Category: Television

  • Moneycontrol tops business news rankings, extends lead over rivals

    Moneycontrol tops business news rankings, extends lead over rivals

    MUMBAI : Moneycontrol remained the most read business news platform in India in January, topping Comscore’s latest audience rankings.

    The platform attracted 38.35 million unique visitors (UVs), surpassing The Economic Times’ (ET) 35 million. It also led in engagement, recording 383.08 million page views more than double ET’s 140.6 million. Readers spent 397 million minutes on Moneycontrol in January, significantly higher than ET’s 182 million minutes.

    Moneycontrol managing editor Nalin Mehta noted that the figures highlight the platform’s strong audience engagement and credibility. “These numbers reflect the deep trust our readers have in us for business news and insights”.

    Moneycontrol Pro, the platform’s subscription service, has also grown rapidly, crossing 1 million paying subscribers in October. This milestone cements its place as India’s largest news subscription platform and among the top 15 globally.

  • Technicolor group’s VFX pioneer The Mill closes as creative team joins new venture – Variety report

    Technicolor group’s VFX pioneer The Mill closes as creative team joins new venture – Variety report

    MUMBAI: Technicolor group outfit, visual effects studio, The Mill has closed its doors after 35 years of operation, with its US creative team promptly establishing a new venture called Arc Creative in partnership with Dream Machine FX, Variety has reported.

    The closure, which took effect on Monday, comes amid ongoing financial difficulties at parent company Technicolor, which has begun shutting down parts of its business. More than 100 artists from The Mill US issued a joint statement to Variety expressing their shock but ultimate resolve to continue their creative legacy.
    “While The Mill as we know it has shut its doors, its spirit, its passion, and its legacy live on through its amazing and talented people,” the statement read.

    Arc Creative will focus primarily on short-form work including advertising, game cinematics and trailers. The new venture’s leadership includes former Mill US executive creative directors Robert Sethi and Gavin Wellsman, alongside managing directors Angela Lupo and Anastasia von Rahl.

    Dream Machine FX chairman David Li told Variety: “We have always held The Mill in the highest regard and the shutting of its doors is a sad day for the entire industry.”

    Founded in London in 1990, The Mill earned numerous industry accolades including Cannes Lions, Clios and Visual Effects Society Awards. The studio was also the lead VFX house for “Gladiator,” which won the Academy Award for Visual Effects in 2000.

    The team is currently working to secure office space in Los Angeles and New York.

  • Watcho drops the beat with Vibe On as India’s hip-hop scene heats up

    Watcho drops the beat with Vibe On as India’s hip-hop scene heats up

    MUMBAI: The rhythm is raw, the energy is electric, and the mic is live as India’s hip-hop movement just got its biggest stage yet! Watcho, Dish TV’s OTT platform, has launched Vibe On, a high-octane reality show that shines the spotlight on underground rap talent from Punjab, Haryana, Himachal Pradesh, and Delhi.

    Streaming exclusively on Watcho ahead of its Youtube debut, Vibe On is more than just a music competition—it’s a battleground where aspiring rappers spit fire and fight for their moment in the limelight. From nerve-wracking college auditions to intense rap battles, the show captures the unfiltered journeys of emerging hip-hop artists, giving them a shot at stardom.

    Judged by industry heavyweights Amit Uchana, Ravneet Singh, and JSL Singh, the contest has already drawn thousands of entries, with only the top 100 making the cut. Each episode delivers lyrical showdowns, electrifying performances, and jaw-dropping rap battles, raising the stakes with every verse.

    Dish TV & Watcho corporate head of marketing Sukhpreet Singh said, “Vibe On is not just entertainment; it’s a movement. Hip-hop is an expression of real stories, struggles, and triumphs, and this show gives emerging artists the stage they deserve. At Watcho, we are thrilled to bring fresh, culturally relevant content that resonates with today’s youth.”

