Category: Television

  • Polo swings big as ESPN re-ups with GPE and Chris Fowler saddles up

    Polo swings big as ESPN re-ups with GPE and Chris Fowler saddles up

    MUMBAI: When the world of high-stakes horseplay meets polished network sportscasting, you know something’s up. Global Polo Entertainment (GPE), the entertainment arm of USPA Global, has extended its historic relationship with ESPN through 2026, continuing its mission to put polo on prime time and give the sport a much-needed gallop into global relevance.

    In what might just be the classiest team-up since caviar met toast, ESPN will again air top-flight polo events, including the U.S. Open Polo Championship®, the U.S. Open Women’s Polo Championship®, and the Gauntlet of Polo®. These majestic clashes will take place on the U.S. Polo Assn. Stadium Field One. Fans can catch them on ESPN2, ESPNU, ESPNEWS, ESPN.com, and the ESPN App—a regular polo-palooza across platforms.

    To stir the pot further, veteran ESPN broadcaster Chris Fowler has been confirmed to host the 2025 U.S. Open Polo Championship on 20 April. With nearly 30 years under his broadcasting belt, Fowler is no stranger to posh sporting drama. From college football to Grand Slam tennis and the Triple Crown, the man has seen it all—and now, he’s swapping gridirons and clay courts for polo fields.

    “I’ve been a fan of the sport of polo for years, and now I’m excited to be part of the genuine polo experience by hosting the U.S. Open Polo Championship in front of what is expected to be the largest crowd to ever watch the pinnacle of the sport in North America,” said Fowler.

    The expanded ESPN deal builds on the original 2022 agreement that gave polo a long-overdue global push. The partnership has already trotted the sport into millions of households across continents, bringing in fresh fans faster than a thoroughbred out the gate.

    USPA Global president & CEO J. Michael Prince which oversees the multi-billion-dollar U.S. Polo Assn. brand, praised the collaboration, “The addition of Chris Fowler to the U.S. Open Polo Championship broadcast team is a credit to the success of this groundbreaking relationship and serves to further drive the global momentum of the sport around the world.”

    “We believe Chris aligns with the tradition, sophistication, passion, and global reach of our sport!” Prince added.

    But there’s more than just galloping horses and glossy broadcasts. ESPN will also continue airing GPE’s slickly produced 25-minute specials under the award-winning Breakaway: Presented by U.S. Polo Assn. series. Upcoming episodes include Polo in the Palm Beaches, Women in Polo, Polo in College and the royally cheeky Polo in England. These episodes will gallop across international screens via StarSports, beIN Sports, and Times of India.

    USPA chairman Stewart Armstrong echoed the enthusiasm, “The USPA is delighted with the long-term vision of the ESPN relationship and with the recognition polo is receiving from a new fan base around the world by watching polo on ESPN.”

    With the U.S. Open Polo Championship set to be a galloping spectacle, and Fowler at the reins, 2025 might just be the year polo breaks from niche to mainstream. Saddle up, sport fans.

  • Zee Cine Awards goes fans front and centre as Zee’s Sehgal says paying premium is par for the course

    Zee Cine Awards goes fans front and centre as Zee’s Sehgal says paying premium is par for the course

    MUMBAI: The 23 edition of the Zee Cine Awards, in partnership with Maruti Suzuki and centred around the ‘FANtertainment’ theme, isn’t just a red carpet affair—it’s a full-blown fan-fest. From a trophy designed especially for fans to celebrity shoutouts that blur the line between reel and real, the event is shaping up to be a celebration of Hindi cinema’s biggest force: its audience. Scheduled for 17 May at the NSCI Dome in Mumbai, the show promises a turbocharged blend of cinema, stardom and crowd-loving spectacle.

     Zee’s chief growth officer for advertisement revenue Ashish Sehgal, pulled back the curtain on the machinery behind the madness—and the philosophy fuelling this marquee celebration. From crowning fans as the real kings of Hindi cinema to boasting about a reach that spans 200 countries, Sehgal delivered his message with a flair as colourful as a Hindi dance number. It was part corporate spiel, part showbiz sass — and wholly entertaining.

