Category: Television

  • Minikin DGWorks: The powerhouse redefining digital content production

    Minikin DGWorks: The powerhouse redefining digital content production

    MUMBAI: The digital world moves fast, blink and you might miss the next big thing. But Minikin DGWorks isn’t here to play catch-up. It’s here to lead. The new-age production house, a sister concern of the acclaimed Chrome Pictures, is rewriting the rules of digital storytelling, crafting content that doesn’t just entertain but connects in the ever-evolving digital landscape.

    Co-founded by Aleya Sen, Amit Sharma, and Hemant Bhandari, Minikin DGWorks is a vibrant, high-energy production house that blends the artistry of traditional advertising with the infinite possibilities of AI-driven content creation.

    Aleya Sen, Co-founder, explains the vision behind the venture, “Minikin is all about embracing the excitement of the new-age technological shift, blending traditional advertising with the possibilities of the digital and AI era. We recognize that the world is at the threshold of a major civilizational shift, where the lines between the old and the new are blurring under every department. Hence, we’re here to explore, evolve, and push boundaries, shaping the future of advertising as we navigate this transformational change.”

    Minikin DGWorks isn’t your run-of-the-mill production house. It’s a collective of sharp, tech-savvy minds, bringing together a panel of freelance directors handpicked for their expertise in storytelling, VFX, animation, and stylised content. The production team is built for quick turnarounds, high-impact execution, and bold creative choices—because in the digital era, speed and quality are non-negotiable.

    Since launching, Minikin DGWorks has collaborated with major brands, including Google, Make My Trip, HDFC Life, Tanishq, Pepsi, Flipkart Minutes, Bajaj Allianz, Saregama, Airtel, Snapdeal, Goibibo, ICICI Bank, Maruti Suzuki, and Acko India. Not stopping there, the company has worked with some of Bollywood’s biggest names, including Shahrukh Khan, Ranveer Singh, and Deepika Padukone. Their redBus campaign, directed by Mithun R Shaw and produced by Ashish Gole, earned recognition at the Effies Awards 2024 and IAA Awards 2024, cementing Minikin’s reputation for cost-effective, high-engagement video content.

    Minikin DGWorks understands that internet-driven content needs to hit differently—no fluff, no fillers, just compelling stories that click with modern audiences. Whether it’s short-form digital films, high-energy commercials, or immersive storytelling for brands, Minikin is always on the hunt for fresh, disruptive ideas.

    As the industry steps into a future fuelled by AI, automation, and limitless digital possibilities, Minikin DGWorks is positioning itself at the forefront. With its ethos of staying fresh, real, and constantly evolving, the company is set to redefine digital storytelling for a generation that doesn’t just watch content—they live i
     

  • Times Network launches Unilist.in to rank colleges with real-time insights

    Times Network launches Unilist.in to rank colleges with real-time insights

    MUMBAI: When it comes to picking the right college, guesswork is no longer an option. Times Network, India’s leading broadcast and digital powerhouse, has launched Unilist.in, a one-stop platform providing data-driven insights into higher education institutions across India. Designed for students, parents, and corporate recruiters, this platform aims to redefine academic decision-making with credible, real-time information.

    Going beyond conventional ranking systems, Unilist.in leverages a live survey mechanism with inputs from over 150 B-schools, offering dynamic rankings and comprehensive institutional analysis. The platform is backed by five years of accumulated data, tracking year-over-year growth, faculty performance, placement records, infrastructure, and student sentiment.

    “Our goal is to bridge the information gap in higher education by offering transparency, deep data analytics, and expert-backed insights,” said a Times Network spokesperson. “With Unilist.in, students can make informed academic choices, and recruiters can identify the best talent with confidence.”

    Adding a multimedia edge, Unilist.in also features exclusive content from Times Network, including podcasts, expert interviews, reels, and discussions with leading academicians and industry professionals. For students mapping out their academic futures and recruiters scouting top talent, Unilist.in is set to become the ultimate report card of higher education where insights, not assumptions, shape success.

  • No more ‘gutka’ with the game? BCCI faces heat over surrogate ads

    No more ‘gutka’ with the game? BCCI faces heat over surrogate ads

    MUMBAI: Cricket might be a game of glorious uncertainties, but one thing the Union Health Ministry wants to be absolutely certain about is a tobacco-free Indian Premier League (IPL). In a major crackdown ahead of the tournament’s 22 March 2025 kickoff, the ministry has urged the Board of Control for Cricket in India (BCCI) to ban all forms of tobacco and alcohol advertising, particularly surrogate promotions by gutka manufacturers endorsed by Bollywood celebrities and former cricketers.