    With the rise of desi hip-hop and street rap in India, Vibe On promises to be a game-changer in the music reality show space. If you’re ready to experience India’s next rap revolution, tune in to Watcho now, because the vibe is on!

  • Sports leads the way in TV co-viewing, but trends vary by audience

    Sports leads the way in TV co-viewing, but trends vary by audience

    MUMBAI: The Super Bowl isn’t just a football game; it’s a national viewing party. Year after year, the event attracts record-breaking TV audiences, and in 2024, Super Bowl LVIII took the crown as the largest single-network telecast in history. But sports co-viewing isn’t just about the ‘Big Game’. According to a new Nielsen report, nearly 47 per cent of all TV viewing in the U.S. happens with at least one other person—be it friends, family, or even a few strangers at the bar.

    However, while co-viewing is easy to understand, it isn’t always easy to measure. Many media planners still rely on outdated, flat co-viewing factors—estimates like “1.2 viewers per TV screen at 2 pm and 1.5 at 8 pm”. As TV audiences become more fragmented, this approach is no longer enough. Sports programming offers a clear example of how outdated these assumptions can be.

    Nielsen’s data from September 2022 to August 2024 highlights the dramatic month-to-month variations in co-viewing rates. Co-viewing rates ranged from 37 per cent in August 2023 to nearly 50 per cent in January and February 2024—just in time for major sporting events like the Super Bowl and Copa América.

    Nielsen data

    Interestingly, even high-profile global events like the FIFA World Cup and the Women’s World Cup saw lower-than-expected co-viewing in the U.S.. The reason? Time zones matter. When matches are scheduled in the middle of the night or early morning, it’s harder to gather a crowd—no matter how exciting the event.

    The study also uncovered significant co-viewing gaps across different demographic groups. Over the two-year period, Hispanic audiences had a 20-point higher co-viewing rate for sports compared to black viewers. Age also played a role—younger audiences were more likely to watch in groups, while older viewers tended to watch alone.

    Household size matters, but so do social habits. Hispanic families tend to have larger households, leading to more natural co-viewing opportunities. Younger audiences, meanwhile, are more likely to watch sports together at bars or with friends, even though they watch less traditional TV overall.

    Nielsen data

    How does sports programming compare to other genres? The answer might surprise you.

    Children’s programming actually had higher and more consistent co-viewing rates than sports. Not shocking—kids rarely watch TV alone. Game shows also saw strong co-viewing growth, benefiting from streaming platforms that have introduced the genre to a younger audience. Meanwhile, news, dramas, and variety shows hovered just above the 30 per cent co-viewing mark.

    Nielsen data

    What can advertisers and media owners take away from these insights? Flat co-viewing factors are outdated. While sports programming shows how drastically co-viewing fluctuates, other genres also have their own subtle, audience-specific variations.

    For advertisers, targeting a specific demographic or advanced audience means relying on real-world co-viewing data rather than static estimates. If your strategy still assumes fixed co-viewing multipliers, it’s time to update your playbook.

    For media owners, understanding whether people watch alone or with others can directly impact content creation, monetisation strategies, and advertising sales. If you know who’s watching together, you can optimise your programming accordingly.

    In a world where TV audiences are fragmented across platforms and devices, one thing remains clear: co-viewing is here to stay—but you need the right data to make the most of it.

  • ETNOW.in Business Conclave & Awards 2025 to honour industry trailblazers

    ETNOW.in Business Conclave & Awards 2025 to honour industry trailblazers

    MUMBAI: ETNOW.in Business Conclave & Awards 2025 is set to make its grand debut on 25 February 2025, in New Delhi, bringing together policymakers, industry leaders, and visionaries to discuss India’s roadmap to a $5 trillion economy by 2030. This premier platform will foster strategic discussions, collaborative initiatives, and recognition of outstanding contributions that drive the nation’s progress.