    Sehgal explained how the company handpicks talent for its marquee Zee Cine Awards. The formula is simple: star power meets current relevance. He emphasised that the headliners, from Kartik Aaryan to Jacqueline Fernandez, were chosen for their popularity and what they contributed to cinema in the past year. Aaryan, he noted, is “the most popular star right now”, having attained “superstar status” off a recent mega-hit, while actress Vaani Kapoor brings the “oomph and the glamour” every awards night needs. 

    And in case anyone thought Fernandez’s inclusion — following a quiet spell in the press — was a PR play, Sehgal shrugged it off. “

    We look at talent… we don’t look at their personal lives,” he said, making it clear that only industry impact matters when assembling the show’s roster. Up-and-coming crowd-pullers like Rashmika Mandanna are on the cards too, because giving rising stars the stage is part of the plan. “This stage helps them to popularise,” he added, noting the event keeps even big celebrities humble by reminding them it’s all for the fans.

    Sehgal then switched gears to the awards’ marketing and audience engagement blitz. The mantra this year is unapologetically “fan first”. Zee is pulling out all the stops on promotional content – even transforming its usually staid press conference into a viral spectacle that has already netted “2.5 million views across all platforms.”  And that was just the announcement. 

    The network plans to set up fan interaction booths across the country, literally putting the public in the spotlight. As Sehgal put it, “we are keeping fans ahead of everybody” in this edition. In fact, one new promotional video features A-list actors looking straight at the camera and humbly telling viewers, “boss, you are our Mahibab and you are the one who decides what we are today.”  In other words, the fans aren’t just along for the ride – they’re driving the plot.

    He is equally bullish about sponsor involvement, painting brands as co-stars rather than mere advertisers. Far from just slapping logos on screen, sponsors get woven into the show’s fabric in clever ways. The awards offer “huge tangible benefits beyond advertising,”  Sehgal said, from credibility by association to custom in-show integrations that align with a brand’s ethos. 

    Associating with a glamorous event watched by millions gives companies instant top-of-mind recall and a chance to engage consumers through entertainment. Unlike a film where directors balk at blatant product placements, this live extravaganza has no script constraints. That means a carmaker can sponsor a viewer-voted category or a tech brand can commission a themed act – the kind of opportunity, he suggested, that simply can’t be scripted elsewhere in Indian entertainment.

    Sehgal even bristled at the notion that advertisers are overpaying for all this glitz. When asked if sponsors are charged a hefty premium for visibility during the high-profile event, he quipped that questioning the price is as absurd as questioning cricket’s biggest tournament. 

    “Because the stature of the show itself is such that obviously people will have to pay premium,” he argued, implying Zee Cine Awards is in a league where premium pricing is expected. With production costs running sky-high, he insisted the rates are only natural. “I don’t think… the kind of price they pay is a premium,” Sehgal said bluntly. “I think it is the realistic value” for the massive mileage brands get from the event’s reach. In other words, sponsors aren’t being gouged – they’re getting what they pay for, and then some.

    In true corporate fashion, Sehgal measures success not just in rupees and paise. “We don’t do anything if there is no ROI. But ROI is never only about money,” he noted. He revealed that while the budget for this spectacle is enormous (unsurprisingly, it’s one of Zee’s costliest productions), the returns are equally huge – albeit not all immediate or monetary. 

    The twenty third edition of Zee Cine Awards is now the network’s biggest intellectual property, a status that “has a huge valuation impact on our total valuation of the company,” according to Sehgal. Put simply, beyond the ad slots and sponsorship fees, the show’s real payoff is in burnishing Zee’s brand equity. It’s the “most recognised marquee marketing event” for Zee – essentially the public face of the network – and that halo effect is priceless.

    Sehgal was not shy about what sets Zee’s awards apart from rivals like Filmfare or IIFA either. He reminded us that Zee Cine Awards was the first in the industry “to pioneer the Viewer’s Choice Award,” giving the public a say in the winners long before others caught on. Now that competitors have imitated this democratisation of awards, Zee is upping the ante with its fan-centric twist. 

    “We have anyway created that uniqueness”, he said, comparing other ceremonies to simply “playing awards” while “we are about fans and we are also keeping their choices in mind.” Another bragging right is pure reach. 
    Thanks to Zee’s sprawling broadcast empire, this show will be simulcast on 19 channels – including Zee TV, Zee Cinema and streaming platform Zee5 – blanketing an unrivalled 200 countries. No other award show, he boasted, can match that footprint. It’s a distribution coup that turns a one-night Hindi cinema party into a global viewing event.