    The ministry’s directive comes after a study by the Indian Council of Medical Research (ICMR) and Vital Strategies, published in the British Medical Journal, which found that 41.3 per cent of all smokeless tobacco (SLT) surrogate ads in 2023 were displayed during the last 17 matches of the Cricket World Cup. These ads, often disguised as ‘elaichi’ mouth freshener promotions, allow tobacco brands to sidestep advertising bans while maintaining high visibility.

    In a letter dated 5 March 2025 to IPL chairman Arun Singh Dhumal and the BCCI, Director General of Health Services Atul Goel called for a blanket ban on tobacco and alcohol advertising across stadiums, related events, and national TV broadcasts. The ministry has also recommended that sports authorities discourage players, commentators, and stakeholders from endorsing tobacco-linked brands, either directly or indirectly.

    The letter stressed that cricketers are role models for millions, and the IPL, India’s largest sporting spectacle, has a moral responsibility to support public health initiatives. Goel pointed out that tobacco and alcohol consumption are leading contributors to India’s non-communicable disease (NCD) burden, with cardiovascular ailments, cancer, lung disease, diabetes, and hypertension accounting for over 70 per cent of annual deaths. India ranks second in global tobacco-related fatalities, with nearly 1.4 million deaths per year, while alcohol remains the country’s most widely used psychoactive substance.

    Despite strict advertising restrictions, India’s alcohol and tobacco industries continue to wield influence through high-profile sporting events like the IPL. The alco-bev market, currently worth Rs 1.7 trillion, is projected to touch Rs 5 trillion by FY28, while the tobacco sector is set to generate 14 billion dollors in revenue by 2025, according to Statista. However, with increasing government scrutiny, companies are expected to cut brand extension ad spends by 20-30 per cent, reports Financial Express.

    The crackdown isn’t limited to cricket. India became the first country to extend tobacco advertising prohibitions to OTT platforms from 1 September 2023. Now, new proposals seek to mandate non-skippable 30-second anti-tobacco health warnings on streaming content featuring tobacco use.

    With the IPL just weeks away, the big question remains: Will the BCCI enforce a ban on surrogate ads in stadiums and broadcasts? If implemented, this move could significantly impact brand visibility for tobacco and alcohol manufacturers while reinforcing cricket’s commitment to public health.

    For now, it’s game on for stricter regulations, but whether the IPL will play ball remains to be seen.

  • Harshit Sahni steps up as senior director at Warner Bros. Discovery

    Harshit Sahni steps up as senior director at Warner Bros. Discovery

    MUMBAI: Big moves, bigger responsibilities—Harshit Sahni has taken on a new leadership role as senior director – cluster revenue head for factual & lifestyle, eurosport, international business – south Asia at Warner Bros. Discovery. With over two decades of experience in media, advertising, and revenue strategy, Sahni is all set to steer the business into new territories of growth and innovation.

    Having already made an impact as cluster revenue head since September 2024, Sahni now takes the reins at a crucial time for the industry. With advertising dynamics shifting and digital transformation accelerating, he aims to push the boundaries of content monetisation and strategic partnerships in south Asia’s evolving media ecosystem.

    His track record speaks volumes. At Warner Bros. Discovery and previously at Discovery Inc., Sony Pictures Networks, and Star News, Sahni has consistently driven advertising revenue, built strategic partnerships, and spearheaded innovative sales models. From launching ad-sales operations in Bangladesh, Sri Lanka, and the Maldives to securing 80 per cent market share in key partnerships, he has been a key player in shaping the industry’s revenue streams.

    A results-driven leader, Sahni has a history of crafting integrated advertising solutions, establishing new revenue streams, and pioneering business models that redefine commercial success. His ability to forecast trends, optimise advertising strategies, and execute high-impact campaigns makes him a force to reckon with in the world of factual entertainment and lifestyle content.

    The future of factual & lifestyle media in south Asia looks promising, and with Sahni leading the charge, expect innovative advertising models, strategic brand partnerships, and bold revenue strategies that redefine content monetisation.

