Edit and other post- production work is done from her office that is situated in Bandra. They are using technologies like iCloud to save data.

    The house has two shows Bhabhiji Ghar Par Hain and Happu Ki Ultan Paltan on & TV. The popular sitcom May I Come In Madam’s second season is also set to go on the floors very soon, which got postponed owing to the pandemic.

  • Production powerhouse Banijay unveils new brand identity

    Production powerhouse Banijay unveils new brand identity

    MUMBAI: A new giant has emerged on the global TV production front with the completion of Banijay’s takeover of the Endemol Shine Group last week.  And the group has gone in for a rebranding exercise, revealing what it calls a new and contemporary brand identity. The merged parent entity and its operations have been called Banijay and will cover 22 territories, 120 plus production and a catalogue of over 88,000 hours of content.

    New logos – with an iconic pinkish B attached to every company logo – a fresh colour palette and an overhauled website have been unveiled. Globally,  Banijay Rights continues to lead distribution activities, while all territory-level holding companies will soon switch to Banijay. In India for instance, Banijay has three firms under its belt: Banijay Asia, Endemol Shine India and SOL India. Each of them has had the “B” attached to their logos and each has the tag identifying them as a Banijay company. While Banijay Asia is led by Deepak Dhar, Endemol Shine India has Abhishek Rege at the helm and SOL Productions has Fazila Allana and Kamna Narula Menezes leading it.

    The rebrand was imagined and executed by leading global creative partner Moving Brands with website design and build handled by Alchemy Digital.

     “The acquisition of Endemol Shine Group marks a major gear shift for our business and that had to be represented in our branding. We now have unrivalled global reach, an abundance of high-quality, multi-genre titles, and some of the best creative entrepreneurs in the world,” said Banijay CEO Marco Bassetti. “Celebrating our values, the significant breadth of our new offering and our continued investment in innovative IP, the simple, yet effective branding, provides standout alongside versatility, and we hope in years to come, our B will act as a beacon for ground-breaking storymaking and a stamp of excellence.”

    Among its global  top shows figure:  Survivor, Big Brother, Peaky Blinders, Temptation Island, MasterChef, Wallander, The Kardashians, Mr Bean, The Wall, Hunted, Black Mirror, Extreme Makeover: Home Edition and Deal or No Deal.

    With Bassetti fully in charge as CEO, Endemol Shine Group CEO Sophie Turner Laing is slated to exit by end this week. French entrepreneur Stéphane Courbit, who helped stitch together the deal, serves as chairman of the group. Total pro-forma revenue of Banijay-Endemol Shine  for 2019 totted up to  Euros 2.7 billion.