    And as for what new surprises or innovations audiences can expect in future editions? On that, Sehgal played coy. “Well, that you will see on screen,” he chuckled, declining to spoil any plans.

    In classic showman style, he’s keeping those cards close to his chest. For now, one thing is certain: Zee is pulling out all the stops for this year’s awards show – and the fans, as they say, are truly running the show.

  • WPBL hands Charlotte Whitby-Coles the COO paddle to power season two

    WPBL hands Charlotte Whitby-Coles the COO paddle to power season two

    MUMBAI: Pickleball just served up its biggest move yet, and no, it’s not another spin shot. The World Pickleball League (WPBL), fresh off a roaring inaugural season in Mumbai, has appointed Charlotte Whitby-Coles as its new chief operating officer. And let’s just say, the league isn’t volleying this one lightly.

    On 24 March 2025, WPBL announced Charlotte’s elevation in what it called a strategic move to capitalise on her behind-the-scenes brilliance during season one. She was the silent ace—scouting talent, managing players, and making sure the chaos stayed charming. With 17 years running a tennis and pickleball academy in Panchgani, a background in U18 and collegiate tennis in the UK, and a career that juggles sports, film production, and academia, Charlotte brings a multi-hyphenate punch to the role.

    “Charlotte has brought tremendous value to WPBL, ensuring our first season delivered on its promise of top-tier pickleball action on the court and unmatched entertainment off it. Her career spans multiple fields, including sports and entertainment, with extensive experience in tennis, pickleball, film production, and academia. This unique, holistic perspective makes her the ideal choice to lead WPBL to even greater heights. Women make up 40 per cent of the pickleball community of India and throughout the world and are an integral part of the sport. We are committed to integrating more women into every aspect of pickleball, and having Charlotte taking on leadership role in the WPBL is reflective of how we can achieve this goal and promote the inclusion of women in the sport,” said WPBL co-founder & CEO Gaurav Natekar.

    As COO, Charlotte will now steer strategy, operations, production, and execution as WPBL sets its sights on an even bigger and bolder second season. The league wrapped up its inaugural run from 24 January to 2 February, with international talent gracing the courts and Bengaluru Jawans taking the championship crown.

    Reflecting on her appointment, Charlotte said, “I have known Gaurav and Arati for a long time now and we share a great respect for each other as friends and professionals. I have witnessed at close quarters their impressive ability to execute their vision and ideas successfully, and the grand scale of season one was testament to that. The journey so far has been amazing, so the decision to accept this new role was an easy one. I am truly grateful and honoured for the opportunity and trust bestowed upon me and I look forward to working with Gaurav and Arati and the whole team at WPBL to make season two even bigger and better.”

    With 40 per cent of the global pickleball community made up of women, WPBL’s decision to place Charlotte at the helm isn’t just strategic—it’s symbolic. It’s a clear nod to inclusivity, vision, and a future that rallies more women into leadership, both on and off the court.

  • Hivoco kicks off with a bang as football legends face off in India

    Hivoco kicks off with a bang as football legends face off in India

    MUMBAI: In a country where cricket hogs the spotlight, football just pulled a cinematic comeback. And no, this isn’t another grassroots league. We’re talking Real Madrid Legends vs Barcelona Legends—on Indian turf. Add some tech razzle-dazzle from Hivoco Studios, and fans are now one quiz away from swapping couch commentary for pitchside selfies with global icons.

    On 24 March 2025, Hivoco Studios, a content-tech brainchild, announced its role as the official tech partner for the India leg of this much-hyped football clash. Teaming up with The Sports Front, it launched the ‘Legends FaceOff Game’—a digital contest designed to separate armchair pundits from actual football whizzes. The top five scorers with the fastest fingers win golden tickets to the 6 April mega-match at Navi Mumbai’s DY Patil Stadium. And if that isn’t spicy enough, they also get to meet the legends themselves.

    “With the Real Madrid Legends vs Barcelona Legends match happening in India, we are witnessing a new era for football in the country. The massive fan following and the rapid growth of the sport here are truly inspiring. Our partnership with Hivoco Studios has enabled us to create unique, interactive experiences like the Legends FaceOff Game, giving fans not just a game, but a chance to be part of history,” said The Sports Front CEO & co-founder John Zaidi.