  • Banijay group boasts bumper year 2024

    Banijay group boasts bumper year 2024

    MUMBAI: Entertainment powerhouse Banijay group has posted phenomenal financial figures for 2024, with profits perking up considerably in the final quarter. The firm, flying high after a fabulous fiscal year, smashed its own guidance with a whopping 22 per cent growth in adjusted EBITDA.

    The titan tallied total revenue of Euro 4,803 million, up a tidy 10.9 per cent, with momentum mounting magnificently in Q4 with a 14.8 per cent surge. Adjusted EBITDA jumped by 21.6 per cent to Euro 900 million, with a particularly powerful performance in the final quarter, rocketing up by 32.8 per cent.

    Margins moved up markedly by 160 basis points to 18.7 per cent compared to 2023, while adjusted net income climbed by 29.3 per cent to Euro 418 million. The company’s coffers are considerably healthier, with a cash position of Euro 482 million and leverage ratio trimmed to 2.9x (down 0.2x since December 2023).

    Shareholders can smile at a suggested dividend of Euro 0.35 per share, equating to 35 per cent of adjusted net income.

    CEO  François Riahi remarked that since listing three years ago, Banijay has increased revenue by 37 per cent and adjusted EBITDA by 50 per cent, with streaming content revenues doubling, as has the number of unique active players.

    Despite industry headwinds hampering the first half, Banijay’s content production and distribution division delivered revenue of Euro 3,348 million, up by a slim but significant 0.5 per cent. The final quarter finished with flair, showing a 6.7 per cent rise thanks to major scripted show deliveries.

    Banijay's Hit shows

    Content production revenue specifically stood at Euro 2,615 million, down 2.8 per cent compared to 2023, but bounced back brilliantly with a 6.2 per cent boost in Q4. Content distribution dipped by 1.5 per cent to Euro 397 million in 2024, but rebounded robustly in Q4 with a 33.2 per cent increase.

    “Banijay group enjoyed a record year in 2024,” said Riahi. “Even in a challenging global content prouction market, we continued to see strong demand – especially from streaming platforms – for our iconic brands and deep content catalogue as the number one European studio for scripted content and a world leader in global format launches.”

    The streaming success story continued with top-performing titles including Like Water for Chocolate, which ranked first among Spanish-language content on HBO Max, while Supersex, La Vita che Volevi and The Law According to Lidia Poet dominated Netflix’s top four scripted titles in Italy during H1.

    Banijay maintains its mantle as the number one studio worldwide for global format launches. Six legacy formats ranked among the top 20 most-traveling TV formats globally, including Deal or No Deal (#2), MasterChef (#4), Big Brother (#6), Survivor (#7), Minute to Win It (#11), and The Money Drop (#14).

    The company’s catalogue has expanded enormously, growing by more than 20,000 hours over the year to reach 207,000 hours of content, a 12 per cent increase compared to 2023.

    Live experiences & other revenue rose remarkably by 42 per cent to Euro 336 million, driven by robust growth from brand licensing and the full-year contribution of Balich Wonder Studio. Throughout 2024, Balich Wonder Studio produced 119 shows including the opening ceremony of Euro 2024 in Munich and the Uefa Champions League in London. Cultural conquests included the award-winning Viva Vivaldi: The Four Seasons Immersive Concert in Verona and the 400th edition of the Festino di Santa Rosalia, which attracted more than 350,000 spectators.

    Banijay's Hit shows

    The Independents impressed with 642 shows including the Vogue Festival in Paris and Spring/Summer 2025 runway shows for luxury labels like Christian Louboutin and Khaite.

    Post-year developments include the January 2025 acquisition of Lotchi, a French producer of immersive experiences combining architecture with video-mapping, light and classical music. February saw the launch of Banijay Live Studio, set to create cutting-edge out-of-home entertainment experiences with a “Black Mirror” project already underway.

    The online sports betting and gaming division delivered dazzling results, with revenue racing ahead by 45.4 per cent to Euro 1,456 million and an exceptional Q4 performance showing 49.3 per cent growth.

    Online sportsbook revenue rose by 48.4 per cent to Euro 1,144 million, while online casino, poker and turf grew by 35.5 per cent to Euro 311 million. The betting business bagged market share across all products and territories, enjoying a 37 per cent increase in unique active players compared to 2023.