    Setting the tone for thought leadership, the event will feature a keynote address by Jitendra Singh, Union MoS (Ind. Charge) for Science & Technology; Earth Sciences, MoS PMO, PP/ DoPT, Atomic Energy, and Space. Adding to the gravitas, over 90 categories of achievers will be honoured for their groundbreaking contributions across diverse industries.

    The ETNOW.in Business Conclave & Awards 2025 will host expert panels, fireside chats, and high-impact discussions on India’s global competitiveness in manufacturing and investment, the real estate boom, the AI revolution in Industry 4.0, and the future of healthcare innovations.

    Adding a wealth of insight, former union minister & tech investor Rajeev Chandrasekhar will explore the ‘Roadmap for India to Stay Ahead of the AI Curve’, while governor of Arunachal Pradesh lieutenant general K. T. Parnaik will present his vision on ‘Fast Track to Top 3’.

    This power-packed gathering will feature leading voices, including Somany Ceramics MD Abhishek Somany; Niti Aayog director, senior specialist – Viksit Bharat planning Shashank Shah; ICMR scientist G & head descriptive research division Kamini Walia; Healthians founder Deepak Sahni; and Infoedge co-founder Sanjeev Bikhchandani.

    ETNOW.in Business Conclave & Awards 2025 is backed by industry titans—Spacewood Office Solutions (powered by partner), DeliverIt (silver partner), and LIC HFL (home loan partner). The event will be live-streamed on ET Now’s YouTube channel from 11 am onwards.

     

  • CIFDAQ Global becomes platinum sponsor for International Masters League 2025

    CIFDAQ Global becomes platinum sponsor for International Masters League 2025

    MUMBAI : CIFDAQ Global, a cutting-edge blockchain ecosystem and cryptocurrency exchange, has been announced as the platinum sponsor for the inaugural season of the ‘International Masters League (IML) 2025’ in India. This collaboration marks a strategic move to merge the worlds of sports and blockchain technology, bringing innovation to cricket’s massive fanbase.

    IML 2025 is set to feature six legendary teams, captained by cricket icons Sachin Tendulkar, Brian Lara, Shane Watson, Eoin Morgan, Kumar Sangakkara, and Jacques Kallis. With these superstars returning to the field, the tournament is expected to attract a global audience, reinforcing cricket’s dominance in the sporting world.

    CIFDAQ Global founder & chairman Himanshu Maradiya expressed his enthusiasm about the partnership, stating, “IML’s debut in India provides the perfect platform for CIFDAQ Global to engage millions of cricket fans. This collaboration allows us to introduce blockchain’s potential and strengthen our global presence.”

    Professional Management Group (PMG) CEO Melroy D’Souza, “We are delighted to have CIFDAQ Global as our platinum sponsor. Their expertise in blockchain and crypto aligns perfectly with IML’s vision of delivering a cutting-edge cricketing experience. This partnership will redefine fan engagement and elevate the league’s impact.”

    With live streaming on JioHotstar, CIFDAQ Global will gain significant exposure, leveraging on-ground branding, in-game activations, content integrations, and strategic partnerships to educate fans on blockchain technology.

  • JioStar names Purnajit Gupta as executive director of human resources – entertainment

    JioStar names Purnajit Gupta as executive director of human resources – entertainment

    MUMBAI: Purnajit Gupta has joined JioStar as executive director of human resources for its entertainment business, encompassing television, studio and digital operations in Mumbai.

    Gupta shifted from Disney Star India, where he served as executive director of HR for sports and regional networks. Prior to Disney, he held senior HR roles at Star TV Network for nearly six years, rising to vice president of HR for Star Sports.

    His previous experience includes leadership positions at Abbott India as director of HR, Piramal Healthcare as general manager of HR, and brief stints at Diageo India and ICICI Prudential Life Insurance.

  • Yes, it’s for real: Technicolor suspends creative operations

    Yes, it’s for real: Technicolor suspends creative operations

    Technicolor’s four creative units – Mikros, The Mill, MPC, and Technicolor Games – have suspended operations, with over 2,000 Indian employees asked not to report to work until further notice.