    Hivoco Studios founder & CEO Pritesh Chothani didn’t hold back on the fanfare, “At Hivoco, we are driven by a passion to fuse technology with real-world experiences. The opportunity to be a part of this historic Real Madrid Legends vs Barcelona Legends match in India is incredibly exciting. Our innovative tech solutions, exemplified by the Legends FaceOff Game, are designed to captivate and engage football fans by bringing them closer to the game. We are proud to offer fans a once-in-a-lifetime chance to win tickets and meet the legends—a true celebration of football’s spirit and the growing enthusiasm for the sport in India. This is just the beginning; we have many more exciting products in the pipeline to elevate the fan experience further.”

    With India’s football fandom ballooning by the minute, this match is more than a nostalgia trip. It’s a signal that the sport means business here. Organised by The Sports Front, the 6 April clash promises a night of drama, brilliance and bruised egos. Hivoco is ready with more fan-tech marvels to fuel that fire.

    Meanwhile, Zomato District handles ticketing, HSBC manages banking, and JioHotstar brings the spectacle to screens. With this team sheet, even Bollywood would struggle to script it better.

  • Guru Randhawa strikes the right chord with Warner Music India deal

    Guru Randhawa strikes the right chord with Warner Music India deal

    MUMBAI: Guru Randhawa is hitting all the right notes as he embarks on a new musical journey with Warner Music India, marking a landmark partnership that promises to take his artistry to the next level. With a fresh creative direction and new management led by Gurjot Singh of BeingU Studios, the Punjabi pop icon is set to drop his highly anticipated studio album, Without Prejudice, later this year.

    Packed with nine electrifying tracks, Without Prejudice fuses Afropop with Indian pop, delivering a genre-defying experience. Fans can expect bangers like Snapback, Sirra, New Age, Qatal, From Ages, Jaaneman, Kithe Vasde Ne, Surrey Connection, and Gallan Battan, the latter set to drop on 28, March 2025, alongside its music video. The album will also feature exciting collaborations with artists like Zehr Vibe, NSeeB, Bob.B Randhawa, Kiran Bajwa, and Prem Lata.

    Speaking about his evolution as an artist, Guru Randhawa shared, “This album is about breaking barriers and embracing fresh sounds. I want to connect with a global audience while staying true to my roots. With Warner Music India by my side, I’m ready to create something truly special.”

    Warner Music India managing director Jay Mehta stated, “Guru Randhawa has been instrumental in bringing Punjabi music to a global stage. This album marks an exciting new phase in his journey, and we’re committed to supporting his artistic vision while helping him build a well-rounded brand.”

    As one of India’s most influential music exports, Randhawa has amassed over eight million monthly Spotify listeners and more than 14 billion streams across platforms. Known for crafting chart-topping anthems, his music transcends borders, cementing him as a true global force.

    With Without Prejudice, Guru Randhawa isn’t just dropping an album he’s making a statement. And with Warner Music India backing his vision, the world is about to hear him louder than ever.

  • Boat amplifies T20 excitement as official audio partner for RCB and GT

    Boat amplifies T20 excitement as official audio partner for RCB and GT

    MUMBAI: Boat, has strengthened its ties with cricket by renewing its partnership with Royal Challengers Bengaluru (RCB) and Gujarat Titans (GT) as their official audio and wearables partner for the T20 season.

    This collaboration reinforces boat’s dedication to elevating the fan experience, combining advanced technology with the thrill of the game. With high-quality audio devices and smart wearables, boat ensures every cheer, boundary, and thrilling moment resonates with crystal-clear sound.

    Boat co-founder & CMO Aman Gupta said, “We celebrate fandom in its purest form. Our association with RCB and GT is about making every match more immersive—every chant louder, every victory sweeter. With the best in audio and wearables, we are here to enhance the cricket experience.”

    By uniting with two of T20’s most exciting teams, boat continues to strengthen its connection with cricket enthusiasts, ensuring the energy of the sport extends far beyond the stadium and into everyday life.