    The division debuted a fully redesigned sportsbook app and launched a new proprietary poker platform in December 2024. The group strengthened its responsible gaming policy, with 99 per cent of its online sports betting & gaming revenue generated in locally regulated markets in 2024.

    Online betting and sportsbook revenue Banijay

    Looking forward, Banijay forecasts further fiscal fortunes in 2025:
    * Mid-single digit growth for content production, distribution and live experiences
    * Mid-teens growth for online sports betting and gaming
    * Mid-to-high single digit growth in adjusted EBITDA, despite a Euro 20 million hit from higher betting taxes in France (effective from 1 July 2025)
    * Adjusted free cash flow of approximately 80 per cent of adjusted EBITDA

    Riahi, announced that several board members, including himself, will be purchasing shares in the company – a vote of confidence in future growth.

    “Banijay Group’s value proposition in the entertainment industry is unique,” Riahi concluded. “We have a clear track record of performance, and we aim to expand our free float and stock liquidity so that shareholders can benefit from the value we are creating.”

  • Navbharat Times pushes for gender-inclusive Hindi with new campaign

    Navbharat Times pushes for gender-inclusive Hindi with new campaign

    MUMBAI: On International Women’s Day, Navbharat Times, in collaboration with FCB Ulka, unveiled a pioneering initiative, ‘Barabari Ki Bhasha’,aimed at making the Hindi language more inclusive and gender-equal.

    For centuries, Hindi has been a gendered language, often lacking female-specific terms for professions and achievements, particularly in male-dominated fields such as STEM, politics, sports, and entrepreneurship. This campaign seeks to address this gap by introducing new, gender-neutral or female-centric words, ensuring language no longer limits aspirations.

    Research indicates that language shapes society by influencing participation in various fields. The absence of feminine equivalents for certain professions often discourages female involvement, reinforcing gender disparities. By introducing these new words, the initiative hopes to empower young girls, providing them with the language to dream, aspire, and succeed.

    The Times of India Group president & chief brand officer Partha Sinha stated, “The first step in understanding a culture is through its language. With a gendered language, some inclusiveness is always left out. ‘Barabari Ki Bhasha’ aims to reflect the true desires and aspirations of society, marking a significant cultural shift.”

    FCB Ulka chief creative officer Hemant Shringy added, “‘Barabari Ki Bhasha’ is more than a campaign; it’s a movement. Language shapes how we think, and by introducing these new words, we take a meaningful step toward true equality. Every girl deserves to see herself represented in the words we use daily.”

    Initially launched in print, the campaign will expand to digital platforms and other media to maximise its impact.
     

  • How brands are redefining women’s day: beyond platitudes to authentic empowerment

    How brands are redefining women’s day: beyond platitudes to authentic empowerment

    MUMBAI: In a marketplace saturated with female-focused messaging, Indian brands are pivoting toward more authentic approaches this International Women’s Day. Gone are the predictable pink-washing campaigns and hollow empowerment slogans. Instead, companies across beauty, entertainment, sports, and finance are crafting initiatives that address real challenges faced by women while celebrating their multidimensional identities.

    The beauty industry—traditionally criticised for propagating unrealistic standards—is experiencing a remarkable transformation. Shryoan Cosmetics has launched “True Beauty. Unstoppable You,” a digital movement encouraging women to share their journeys of self-acceptance across Instagram, YouTube, and Facebook.
    “Beauty is about confidence, authenticity, and embracing oneself without fear,” explains Shryoan co-founder and makeup expert Drishti Madnani.The campaign emphasises beauty as a form of self-expression rather than conformity to trends.

    Meanwhile, Glam21’s “Haq Se Haseen” campaign directly confronts beauty stereotypes through a short film featuring three women who confidently break norms—whether by embracing their curves, sporting short hair, or challenging conventional beauty ideals.

    “We want women to own their beauty with pride, free from outdated standards,” says Glam21 marketing head Yuvika Saxena. . The campaign’s name, which translates roughly to “Beautiful by Right,” reinforces that beauty is every woman’s right, not a privilege.

    Taking an even bolder stance, The D-wave has introduced “Untrending Skincare,” rejecting the ephemeral beauty trends that dominate social media in favor of evidenc e-based solutions.

    “The skincare world thrives on fleeting fads that exploit insecurities,” notes The D-wave fonder Deepthi M.R..”Women are bombarded with false promises that lead to frustration rather than results.” The campaign promotes scientific innovations like Phyto Stem Cell Technology that blend biotechnology with natural ingredients for genuine, lasting outcomes.