    Despite last-minute talks with potential partners, rescue efforts failed, as signaled by WARN notices in the US. The sudden closure of these once-exemplary VFX and animation studios has been attributed to alleged financial mismanagement, excessive spending, and negative cash flows.

    Many a panic stricken VFX artist has been reaching out to the indiantelevision.com group seeking succour to get them jobs. 

    Updated on 24 February at 2:47 pm:

    Media reports state that in the United Kingdom, Technicolor Creative Studios UK Limited will be filing for administration, today 24 February.  According to procedures, when a company goes into administration in the UK an external liquidator comes aboard to manage the company, repay creditors, and determine its future. 

     

    Updated on 24 February at 3:28 pm:

    Altogether 10,000 or so employees the world over working under the Technicolor group have been impacted by the decision to shutter operations. 

     

    Updated on 24 February 2025 at 5:37 pm.

    An earlier letter sent out to company executives by CEO Caroline Parot had the following to say: “Today (21 February 2025), the company must face reality. Due to inability to find new investors for the full group, despite extensive efforts, Technicolor group has filed for Court “recovery procedure” before the French Court of Justice to give a chance to enable to find solutions.
    In each country, the appropriate framework for orderly protection and way forward is currently being put in place to allow, when possible, to remain in business continuity.
    This decision was not taken lightly; every possible path to preserve our legacy and secure the future of our teams will be thoroughly explored to offer a chance to each of its activity to be pursued with new investors.”
     

    Updated on 25 February at 1:49 pm

    On 24 February a bunch of Indian employees visited their office only to find no one. And they were told that there was no clarity on the way forward. All employees need to stay at home until informed otherwise, is what they were told.  Net outcome: Many have started looking for jobs elsewhere. Readers of this can post their CVs and work samples on AnimationXpress.com’s  Screenhub when they click on this link. 

    https://screenhub.in/register/ 

    We intend to push your CV to studios which have not been impacted by the troubling tale of Technicolor. 

  • South Indian media market poised for global impact, says JioStar CEO Kevin Vaz

    South Indian media market poised for global impact, says JioStar CEO Kevin Vaz

    MUMBAI: JioStar Entertainment CEO &  FICCI Media & Entertainment committee chairman Kevin Vaz has highlighted the transformative growth of south India’s media and entertainment sector, emphasising its evolution from regional prominence to global recognition.

    Speaking at the Media and Entertainment Business Conclave, Vaz noted that south Indian cinema led the post-pandemic box office revival, citing blockbusters such as RRR, KGF-2, and Kantara. The success continued into 2024, with Pushpa 2 making significant inroads in the Hindi market, contributing 20% of Hindi box office collections through its dubbed version.

    The region’s creative output has garnered international acclaim, including RRR’s historic Academy Award win in 2023 and the recognition of Kannada short film Sunflowers Were The First Ones to Know at the 2024 Cannes Film Festival.

    Television remains a crucial platform for South Indian content, commanding over 30 per cent  of India’s media and entertainment market share. Vaz pointed to successful content adaptations, such as a leading Star Plus show based on the Tamil programme Siragiddika Aasaai,  demonstrating the increasing travelability of Southern content to national audiences.

    Contrary to global trends, Vaz emphasised that television continues to maintain strong youth engagement in India, attributing this to its affordability and accessibility. He characterised India as an “AND market rather than OR”, suggesting that television and digital platforms can coexist and thrive simultaneously.

    Looking ahead, Vaz identified the upcoming Waves forum as a significant initiative to drive innovation and growth in the sector. He emphasised the need for content creators and platforms to balance creative freedom with social responsibility, particularly in the digital space where social media has redefined audience engagement with audio-visual content.

    The executive’s remarks underscore the growing influence of south Indian media content and its potential to shape the future of Indian entertainment on the global stage.