  • One Life Studios brings in syndication veteran Govind Shahi as strategic advisor to sharpen global playbook

    One Life Studios brings in syndication veteran Govind Shahi as strategic advisor to sharpen global playbook

    MUMBAI: In a plot twist worthy of its own primetime drama, One Life Studios has just cast a syndication superstar in a key behind-the-scenes role. The content licensing and syndication powerhouse has brought on board industry heavyweight Govind Shahi as strategic advisor. And no, this isn’t just another boardroom shuffle—it’s a strategic power move with its eyes on the global prize.

    Announced on 24 March 2025, the appointment comes as One Life Studios doubles down on its mission to take Indian storytelling to far-flung corners of the globe. With a legacy of distributing epic serials like Mahabharat, Porus and RadhaKrishn, the company is already India’s leading ambassador of mythological multiverses.

    Shahi, previously international business head at Viacom18’s Indiacast, knows the international syndication game like the back of his remote control. Under his watch. And now, with Shahi in the driver’s seat, One Life Studios plans to fast-track its global conquest.

    “At One Life Studios, our mission has always been to take powerful Indian stories to the world while curating exceptional global content for Indian audiences. Govind’s deep understanding of international markets and his strategic expertise make him the perfect partner to help us accelerate this vision. We are excited to have him join us as we continue to push boundaries and bring great stories to viewers everywhere,” said One Life Studios CEO & founder Siddharth Kumar Tewary.

    Clearly, the company isn’t looking to paint by numbers. With a robust content library featuring short films, infotainment, movies, digital and television shows, One Life Studios has been building a content arsenal since 2017 that could rival any OTT behemoth.

    Shahi, in his new role, stated: “I am excited to collaborate with the team at One Life Studios. As the company expands its boundaries and enters a further growth phase, my focus will be on leveraging my experience to elevate its global presence and accelerate expansion into emerging markets, forging key partnerships. I look forward to bringing the studio’s creative vision to international audiences and pioneering new standards in the industry.”

    If the strategy pans out, this won’t just be a boost for One Life Studios—it’ll be a win for Indian storytelling across continents. With the global content bazaar more crowded than a Mumbai local, this is a well-timed wicket.

    With Shahi’s appointment, One Life Studios is eyeing expansion with a sharper, savvier playbook. Acquiring, licensing, and distributing premium content isn’t just their business model—it’s their battleground. And now, with a seasoned general on board, they’re ready to win the next global content war.

  • Tennis ventures into murky waters as power struggle between WTA, ATP & Grand Slams intensifies

    Tennis ventures into murky waters as power struggle between WTA, ATP & Grand Slams intensifies

    MUMBAI: The ATP and WTA tours have served up a bold proposal to tennis’s four Grand Slams that would unite the sport’s fractured ecosystem under one corporate umbrella, only to be met with a terse rejection that leaves the future of the sport in a state of limbo.

    In a 23-page pitch presented last week, ATP chairman Andrea Gaudenzi and WTA chief Steve Simon outlined a sweeping reform package to address tennis’s fragmented structure and financial inequities. The timing couldn’t be more fraught, coming just as the Professional Tennis Players Association (PTPA) co-founded by Novak Djokovic  unleashed a legal volley against the sport’s governing bodies, accusing them of “anti-competitive practices and a blatant disregard for player welfare”.

    The tours’ proposal envisions creating a new entity called Tennis Ventures that would combine the commercial interests of the ATP, WTA and the four Grand Slams. While the majors would maintain control of their domestic media rights, international rights would be packaged together to maximize bargaining power.

    “It all starts with top players at premium events—driving rivalries and elevating the sport’s biggest stages,” the proposal states, advocating for a streamlined calendar featuring four Grand Slams, 10 ATP Masters 1000 events and 10 WTA 1000 events.

    But the Grand Slams, who contribute over 50 per cent of tennis’s estimated $2.2 billion annual revenue, have returned a withering response. “Whilst we appreciate the time and effort you have put in to articulating your position, it fails to adequately address the essential issues we have repeatedly raised,” they wrote in an eight-paragraph letter.

    The majors prefer a more radical pruning of the tennis calendar, cutting from 118 tournaments to around 30 elite events with a substantially longer off-season. Their priorities include creating what they call a “premium product” that would be easier for fans to follow—and conveniently give even more prominence to their already dominant events.