    Similarly, Clinikally’s “The Skin We Hide” campaign directly addresses the pressure women face to conceal their natural skin. The campaign film follows three women struggling with judgment over acne, dark spots, and natural skin tones, ultimately choosing healing over hiding.

    “This isn’t just a campaign—it’s a movement,” states Clinikally  head of brand marketing Isha Godboley.. “We’re inviting women across India to take control of their skin health with expert guidance.”

    Terribly Tiny Tales (TTT) is taking a refreshingly different approach with “Mud Ke Naa Dekh” (Don’t Look Back), a film celebrating the strength of female friendships. Written and directed by Sonam Nair, it stars Kareema Barry and Aditi Dot as best friends navigating heartbreak, revenge, and self-discovery together.

    “This is more than just a Women’s Day film—it’s a celebration of friendships that shape us, heal us, and remind us of our own strength,” explains Anuj Gosalia, founder and CEO of TTT. It  premiered on 6 March  on TTT’s YouTube channel, the film captures the essence of unwavering female camaraderie in times of crisis.

    Himalaya Wellness is looking beyond celebration to create tangible opportunities through its “1derwoman project.” Partnering with the Royal Challengers Bengaluru women’s cricket team, the initiative offers aspiring female cricketers mentorship and training sessions.

    “Every girl has the potential to be a leader, a changemaker, and a wonder woman in her own right,” says Himalaya Wellness  business director Rajesh Krishnamurthy. “Through the 1derwoman project, we aim to inspire the next generation to dream fearlessly and break barriers.”

    In a similar spirit of recognition, Barbie is honoring five trailblazing Indian women who have shattered stereotypes in their fields: Harmanpreet Kaur (India’s women’s cricket captain), Neeti Mohan (acclaimed singer), Anamika Khanna (fashion designer), Beena Noronha (groundbreaking chef), and Meghna Sakpal (third-generation firefighter).

    Some brands are addressing practical challenges faced by women. YoloBus, in collaboration with AbhiBus (ixigo’s bus division), is launching India’s first women-only intercity bus service on 8 March, starting with the Gurgaon-Chandigarh route. The service will feature a female conductor for additional support, responding to the growing demand for safer travel options.

    “We believe this initiative will set new benchmarks for secure intercity travel, empowering female travelers with greater confidence,” says YoloBus. CEO Sanjay Jadoun. AbhiBus reports a 50 per cent year-on-year increase in solo female traveler bookings, indicating a significant market need.

    The financial sector, traditionally male-dominated, is also making strides. Motilal Oswal Financial Services Ltd. (MOFSL) hosted “Researcher” on 5 March  to honor the top 20 women researchers for their excellence in the field. The event featured a panel discussion titled “Breaking Barriers, Building Legacies: Women Redefining Research,” followed by a masterclass by Raamdeo Agrawal.

    “The financial markets have long been male-dominated, but women are slowly taking their rightful positions,” notes Agrawal, co-founder and chairman of MOFSL. “Through ‘Researcher,’ we aim to inspire more women to step into financial research and shape the future of investing.”

    This initiative comes at a critical time, as new research from Mastercard indicates that Indian women are embracing entrepreneurship at unprecedented rates. Nearly 45 per cent  of Indian women have considered starting their own business, with millennials (46 per cent) and Gen Z (45 per cent) leading the charge.
    The study highlights the top motivators for Indian women venturing into business: pursuing their dreams (51 per cent), seeking better work-life balance (44 per cent), and breaking free from traditional work structures (40 per cent). Interestingly, 46 per cent of Indian women already run a side hustle, with baby boomers (61 per cent ) being the most financially driven to explore additional income streams.

    Women business owners also demonstrate greater optimism than their male counterparts, with 38 per cent expecting revenue increases of over 50 per cent in the next five years, compared to just 20 per cent of men. The preferred industries for women entrepreneurs include education (28 per cent), food and beverage (21 per cent), and e-commerce (16 per cent). .

    As Women’s Day evolves from a single-day celebration to a catalyst for year-round initiatives, brands are recognizing that authentic engagement requires more than surface-level messaging. The most impactful campaigns address real challenges, celebrate women’s multidimensional identities, and create tangible opportunities.

    While challenges remain, this year’s shift toward authenticity, community support, and practical solutions suggests a maturing approach to women’s empowerment in Indian marketing. As consumers increasingly demand meaningful action over empty platitudes, brands that genuinely invest in women’s advancement may find themselves not just winning hearts and minds, but fostering lasting loyalty in an increasingly competitive marketplace.

  • India vs Pakistan clash smashes TV records with 20.6 crore viewers

    India vs Pakistan clash smashes TV records with 20.6 crore viewers

    MUMBAI: There are rivalries, and then there’s this-India vs Pakistan, a battle that grips the subcontinent tighter than a Virat Kohli cover drive. The latest chapter of this age-old sporting saga was played out in the ICC Men’s Champions Trophy 2025, and, surprise, surprise-it shattered television records! JioStar, the broadcaster with a flair for the dramatic, powered the showdown to an eye-watering 20.6 crore TV viewers, making it the second most-watched cricket match in BARC history outside of World Cup games.

    For a match hyped as The Greatest Rivalry by Star Sports since 2021, it sure lived up to its billing. The 23 February contest in Dubai even outperformed the high-stakes India-Pakistan face-off during the ICC Men’s Cricket World Cup 2023 in Ahmedabad, registering an 11 per cent higher TV rating (TVR). With a staggering 2609 crore minutes of TV watch-time logged, it was clear that cricket lovers weren’t just watching-they were glued to their screens as if their remotes had vanished into the couch abyss.

    A JioStar – sports spokesperson, basking in the afterglow of this mammoth success, summed it up, “JioStar is scaling new heights as far as India’s experience of marquee sporting events is concerned. Combining the power of deep consumer focus, immersive storytelling, universalised access and incisive marketing, Star Sports has galvanised the interest in this age-old rivalry. We remain committed to serving fans, deepening fandom and recruiting new cohorts.”

    And if the cricket wasn’t drama enough, the internet exploded when cameras panned to an iconic duo in the stands—former Indian captain MS Dhoni and Indian cinema’s very own Sunny Deol, casually enjoying the match. Because, honestly, what’s an Indo-Pak clash without some cinematic flair? Memes were minted, tweets were fired, and even those who had no idea about the match were suddenly very invested.

    But JioStar didn’t just rely on the match to pull in viewers—it went full throttle with a pre-game content blitz. Star Sports rolled out an engaging line-up of shows, including Thank You Pakistan…Jeetega Hindustan, featuring cricketing legends Navjot Singh Sidhu, Yuvraj Singh, Shahid Afridi, and Inzamam-Ul-Haq. Meanwhile, Follow the Blues documented India’s meticulous preparations, ensuring fans were as hyped as an IPL auctioneer on caffeine. The build-up reached fever pitch on match day, kicking off with Dil Se India at 8:00 am, setting the stage for the epic clash.

    Not to be left out, Oaksmith Cricket Live, Star Sports’ live pre, mid, and post-match show, also enjoyed its moment in the spotlight, drawing in 2.2 crore viewers who tuned in for expert analysis, insights, and, presumably, the occasional hyperbolic cricket metaphor.

    And just when you thought the drama was over, the action is far from done. With Team India still undefeated, the Men in Blue are now set to take on New Zealand in the ICC Men’s Champions Trophy 2025 final on 9 March. With another shot at glory on the line, will India lift another ICC trophy, following their T20 World Cup 2024 triumph? Fans will find out soon enough when coverage kicks off at 8:00 am across the JioStar network.

    Cancel those morning meetings, fake a cough, and restock on beers-cricket fever is about to hit like a Jasprit Bumrah yorker at 150 km/h.

  • Aashirvaad & UP Warriorz pick 22 young stars to train with cricket icons

    Aashirvaad & UP Warriorz pick 22 young stars to train with cricket icons

    MUMBAI: The cricketing future just got brighter for 22 young girls across Uttar Pradesh. ITC Aashirvaad and UP Warriorz successfully wrapped up the Char Kadam Aage Cricket Camp in Lucknow, a first-of-its-kind initiative designed to empower aspiring female cricketers. Over the past month, the programme trained budding talents from 11 districts, culminating in a thrilling grand finale where the best performers were selected to train with UP Warriorz senior players.