    A particularly sticky point is governance. The proposed board structure would give the four Grand Slams just three representatives, a notion that reportedly landed with all the grace of a double fault. One insider familiar with the majors’ thinking described the tours’ proposal as “essentially no different to what we have already”.
    At the heart of the dispute lies the age-old question of money. Currently, player prize money at Grand Slams represents just 15 to 20 per cent of tournament revenue—a stark contrast to major American sports leagues, where players receive closer to 50 per cent.

    Gaudenzi and Simon aim to address this disparity through “a profit-sharing model where players and tournaments share in new value created,” including bringing the cash-rich Grand Slams into the bonus pool system that already exists at lower-tier events.

    “This is ultimately about creating a sustainable ecosystem,” the tours’ document states. “Where players have transparency over the financials. Where your wins are their wins.”

    But with the PTPA now lobbing legal challenges on three continents and the Grand Slams holding firm, tennis seems destined to remain a house divided against itself. As the majors curtly concluded in their rejection letter: “Until you feel able to commit to a vision and a plan with respect to these core issues it is difficult to see how our discussions can continue”.

    The ball, it seems, is once again in nobody’s court.

  • Toonz and 1st Place draw up anime alliance to counter Japan’s talent drought

    Toonz and 1st Place draw up anime alliance to counter Japan’s talent drought

    MUMBAI: India’s Toonz Media group and Japan’s 1st Place have sketched out a strategic partnership on the fringes of Hong Kong Filmart, aiming to quench the world’s thirst for anime content while addressing Japan’s creative talent crunch.

    The tie-up comes as streaming giants, gaming moguls and entertainment behemoths scramble for fresh anime fodder, leaving Japan’s traditional animation houses gasping for artistic air.

    “There is already a significant talent shortage in Japan for anime production,” admitted 1st Place founder and president Kumiko, without a hint of artistic licence. “This strategic partnership with Toonz will help us bridge that gap by expanding our production capacity.”

    The artistic marriage melds Toonz’s 25-year animation pedigree and production muscle with 1st Place’s flair for anime storytelling, music production and 3D computer-generated wizardry.

    “At Toonz, we continuously seek new creative frontiers,” expounded Toonz Media group CEO P. Jayakumar, whose past dalliances include teaming up with Marvel on Wolverine and the X-Men and with Lionsgate on Speed Racer: The Next Generation.

    The Indian animation outfit views the partnership as a chance to colour itself into the booming anime picture, while Tokyo-based 1st Place brings 20 years of developing original intellectual property to the drawing board. The Japanese firm has previously orchestrated theme songs and soundtracks for anime tearjerker Clannad After Story and supernatural romp Angel Beats!

    Both firms hope their cross-continental coupling will create a sustainable anime ecosystem capable of delivering eye-popping content to worldwide audiences without succumbing to the industry’s capacity constraints—a picture-perfect solution to a most animated problem.

  • Brands of Tomorrow returns with season three, showcasing India’s rising entrepreneurs

    Brands of Tomorrow returns with season three, showcasing India’s rising entrepreneurs

    MUMBAI: The third season of Brands of Tomorrow is now streaming on JioCinema and Disney+ Hotstar, offering an inside look at India’s next wave of entrepreneurial talent. The series showcases 21 emerging brands and the vision of 35 founders driving their growth through innovation and resilience.

    Spanning diverse sectors, the new season features businesses in technology, real estate, fintech, edtech, food and beverage, direct-to-consumer (D2C), electric vehicles, and sustainability. Notable companies include Aaseya, Ctruh, and Sundew in technology; Ravetkar Group and ASBL in real estate; and Stoxkart in fintech. The edtech segment highlights Interval Learning, College Vidya, and Academically, while Burger Singh, Chalu Chinese, Basil, Harajuku, and TBC represent the food and beverage space. D2C brands include Shobitam, Yes Madam, Sleepycat, Miraggio, and Campus Sutra. Statiq features in the electric vehicle category, with Lead Reclaim spotlighting sustainability efforts.

    Through in-depth storytelling, the series captures the challenges, milestones, and strategic pivots that have shaped these ventures. It offers viewers a rare glimpse into the entrepreneurial journey, exploring the bold decisions and creative solutions behind these rising brands.

    Founder of Brands of Tomorrow Suchayan Mandal shared, “This season celebrates the remarkable individuals who are transforming industries and redefining India’s economic landscape. Their stories of risk, determination, and ingenuity will inspire viewers and future entrepreneurs alike.”