    The initiative gave girls aged 10 to 16 a rare opportunity to receive professional coaching, refine their skills, and gain confidence in their cricketing dreams. With batting, bowling, fielding, and fitness drills, alongside interactive sessions like cricket quizzes and freestyle performances, the camp offered a complete learning experience.

    At the grand finale, two outstanding performers from each district were selected in a celebratory event attended by ITC Aashirvaad, UP Warriorz dignitaries, and cricket stars Alana King, Rajeshwari Gaikwad, and Arushi Goel. The 22 winners now have an exclusive opportunity to train under the mentorship of UP Warriorz players and coaches, bridging the gap between grassroots talent and professional cricket.

    The selected winners include Aarna Goswami and Nimisha Dixit from Noida, Vinita Baghel and Vaishnavi Pal from Agra, Riya Bhati and Kinjal Chaudhary from Meerut, Kavyaa Bhandoh and Isra Haq from Kanpur, Shagun Rana and Zafirah Ansari from Saharanpur, Azra Khatoon and Anvesha Yadav from Lucknow, Priya Yadav and Soni Yadav from Varanasi, Deeksha Yadav and Aradhya Singh from Jhansi, Qubba Aziz and Manvi Verma from Bareilly, Guddan Singh and Ananya from Firozabad, and Sanjana Ambedkar and Surbhi Bhatt from Gorakhpur.

    “Aashirvaad is proud to see the tremendous participation received through this program. These young girls have demonstrated incredible commitment and passion towards the sport. We look forward to seeing them move forward as they train with UP Warriorz and pursue their dreams”, said ITC Ltd chief digital marketing officer (CDMO) Shuvadip Banerjee.

    “We are immensely proud of each participant who stepped forward with ambition and determination. The journey doesn’t end here—it’s just the beginning for these young cricketers. We look forward to seeing them grow, excel, and one day, make the nation proud”, added UP Warriorz (Capri Sports) COO Kshemal Waingankar.

    The success of Char Kadam Aage Cricket Camp highlights the growing popularity of women’s cricket in India. With initiatives like these, Aashirvaad and UP Warriorz continue to fuel the rise of female cricketers, ensuring that the next generation steps onto the pitch with confidence, skill, and a shot at greatness.

  • Across Continents and Cultures: ‘Women’s Day Special’on Sony BBC Earth

    Across Continents and Cultures: ‘Women’s Day Special’on Sony BBC Earth

    This March, Sony BBC Earth will present ‘Women’s Day Special’, a contentline-up that will dive into a day of inspiring travel and exploration. Viewers will embark on adventures as celebrated female presenters Sue Perkins and Joanna Lumley guide them through diverse landscapes and cultures. Perkins will navigate the Ganges, explore Japan’s blend of tradition and modernity, and brave treacherous terrains. Lumley will trace the Silk Road, reveal hidden sides of European cities, and uncover the origins of beloved spices.

    ‘Women’s Day Special’ will commence with ‘Joanna Lumley’s Silk Road’, an expansive exploration across continents and cultures. From Venice, Lumley’s eastbound journey will allow viewers to witness the dramatic landscapes of Cappadocia, the architectural wonders of Uzbekistan, and the serene Kyrgyzstan. In ‘The Ganges With Sue Perkins’, Perkins will explore the Ganges, from its sacred Himalayan origin to its vast expanse, revealing modern India. She will meet the people who define the river, including holy men, climate refugees, and pilgrims, showcasing the river’s significance.  

    Following this, ‘Joanna Lumley’s Great Cities Of The World’ will unveil the secret sides of Europe’s major cities. Lumley will explore Paris, Rome, and Berlin, meeting locals and experiencing the cities’ rich and varied cultures. In ‘Japan With Sue Perkins’, Japan’s unique blend of ancient tradition and cutting-edge technology, from Tokyo’s neon streets to remote artisan villages, will reveal a nation balancing its past and future.  

    For adventure enthusiasts, ‘World’s Most Dangerous Roads’ will showcase Sue Perkins taking on extreme challenges, from Alaska’s icy Dalton Highway to the historically perilous Ho Chi Minh Trail. The journey will conclude with ‘Joanna Lumley’s Spice Trail Adventure’, where Lumley will explore the spice trade, uncovering its historical and cultural significance.

    Viewers can tune in to Sony BBC Earth on March 8, 2025, from 09:00 AM onwards, to experience a journey of cultural exploration and adventure with ‘Women’s Day Special’.